1.
Triptych
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A triptych is a work of art that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works, the middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry, despite its connection to an art format, the term is sometimes used more generally to connote anything with three parts, particularly if they are integrated into a single unit. The triptych form arises from early Christian art, and was a standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the Celtic churches in the west, renaissance painters such as Hans Memling and Hieronymus Bosch used the form. Triptych forms also allow ease of transport, from the Gothic period onward, both in Europe and elsewhere, altarpieces in churches and cathedrals were often in triptych form. One such cathedral with an altarpiece triptych is Llandaff Cathedral, the Cathedral of Our Lady in Antwerp, Belgium, contains two examples by Rubens, and Notre Dame de Paris is another example of the use of triptych in architecture. One can also see the form echoed by the structure of many stained glass windows. Although strongly identified as a form, triptychs outside that context have been created, some of the best-known examples being works by Hieronymus Bosch, Max Beckmann. The then highest price paid for an artwork at auction was $142.4 million for a 1969 triptych, Three Studies of Lucian Freud. The record was broken in May 2015 by $179.4 million for Pablo Picassos 1955 painting Les Femmes d’Alger, the format has migrated and been used in other religions, including Islam and Buddhism. Likewise, Tibetan Buddhists have used it in traditional altars, a photographic triptych is a common style used in modern commercial artwork. The photographs are arranged with a plain border between them. The work may consist of images that are variants on a theme
2.
Giotto
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Giotto di Bondone, known mononymously as Giotto and Latinized as Giottus, was an Italian painter and architect from Florence in the late Middle Ages. He is generally considered the first in a line of artists who contributed to the Renaissance. Giottos masterwork is the decoration of the Scrovegni Chapel in Padua, also known as the Arena Chapel and this fresco cycle depicts the Life of the Virgin and the Life of Christ. It is regarded as one of the masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the Commune of Florence in 1334 to design the new campanile of Florences Cathedral are among the few certainties of his biography. Tradition holds that Giotto was born in a farmhouse, perhaps at Colle di Romagnano or Romignano, since 1850, a tower house in nearby Colle Vespignano has borne a plaque claiming the honor of his birthplace, an assertion commercially publicized. However, recent research has suggested that he was born in Florence. His fathers name was Bondone, and he is described in surviving records as a person of good standing. Most authors accept that Giotto was his name, but it is likely to have been an abbreviation of Ambrogio or Angelo. The year of his birth is calculated from the fact that Antonio Pucci, however, the word seventy fits into the rhyme of the poem better than would have a longer and more complex age, so it is possible that Pucci used artistic license. In his Lives, Giorgio Vasari states that Giotto was a shepherd boy, the great Florentine painter Cimabue discovered Giotto drawing pictures of his sheep on a rock. They were so lifelike that Cimabue approached Giotto and asked if he could take him on as an apprentice, Cimabue was one of the two most highly renowned painters of Tuscany, the other being Duccio, who worked mainly in Siena. Vasari recounts a number of stories about Giottos skill as a young artist. He tells of one occasion when Cimabue was absent from the workshop, later when Cimabue returned, he tried in vain several times to brush the fly off. The messenger departed ill pleased, not doubting that he had made a fool of. The messenger brought other artists drawings back to the Pope in addition to Giottos, many scholars today are uncertain about Giottos training, and consider Vasaris account that he was Cimabues pupil as legend, citing earlier sources which suggest that Giotto was not Cimabues pupil. About 1290, Giotto married Ciuta, the daughter of Lapo del Pela of Florence, the marriage produced four daughters and four sons, one of whom became a painter. By 1301, Giotto owned a house in Florence, and when he was not traveling he would return there and live in comfort with his family
3.
