1.
Surrealism
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Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to resolve the previously contradictory conditions of dream, leader André Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. Surrealism developed out of the Dada activities during World War I, the word surrealist was coined by Guillaume Apollinaire and first appeared in the preface to his play Les Mamelles de Tirésias, which was written in 1903 and first performed in 1917. The Dadaists protested with anti-art gatherings, performances, writings and art works, after the war, when they returned to Paris, the Dada activities continued. Meeting the young writer Jacques Vaché, Breton felt that Vaché was the son of writer. He admired the young writers anti-social attitude and disdain for established artistic tradition, later Breton wrote, In literature, I was successively taken with Rimbaud, with Jarry, with Apollinaire, with Nouveau, with Lautréamont, but it is Jacques Vaché to whom I owe the most. Back in Paris, Breton joined in Dada activities and started the literary journal Littérature along with Louis Aragon and they began experimenting with automatic writing—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault delved deeper into automatism and wrote The Magnetic Fields, continuing to write, they came to believe that automatism was a better tactic for societal change than the Dada form of attack on prevailing values. They also looked to the Marxist dialectic and the work of such theorists as Walter Benjamin, freuds work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced idiosyncrasy, while rejecting the idea of an underlying madness, as Salvador Dalí later proclaimed, There is only one difference between a madman and me. Beside the use of analysis, they emphasized that one could combine inside the same frame, elements not normally found together to produce illogical. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be−the greater its emotional power, the group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. They wanted to people from false rationality, and restrictive customs. Breton proclaimed that the aim of Surrealism was long live the social revolution. To this goal, at various times Surrealists aligned with communism and anarchism, in 1924 two Surrealist factions declared their philosophy in two separate Surrealist Manifestos. That same year the Bureau of Surrealist Research was established, leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Guillaume Apollinaire, the other group, led by Breton, included Louis Aragon, Robert Desnos, Paul Éluard, Jacques Baron, Jacques-André Boiffard, Jean Carrive, René Crevel and Georges Malkine, among others. Goll and Breton clashed openly, at one point literally fighting, at the Comédie des Champs-Élysées, in the end, Breton won the battle through tactical and numerical superiority
2.
Surrealist cinema
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Surrealist cinema is a modernist approach to film theory, criticism, and production with origins in Paris in the 1920s. The movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Other films include Un Chien Andalou and LAge dOr by Luis Buñuel and Salvador Dalí, Buñuel went on to many more films. In his 2006 book Surrealism and Cinema, Michael Richardson argues that surrealist works cannot be defined by style or form, many critics fail to recognize the distinctive qualities that make up the surrealist attitude. The problem is that goes against the very essence of surrealism. It is not a thing but a relation between things and therefore needs to be treated as a whole, Surrealists are not concerned with conjuring up some magic world that can be defined as surreal. Their interest is almost exclusively in exploring the conjunctions, the points of contact, Surrealism is always about departures rather than arrivals. Rather than an aesthetic, Richardson defines surrealism as a shifting point of magnetism around which the collective activity of the surrealists revolves. Surrealism draws upon irrational imagery and the subconscious mind, Surrealists should not, however, be mistaken as whimsical or incapable of logical thought, rather, most Surrealists promote themselves as revolutionaries. Surrealism was the first literary and artistic movement to become associated with cinema, though it has also been a movement largely neglected by film critics. Highly influenced by Freudian psychology, surrealism sought to bring the mind to visual life. Balanced between symbolism and realism, surrealist cinema commentated on themes of life, death, modernity, politics, religion, the foundations of the movement began in France and coincided with the birth of motion pictures. France served as the birthplace of surrealist cinema because of a combination of easy access to film equipment, film financing. The Surrealists who participated in the movement were among the first generation to have grown up with film as a part of daily life. According to Breton, he and Vaché ignored movie titles and times, preferring to drop in at any given moment, when they grew bored, they left and visited the next theater. Bretons movie-going habits supplied him with a stream of images with no constructed order about them and he could juxtapose the images of one film with those of another, and from the experience craft his own interpretation. Referring to his experiences with Vaché, he remarked, I think what we most in it. Breton believed that film could help one abstract himself from real life whenever he felt like it, serials, which often contained cliffhanger effects and hints of other worldliness, were attractive to early Surrealists
3.
Surreal humour
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Surreal humour is a form of humour predicated on deliberate violations of causal reasoning, producing events and behaviours that are obviously illogical. Constructions of surreal humour tend to involve bizarre juxtapositions, non-sequiturs, the humour arises from a subversion of audiences expectations, so that amusement is founded on unpredictability, separate from a logical analysis of the situation. The humour derived gets its appeal from the fact that the situation described is so ridiculous or unlikely, the genre has roots in Surrealism in the arts. People speak of surreal humour when illogic and absurdity are used for humorous effect, many of Edward Lears children stories and poems contain nonsense and are basically surreal in approach. Besides that, it was bordered by evanescent isthmuses with a great Gulf-stream running about all over it, so that it was perfectly beautiful, and contained only a single tree,503 feet high. In the early 20th century, several movements, including the dadaists, surrealists. The goals of these movements were in some serious, and they were committed to undermining the solemnity. As a result, much of their art was intentionally amusing, a famous example is Marcel Duchamps Fountain, an inverted urinal signed R. Mutt. This became one of the most famous and influential pieces of art in history and it is also a joke, relying on the inversion of the items function as expressed by its title as well as its incongruous presence in an art exhibition. The word surreal first began to be used to describe a type of aesthetic of the early 1920s, surreal humour is also found frequently in avant-garde theatre such as Waiting for Godot and Rosencrantz & Guildenstern Are Dead. In the United States, S. J. Perelman has been identified as the first surrealist humour writer, artists like Yoko Ono, Andy Warhol, Donald Barthelme, Italo Calvino, John Hodgman, and many others have relied on this technique in their work. Surrealist humour has played an important role in culture, especially since The Goon Show, Ernie Kovacs. Spike Milligan has been an influence with his absurdist pieces. One of his earliest works in radio, The Goon Show, has inspired many other absurdist comedians and was popular at the time. Spike Milligan went on to create a TV show in 1969, in turn, the Pythons influenced many with their groundbreaking series Monty Pythons Flying Circus. In the 1980s, when the alternative comedy era had begun, absurdist comedians were working the circuit, with the success of The Comic Strip Presents. Featuring as one of the first aired pieces for Channel 4 and this was a very absurdist sitcom based on four university students. Both Monty Python and The Young Ones featured a structure and many absurdities
4.
