1.
Corinth
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Corinth is a city and former municipality in Corinthia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality of Corinth, of which it is the seat and it is the capital of Corinthia. It was founded as Nea Korinthos or New Corinth in 1858 after an earthquake destroyed the settlement of Corinth. Corinth derives its name from Ancient Corinth, a city-state of antiquity, in 1858, the old city, now known as Archaia Korinthos, located 3 kilometres SW of the modern city, was totally destroyed by a magnitude 6.5 earthquake. Nea Korinthos or New Corinth was then built a few kilometers away on the coast of the Gulf of Corinth, a magnitude 6.3 earthquake in 1928 devastated the new city, which was then rebuilt on the same site. It was rebuilt again after a fire in 1933. The Municipality of Corinth had a population of 58,192 according to the 2011 census, the second most populous municipality in the Peloponnese Region after Kalamata. The municipal unit of Corinth had 38,132 inhabitants, of which Corinth itself had 30,176 inhabitants, placing it in place behind Kalamata. The municipal unit of Corinth includes apart from Corinth proper the town of Archaia Korinthos, the town of Examilia, the municipal unit has an area of 102.187 km2. Corinth is an industrial hub at a national level. Corinth Refineries are one of the largest oil refining Industrial complex in Europe, copper cables, petroleum products, leather, medical equipment, marble, gypsum, ceramic tiles, salt, mineral water and beverages, meat products, and gums are produced nearby. As of 2005, a period of deindustrialization has commenced as a large complex, a textile factory. Corinth is a road hub. The A7 toll motorway for Tripoli and Kalamata, branches off the A8/European route E94 toll motorway from Athens at Corinth, Corinth is the main entry point to the Peloponnesian peninsula, the southernmost area of continental Greece. KTEL Korinthias provides intercity bus service in the peninsula and to Athens via the Isthmos station southeast of the city center, local bus service is also available. The city has connected to the Proastiakos, the Athens suburban rail network, since 2005. The port of Corinth, located north of the city centre and close to the northwest entrance of the Corinth Canal, at 3756. 0’ N /2256. 0’ E, serves the needs of industry. It is mainly a cargo exporting facility and it is an artificial harbour (depth approximately 9 metres, protected by a concrete mole
2.
Pegasus
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Pegasus is one of the best known creatures in Greek mythology. He is a winged divine stallion usually depicted as white in color. He was sired by Poseidon, in his role as horse-god and he was the brother of Chrysaor, born at a single birthing when his mother was decapitated by Perseus. Greco-Roman poets write about his ascent to heaven after his birth and his obeisance to Zeus, king of the gods, friend of the Muses, Pegasus is the creator of Hippocrene, the fountain on Mt. Helicon. He was captured by the Greek hero Bellerophon near the fountain Peirene with the help of Athena, Pegasus allows the hero to ride him to defeat a monster, the Chimera, before realizing many other exploits. His rider, however, falls off his back trying to reach Mount Olympus, Zeus transformed him into the constellation Pegasus and placed him up in the sky. Hypotheses have been proposed regarding its relationship with the Muses, the gods Athena, Poseidon, Zeus, Apollo, the symbolism of Pegasus varies with time. Pegasus is the subject of a rich iconography, especially through the ancient Greek pottery and paintings. The poet Hesiod presents an etymology of the name Pegasus as derived from πηγή pēgē spring, well, the pegai of Okeanos. A proposed etymology of the name is Luwian pihassas, meaning lightning, and Pihassassi, the proponents of this etymology adduce Pegasus role, reported as early as Hesiod, as bringer of thunderbolts to Zeus. It was first suggested in 1952 and remains widely accepted, according to legend, everywhere the winged horse struck his hoof to the earth, an inspiring spring burst forth. Hesiod relates how Pegasus was peacefully drinking from a spring when the hero Bellerophon captured him, Hesiod also says Pegasus carried thunderbolts for Zeus. In another version, when Perseus beheaded Medusa, they were born of the Earth, a variation of this story holds that they were formed from the mingling of Medusas blood, pain and sea foam, implying that Poseidon had involvement in their making. The last version bears resemblance to Hesiods account of the birth of Aphrodite from the foam created when Uranuss severed genitals were cast into the sea by Cronus, Pegasus aided the hero Bellerophon in his fight against both the Chimera. The next morning, still clutching the bridle, he found Pegasus drinking at the Pierian spring and caught Pegasus, michauds Biographie universelle relates that when Pegasus was born, he flew to where thunder and lightning are released. Then, according to versions of the myth, Athena tamed him and gave him to Perseus. In fact Pegasus is an addition to the story of Perseus. Pegasus and Athena left Bellerophon and continued to Olympus where he was stabled with Zeus other steeds, because of his faithful service to Zeus, he was honoured with transformation into a constellation
3.