Old St. Peter's Basilica
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Old St. Peters Basilica was the building that stood, from the 4th to 16th centuries, on the spot where the new St. Peters Basilica stands today in Vatican City. Construction of the basilica, built over the site of the Circus of Nero. The name old St. Peters Basilica has been used since the construction of the current basilica to distinguish the two buildings, construction began by orders of the Roman Emperor Constantine I between 318 and 322, and took about 30 years to complete. Over the next centuries, the church gradually gained importance. Papal coronations were held at the basilica, and in 800, in 846, Saracens sacked and damaged the basilica. The raiders seem to have known about Romes extraordinary treasures, some holy – and impressive – basilicas, such as St. Peters Basilica, were outside the Aurelian walls, and thus easy targets. They were filled to overflowing with rich liturgical vessels and with jeweled reliquaries housing all of the relics recently amassed, as a result, the raiders pillaged the holy shrine. In response Pope Leo IV built the Leonine wall and rebuilt the parts of St. Peters that had been damaged, in 1099, Urban II convened a council including St Anselm. Among other topics, it repeated the bans on lay investiture, by the 15th century the church was falling into ruin. Discussions on repairing parts of the structure commenced upon the return from Avignon. The whole stretch of wall has been pierced by too many openings, as a result, the continual force of the wind has already displaced the wall more than six feet from the vertical, I have no doubt that eventually some. Slight movement will make it collapse, at first Pope Julius II had every intention of preserving the old building, but his attention soon turned toward tearing it down and building a new structure. Many people of the time were shocked by the proposal, as the building represented papal continuity going back to Peter, the original altar was to be preserved in the new structure that housed it. Constantine went to pains to build the basilica on the site of Saint Peters grave. The Vatican Hill, on the west bank of the Tiber River, was leveled. Notably, since the site was outside the boundaries of the ancient city, the exterior however, unlike earlier pagan temples, was not lavishly decorated. The church was capable of housing from 3,000 to 4,000 worshipers at one time and it consisted of five aisles, a wide central nave and two smaller aisles to each side, which were each divided by 21 marble columns, taken from earlier pagan buildings. It was over 350 feet long, built in the shape of a Latin cross, and had a roof which was timbered on the interior
4.
Vatican Museums
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The Vatican Museums are the museums of the Vatican City and are located within the citys boundaries. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the route through the Vatican Museums. In 2013, they were visited by 6 million people, which combined makes it the 6th most visited art museum in the world, there are 54 galleries, or sale, in total, with the Sistine Chapel, notably, being the very last sala within the Museum. It is one of the largest museums in the world, in 2017, the Museums official website and social media presence was completely redone, in accord with current standards and appearances for modern websites. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, on their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture of Laocoön and his sons on public display at the Vatican exactly one month after its discovery, the Museum Christianum was founded by Benedict XIV, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854. The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public, on 1 January 2017 Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007. The art gallery was housed in the Borgia Apartment until Pope Pius XI ordered construction of a proper building, the new building, designed by Luca Beltrami, was inaugurated on 27 October 1932. The museum has paintings including, Giottos Stefaneschi Triptych Olivuccio di Ciccarello, Opere di Misericordia Raphaels Madonna of Foligno, Oddi Altarpiece, the group of museums includes several sculpture museums surrounding the Cortile del Belvedere. The museum takes its name from two popes, Clement XIV and Pius VI, the pope who brought the museum to completion, Clement XIV came up with the idea of creating a new museum in Innocent VIIIs Belvedere palace and started the refurbishment work. Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance, the museum and collection were enlarged by Clements successor Pius VI. Today, the museum works of Greek and Roman sculpture. Some notable galleries are, Greek Cross Gallery, with the porphyri sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great. Sala Rotonda, shaped like a miniature Pantheon, the room has impressive ancient mosaics on the floors, Gallery of the Statues, as its name implies, holds various important statues, including Sleeping Ariadne and the bust of Menander. It also contains the Barberini Candelabra, Gallery of the Busts, Many ancient busts are displayed. Cabinet of the Masks, The name comes from the mosaic on the floor of the gallery, found in Villa Adriana, along the walls, several famous statues are shown including the Three Graces. One wove the thread of life, second nurtured it, third cut it. The center piece is Belvedere Torso, revered by Michelangelo and other Renaissance men, sala degli Animali, So named because of the many ancient statues of animals
5.
