Martin Lee Gore is an English songwriter, guitarist, record producer, DJ. He is its primary songwriter. Gore is the band's keyboardist and guitar player, contributes backing vocals, provides lead vocals. In 1999, Gore received the Ivor Novello Award from the British Academy of Songwriters and Authors for "International Achievement". Martin Lee Gore was born in Essex in England. Gore's biological father was an African American G. I. stationed in Britain. Gore was raised by biological mother, he believed his stepfather was his biological father until age 13, when he learned of his biological father. As an adult, Gore met his biological father in the American South, he took a job as a bank cashier. During evenings and any other spare time, he was involved with the local band Norman and the Worms with school friend Phil Burdett who went on to become a singer/songwriter himself. Gore has two younger half-sisters, born in 1967, Jacqueline, born in 1968. In 1980, Gore met Andy "Fletch" Fletcher at the Van Gogh club.
Fletcher recruited Gore into his band Composition of Sound along with Vince Clarke. Soon the band drafted Dave Gahan to be the lead singer after hearing him sing "Heroes" by David Bowie. Gahan is credited with the name "Depeche Mode" after seeing the phrase as a title of a French fashion magazine, which considered taking them to court, but thought it would be good publicity for the magazine to let the band have the name. Clarke left Depeche Mode in late 1981, shortly after the release of their debut album Spell. Clarke wrote most of the album, with Gore contributing two tracks, "Tora! Tora! Tora!" and the instrumental "Big Muff". "Any Second Now" features Gore's first lead vocals for the band. Gore sings lead vocals on several of the band's songs, notably ballads, his tenor voice providing a contrast to Gahan's dramatic baritone; when Clarke announced his departure from Depeche Mode in 1981, Gore became the principal songwriter for the band. Gore had been writing material since the age of 12. Songs Gore wrote for Depeche Mode's second album, A Broken Frame differed musically and lyrically from Clarke's.
Gore's writing became darker and more political on subsequent Depeche Mode albums. Gore sometimes plays guitar on Depeche Mode songs; the first time guitar was used as the main instrument was on "Personal Jesus", although he used small guitar parts on previous songs, such as "Behind the Wheel" and "Love, in Itself". Gore's guitar playing developed more on Songs of Faith and Devotion. However, in live performances, he switches his keyboards for his guitar on some older Depeche Mode songs, such as "Never Let Me Down Again" and "A Question of Time". In mid-1990, Gore said, "I think in a way. Gore lives in California, he started dating lingerie designer and model Suzanne Boisvert after meeting in Paris in 1989. They married in August 1994, he has three children with Boisvert: daughter Viva Lee Gore, daughter Ava Lee Gore, son Calo Leon Gore. Gore and Boisvert divorced in 2006. Gore married Kerrilee Kaski in June 2014. On 19 February 2016, Kaski gave birth to a baby girl named Johnnie Lee, his fourth child.
On 13 March 2017, she gave birth to their second daughter named Mazzy Lee, Martin Gore's fifth child. Gore suffered from stress-induced seizures during the band's 1993 Devotion tour, he has publicly acknowledged his past alcoholism. Gore became a vegetarian for health and moral reasons in 1983. Ssss Former Depeche Mode colleague Vince Clarke collaborated with Gore for the first time since 1981 as techno duo VCMG on an instrumental minimalist electronic dance album called Ssss, released on 12 March 2012; the first EP entitled Spock was first released worldwide on Beatport on 30 November 2011. The second EP Single Blip was once again first released on Beatport on 20 February 2012, their third EP Aftermaths was released on 20 August 2012. In late February 2015, several teaser images were displayed on Martin Gore's official Facebook page, citing a hashtag "MGxMG", revealed to be a promotional tool for his new solo studio album, titled MG. In a news post on his official website and various social media on 2 March, this confirmation of his new studio album announced its release would be on 27 or 28 April and previewed a track, Europa Hymn, from the new album.