Birmingham Surrealists
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The Birmingham Surrealists were an informal grouping of artists and intellectuals associated with the Surrealist movement in art, based in Birmingham, England from the 1930s to the 1950s. The key figures were the artists Conroy Maddox and John Melville, alongside Melvilles brother, other significant members included artists Emmy Bridgewater, Oscar Mellor and the young Desmond Morris. Melville had been one of the harbingers of surrealism in Britain, producing a Surrealist Nude by 1930, Maddox had become a convert to surrealism after discovering one of Wilenskis books in Birmingham Central Library in 1935. Maddox and John Melville had a link as artists practicing in the surrealist genre. 1936 saw surrealism first come to public and media attention in England as a result of the London International Surrealist Exhibition. Instead of submitting artworks the group submitted a letter of protest, in the words of E. L. T. Maddox and the Melvilles officially joined the group in 1938, with Bridgewater joining in 1940. New local exhibition opportunities also opened up with the Birmingham Artists Committee explicitly promoting challenging art forms at its annual Invitation Exhibition, the focus of surrealist activity in the period was Maddoxs house overlooking Calthorpe Park in Balsall Heath. Maddox had long harbored ambitions to own a surrealist house - suggesting spaces filled entirely with bricks, weekend parties drew in a wide variety of unconventional attendees from well outside the core surrealist circle. As the 1950s wore on the group drifted apart, Bridgewater moved to Stratford-upon-Avon in 1951 to look care for her ill mother and disabled sister, ceasing artistic activity for almost two decades. Mellor and Morris both moved to Oxford to continue in education, in 1978, Maddox made contact with the surrealist revival on the West Coast of the U. S. and members of that movement visited London to show at Maddoxs Surrealism Unlimited exhibit. The Arsenal anthology, was dedicated to Maddox
5.
Women Surrealists
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Women Surrealists are women artists, photographers, filmmakers and authors connected with the Surrealist Movement, which began in the early 1920s. Gertrude Abercrombie was a Chicago artist inspired by the Surrealists, who became prominent in the 1930s and 1940s and she was also involved with the jazz music scene and was friends with musicians such as Dizzy Gillespie, Charlie Parker, and Sarah Vaughan. Marion Adnams was an English painter, printmaker, and draughtswoman, eileen Forrester Agar was born in Argentina and moved to Britain in childhood. She was prominent among British surrealists, Agar made intricate collages, rachel Baes was a Belgian painter, who from 1929 onwards was a member of the Surrealist group around René Magritte. Fanny Brennan, painter Emmy Bridgwater was an English artist and poet associated with the Surrealist movement, leonora Carrington was a British-born Mexican Surrealist painter. She met the Surrealist Max Ernst in 1937, and had a painful, much of her work is autobiographical. Ithell Colquhoun was a British Surrealist painter and author, Leonor Fini, born in Buenos Aires and raised in Trieste, met the Surrealists in 1936 but never officially joined. She paints startling images, often with sphinxes or apparitions, valentine Hugo, was an illustrator and married to Jean Hugo, she participated in the Surrealist movement between 1930 and 1936. Frida Kahlo was a Mexican painter claimed by Breton as surrealist, greta Knutson was a Swedish artist and writer who pursued surrealism while married to Tristan Tzara in the 1930s. Maruja Mallo was a Spanish painter whose painting in the 1930s was influenced by Surrealism, margaret Modlin was an American surrealist painter, sculptor and photographer who spent most of her adult life in Spain. Manon Potvin is a French/Canadian artist and prose poet, Surrealist painter of fantastic art in nature scenes. Alice Rahon was a French/Mexican poet and artist and her work contributed to the beginning of Abstract Expressionism in Mexico. Kay Sage began painting surrealist landscapes in the late 1930s, met, eva Švankmajerová was a Czech painter, ceramicist and writer. She collaborated with her husband Jan Švankmajer on films such as Alice, Faust, dorothea Tanning was an American painter, sculptor, printmaker, writer, and poet, whose early work was influenced by Surrealism. She became part of the circle of Surrealists in New York in the 1940s, bridget Bate Tichenor, Born in Paris and of British descent, she later embraced Mexico as her home. Surrealist painter of art in the school of magic realism. Toyen, was a Czech painter, draftsperson and illustrator and a member of the Surrealist movement, remedios Varo, a Spaniard who moved to Mexico, was known for her dreamlike paintings of scientific apparatus. She was married to the Surrealist poet Benjamin Peret, fanny Brennan was a French-American surrealist painter
6.
Art
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In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The oldest documented forms of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Music, theatre, film, dance, and other performing arts, as well as literature, until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. Art may be characterized in terms of mimesis, expression, communication of emotion, during the Romantic period, art came to be seen as a special faculty of the human mind to be classified with religion and science. Though the definition of what art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency. The nature of art, and related such as creativity. One early sense of the definition of art is related to the older Latin meaning. English words derived from this meaning include artifact, artificial, artifice, medical arts, however, there are many other colloquial uses of the word, all with some relation to its etymology. Several dialogues in Plato tackle questions about art, Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness in the Phaedrus, and yet in the Republic wants to outlaw Homers great poetic art, in Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, the forms also differ in their object of imitation. Comedy, for instance, is an imitation of men worse than average. Lastly, the forms differ in their manner of imitation—through narrative or character, through change or no change, Aristotle believed that imitation is natural to mankind and constitutes one of mankinds advantages over animals. The second, and more recent, sense of the art as an abbreviation for creative art or fine art emerged in the early 17th century. The creative arts are a collection of disciplines which produce artworks that are compelled by a drive and convey a message, mood. Art is something that stimulates an individuals thoughts, emotions, beliefs, works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. Often, if the skill is being used in a common or practical way, likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are considered applied art
7.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
8.