Koppa (letter)
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Koppa or Qoppa is a letter that was used in early forms of the Greek alphabet, derived from Phoenician qoph. It was originally used to denote the /k/ sound, but dropped out of use as a character in favor of Kappa. It has remained in use as a symbol in the system of Greek numerals. Koppa is the source of Latin Q, as well as the Cyrillic numeral sign of the same name, in Phoenician, qoph was pronounced, in Greek, which lacked such a sound, it was instead used for /k/ before back vowels Ο, Υ and Ω. In this function, it was borrowed into the Italic alphabets, however, as the sound /k/ had two redundant spellings, koppa was eventually replaced by kappa in Greek. It remained in use as a letter in some Doric regions into the 5th century BC, the koppa was used as a symbol for the city of Corinth, which had the early spelling of Ϙόρινθος. Koppa remained in use in the system of Milesian Greek numerals and it has continued to be used in this function into modern times, though its shape has changed over time. In the Greek cursive script, the Q-like shape with a circle on top was often broken up at the side or at the top. These are also the shapes in which it was borrowed into the early Cyrillic alphabet, as well as into Gothic, in both cases with the same numeric function. In the Coptic script, the identical-looking sign ϥ is also used as a numeral for 90, although as a letter it has an unrelated sound value, /f/. Later, in handwriting, the shape changed further into a simple zigzag line. Modern typography of the numeral Koppa has most often employed some version of the Z-shaped character, other variants common in older print include shapes based on the open uncial form. Some of these shapes may be indistinguishable from realizations of the other Greek numeral, Stigma, Koppa has also sometimes been replaced by a lowercase Latin q, a mirrored uppercase P, or a 5 turned upside down. As with the usage of stigma and Sampi, modern typographical practice normally does not observe a contrast between uppercase and lowercase forms for numeric koppa. A lowercase form was encoded in version 3.0, a second pair of codepoints specifically for the original closed epigraphical shape was introduced in version 3.2. This left the older two code points to cover primarily the numeral glyphs, conversely, older fonts may have the numeral glyph at the uppercase codepoint, while this position may be filled with any of several less common glyphs in newer ones. A serifed version similar to his koppa was adopted as the glyph for the Unicode code charts, along with a lowercase form with heavy curved arms. Some current Unicode fonts have adopted these new shapes, while many font designers have opted for some combination of the more traditional glyphs, including the uncial, Homer and the Origin of the Greek Alphabet
4.