Altar
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An altar is any structure upon which offerings such as sacrifices are made for religious purposes, and by extension the Holy table of post-reformation Anglican churches. Altars are usually found at shrines, and they can be located in temples, churches, today they are used particularly in Christianity, Buddhism, Hinduism, Shinto, Taoism, as well as in Neopaganism and Ceremonial Magic. Judaism used such a structure until the destruction of the Second Temple, many historical faiths also made use of them, including Greek and Norse religion. Altars in the Hebrew Bible were typically made of earth or unwrought stone, altars were generally erected in conspicuous places. The first altar recorded in the Hebrew Bible is that erected by Noah, altars were erected by Abraham, by Isaac, by Jacob, and by Moses. In Catholic and Orthodox Christian theology, the Eucharist is a re-presentation, hence, the table upon which the Eucharist is consecrated is called an altar. The altar plays a role in the celebration of the Eucharist, which takes place at the altar on which the bread. The altar is often on a higher elevation than the rest of the church, in Reformed and Anabaptist churches, a table, often called a Communion table, serves an analogous function. In some colloquial usage, the altar is used to denote the altar rail also. The main altar was also referred to as the high altar, in the earliest days of the Church, the Eucharist appears to have been celebrated on portable altars set up for the purpose. Some historians hold that, during the persecutions, the Eucharist was celebrated among the tombs in the Catacombs of Rome, other historians dispute this, but it is thought to be the origin of the tradition of placing relics beneath the altar. Although in the days of the Jerusalem Temple the High Priest indeed faced east when sacrificing on Yom Kippur, the ministers, celebrated the Eucharist facing east, towards the entrance. Some hold that for the part of the celebration the congregation faced the same way. After the sixth century the contrary orientation prevailed, with the entrance to the west and the altar at the east end. Then the ministers and congregation all faced east during the whole celebration, most rubrics, even in books of the seventeenth century and later, such as the Pontificale Romanum, continued to envisage the altar as free-standing. The rite of the Dedication of the Church continued to presume that the officiating Bishop could circle the altar during the consecration of the church and its altar. Despite this, with the increase in the size and importance of the reredos, most altars were built against the wall or barely separated from it. This diversity was recognized in the rubrics of the Roman Missal from the 1604 typical edition of Pope Clement VIII to the 1962 edition of Pope John XXIII, Si altare sit ad orientem, versus populum
6.
Saint Peter
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Saint Peter, also known as Simon Peter, Simeon, or Simōn pronunciation, according to the New Testament, was one of the Twelve Apostles of Jesus Christ, leaders of the early Christian Great Church. Hippolytus of Rome, a 3rd-century theologian, gave him the title of Apostle of the Apostles, according to Catholic teaching, Peter was ordained by Jesus in the Rock of My Church dialogue in Matthew 16,18. He is traditionally counted as the first Bishop of Rome and by Eastern Christian tradition also as the first Patriarch of Antioch. The ancient Christian churches all venerate Peter as a saint and as founder of the Church of Antioch. The New Testament indicates that Peter was the son of John and was from the village of Bethsaida in the province of Galilee or Gaulanitis and his brother Andrew was also an apostle. According to New Testament accounts, Peter was one of twelve apostles chosen by Jesus from his first disciples, originally a fisherman, he played a leadership role and was with Jesus during events witnessed by only a few apostles, such as the Transfiguration. According to the gospels, Peter confessed Jesus as the Messiah, was part of Jesuss inner circle, thrice denied Jesus and wept bitterly once he realised his deed, according to Christian tradition, Peter was crucified in Rome under Emperor Nero Augustus Caesar. It is traditionally held that he was crucified upside down at his own request, Tradition holds that he was crucified at the site of the Clementine Chapel. His remains are said to be contained in the underground Confessio of St. Peters Basilica. According to Catholic doctrine, the direct successor to Saint Peter is the incumbent pope. Two general epistles in the New Testament are ascribed to Peter, the Gospel of Mark was traditionally thought to show the influence of Peters preaching and eyewitness memories. Peters original name was Shimon or Simeon and he was later given the name Peter, New Testament Greek Πέτρος derived from πέτρα, which means rock. In the Latin translation of the Bible this became Petrus, a form of the feminine petra. Another version of this name is Aramaic, , after his name in Hellenised Aramaic. The English, Dutch and German Peter, French Pierre, the Italian Pietro, the Spanish and Portuguese Pedro, the Syriac or Aramaic word for rock is kepa, which in Greek became Πέτρος, also meaning rock. He is also known as Simon Peter, Cephas and Kepha, both Cephas and Kepha also mean rock. In the New Testament, he is among the first of the disciples called during Jesus ministry, Peter became the first listed apostle ordained by Jesus in the early church. Peter was a fisherman in Bethsaida and he was named Simon, son of Jonah or John
7.
