Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings. Its main objective was, above all, to allow the viewer to easily understand the scenes depicted in the works through the use of realism, while also meeting the Catholic Church's demands for 'decorum' during the Counter-Reformation.
Diego Velázquez: Las Meninas or La familia de Felipe IV, 1656, oil on canvas, 310 × 276 cm, Museo del Prado, Madrid.
Juan de Valdés Leal: In ictu oculi, one of the Four last things of Man, 1672, oil on canvas, 220 × 216 cm, Hospital de la Caridad, Seville.
Francisco de Zurbarán: Saint Francis of Assisi in His Tomb, 1630–34, oil on canvas, 80 × 44 cm, Milwaukee Art Museum.
Jusepe Leonardo painted Taking of Breisach for the Hall of Realms; 1635, oil on canvas, 305 × 333 cm, Museo del Prado
Jusepe de Ribera was a Spanish painter and printmaker. Ribera, Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century." Jusepe de Ribera has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto by his contemporaries, early historians, and biographers.
Copy of Saint Thomas (purported Ribera self-portrait) engraved by Hamlet Winstanley
Jusepe de Ribera
Apollo and Marsyas, 1637, 182 x 232 cm., National Museum of San Martino
Saint Peter and Saint Paul, ca. 1616, oil on canvas, 126 x 112 cm., Musée des Beaux-Arts de Strasbourg