Gore played keyboard on two tracks by Annette & Inga Humpe, called "Happiness Is Hard to Take" & "Don't Know Where I Belong" from their 1985 album Humpe Humpe He played guitar on the Gwen Stefani song "Wonderful Life" on her 2006 album The Sweet Escape. Gore collaborated on the band Onetwo's track "Cloud Nine" by playing the guitar and as songwriter of the song, which can be found on their 2007 album called Instead. In 2010, Tim Simenon's Bomb the Bass album Back to Light was published, which contains the instrumental "Milakia", co-written by Martin Gore during the Ultra sessions. Gore played synthesiser on the track. Compact Space's album Nameless includes the track "The Unstoppable Collision" with Gore on guitar. Compact Space is formed by Depeche Mode's collaborators Christian Eign
People Are People (album)
People Are People is a Depeche Mode compilation album released in North America by Sire Records on 2 July 1984. Sire sensed it needed a new approach in its release policy since the band's 1983 effort Construction Time Again had failed to chart in the US. Two of the nine tracks were new to the American audience: the latest single "People Are People" and "Now, This Is Fun", the B-side of the non-American 7" "See You", it was the first time that the 7" versions of "Leave in Silence" and "Get the Balance Right!" were released in the United States. The album version of "Love, in Itself" was selected for this compilation, but with a "clean" ending, since on Construction Time Again the track fades into "More Than a Party"; the album was released in July 1984 to little notice. It re-entered the charts and sold better, when the title track became a summer hit in 1985; the album was certified Gold by the RIAA for shipments of half a million copies. Its success led to the release of yet another compilation album in late 1985: Catching Up with Depeche Mode.
The album was released on LP and CD with the band name and album name missing from the album cover. These names were added to the covers for re-releases. A poster for the album appears on the bedroom wall toward the end of John Hughes's Weird Science. Allmusic were mixed in their reception to the album, rating the album two and a half stars out of five. All songs written by Martin Gore, except for ` Work Hard', written by Alan Wilder. All songs sung by David Gahan, except'Pipeline', sung by Martin Gore. Album information from the official Depeche Mode web site
The Delta Machine Tour
The Delta Machine Tour was a worldwide concert tour by English electronic music band Depeche Mode in support of the group's 13th studio album, Delta Machine, released 22 March 2013. Following a warm-up show in Nice, France on 4 May 2013, the tour kicked off in Tel Aviv and continued through Europe until late July. A North American tour followed in late August, beginning in the Detroit suburb of Clarkston and culminating in Austin, Texas in early October; the band performed at the Austin City Limits Music Festival, which in 2013 was held across two weekends for the first time. A second leg in Europe went from 3 November Abu Dhabi to 7 March 2014 Moscow. Among the dates were Dublin, Amsterdam and Belfast, their first shows in Northern Ireland in 30 years; the 25 and 27 November 2013 nights in Berlin were filmed by Anton Corbijn and recorded for the CD/DVD release Depeche Mode Live in Berlin, released 17 November 2014. The Delta Machine Tour is the 9th highest-grossing tour of 2013. Reviews of the tour have been mixed.
A review of the 7 May show in Tel Aviv was positive, citing an excited crowd and a strong performance from lead singer Dave Gahan "who held the crowd in sway the whole time with his deep baritone and slow-grind dance moves." A review of the 9 July show in Switzerland was negative, saying "Depeche Mode fans deserve something better." The show was well-attended, but the performance itself was reviewed poorly due to "mundane" backing videos, a lack of stage props and reliance on Dave Gahan, described as "Freddie Mercury reincarnated as a seahorse." The review rates the show 2 stars out of 4. A review of the 27 July show in Vilnius was positive, starting from the title "Crowd of Many Thousands Raged at Depeche Mode's Concert" and emphasizing the crowd's excitement during "Enjoy The Silence", "Personal Jesus", "Just Can't Get Enough", "I Feel You" and "Never Let Me Down Again". A review of the 20 September show in Dallas praised Dave's vocals, saying "Gahan's oily baritone is the firm anchor for Depeche Mode's sleek, rhythmic songs, which came across more nuanced and vibrant than might be expected in a live setting."
