Shinsui Itō was the pseudonym of a Nihonga painter and ukiyo-e woodblock print artist in Taishō- and Shōwa-period Japan. He was one of the great names of the shin-hanga art movement, which revitalized
Itō Shinsui circa 1954
The Fragrance of a Bath (1930)
In the garden of Itō Shinsui’s Tokyo home. Left to right, back row: Moriyama Tesutaro (assistant to publisher Watanabe); Kawase Hasui, collector Robert O. Muller, Inge Muller, Itō Yoshiko and Itō Shinsui. Left to right, front row: Kasamatsu Shirō and publisher Watanabe Shōzaburō, April 1940
Shin-hanga was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized the traditional ukiyo-e art rooted in the Edo and Meiji periods. It maintained the tra
Shinsui Itō
…1972) was the pseudonym of a Nihonga painter and ukiyo-e woodblock print artist in Taishō- and Shōwa-period Japan. He was one of the great names of the shin-hanga art movement, which revitalized the traditional art after it began to decline with the advent of photography in the early 20th century. His real name…
Yokugo no onna (Woman at Her Bath), by Hashiguchi Goyō (published Feb. 1916). One of the first shin-hanga published by Watanabe Shozaburo.
Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926)
Shiba Zōjōji, by Kawase Hasui (1925)
Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935)