Literature
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Literature, in its broadest sense, is any single body of written works. Its Latin root literatura/litteratura was used to refer to all written accounts, developments in print technology have allowed an evergrowing distribution and proliferation of written works, culminating in electronic literature. There have been attempts to define literature. Simon and Delyse Ryan begin their attempt to answer the question What is Literature, with the observation, The quest to discover a definition for literature is a road that is much travelled, though the point of arrival, if ever reached, is seldom satisfactory. Most attempted definitions are broad and vague, and they change over time. In fact, the thing that is certain about defining literature is that the definition will change. Concepts of what is literature change over time as well, definitions of literature have varied over time, it is a culturally relative definition. In Western Europe prior to the century, literature as a term indicated all books. A more restricted sense of the term emerged during the Romantic period, contemporary debates over what constitutes literature can be seen as returning to the older, more inclusive notion of what constitutes literature. Cultural studies, for instance, takes as its subject of both popular and minority genres, in addition to canonical works. The value judgment definition of literature considers it to cover exclusively those writings that possess high quality or distinction and this sort of definition is that used in the Encyclopædia Britannica Eleventh Edition when it classifies literature as the best expression of the best thought reduced to writing. The formalist definition is that literature foregrounds poetic effects, it is the literariness or poetic of literature that distinguishes it from ordinary speech or other kinds of writing. Etymologically, the term derives from Latin literatura/litteratura learning, a writing, grammar, originally writing formed with letters, in spite of this, the term has also been applied to spoken or sung texts. Poetry is a form of art which uses aesthetic and rhythmic qualities of language to evoke meanings in addition to, or in place of. Possibly as a result of Aristotles influence, poetry before the century was usually less a technical designation for verse than a normative category of fictive or rhetorical art. As a form it may pre-date literacy, with the earliest works being composed within and sustained by an oral tradition, novel, a long fictional prose narrative. It was the close relation to real life that differentiated it from the chivalric romance, in most European languages the equivalent term is roman. In English, the term emerged from the Romance languages in the fifteenth century, with the meaning of news, it came to indicate something new
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Consciousness
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Consciousness is the state or quality of awareness, or, of being aware of an external object or something within oneself. Despite the difficulty in definition, many believe that there is a broadly shared underlying intuition about what consciousness is. Western philosophers, since the time of Descartes and Locke, have struggled to comprehend the nature of consciousness, the majority of experimental studies assess consciousness in humans by asking subjects for a verbal report of their experiences. The origin of the concept of consciousness is often attributed to John Lockes Essay Concerning Human Understanding. Locke defined consciousness as the perception of what passes in a mans own mind and his essay influenced the 18th-century view of consciousness, and his definition appeared in Samuel Johnsons celebrated Dictionary. Consciousness is also defined in the 1753 volume of Diderot and dAlemberts Encyclopédie, the earliest English language uses of conscious and consciousness date back, however, to the 1500s. This phrase had the meaning of knowing that one knows. In its earliest uses in the 1500s, the English word conscious retained the meaning of the Latin conscius. For example, Thomas Hobbes in Leviathan wrote, Where two, or more men, know of one and the fact, they are said to be Conscious of it one to another. The Latin phrase conscius sibi, whose meaning was more related to the current concept of consciousness, was rendered in English as conscious to oneself or conscious unto oneself. For example, Archbishop Ussher wrote in 1613 of being so conscious unto myself of my great weakness, Lockes definition from 1690 illustrates that a gradual shift in meaning had taken place. A related word was conscientia, which primarily means moral conscience, in the literal sense, conscientia means knowledge-with, that is, shared knowledge. The word first appears in Latin juridical texts by such as Cicero. Here, conscientia is the knowledge that a witness has of the deed of someone else, rené Descartes is generally taken to be the first philosopher to use conscientia in a way that does not fit this traditional meaning. Descartes used conscientia the way modern speakers would use conscience, in Search after Truth he says conscience or internal testimony. The dictionary meaning of the word consciousness extends through several centuries, B. inward awareness of an external object, state, or fact. The philosophy of mind has given rise to many stances regarding consciousness, something within ones mind is introspectively conscious just in case one introspects it. Introspection is often thought to deliver ones primary knowledge of ones mental life, an experience or other mental entity is phenomenally conscious just in case there is something it is like for one to have it
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Unconscious mind
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The unconscious mind consists of the processes in the mind which occur automatically and are not available to introspection, and include thought processes, memories, interests, and motivations. Even though these processes exist well under the surface of conscious awareness they are theorized to exert an impact on behavior, the term was coined by the 18th-century German Romantic philosopher Friedrich Schelling and later introduced into English by the poet and essayist Samuel Taylor Coleridge. The concept was popularized by the Austrian neurologist and psychoanalyst Sigmund Freud, in psychoanalytic theory, unconscious processes are understood to be directly represented in dreams, as well as in slips of the tongue and jokes. Thus the unconscious mind can be seen as the source of dreams and automatic thoughts, the repository of forgotten memories, and it has been argued that consciousness is influenced by other parts of the mind. These include unconsciousness as a habit, being unaware. Phenomena related to semi-consciousness include awakening, implicit memory, subliminal messages, trances, hypnagogia, while sleep, sleepwalking, dreaming, delirium, and comas may signal the presence of unconscious processes, these processes are seen as symptoms rather than the unconscious mind itself. Some critics have doubted the existence of the unconscious, the term unconscious was coined by the 18th-century German Romantic philosopher Friedrich Schelling and later introduced into English by the poet and essayist Samuel Taylor Coleridge. Some rare earlier instances of the term unconsciousness can be found in the work of the 18th-century German physician, the idea of internalised unconscious processes in the mind was also instigated in antiquity and has been explored across a wide variety of cultures. Unconscious aspects of mentality were referred to between 2500 and 600 BC in the Hindu texts known as the Vedas, found today in Ayurvedic medicine, william Shakespeare explored the role of the unconscious in many of his plays, without naming it as such. In 1880, Edmond Colsenet supports at the Sorbonne, a thesis on the unconscious. Elie Rabier and Alfred Fouillee perform syntheses of the unconscious at a time when Freud was not interested in the concept, psychologist Jacques Van Rillaer points out that, the unconscious was not discovered by Freud. Sigmund Freud and his followers developed an account of the unconscious mind and it plays an important role in psychoanalysis. Freud divided the mind into the mind and the unconscious mind. Later was then divided into the id and the superego. In this theory, the unconscious refers to the processes of which individuals make themselves unaware. Freud proposed a vertical and hierarchical architecture of human consciousness, the mind, the preconscious. He believed that significant psychic events take place below the surface in the unconscious mind and he interpreted such events as having both symbolic and actual significance. In psychoanalytic terms, the unconscious does not include all that is not conscious, Freud viewed the unconscious as a repository for socially unacceptable ideas, wishes or desires, traumatic memories, and painful emotions put out of mind by the mechanism of psychological repression
11.
Surrealist automatism
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Surrealist automatism is a method of art making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th century Dadaists, such as Hans Arp, made use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton, the Automatic Message was one of Bretons significant theoretical works about automatism. Automatism has taken on many forms, the writing and drawing initially explored by the surrealists can be compared to similar or parallel phenomena. Pure psychic automatism was how André Breton defined Surrealism, and while the definition has proved capable of significant expansion, the technique of automatic drawing was transferred to painting, and has been adapted to other media, there have even been automatic drawings in computer graphics. Pablo Picasso was also thought to have expressed a type of drawing in his later work. Automatic drawing was developed by the surrealists, as a means of expressing the subconscious, in automatic drawing, the hand is allowed to move randomly across the paper. In applying chance and accident to mark-making, drawing is to a large extent freed of rational control, hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed. Examples of automatic drawing were produced by mediums and practitioners of the psychic arts and it was thought by some Spiritualists to be a spirit control that was producing the drawing while physically taking control of the mediums body. Most of the surrealists automatic drawings were illusionistic, or more precisely, in the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing, the computer, like the typewriter, can be used to produce automatic writing and automatic poetry. For instance, filters have been run in some bitmap editor programs such as Photoshop and GIMP. Grandview — a software application created in 2011 for the Mac — displays one word at a time across the screen as a user types. Automatic writing Cut-up technique Free improvisation Intuitive music Scribbling Surrealism Surrealist music Pseudohallucination An automatic drawing by Jean Arp What is an automatic drawing
12.