A review of the 8 October show in Phoenix was positive for both Dave and Martin, saying "As brilliant a job as Gahan does at making the spotlight feel wanted, the concert retained its momentum when he left the stage, allowing Gore an opportunity to be the front man." Dave Gahan – lead vocals Martin Gore – guitar, synthesizers and backing vocals Andy Fletcher – synthesizers Peter Gordeno – synthesizers, bass guitar, backing vocals Christian Eigner – drums, synthesizers
Where's the Revolution
"Where's The Revolution" is a song by English electronic band Depeche Mode from their fourteenth studio album Spirit. It was released as the album's first single on 3 February 2017, on the 20th anniversary of "Barrel of a Gun"; the cover art was designed by Anton Corbijn. The single was premiered on the Polish radio Trójka - Polskie Radio Program III at midnight on 3 February; the song was premiered audio-only on YouTube. A dystopian-themed black-and-white music video was released a week on 9 February; the music video, as well as the animated visuals with flying flags and marching boots for the audio-only video, were directed and designed by Anton Corbijn. The song is available as digital download from iTunes, it is available as a 5-track CD Single, as a double vinyl and as an exclusive 7" vinyl promotional release in the April edition of the German music magazine Musik Express, with a live version of a Delta Machine song "Should Be Higher" as B-side. Digital download"Where's The Revolution" – 4:59CD single / digital download"Where's The Revolution" – 4:59 "Where's The Revolution" – 8:36 "Where's The Revolution" – 4:55 "Where's The Revolution" – 6:23 "Where's The Revolution" – 4:17Double LP Vinyl single"Where's The Revolution" – 4:17 "Where's The Revolution" – 6:28 "Where's The Revolution" – 3:28 "Where's The Revolution" – 8:46 "Where's The Revolution" – 4:20 "Where's The Revolution" – 8:45 "Where's The Revolution" – 6:34 "Where's The Revolution" – 6:57 "Where's The Revolution" – 8:20 Martin Gore – composer, lyrics James Ford – drums, producer Matrixxman – programming Kurt Uenala – programming Jimmy Robertson – engineer, mixer Connor Long – assistant engineer Oscar Munoz – assistant engineer David Schaeman – assistant engineer Brendan Morawski – assistant engineer, mix assistant Brian Lucey – masteringCredits adapted from Qobuz.com Single information from the official Depeche Mode web site Lyrics of this song at MetroLyrics
Alan Charles Wilder is an English musician, arranger, record producer, a former member of the electronic band Depeche Mode from 1982 to 1995. Since his departure from the band, the musical project called Recoil became his primary musical enterprise, which started as a side project to Depeche Mode in 1986. Wilder has provided production and remixing services to the bands Nitzer Ebb and Curve, he is a classically trained musician. Alan Charles Wilder was raised in Acton, West London, he began piano through the encouragement of his parents. On, he learned the flute at St Clement Danes grammar school and became a leading musician in his school bands. After school, Alan worked as a studio assistant at DJM Studios; this led to him ending up working for bands such as The Dragons and the Tenderspots, Real to Real, The Hitmen, The Korgis, appearing on the UK No. 13 single "If I Had You". Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker: "Keyboard player needed for established band – no timewasters."
Though the ad was looking for someone under 21 he lied about his age to get the job, got away with it. He joined Depeche Mode in January 1982 as a tour keyboardist, soon thereafter as a full member of the recording band. Wilder wrote a handful of songs for Depeche Mode, including "Two Minute Warning" and "The Landscape Is Changing" from the album Construction Time Again, "If You Want" from the album Some Great Reward and co-wrote "Black Day" from the album Black Celebration. However, Wilder's more notable contributions to Depeche Mode were as a musician and producer. In addition to playing synthesizer throughout his time with Depeche Mode, Wilder played piano on the band's signature ballad "Somebody," and oboe on the band's hit anthem, "Everything Counts." In the documentary film 101, Wilder demonstrates how different synthesizer parts of a song are split and arranged across a sampling keyboard for playing them live during the concert, just one small example of Wilder's ongoing contributions to Depeche Mode during his time as a member of the group.
For the recording of the album Songs of Faith and Devotion and its corresponding Devotional Tour Wilder played live drums. For "Enjoy the Silence" from the album Violator, Wilder took Martin Gore's melancholy ballad-esque demo and re-envisioning the song as a percolating, melodic dance track; the resulting single went on to become one of the most commercially successful songs in Depeche Mode's history. On 26 June 1995, Wilder announced his departure from Depeche Mode: "Due to increasing dissatisfaction with the internal relations and working practices of the group, it is with some sadness that I have decided to part company from Depeche Mode. My decision to leave the group was not an easy one as our last few albums were an indication of the full potential that Depeche Mode was realizing. Since joining in 1982, I have continually striven to give total energy and commitment to the furthering of the group's success and in spite of a consistent imbalance in the distribution of the workload, willingly offered this.
Within the group, this level of input never received the respect and acknowledgement that it warrants. Whilst I believe that the calibre of our musical output has improved, the quality of our association has deteriorated to the point where I no longer feel that the end justifies the means. I have no wish to cast aspersions on any individual. Given these circumstances, I have no option, it seems preferable therefore, to leave on a relative high, as I still retain a great enthusiasm and passion for music, I am excited by the prospect of pursuing new projects. The remaining band members have my support and best wishes for anything they may pursue in the future, be it collectively or individually."After his split from Depeche Mode, Wilder was approached by Robert Smith with an offer to join The Cure. Wilder respectfully declined. According to Wilder himself, the possibility was offered on behalf of The Cure by Daryl Bamonte, he declined as joining another band was the last thing on his mind, he reunited with Depeche Mode during the Teenage Cancer Trust concert at the Royal Albert Hall in London on 17 February 2010, enjoyed a rapturous reception.