Paul the Apostle
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Paul the Apostle, commonly known as Saint Paul, and also known by his native name Saul of Tarsus was an apostle who taught the gospel of the Christ to the first century world. He is generally considered one of the most important figures of the Apostolic Age, in the mid-30s to the mid-50s AD, he founded several churches in Asia Minor and Europe. Paul took advantage of his status as both a Jew and a Roman citizen to minister to both Jewish and Roman audiences, according to writings in the New Testament, Paul was dedicated to the persecution of the early disciples of Jesus in the area of Jerusalem. He was struck blind but, after three days, his sight was restored by Ananias of Damascus, and Paul began to preach that Jesus of Nazareth is the Jewish Messiah, approximately half of the book of Acts deals with Pauls life and works. Fourteen of the books in the New Testament have traditionally been attributed to Paul. Seven of the epistles are undisputed by scholars as being authentic, Pauline authorship of the Epistle to the Hebrews is not asserted in the Epistle itself and was already doubted in the 2nd and 3rd centuries. It was almost unquestioningly accepted from the 5th to the 16th centuries that Paul was the author of Hebrews, but that view is now almost universally rejected by scholars. The other six are believed by scholars to have come from followers writing in his name. Other scholars argue that the idea of an author for the disputed epistles raises many problems. Today, Pauls epistles continue to be roots of the theology, worship, and pastoral life in the Catholic and Protestant traditions of the West. Augustine of Hippo developed Pauls idea that salvation is based on faith, martin Luthers interpretation of Pauls writings influenced Luthers doctrine of sola fide. The main source for information about Pauls life is the material found in his epistles, however, the epistles contain little information about Pauls past. The book of Acts recounts more information but leaves several parts of Pauls life out of its narrative, such as his probable, some scholars believe Acts also contradicts Pauls epistles on multiple accounts, in particular concerning the frequency of Pauls visits to the church in Jerusalem. It has been assumed that Sauls name was changed when he converted from Judaism to Christianity. His Jewish name was Saul, perhaps after the biblical King Saul, a fellow Benjamite, according to the Book of Acts, he inherited Roman citizenship from his father. As a Roman citizen, he bore the Latin name of Paul—in biblical Greek, Παῦλος. It was quite usual for the Jews of that time to have two names, one Hebrew, the other Latin or Greek. Jesus called him Saul, Saul in the Hebrew tongue in the book of Acts, later, in a vision to Ananias of Damascus, the Lord referred to him as Saul, of Tarsus
8.
John the Evangelist
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John the Evangelist is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, the Gospel of John refers to an otherwise unnamed disciple whom Jesus loved, who bore witness to and wrote the Gospels message. Christian tradition says that John the Evangelist was John the Apostle, the Apostle John was a historical figure, one of the pillars of the Jerusalem church after Jesus death. He was one of the twelve apostles and is thought to be the only one to have lived into old age. John is associated with the city of Ephesus, where he is said to have lived, some believe that he was exiled to the Aegean island of Patmos, where he wrote the Book of Revelation. However, this is a matter of debate, with some attributing the authorship of Revelation to another man, the authorship of the Johannine works has been debated by scholars since at least the 2nd century AD. The main debate centers on who authored the writings, and which of the writings, if any, orthodox tradition attributes all the books to John the Apostle. In the 6th century, the Decretum Gelasianum argued that Second and Third John have an author known as John. Historical criticism rejects the view that John the Apostle authored any of these works, many modern scholars conclude that the apostle John wrote none of these works, although others, notably J. A. T. Robinson, F. F. Bruce, Leon Morris, and Martin Hengel hold the apostle to be behind at least some, there may have been a single author for the gospel and the three epistles. Some scholars conclude the author of the epistles was different from that of the gospel, the gospel and epistles traditionally and plausibly came from Ephesus, c. 90-110, although some argue for an origin in Syria. In the case of Revelation, many scholars agree that it was written by a separate author, John of Patmos. In the Tridentine Calendar he was commemorated also on each of the days up to and including 3 January. This Octave was abolished by Pope Pius XII in 1955, the traditional liturgical color is white. John the Evangelist is usually depicted as a young man, in Christian art, John is symbolically represented by an eagle, one of the creatures envisioned by Ezekiel and in the Revelation to John. The use of the chalice as a symbol for John is sometimes interpreted with reference to the Last Supper, another explanation is to be found in the words of Christ to John and James, My chalice indeed you shall drink. According to some authorities, this symbol was not adopted until the 13th century, the painting Saint John the Evangelist by Domenico Zampieri was auctioned in London in December 2009, for an estimated US$16.5 million
9.
