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Edge of a 35mm film print showing the soundtracks. The outermost strip (left of picture) contains the SDDS track as an image of a digital signal; the
Edge of a 35mm film print showing the soundtracks. The outermost strip (left of picture) contains the SDDS track as an image of a digital signal; the next contains the perforations used to drive the film through the projector, with the Dolby Digital track (grey areas) with the Dolby Double-D logo, between them. The two tracks of the analog soundtrack on the next strip are bilateral variable-area, where amplitude is represented as a waveform. These are generally encoded using
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1908 poster advertising Gaumont's sound films. The Chronomégaphone, designed for large halls, employed compressed air to amplify the recorded sound.
1908 poster advertising Gaumont's sound films. The Chronomégaphone, designed for large halls, employed compressed air to amplify the recorded sound.
Image from The Dickson Experimental Sound Film (1894 or 1895), produced by W.K.L. Dickson as a test of the early version of the Edison Kinetophone, co
Image from The Dickson Experimental Sound Film (1894 or 1895), produced by W.K.L. Dickson as a test of the early version of the Edison Kinetophone, combining the Kinetoscope and phonograph.
Eric M. C. Tigerstedt (1887–1925) was one of the pioneers of sound-on-film technology. Tigerstedt in 1915.
Eric M. C. Tigerstedt (1887–1925) was one of the pioneers of sound-on-film technology. Tigerstedt in 1915.
Poster featuring Sarah Bernhardt and giving the names of eighteen other "famous artists" shown in "living visions" at the 1900 Paris Exposition using
Poster featuring Sarah Bernhardt and giving the names of eighteen other "famous artists" shown in "living visions" at the 1900 Paris Exposition using the Gratioulet-Lioret system.