Stencil
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The stencil is both the resulting image or pattern and the intermediate object, the context in which stencil is used makes clear which meaning is intended. The key advantage of a stencil is that it can be reused to repeatedly and rapidly produce the same letters or design, although aerosol or painting stencils can be made for one-time use, typically they are made with the intention of being reused. To be reusable, they must remain intact after a design is produced, with some designs, this is done by connecting stencil islands to other parts of the stencil with bridges. Stencil technique in visual art is referred to as pochoir. A related technique is aerography, in which spray-painting is done around an object to create a negative of the object instead of a positive of a stencil design. This technique was used in paintings dating to 10,000 BC. The artist sprayed pigment around his hand by using a hollow bone, screen printing also uses a stencil process, as does mimeography. The masters from which mimeographed pages are printed are often called stencils, stencils can be made with one or many colour layers using different techniques, with most stencils designed to be applied as solid colours. During screen printing and mimeography the images for stenciling are broken down into color layers, multiple layers of stencils are used on the same surface to produce multi-colored images. Hand stencils, made by blowing pigment over a hand held against a wall, are found from over 35,000 years ago in Asia and Europe, after that stencilling has been used as a historic painting technique on all kinds of materials. In Europe, from about 1450 they were used to colour old master prints printed in black and white. This was especially the case with playing-cards, which continued to be coloured by stencil long after most other subjects for prints were left in black, stencils were used for mass publications, as the type did not have to be hand-written. Low wages contributed to the popularity of the highly labour-intensive process, when stencils are used in this way they are often called pochoir. In the pochoir process, a print with the outlines of the design was produced, to produce detail, a collotype could be produced which the colors were then stenciled over. Pochoir was frequently used to create prints of intense color, and is most often associated with Art Nouveau, a template is used to create an outline for the image. Stencils templates can be made any material which will hold its form, ranging from plain paper, cardboard, plastic sheets, metals. Stencils are frequently used by organizations, including the military, utility companies and governments, to quickly and clearly label objects, vehicles. Stencils for official application can be customized, or purchased as individual letters, numbers and this allows the user to arrange words, phrases and other labels from one set of templates, unique to the item being labeled
13.
Spray painting
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Spray painting is a painting technique where a device sprays a coating through the air onto a surface. The most common types employ compressed gas—usually air—to atomize and direct the paint particles, Spray guns evolved from airbrushes, and the two are usually distinguished by their size and the size of the spray pattern they produce. Airbrushes are hand-held and used instead of a brush for detailed work such as photo retouching, painting nails or fine art, air gun spraying uses equipment that is generally larger. It is typically used for covering large surfaces with a coating of liquid. Spray guns can be automated or hand-held and have interchangeable heads to allow for different spray patterns. Single color aerosol paint cans are portable and easy to store, in 1949, Edward Seymour developed a type of spray painting, aerosol paint, that could be delivered via a compressed aerosol in a can. This process occurs when paint is applied to an object through the use of a spray gun. The air gun has a nozzle, paint basin, and air compressor, when the trigger is pressed the paint mixes with the compressed air stream and is released in a fine spray. Due to a range of nozzle shapes and sizes, the consistency of the paint can be varied. The shape of the workpiece and the desired paint consistency and pattern are important factors when choosing a nozzle, the three most common nozzles are the full cone, hollow cone, and flat stream. There are two types of air-gun spraying processes, in an automatic process the gun head is attached to a mounting block and delivers the stream of paint from that position. The object being painted is usually placed on rollers or a turntable to ensure overall equal coverage of all sides, high volume low pressure is similar to a conventional spray gun using a compressor to supply the air, but the spray gun itself requires a lower pressure. A higher volume of air is used to aerosolise and propel the paint at lower air pressure, the result is a higher proportion of paint reaching the target surface with reduced overspray, materials consumption, and air pollution. A regulator is often required so that the air pressure from a compressor can be lowered for the HVLP spray gun. Alternatively a turbine unit can be used to propel the air without the need for an air line running to the compressor, a rule of thumb puts two thirds of the coating on the substrate and one third in the air. True HVLP guns use 8–20 cfm, and a compressor with a minimum of 5 horsepower output is required. HVLP spray systems are used in the automotive, decorative, marine, architectural coating, furniture finishing, scenic painting and cosmetic industries. Like HVLP, Low volume low pressure spray guns also operate at a lower pressure and this is a further effort at increasing the transfer efficiency of spray guns, while decreasing the amount of compressed air consumption
14.
W. B. Yeats
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William Butler Yeats was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of both the Irish and British literary establishments, he helped to found the Abbey Theatre, Yeats was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others. He was born in Sandymount, Ireland and educated there and in London and he spent childhood holidays in County Sligo and studied poetry from an early age when he became fascinated by Irish legends and the occult. These topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display Yeatss debts to Edmund Spenser, Percy Bysshe Shelley, from 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, in 1923, he was awarded the Nobel Prize in Literature. Of Anglo-Irish descent, William Butler Yeats was born at Sandymount in County Dublin and his father, John Butler Yeats, was a descendant of Jervis Yeats, a Williamite soldier, linen merchant, and well-known painter who died in 1712. Benjamin Yeats, Jerviss grandson and Williams great-great-grandfather, had in 1773 married Mary Butler of a family in County Kildare. Following their marriage, they kept the name Butler in the family name, Mary was a descendant of the Butler of Ormond family from the Neigham Gowran branch of the family. They were descendants of the first Earls of Ormond, by his marriage, Williams father John Yeats was studying law but abandoned his studies to study art at Heatherleys Art School in London. His mother, Susan Mary Pollexfen, came from a merchant family in Sligo. Yeats was raised a member of the Protestant Ascendancy, which was at the time undergoing a crisis of identity. In 1997, his biographer R. F. Foster observed that Napoleons dictum that to understand the man you have to know what was happening in the world when he was twenty is manifestly true of W. B. Y. Yeatss childhood and young adulthood were shadowed by the power-shift away from the minority Protestant Ascendancy, the 1880s saw the rise of Charles Stewart Parnell and the home rule movement, the 1890s saw the momentum of nationalism, while the Catholics became prominent around the turn of the century. These developments had an effect on his poetry, and his subsequent explorations of Irish identity had a significant influence on the creation of his countrys biography. In 1867, the moved to England to aid their father, John. At first the Yeats children were educated at home and their mother entertained them with stories and Irish folktales. John provided an education in geography and chemistry, and took William on natural history explorations of the nearby Slough countryside
15.
Bohumil Hrabal
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Bohumil Hrabal was a Czech writer, regarded by many Czechs as one of the best writers of the 20th century. Hrabal was born in the city of Brno on 28 March 1914, in what was then the province of Moravia within Austria-Hungary, to an unmarried mother, Marie Božena Kiliánová. According to the organisers of a 2009 Hrabal exhibition in Brno, his father was probably Bohumil Blecha, a teachers son a year older than Marie. Marie’s parents opposed the idea of their daughter marrying Blecha, as he was about to serve in the Austro-Hungarian Army, four months after Hrabals birth World War I started, and Blecha was sent to the Italian front, before being invalided out of service. Blecha’s daughter, Drahomíra Blechová-Kalvodová, says her father told her when she was 18 that Hrabal was her half-brother, Bohumil and his biological father never met formally, according to Blechová-Kalvodová. Hrabal and Blechová-Kalvodová met twice, a dedication in a picture from 1994 says, To sister Drahomíra, Hrabal was baptised Bohumil František Kilián. Until the age of three, he lived mainly with his grandparents, Kateřina Kiliánová and Tomáš Kilián, in Brno while his mother worked in Polná as an assistant book-keeper in the towns brewery. František Hrabal, Hrabal’s stepfather, was a friend of Hrabal’s probable biological father, Marie and František married in February 1917, shortly before Bohumils second birthday. Hrabals half-brother, Břetislav Josef Hrabal, was later that year. The family moved in August 1919 to Nymburk, a town on the banks of the Labe. Both of Hrabals parents were active in amateur dramatics, Hrabal’s uncle was Bohuslav Kilián, a lawyer, journalist and publisher of the cultural magazines Salon and Měsíc. In 1920, Hrabal began at the school in Nymburk. In September 1925, he spent one year at a school in Brno. He failed the first year, he attended a technical secondary school in Nymburk. There too he struggled to concentrate on his studies, despite extra classes given to him by his uncle, in June 1934 Hrabal left school with a certificate that said he could be considered for a place at university on a technical course. Hrabal took private classes in Latin for a year, passing the exam in the town of Český Brod with an adequate grade on 3 October 1935. Four days later, on 7 October 1935, he registered at the Charles University in Prague to study for a law degree and he graduated only in March 1946 as Czech universities had been shut down in November 1939 and remained so until the end of Nazi occupation. During the war, he worked as a labourer and dispatcher in Kostomlaty, near Nymburk
16.