Madonna (art)
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A Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches, the word is from Italian ma donna, meaning my lady. Or descriptive of the posture, as in Hodegetria, Eleusa. The term Madonna in the sense of picture or statue of the Virgin Mary enters English usage in the 17th century, in an Eastern Orthodox context, such images are typically known as Theotokos. Madonna may be used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image. Other types of Marian imagery have a context, depicting scenes from the Life of the Virgin. The earliest depictions of Mary date still to Early Christianity, found in the Catacombs of Rome and these are in a narrative context. The Theotokos iconography as it developed in the 6th to 8th century rose to importance in the high medieval period both in the Eastern Orthodox and in the Latin spheres. Liturgy depicting Mary as powerful intercessor was brought from Greek into Latin tradition in the 8th century, the Greek title of Δεσποινα was adopted as Latin Domina Lady. The medieval Italian Ma Donna pronounced reflects Mea Domina, while Nostra Domina was adopted in French and these names signal both the increased importance of the cult of the virgin and the prominence of art in service to Marian devotion during the late medieval period. Madonna was meant more to people of the theological concept which is placing such a high value on purity or virginity. This is also represented by the color of her clothing, the color blue symbolized purity, virginity, and royalty. In this sense, a Madonna, or a Madonna with Child is used of works of art. There are several types of representation of the Madonna. One type of Madonna shows Mary alone, and standing, generally glorified and with a gesture of prayer and this type of image occurs in a number of ancient apsidal mosaics. Full-length standing images of the Madonna more frequently include the infant Jesus, the most famous Byzantine image, the Hodegetria was originally of this type, though most copies are at half-length. There are a number of paintings that depict the Madonna in this manner. The Madonna enthroned is a type of image that dates from the Byzantine period and was used widely in Medieval and these representations of the Madonna and Child often take the form of large altarpieces
10.
Pyramid
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A pyramid is a structure whose outer surfaces are triangular and converge to a single point at the top, making the shape roughly a pyramid in the geometric sense. The base of a pyramid can be trilateral, quadrilateral, or any polygon shape, as such, a pyramid has at least three outer triangular surfaces. The square pyramid, with base and four triangular outer surfaces, is a common version. A pyramids design, with the majority of the closer to the ground. This distribution of weight allowed early civilizations to create stable monumental structures and it has been demonstrated that the common shape of the pyramids of antiquity, from Egypt to Central America, represents the dry-stone construction that requires minimum human work. Pyramids have been built by civilizations in many parts of the world, khufus Pyramid is built mainly of limestone, and is considered an architectural masterpiece. It contains over 2,000,000 blocks ranging in weight from 2.5 tonnes to 15 tonnes and is built on a base with sides measuring about 230 m. Its four sides face the four cardinal points precisely and it has an angle of 52 degrees and it is still the tallest pyramid. The largest pyramid by volume is the Great Pyramid of Cholula, the Mesopotamians built the earliest pyramidal structures, called ziggurats. In ancient times, these were painted in gold/bronze. Since they were constructed of sun-dried mud-brick, little remains of them, ziggurats were built by the Sumerians, Babylonians, Elamites, Akkadians, and Assyrians for local religions. Each ziggurat was part of a complex which included other buildings. The precursors of the ziggurat were raised platforms that date from the Ubaid period during the fourth millennium BC, the earliest ziggurats began near the end of the Early Dynastic Period. The latest Mesopotamian ziggurats date from the 6th century BC, built in receding tiers upon a rectangular, oval, or square platform, the ziggurat was a pyramidal structure with a flat top. Sun-baked bricks made up the core of the ziggurat with facings of fired bricks on the outside, the facings were often glazed in different colors and may have had astrological significance. Kings sometimes had their names engraved on these glazed bricks, the number of tiers ranged from two to seven. It is assumed that they had shrines at the top, but there is no evidence for this. Access to the shrine would have been by a series of ramps on one side of the ziggurat or by a ramp from base to summit
11.