Delphi
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Delphi is famous as the ancient sanctuary that grew rich as the seat of the oracle that was consulted on important decisions throughout the ancient classical world. Moreover, it was considered as the navel of the world by the Greeks as represented by the Omphalos and it occupies an impressive site on the south-western slope of Mount Parnassus overlooking the coastal plain to the south and the valley of Phocis. It is now an archaeological site and the modern town is nearby. The site of Delphi is located in upper central Greece, on multiple plateaux/terraces along the slope of Mount Parnassus, and includes the Sanctuary of Apollo and this semicircular spur is known as Phaedriades, and overlooks the Pleistos Valley. In myths dating to the period of Ancient Greece, the site of Delphi was believed to be determined by Zeus when he sought to find the centre of his Grandmother Earth. He sent two eagles flying from the eastern and western extremities, and the path of the eagles crossed over Delphi where the omphalos, Apollo was said to have slain Python, a drako a serpent or a dragon who lived there and protected the navel of the Earth. Python is claimed by some to be the name of the site in recognition of Python which Apollo defeated. The Homeric Hymn to Delphic Apollo recalled that the ancient name of this site had been Krisa, others relate that it was named Pytho and that Pythia, the priestess serving as the oracle, was chosen from their ranks by a group of priestesses who officiated at the temple. At the settlement site in Delphi, which was a settlement of the late 9th century. Pottery and bronze work as well as tripod dedications continue in a steady stream, the victors at Delphi were presented with a laurel crown which was ceremonially cut from a tree by a boy who re-enacted the slaying of the Python. Delphi was set apart from the other sites because it hosted the mousikos agon. These Pythian Games rank second among the four stephanitic games chronologically and these games, though, were different from the games at Olympia in that they were not of such vast importance to the city of Delphi as the games at Olympia were to the area surrounding Olympia. Delphi would have been a renowned city whether or not it hosted these games, it had other attractions that led to it being labeled the omphalos of the earth, in other words, in the inner hestia of the Temple of Apollo, an eternal flame burned. The name Delphoi comes from the root as δελφύς delphys, womb. Apollo is connected with the site by his epithet Δελφίνιος Delphinios, the epithet is connected with dolphins in the Homeric Hymn to Apollo, recounting the legend of how Apollo first came to Delphi in the shape of a dolphin, carrying Cretan priests on his back. The Homeric name of the oracle is Pytho, another legend held that Apollo walked to Delphi from the north and stopped at Tempe, a city in Thessaly, to pick laurel which he considered to be a sacred plant. In commemoration of this legend, the winners at the Pythian Games received a wreath of laurel picked in the Temple, Delphi became the site of a major temple to Phoebus Apollo, as well as the Pythian Games and the famous prehistoric oracle. Even in Roman times, hundreds of votive statues remained, described by Pliny the Younger, additionally, according to Plutarchs essay on the meaning of the E at Delphi—the only literary source for the inscription—there was also inscribed at the temple a large letter E
5.
Demeter
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In ancient Greek religion and Greek mythology, Demeter is the goddess of the harvest and agriculture, who presided over grains and the fertility of the earth. Her cult titles include Sito, she of the Grain, as the giver of food or grain, though Demeter is often described simply as the goddess of the harvest, she presided also over the sacred law, and the cycle of life and death. She and her daughter Persephone were the figures of the Eleusinian Mysteries that predated the Olympian pantheon. In the Linear B Mycenean Greek tablets of c, 1400–1200 BC found at Pylos, the two mistresses and the king may be related with Demeter, Persephone and Poseidon. It is possible that Demeter appears in Linear A as da-ma-te on three documents, all three dedicated in religious situations and all three bearing just the name. It is unlikely that Demeter appears as da-ma-te in a Linear B inscription, on the other hand,
6.
Apollo
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Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
7.
Omphalos