I Served the King of England
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I Served the King of England is a novel by the Czech writer Bohumil Hrabal. The story is set in Prague in the 1940s, during the Nazi occupation and early communism, Hrabal wrote the book during a period of censorship in the early 70s. It began circulating in 1971, and was published in 1983. It was adapted into a 2006 film with the title, directed by Jiří Menzel. The novel is narrated in the first person and follows the life of Ditě and he is rather short, which causes him to have an inferiority complex, he goes to great lengths to disguise this perceived flaw. At the beginning of the novel, Ditě is starting out as a busboy at the Golden Prague Hotel and it is here that Ditě begins his fascination with both women and money, trends that will continue and develop throughout much of the novel. He begins spending his paychecks at the brothel and enjoys decorating prostitutes laps with flower petals. His disapproving boss eventually finds out about his habit and puts a stop to it, the next hotel he works at is a grand estate, but it is almost always empty. In one satirical scene, however, the hotel receives a visit from the President of the country, the next hotel Ditě works at is in Prague itself. Here, Ditě works as a waiter, honing his skills of perception under the tutelage of the headwaiter. After the dinner, however, Ditě is accused of having stolen a golden spoon that went missing, ashamed, he attempts to hang himself, but is saved at the last minute when the spoon is found. Ditěs time at the hotel comes to an end after the beginning German occupation of Czechoslovakia, after an altercation with his coworkers over this issue, he is fired. Ditě marries Lise, and together they move to a Nazi mountain retreat for pregnant Aryan women, when they eventually do have a child, their son is born retarded, and spends the day hammering nails into the floor. After expressing doubts about the German invasion of the Soviet Union, Ditě is fired, near the end of the war, Lise is killed in the bombing of Cheb. In the rubble, Ditě finds a full of stamps stolen from a Jewish ghetto. He sells the stamps and uses the proceeds to build his own hotel in an abandoned quarry, among his guests is John Steinbeck. The fame and wealth he amasses fulfill the dreams of his youth, after the prison is closed down, Ditě works a brief stint at a lumber mill before securing himself a job as a road repairer in the isolated mountains. He lives largely isolated from the world, save for the company of a few animals, here, Ditě trades his youthful pursuit of temporal pleasures for quiet contemplation and spiritual growth
17.
Ink
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Ink is a liquid or paste that contains pigments or dyes and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, thicker inks, in paste form, are used extensively in letterpress and lithographic printing. Ink can be a medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescents. The components of inks serve many purposes, the carrier, colorants. Pigments are solid, opaque particles suspended in ink to provide color, pigment molecules typically link together in crystalline structures that are 0. 1–2 µm in size and comprise 5–30 percent of the ink volume. Qualities such as hue, saturation, and lightness vary depending on the source, dye-based inks are generally much stronger than pigment-based inks and can produce much more color of a given density per unit of mass. However, because dyes are dissolved in the phase, they have a tendency to soak into paper, making the ink less efficient. To circumvent this problem, dye-based inks are made with solvents that dry rapidly or are used with quick-drying methods of printing, other methods include harder paper sizing and more specialized paper coatings. The latter is particularly suited to inks used in non-industrial settings, another technique involves coating the paper with a charged coating. If the dye has the charge, it is attracted to and retained by this coating. Cellulose, the material most paper is made of, is naturally charged. Such a compound is used in ink-jet printing inks. A more recent development in dye-based inks are dyes that react with cellulose to permanently color the paper, such inks are not affected by water, alcohol, and other solvents. As such, their use is recommended to prevent frauds that involve removing signatures and this kind of ink is most commonly found in gel inks and in certain fountain pen inks. Many ancient cultures around the world have discovered and formulated inks for the purposes of writing and drawing. The knowledge of the inks, their recipes and the techniques for their production comes from archaeological analysis or from written text itself. Evidence for the earliest Chinese inks, similar to modern inksticks, is around 256 BC in the end of the Warring States period and produced from soot, the best inks for drawing or painting on paper or silk are produced from the resin of the pine tree. They must be between 50 and 100 years old, the Chinese inkstick is produced with a fish glue, whereas Japanese glue is from cow or stag
18.
Paper
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Paper is a thin material produced by pressing together moist fibres of cellulose pulp derived from wood, rags or grasses, and drying them into flexible sheets. It is a material with many uses, including writing, printing, packaging, cleaning. The modern pulp and paper industry is global, with China leading its production, the oldest known archaeological fragments of the immediate precursor to modern paper, date to the 2nd century BC in China. The pulp papermaking process is ascribed to Cai Lun, a 2nd-century AD Han court eunuch, with paper as an effective substitute for silk in many applications, China could export silk in greater quantity, contributing to a Golden Age. Because of papers introduction to the West through the city of Baghdad, in the 19th century, industrial manufacture greatly lowered its cost, enabling mass exchange of information and contributing to significant cultural shifts. In 1844, the Canadian inventor Charles Fenerty and the German F. G. Keller independently developed processes for pulping wood fibres, before the industrialisation of the paper production the most common fibre source was recycled fibres from used textiles, called rags. The rags were from hemp, linen and cotton, a process for removing printing inks from recycled paper was invented by German jurist Justus Claproth in 1774. Today this method is called deinking and it was not until the introduction of wood pulp in 1843 that paper production was not dependent on recycled materials from ragpickers. The word paper is etymologically derived from Latin papyrus, which comes from the Greek πάπυρος, although the word paper is etymologically derived from papyrus, the two are produced very differently and the development of the first is distinct from the development of the second. Papyrus is a lamination of natural plant fibres, while paper is manufactured from fibres whose properties have changed by maceration. To make pulp from wood, a chemical pulping process separates lignin from cellulose fibres and this is accomplished by dissolving lignin in a cooking liquor, so that it may be washed from the cellulose, this preserves the length of the cellulose fibres. Paper made from chemical pulps are also known as wood-free papers–not to be confused with paper, this is because they do not contain lignin. The pulp can also be bleached to produce paper, but this consumes 5% of the fibres, chemical pulping processes are not used to make paper made from cotton. There are three main chemical pulping processes, the process dates back to the 1840s and it was the dominant method extent before the second world war. Most pulping operations using the process are net contributors to the electricity grid or use the electricity to run an adjacent paper mill. Another advantage is that this process recovers and reuses all inorganic chemical reagents, soda pulping is another specialty process used to pulp straws, bagasse and hardwoods with high silicate content. There are two major mechanical pulps, thermomechanical pulp and groundwood pulp, in the TMP process, wood is chipped and then fed into steam heated refiners, where the chips are squeezed and converted to fibres between two steel discs. In the groundwood process, debarked logs are fed into grinders where they are pressed against rotating stones to be made into fibres
19.