During the encore, Wilder accompanied Martin Gore on piano for "Somebody". Gore played a DJ set on one of Recoil's Selected Events. In 2011, Wilder provided two mixes for the Depeche Mode track "In Chains". Recoil began in 1986 as a two-track experimental EP. Entitled 1 + 2, this collection of primitive demos caught the attention of Mute Records label boss Daniel Miller and was inconspicuously released as a mini-album on 12" vinyl. An album, soon followed in 1988 and both were re-issued by Mute on CD as Hydrology plus 1 + 2. Wilder described the project at the time as "an antidote to Depeche Mode. Wilder found himself back in the studio to record what would become the most successful Depeche Mode album to date, Violator, it wasn't until the band allowed themselves
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has varying roles during the recording process, they may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements. A producer may also: Select session musicians to play rhythm section accompaniment parts or solos Co-write Propose changes to the song arrangements Coach the singers and musicians in the studioThe producer supervises the entire process from preproduction, through to the sound recording and mixing stages, and, in some cases, all the way to the audio mastering stage; the producer may perform these roles themselves, or help select the engineer, provide suggestions to the engineer. The producer may pay session musicians and engineers and ensure that the entire project is completed within the record label's budget.
A record producer or music producer has a broad role in overseeing and managing the recording and production of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, composing the music for the project, selecting songs or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, supervising the entire process through audio mixing and, in some cases, to the audio mastering stage. Producers often take on a wider entrepreneurial role, with responsibility for the budget, schedules and negotiations. Writer Chris Deville explains it, "Sometimes a producer functions like a creative consultant — someone who helps a band achieve a certain aesthetic, or who comes up with the perfect violin part to complement the vocal melody, or who insists that a chorus should be a bridge. Other times a producer will build a complete piece of music from the ground up and present the finished product to a vocalist, like Metro Boomin supplying Future with readymade beats or Jack Antonoff letting Taylor Swift add lyrics and melody to an otherwise-finished “Out Of The Woods.”The artist of an album may not be a record producer or music producer for his/her album.
While both contribute creatively, the official credit of "record producer" may depend on the record contract. Christina Aguilera, for example, did not receive record producer credits until many albums into her career. In the 2010s, the producer role is sometimes divided among up to three different individuals: executive producer, vocal producer and music producer. An executive producer oversees project finances, a vocal producers oversees the vocal production, a music producer oversees the creative process of recording and mixings; the music producer is often a competent arranger, musician or songwriter who can bring fresh ideas to a project. As well as making any songwriting and arrangement adjustments, the producer selects and/or collaborates with the mixing engineer, who takes the raw recorded tracks and edits and modifies them with hardware and software tools to create a stereo or surround sound "mix" of all the individual voices sounds and instruments, in turn given further adjustment by a mastering engineer for the various distribution media.
The producer oversees the recording engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as "the person who creatively guides or directs the process of making a record", like a director would a movie. Indeed, in Bollywood music, the designation is music director; the music producer's job is to create and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will develop an overall vision for the album and how the various songs may interrelate. At the beginning of record industry, the producer role was technically limited to record, in one shot, artists performing live; the immediate predecessors to record producers were the artists and repertoire executives of the late 1920s and 1930s who oversaw the "pop" product and led session orchestras. That was the case of Ben Selvin at Columbia Records, Nathaniel Shilkret at Victor Records and Bob Haring at Brunswick Records.
By the end of the 1930s, the first professional recording studios not owned by the major companies were established separating the roles of A&R man and producer, although it wouldn't be until the late 1940s when the term "producer" became used in the industry. The role of producers changed progressively over the 1960s due to technology; the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously. All of these singers and musicians had to be assembled in a large studio where the performance was recorded. With multitrack recording, the "bed tracks" (rhythm section accompaniment parts such as the bassline and rhythm guitar could be recorded first, the vocals and solos could be added using as many "takes" as necessary, it was no longer necessary to get all the players in the studio at the same time. A pop band could record their backing tracks one week, a horn section could be brought in a week to add horn shots and punches, a string section could be brought in a week after that.
