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The Beach Boys recording Pet Sounds in early 1966. While Brian Wilson's production techniques were a pivotal influence on sunshine pop producers, the
The Beach Boys recording Pet Sounds in early 1966. While Brian Wilson's production techniques were a pivotal influence on sunshine pop producers, the group's sound was largely distanced from the genre.
The Mamas and the Papas (pictured at a 1968 television performance) were formative influences on early soft rock and a template for easy listening-ali
The Mamas and the Papas (pictured at a 1968 television performance) were formative influences on early soft rock and a template for easy listening-aligned sunshine pop styles
The Sunshine Company (pictured in a 1967 ad), initially a folk-rock band, were among numerous Los Angeles groups who performed sunshine pop material w
The Sunshine Company (pictured in a 1967 ad), initially a folk-rock band, were among numerous Los Angeles groups who performed sunshine pop material written by external songwriters
Saint Etienne (pictured), the High Llamas, Wondermints, Pizzicato Five, and Flipper's Guitar were among a circle of musicians who revived interest in
Saint Etienne (pictured), the High Llamas, Wondermints, Pizzicato Five, and Flipper's Guitar were among a circle of musicians who revived interest in sunshine pop after the 1990s.
The group in 1967. Top row, from left: Jim Yester, Brian Cole, Ted Bluechel. Bottom row: Russ Giguere, Larry Ramos, Terry Kirkman
The group in 1967. Top row, from left: Jim Yester, Brian Cole, Ted Bluechel. Bottom row: Russ Giguere, Larry Ramos, Terry Kirkman