Guillaume Apollinaire
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Guillaume Apollinaire was a French poet, playwright, short story writer, novelist, and art critic of Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term cubism in 1911 to describe the art movement. The term Orphism is also his, Apollinaire wrote one of the earliest Surrealist literary works, the play The Breasts of Tiresias, which became the basis for the 1947 opera Les mamelles de Tirésias. Two years after being wounded in World War I, Apollinaire died in the Spanish flu pandemic of 1918, wilhelm Albert Włodzimierz Apolinary Kostrowicki was born in Rome, Italy, and was raised speaking French, Italian, and Polish. He emigrated to France in his teens and adopted the name Guillaume Apollinaire. His mother, born Angelika Kostrowicka, was a Polish noblewoman born near Navahrudak and his maternal grandfather was a general in the Russian Imperial Army who was killed in the Crimean War. Apollinaires father is unknown but may have been Francesco Costantino Camillo Flugi dAspermont, Francesco Flugi von Aspermont was a nephew of Conradin Flugi dAspermont, a poet who wrote in ladin putèr, and perhaps also of the Minnesänger Oswald von Wolkenstein. Apollinaire eventually moved from Rome to Paris and became one of the most popular members of the community of Paris. He became romantically involved with Marie Laurencin, who is identified as his muse. In late 1909 or early 1910, Metzinger painted a Cubist portrait of Apollinaire. In his Vie anecdotique, the poet proudly writes, I am honoured to be the first model of a Cubist painter, Jean Metzinger, in 1911 he joined the Puteaux Group, a branch of the Cubist movement soon to be known as the Section dOr. The opening address of the 1912 Salon de la Section dOr—the most important pre-World War I Cubist exhibition—was given by Apollinaire. On 7 September 1911, police arrested and jailed him on suspicion of aiding and abetting the theft of the Mona Lisa and a number of Egyptian statuettes from the Louvre, but released him a week later. The theft of the statues was committed by a secretary of Apollinaires, Honoré Joseph Géry Pieret. Apollinaire implicated his friend Pablo Picasso, who was brought in for questioning in the theft of the Mona Lisa. The theft of the Mona Lisa was perpetrated by Vincenzo Peruggia, Apollinaire was active as a journalist and art critic for Le Matin, Intransigeant, and Paris Journal. He once called for the Louvre to be burnt down, Apollinaire wrote the preface for the first Cubist exposition outside of Paris, VIII Salon des Indépendants, Brussels,1911
20.
Collage
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Collage is a technique of an art production, primarily used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole. The origins of collage can be traced back hundreds of years, the term collage was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art. Techniques of collage were first used at the time of the invention of paper in China, around 200 BC. The use of collage, however, wasnt used by many people until the 10th century in Japan, when began to apply glued paper, using texts on surfaces. The technique of collage appeared in medieval Europe during the 13th century, gold leaf panels started to be applied in Gothic cathedrals around the 15th and 16th centuries. Gemstones and other metals were applied to religious images, icons. An 18th-century example of art can be found in the work of Mary Delany. In the 19th century, collage methods also were used among hobbyists for memorabilia, the exhibition later traveled to The Metropolitan Museum of Art and The Art Gallery of Ontario. For example, the Tate Gallerys online art glossary states that collage was first used as a technique in the twentieth century. The glued-on patches which Braque and Picasso added to their canvases offered a new perspective on painting when the patches collided with the plane of the painting. Collage in the modernist sense began with Cubist painters Georges Braque, according to some sources, Picasso was the first to use the collage technique in oil paintings. According to the Guggenheim Museums online article about collage, Braque took up the concept of collage itself before Picasso, applying it to charcoal drawings. Picasso adopted collage immediately after, It was Braque who purchased a roll of simulated oak-grain wallpaper and began cutting out pieces of the paper, Picasso immediately began to make his own experiments in the new medium. In 1912 for his Still Life with Chair Caning, Picasso pasted a patch of oilcloth with a design onto the canvas of the piece. Surrealist artists have made use of collage. Cubomania is a made by cutting an image into squares which are then reassembled automatically or at random. Collages produced using a similar, or perhaps identical, method are called etrécissements by Marcel Mariën from a method first explored by Mariën, surrealist games such as parallel collage use collective techniques of collage making. Many of these artists used techniques in their work
21.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
22.
Metal
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A metal is a material that is typically hard, opaque, shiny, and has good electrical and thermal conductivity. Metals are generally malleable—that is, they can be hammered or pressed permanently out of shape without breaking or cracking—as well as fusible and ductile, about 91 of the 118 elements in the periodic table are metals, the others are nonmetals or metalloids. Some elements appear in both metallic and non-metallic forms, astrophysicists use the term metal to collectively describe all elements other than hydrogen and helium, the simplest two, in a star. The star fuses smaller atoms, mostly hydrogen and helium, to larger ones over its lifetime. In that sense, the metallicity of an object is the proportion of its matter made up of all chemical elements. Many elements and compounds that are not normally classified as metals become metallic under high pressures, the atoms of metallic substances are typically arranged in one of three common crystal structures, namely body-centered cubic, face-centered cubic, and hexagonal close-packed. In bcc, each atom is positioned at the center of a cube of eight others, in fcc and hcp, each atom is surrounded by twelve others, but the stacking of the layers differs. Some metals adopt different structures depending on the temperature, atoms of metals readily lose their outer shell electrons, resulting in a free flowing cloud of electrons within their otherwise solid arrangement. This provides the ability of metallic substances to easily transmit heat, while this flow of electrons occurs, the solid characteristic of the metal is produced by electrostatic interactions between each atom and the electron cloud. This type of bond is called a metallic bond, Metals are usually inclined to form cations through electron loss, reacting with oxygen in the air to form oxides over various timescales. Examples,4 Na + O2 →2 Na2O2 Ca + O2 →2 CaO4 Al +3 O2 →2 Al2O3, the transition metals are slower to oxidize because they form a passivating layer of oxide that protects the interior. Others, like palladium, platinum and gold, do not react with the atmosphere at all, some metals form a barrier layer of oxide on their surface which cannot be penetrated by further oxygen molecules and thus retain their shiny appearance and good conductivity for many decades. The oxides of metals are generally basic, as opposed to those of nonmetals, exceptions are largely oxides with very high oxidation states such as CrO3, Mn2O7, and OsO4, which have strictly acidic reactions. Painting, anodizing or plating metals are good ways to prevent their corrosion, however, a more reactive metal in the electrochemical series must be chosen for coating, especially when chipping of the coating is expected. Water and the two form an electrochemical cell, and if the coating is less reactive than the coatee. Metals in general have high conductivity, high thermal conductivity. Typically they are malleable and ductile, deforming under stress without cleaving, in terms of optical properties, metals are shiny and lustrous. Sheets of metal beyond a few micrometres in thickness appear opaque, although most metals have higher densities than most nonmetals, there is wide variation in their densities, lithium being the least dense solid element and osmium the densest
23.