Multitrack recording had another pro
Dave Gahan is an English singer-songwriter, best known as the lead singer of the electronic band Depeche Mode since their debut in 1980. Q magazine ranked Gahan No. 73 on its list of the "100 Greatest Singers" and No. 27 on its list of "The 100 Greatest Frontmen". Gahan is known for his "commanding presence on stage" and his "huge, deep baritone voice". Although his bandmate Martin Gore continues to be the main songwriter for Depeche Mode, Gahan has contributed a number of songs to the albums Playing the Angel, Sounds of the Universe, Delta Machine and Spirit. Four of these songs were released as singles, including "Suffer Well" in 2005, "Hole to Feed" in 2009, "Should Be Higher" in 2013, "Cover Me" in 2017. Gahan is a solo artist, having released albums in 2003 and 2007. In 2012 and 2015, he contributed lyrics and sang lead vocals on the Soulsavers albums The Light the Dead See and Angels & Ghosts. Gahan was born as David Callcott on 9 May 1962 into a working-class family, to parents Len Callcott of Indian Malaysian descent and his wife Sylvia, Dave was only six months old when his father left the family.
Sylvia and Len divorced two years and his mother moved Dave and sister Sue to Basildon, after Sylvia met and married her second husband Jack Gahan. The Gahan family continued to grow with the birth of two more half-brothers Phil. Dave and Sue were raised under the impression that their mother's second husband, was their natural father. In 1972, when Gahan was 10 years old, his stepfather died. Gahan recalled how he "came home one day and found this bloke at home". Of the incident, he has said: "I'll never forget that day; when I came home from school, there was this stranger in my mum's house. My mother introduced him to me as my real dad. I remember I said, impossible because my father was dead. How was I supposed to know who that man was? From that day on, Len visited the house, until one year he disappeared again. Forever this time. Since he had no contact with us. By growing older, I thought about him more; the only thing my mother would say, was that he moved out to Jersey to open a hotel." "Mum had kept it back from me'til there was a need to tell me about my birth father, it's a different generation and you can understand I guess she thought she was doing the right thing."While attending Barstable School on Timberlog Close in Basildon, Gahan started playing truant, got into trouble with the police, was suspended from school and ended up in juvenile court three times for offences ranging from joyriding and graffiti to criminal damage and theft.
He enjoyed the thrill of stealing cars, driving them around, setting them alight. Gahan tells of the time: "I was pretty wild. I loved the excitement of screeching off and being chased by the police. Hiding behind the wall with your heart beating gives you a real kick –'will they get you?'". In his final year at school, he applied for a job as an apprentice fitter with North Thames Gas, he was told by his probation officer to be honest with the interviewer, as a result, he admitted his criminal record but claimed he was a "reformed character." As a result, he did not get the job which, he claimed, led to him trashing his probation officer's office. His punishment was weekend custody at a sub-Borstal attendance centre in Romford for one year. Gahan recalls: "You had to work. I remember doing stuff like that. You had to have your hair cut, it was every weekend, so you were deprived of your weekend and it seemed like forever. I was told clearly that my next thing was detention centre. To be honest, music saved me."
In March 1980, Martin Gore, Andy Fletcher and Vince Clarke formed the band Composition of Sound, with Clarke on vocals and guitar, Gore on keyboards and Fletcher on bass. Clarke and Fletcher soon switched to synthesizers; the same year, Gahan joined the band after Clarke heard him perform David Bowie's "Heroes." The band was soon renamed Depeche Mode, a name suggested by Gahan after he had come across a fashion magazine called Dépêche-mode. A new wave/synthpop pioneer of the early 1980s, Depeche Mode have released 14 studio albums, four greatest hits compilations and two remix albums; the band has achieved global sales in excess of 100 million records. In a 2003 interview, Gahan shared that "During the making of Exciter, sometimes I felt a bit frustrated that there was a lack of experimentation." This led him, in 2004, to tell his bandmates that he wanted to write half of the songs on their next album, there was "no way" he could be involved in the band without contributing as a songwriter. There was a compromise, three of Gahan's songs appeared on 2005's Playing the Angel: "Suffer Well", "I Want It All" and "Nothing's Impossible."
"Suffer Well" was released as a single in 2006, reaching No. 12 in the UK. Three more Gahan-penned songs, co-written with Christian Eigner and Andrew Phillpott, appeared on the band's twelfth album, Sounds of the Universe. Gahan wrote the lyrics to the B-side "Oh Well", although the music was written by Martin Gore, it was their first writing collaboration. "Hole to Feed" was released along with Gore's "Fragile Tension" as a double A-side single in late 2009. Gahan is credited with writing the songs "Broken", "Secret to the End", the single "Should Be Higher" and two B-sides, "Happens All the Time" and "All That's Mine" from Depeche Mode's thirteenth album Delta Machine.