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An omphalos is a religious stone artifact, or baetylus. In Greek, the word omphalos means navel, in Greek lore, Zeus sent two eagles across the world to meet at its center, the navel of the world. Omphalos stones marking the centre were erected in several places about the Mediterranean Sea, Omphalos is also the name of the stone given to Cronus. In the ancient world of the Mediterranean, it was a religious symbol. Omphalos Syndrome refers to the belief that a place of geopolitical power, the omphalos was not only an object of Hellenic religious symbolism and world centrality, it was also considered an object of power. Its symbolic references included the uterus, the phallus, and a cup of red wine representing royal blood lines, most accounts locate the Delphi omphalos in the adyton near the Pythia. The stone sculpture itself, has a carving of a net covering its surface. The omphalos represents the stone which Rhea wrapped in swaddling clothes, pretending it was Zeus, Omphalos stones were believed to allow direct communication with the gods. Holland suggested that the stone was hollow to allow intoxicating vapours breathed by the Oracle to channel through it, Erwin Rohde wrote that the Python at Delphi was an earth spirit, who was conquered by Apollo and buried under the Omphalos. However, understanding of the use of the omphalos is uncertain due to destruction of the site by Theodosius I, the omphalos at the Church of the Holy Sepulchre, Jerusalem, represents, in Christian mediaeval tradition, the navel of the world. Jewish tradition held that God revealed himself to His people through the Ark of the Covenant in the Temple in Jerusalem and this tradition may have stemmed from the similar one at Delphi. The omphalos has a collection box chained next to it, Omphalos is a public art sculpture by Dimitri Hadzi formerly located in the Harvard Square, Cambridge, Massachusetts under the Arts on the Line program. As of 2014, the sculpture has been deinstalled, it will be relocated to Rockport, in literature, the word, omphalos has held various meanings but usually refers to the stone at Delphi. Authors who have used the term include, Homer, Pausanias, D. H. Lawrence, James Joyce, and Jacques Derrida. For example, Joyce uses the term in the novel, Ulysses, Billy Pitt had them built, Buck Mulligan said, one of her sisterhood lugged me squealing into life. A misbirth with a trailing navelcord, hushed in ruddy wool, the cords of all link back, strandentwining cable of all flesh. Other examples include, In Indiana Jones and the Peril at Delphi and it allows the holder to see into the future. In Thieves House, a Fafhrd and the Gray Mouser story by Fritz Leiber, Omphal is the name of a set of bejeweled bones, in The Unteleported Man by Philip K. Dick, Omphalos is the name of a ship
8.
Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
9.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
10.
Greco-Bactrian
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The Greco-Bactrian Kingdom was – along with the Indo-Greek Kingdom – the easternmost part of the Hellenistic world, covering Bactria and Sogdiana in Central Asia from 250 to 125 BC. It was centered on the north of present-day Afghanistan, the expansion of the Greco-Bactrians into present-day eastern Afghanistan and Pakistan from 180 BC established the Indo-Greek Kingdom, which was to last until around 10 AD. Diodotus, the satrap of Bactria founded the Greco-Bactrian Kingdom when he seceded from the Seleucid Empire around 250 BC, the preserved ancient sources are somewhat contradictory, and the exact date of Bactrian independence has not been settled. Somewhat simplified, there is a chronology and a low chronology for Diodotos’ secession. The high chronology has the advantage of explaining why the Seleucid king Antiochus II issued very few coins in Bactria, as Diodotos would have become independent there early in Antiochus reign. On the other hand, the low chronology, from the mid-240s BC, has the advantage of connecting the secession of Diodotus I with the Third Syrian War, a catastrophic conflict for the Seleucid Empire. Diodotus, the governor of the cities of Bactria, defected and proclaimed himself king, all the other people of the Orient followed his example. Their cities were Bactra, and Darapsa, and several others, among these was Eucratidia, which was named after its ruler. In 247 BC, the Ptolemaic empire captured the Seleucid capital, in the resulting power vacuum, the satrap of Parthia proclaimed independence from the Seleucids, declaring himself king. A decade later, he was defeated and killed by Arsaces of Parthia and this cut Bactria off from contact with the Greek world. Overland trade continued at a rate, while sea trade between Greek Egypt and Bactria developed. Euthydemus, a Magnesian Greek according to Polybius and possibly satrap of Sogdiana, overthrew the dynasty of Diodotus I around 230-220 BC, and the Iaxartes forms also the boundary between the Sogdians and the nomads. Euthydemus was attacked by the Seleucid ruler Antiochus III around 210 BC, although he commanded 10,000 horsemen, Euthydemus initially lost a battle on the Arius and had to retreat. Following the departure of the Seleucid army, the Bactrian kingdom seems to have expanded, in the west, areas in north-eastern Iran may have been absorbed, possibly as far as into Parthia, whose ruler had been defeated by Antiochus the Great. These territories possibly are identical with the Bactrian satrapies of Tapuria, the Greek historian Strabo too writes that, they extended their empire even as far as the Seres and the Phryni. Several statuettes and representations of Greek soldiers have been north of the Tien Shan, on the doorstep to China. Greek influences on Chinese art have also been suggested, designs with rosette flowers, geometric lines, and glass inlays, suggestive of Hellenistic influences, can be found on some early Han dynasty bronze mirrors. The practice of exporting Chinese metals, in iron, for trade is attested around that period
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