Wax
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Waxes are a diverse class of organic compounds that are hydrophobic, malleable solids near ambient temperatures. They include higher alkanes and lipids, typically with melting points above about 40 °C, waxes are insoluble in water but soluble in organic, nonpolar solvents. Natural waxes of different types are produced by plants and animals, waxes are organic compounds that characteristically consist of long alkyl chains. They may also include various groups such as fatty acids, primary and secondary long chain alcohols, unsaturated bonds, aromatics, amides, ketones. They frequently contain fatty acid esters as well, synthetic waxes are often long-chain hydrocarbons that lack functional groups. Waxes are synthesized by plants and animals. Those of animal origin typically consist of wax esters derived from a variety of carboxylic acids, in waxes of plant origin characteristic mixtures of unesterified hydrocarbons may predominate over esters. The composition depends not only on species, but also on location of the organism. The most commonly known animal wax is beeswax, but other insects secrete waxes, a major component of the beeswax used in constructing honeycombs is the ester myricyl palmitate which is an ester of triacontanol and palmitic acid. Its melting point is 62-65 °C, spermaceti occurs in large amounts in the head oil of the sperm whale. One of its constituents is cetyl palmitate, another ester of a fatty acid. Lanolin is a wax obtained from wool, consisting of esters of sterols, plants secrete waxes into and on the surface of their cuticles as a way to control evaporation, wettability and hydration. From the commercial perspective, the most important plant wax is carnauba wax, containing the ester myricyl cerotate, it has many applications, such as confectionery and other food coatings, car and furniture polish, floss coating, and surfboard wax. Other more specialized vegetable waxes include candelilla wax and ouricury wax, plant and animal based waxes or oils can undergo selective chemical modifications to produce waxes with more desirable properties than are available in the unmodified starting material. This approach has relied on green chemistry approaches including olefin metathesis and enzymatic reactions, although many natural waxes contain esters, paraffin waxes are hydrocarbons, mixtures of alkanes usually in a homologous series of chain lengths. These materials represent a significant fraction of petroleum and they are refined by vacuum distillation. Paraffin waxes are mixtures of saturated n- and iso- alkanes, naphthenes, a typical alkane paraffin wax chemical composition comprises hydrocarbons with the general formula CnH2n+2, such as Hentriacontane, C31H64. The degree of branching has an important influence on the properties, millions of tons of paraffin waxes are produced annually
24.
Chocolate
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Chocolate /ˈtʃɒklᵻt, -kəlᵻt/ is a typically sweet, usually brown food preparation of Theobroma cacao seeds, roasted and ground. It is made in the form of a liquid, paste, or in a block, Cacao has been cultivated by many cultures for at least three millennia in Mesoamerica. The earliest evidence of use traces to the Mokaya, with evidence of chocolate beverages dating back to 1900 BCE, the seeds of the cacao tree have an intense bitter taste and must be fermented to develop the flavor. After fermentation, the beans are dried, cleaned, and roasted, the shell is removed to produce cacao nibs, which are then ground to cocoa mass, unadulterated chocolate in rough form. Once the cocoa mass is liquefied by heating, it is called chocolate liquor, the liquor also may be cooled and processed into its two components, cocoa solids and cocoa butter. Baking chocolate, also called chocolate, contains cocoa solids and cocoa butter in varying proportions. Much of the chocolate consumed today is in the form of chocolate, a combination of cocoa solids, cocoa butter or added vegetable oils. Milk chocolate is chocolate that additionally contains milk powder or condensed milk. White chocolate contains cocoa butter, sugar, and milk, Cocoa solids are a source of flavonoids and alkaloids, such as theobromine, phenethylamine and caffeine. Many candies are filled with or coated with sweetened chocolate, and bars of solid chocolate, Gifts of chocolate molded into different shapes have become traditional on certain Western holidays, such as Easter and Valentines Day. Chocolate is also used in cold and hot beverages such as milk and hot chocolate and in some alcoholic drinks. Although cocoa originated in the Americas, recent years have seen African nations assuming a role in producing cocoa. Since the 2000s, Western Africa produces almost two-thirds of the worlds cocoa, in 2009, the Salvation Army International Development Department stated that child labor and the human trafficking and slavery of child laborers are used in African cocoa cultivation. The word chocolate entered the English language from Spanish in about 1600, how the word came into Spanish is less certain, and there are competing explanations. The word chocolatl does not occur in central Mexican colonial sources, another derivation comes from the Yucatec Mayan word chokol meaning hot, and the Nahuatl atl meaning water. The Nahuatl term, chicolatl, meaning beaten drink, may derive from the word for the frothing stick, the term chocolate chip was first used in 1940. The term chocolatier, for a chocolate maker, is attested from 1888. Chocolate has been prepared as a drink for all of its history
25.
White chocolate
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White chocolate is a chocolate derivative. It commonly consists of butter, sugar and milk solids and is characterized by a pale yellow or ivory appearance. The melting point of cocoa butter, its primary cocoa bean component, is enough to keep white chocolate solid at room temperature. White chocolate is chocolate that does not contain non-fat cocoa solids, during the manufacturing process, the dark-colored solids of the cocoa bean are separated from its fatty content, as with milk, semi-sweet, and dark chocolate. But, unlike those other types, the cocoa solids are not recombined. As a result, this fat, cocoa butter, is the only ingredient in white chocolate. Often, the butter is deodorized to remove its strong flavor. If prime pressed cocoa butter is used, it has natural anti-oxidant, white chocolate may include additional flavorings. These preparations may actually be white and will lack cocoa butters flavor, before this date, American firms required temporary marketing permits to sell white chocolate. The European Union has adopted the standards, except that there is no limit on sugar or sweeteners. In the 1930s, the white chocolate Milkybar was launched in Europe by Swiss company Nestlé, in North America, Kuno Baedeker developed a white chocolate while working for the Merckens Chocolate Company in 1945
26.
Water
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Water is a transparent and nearly colorless chemical substance that is the main constituent of Earths streams, lakes, and oceans, and the fluids of most living organisms. Its chemical formula is H2O, meaning that its molecule contains one oxygen, Water strictly refers to the liquid state of that substance, that prevails at standard ambient temperature and pressure, but it often refers also to its solid state or its gaseous state. It also occurs in nature as snow, glaciers, ice packs and icebergs, clouds, fog, dew, aquifers, Water covers 71% of the Earths surface. It is vital for all forms of life. Only 2. 5% of this water is freshwater, and 98. 8% of that water is in ice and groundwater. Less than 0. 3% of all freshwater is in rivers, lakes, and the atmosphere, a greater quantity of water is found in the earths interior. Water on Earth moves continually through the cycle of evaporation and transpiration, condensation, precipitation. Evaporation and transpiration contribute to the precipitation over land, large amounts of water are also chemically combined or adsorbed in hydrated minerals. Safe drinking water is essential to humans and other even though it provides no calories or organic nutrients. There is a correlation between access to safe water and gross domestic product per capita. However, some observers have estimated that by 2025 more than half of the population will be facing water-based vulnerability. A report, issued in November 2009, suggests that by 2030, in developing regions of the world. Water plays an important role in the world economy, approximately 70% of the freshwater used by humans goes to agriculture. Fishing in salt and fresh water bodies is a source of food for many parts of the world. Much of long-distance trade of commodities and manufactured products is transported by boats through seas, rivers, lakes, large quantities of water, ice, and steam are used for cooling and heating, in industry and homes. Water is an excellent solvent for a variety of chemical substances, as such it is widely used in industrial processes. Water is also central to many sports and other forms of entertainment, such as swimming, pleasure boating, boat racing, surfing, sport fishing, Water is a liquid at the temperatures and pressures that are most adequate for life. Specifically, at atmospheric pressure of 1 bar, water is a liquid between the temperatures of 273.15 K and 373.15 K
27.
