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Smiley Smile
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Smiley Smile is the twelfth studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smil
Bel Air, Los Angeles, where Brian Wilson relocated to in early 1967 and set up a home studio.
Bel Air, Los Angeles, where Brian Wilson relocated to in early 1967 and set up a home studio.
The sound of Wilson's new Baldwin organ (model pictured) became the central timbre on Smiley Smile.
The sound of Wilson's new Baldwin organ (model pictured) became the central timbre on Smiley Smile.
The group at Zuma Beach in Malibu, July 1967
The group at Zuma Beach in Malibu, July 1967
The Beach Boys performing "Heroes and Villains" at Central Park, 1971
The Beach Boys performing "Heroes and Villains" at Central Park, 1971
Smile (The Beach Boys album)
Videos
Smile is an unfinished album by the American rock band the Beach Boys, conceived as the follow-up to their 1966 album Pet Sounds. The project—a concept album involving themes of Americana, humor, yout
Smiley Smile
…album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the…
From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964)
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964).
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)