Obelisk
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An obelisk is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. These were originally called tekhenu by their builders, the Ancient Egyptians, the Greeks who saw them used the Greek obeliskos to describe them, and this word passed into Latin and ultimately English. Ancient obelisks are monolithic, that is, they consist of a single stone, though this technological capacity exists today, most modern obelisks are made of several stones, some, like the Washington Monument, are buildings. The term stele is used for other monumental, upright. Obelisks were prominent in the architecture of the ancient Egyptians, who placed them in pairs at the entrance of temples. The word obelisk as used in English today is of Greek rather than Egyptian origin because Herodotus, a number of ancient Egyptian obelisks are known to have survived, plus the Unfinished Obelisk found partly hewn from its quarry at Aswan. These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt, the earliest temple obelisk still in its original position is the 68-foot 120-metric-ton red granite Obelisk of Senusret I of the XIIth Dynasty at Al-Matariyyah in modern Heliopolis. The obelisk symbolized the sun god Ra, and during the religious reformation of Akhenaten was said to be a petrified ray of the Aten. It was also thought that the god existed within the structure, Benben was the mound that arose from the primordial waters Nu upon which the creator god Atum settled in the creation story of the Heliopolitan creation myth form of Ancient Egyptian religion. The Benben stone is the top stone of the Egyptian pyramid and it is also related to the Obelisk. The pyramid and obelisk might have inspired by previously overlooked astronomical phenomena connected with sunrise and sunset. The Ancient Romans were strongly influenced by the form, to the extent that there are now more than twice as many obelisks standing in Rome as remain in Egypt. All fell after the Roman period except for the Vatican obelisk and were re-erected in different locations. The largest standing and tallest Egyptian obelisk is the Lateran Obelisk in the square at the west side of the Lateran Basilica in Rome at 105.6 feet tall, not all the Egyptian obelisks in the Roman Empire were set up at Rome. Herod the Great imitated his Roman patrons and set up a red granite Egyptian obelisk in the hippodrome of his new city Caesarea in northern Judea and this one is about 40 feet tall and weighs about 100 metric tons. It was discovered by archaeologists and has been re-erected at its former site and this one stood 95 feet tall and weighing 380 metric tons. Its lower half reputedly also once stood in Istanbul but is now lost, the Istanbul obelisk is 65 feet tall. Rome is the capital of the world
12.
Circus
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The term circus also describes the performance which has followed various formats through its 250-year modern history. Philip Astley is credited with being the father of the circus when he opened the first circus in 1768 in England. Early circuses were almost exclusively demonstrations of equestrian skills with a few types of acts to link the horsemanship performances. Performances developed significantly through the next fifty years, with large scale theatrical battle reenactments becoming a significant feature, as styles of performance have changed since the time of Astley, so too have the types of venues where these circuses have performed. The earliest modern circuses were performed in open air structures with limited covered seating, from the late 18th to late 19th century custom-made circus buildings were built with various types of seating, a centre ring, and sometimes a stage. The traditional large tents, commonly known as Big Tops were introduced in the mid 19th century as touring circuses superseded static venues and these tents eventually became the most common venue and remain so to the present day. Contemporary circuses perform in a variety of venues including tents, theatres, many circus performances are still held in a ring usually 13 m in diameter. This dimension was adopted by Philip Astley in the late 18th century as the minimum diameter that enabled a horse rider to stand upright on a cantering horse to perform their tricks. In the book De Spectaculis early Christian writer Tertullian claimed that the first circus games were staged by the goddess Circe in honour of her father Helios, the modern and commonly held idea of a circus is of a Big Top with various acts providing entertainment therein. For many, circus history begins with Englishman Philip Astley, while for others its origins go back much further—to Roman times. In Ancient Rome, the circus was a building for the exhibition of horse and chariot races, equestrian shows, staged battles, gladiatorial combat, the Roman circus buildings were, however, not circular but rectangular with semi circular ends. The lower seats were reserved for persons of rank, There were also various state boxes for the giver of the games, the circus was the only public spectacle at which men and women were not separated. It was constructed during the monarchy and, at first, built completely from wood, after being rebuilt several times, the final version of the Circus Maximus could seat 250,000 people, it was built of stone and measured 400m in length and 90m in width. Next in importance were the Circus Flaminius and the Circus Neronis, a fourth circus was constructed by Maxentius, its ruins have helped archaeologists reconstruct the Roman circus. For some time after the fall of Rome, large buildings fell out of use as centres of mass entertainment. Instead, itinerant performers, animal trainers and showmen travelled between towns throughout Europe, performing at local fairs, Astley performed stunts in a 42 ft diameter ring, which is the standard size used by circuses ever since. Astley referred to the arena as a Circle and the building as an amphitheatre. Joseph Grimaldi, the first mainstream clown, had his first major role as Little Clown in the pantomime The Triumph of Mirth, or, the Royal Circus opened in London on 4 November 1782 by Charles Dibdin and his partner Charles Hughes