Divination
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Divination is the attempt to gain insight into a question or situation by way of an occultic, standardized process or ritual. Divination can be seen as a method with which to organize what appear to be disjointed. Fortune-telling, on the hand, is a more everyday practice for personal purposes. Particular divination methods vary by culture and religion, divination is dismissed by the scientific community and skeptics as being superstition. Psychologist Julian Jaynes categorized divination into the four types, Omens. Chinese history offers scrupulously documented occurrences of births, the tracking of natural phenomena. Chinese governmental planning relied on this method of forecasting for long-range strategies and it is not unreasonable to assume that modern scientific inquiry began with this kind of divination, Joseph Needhams work considered this very idea. This consists of the casting of lots, or sortes, whether with sticks, stones, bones, beans, coins, modern playing cards and board games developed from this type of divination. This ranks a set of given possibilities and it can be qualitative, for example, dowsing developed from this type of divination. The Romans, in times, used Etruscan methods of augury such as hepatoscopy. Augury is normally considered to refer to divination by studying the flight patterns of birds. An unconstrained form of divination, free from any particular medium, the answer comes from whatever object the diviner happens to see or hear. Some religions use a form of bibliomancy, they ask a question, riffle the pages of their holy book, other forms of spontaneous divination include reading auras and New Age methods of feng shui such as intuitive and fuzion. In this practice, the examines the hands of a person for whom they are divining for indications of their future. The Oracle of Amun at the Siwa Oasis was made famous when Alexander the Great visited it after delivering Egypt from Persian rule in 332 BC, deuteronomy 18, 10-12 or Leviticus 19,26 can be interpreted as categorically forbidding divination. However, some would claim that divination is indeed practiced in the Bible, such as in Exodus 28, communicating with God through prayer is not the same as divination, though both are open, typically two-way conversations with God. Both oracles and seers in ancient Greece practiced divination, oracles were the conduits for the gods on earth, their prophecies were understood to be the will of the gods verbatim. Because of the demand for oracle consultations and the oracles’ limited work schedule
28.
Cubomania
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Suffic to create an entirely new work. It has been described as a statistical method, robert Hirsch has seemed to imply that this process can be done with digital photography. Although seemingly a contradiction in terms, at least one cubomania has been made with triangular shapes, cubomania is done by cutting up an image into squares or rectangles and reassembling randomly, the outcome is a new image with little resemblance to the starting image. Penelope Rosemont and Joseph Jablonski have suggested that cubomania, with other surrealist methods, can subvert the message of advertising. Cubomania was invented by the Romanian surrealist Gherasim Luca, using cubomania as a method for arranging soundscapes has been suggested
29.
Image
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Images may be two-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water. The word image is used in the broader sense of any two-dimensional figure such as a map, a graph. A volatile image is one that only for a short period of time. This may be a reflection of an object by a mirror, a fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile by photography or any other digital process. A mental image exists in a mind, as something one remembers or imagines. The subject of an image need not be real, it may be a concept, such as a graph, function. For example, Sigmund Freud claimed to have dreamed purely in aural-images of dialogs, a still image is a single static image, as distinguished from a kinetic image. This phrase is used in photography, visual media and the industry to emphasize that one is not talking about movies. A film still is a taken on the set of a movie or television program during production. In literature, imagery is a picture which appeals to the senses. It can both be figurative and literal, a moving image is typically a movie or video, including digital video. It could also be an animated display such as a zoetrope, library of Congress – Format Descriptions for Still Images Image Processing – Online Open Research Group Legal Issues Regarding Images Image Copyright Case
30.
Romania
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Romania is a sovereign state located in Southeastern Europe. It borders the Black Sea, Bulgaria, Ukraine, Hungary, Serbia and it has an area of 238,391 square kilometres and a temperate-continental climate. With over 19 million inhabitants, the country is the member state of the European Union. Its capital and largest city, Bucharest, is the sixth-largest city in the EU, the River Danube, Europes second-longest river, rises in Germany and flows in a general southeast direction for 2,857 km, coursing through ten countries before emptying into Romanias Danube Delta. The Carpathian Mountains, which cross Romania from the north to the southwest are marked by one of their tallest peaks, Moldoveanu, modern Romania was formed in 1859 through a personal union of the Danubian Principalities of Moldavia and Wallachia. The new state, officially named Romania since 1866, gained independence from the Ottoman Empire in 1877, at the end of World War I, Transylvania, Bukovina and Bessarabia united with the sovereign Kingdom of Romania. Romania lost several territories, of which Northern Transylvania was regained after the war, following the war, Romania became a socialist republic and member of the Warsaw Pact. After the 1989 Revolution, Romania began a transition back towards democracy and it has been a member of NATO since 2004, and part of the European Union since 2007. A strong majority of the population identify themselves as Eastern Orthodox Christians and are speakers of Romanian. The cultural history of Romania is often referred to when dealing with artists, musicians, inventors. For similar reasons, Romania has been the subject of notable tourist attractions, Romania derives from the Latin romanus, meaning citizen of Rome. The first known use of the appellation was attested in the 16th century by Italian humanists travelling in Transylvania, Moldavia, after the abolition of serfdom in 1746, the word rumân gradually fell out of use and the spelling stabilised to the form român. Tudor Vladimirescu, a leader of the early 19th century. The use of the name Romania to refer to the homeland of all Romanians—its modern-day meaning—was first documented in the early 19th century. The name has been officially in use since 11 December 1861, in English, the name of the country was formerly spelt Rumania or Roumania. Romania became the predominant spelling around 1975, Romania is also the official English-language spelling used by the Romanian government. The Neolithic-Age Cucuteni area in northeastern Romania was the region of the earliest European civilization. Evidence from this and other sites indicates that the Cucuteni-Trypillian culture extracted salt from salt-laden spring water through the process of briquetage
31.
Max Ernst
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Max Ernst was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a pioneer of the Dada movement. Max Ernst was born in Brühl, near Cologne, the third of nine children of a middle-class Catholic family and his father Philipp was a teacher of the deaf and an amateur painter, a devout Christian and a strict disciplinarian. He inspired in Max a penchant for defying authority, while his interest in painting and sketching in nature influenced Max to take up painting himself, in 1909 Ernst enrolled in the University of Bonn, studying philosophy, art history, literature, psychology and psychiatry. In 1911 Ernst befriended August Macke and joined his Die Rheinischen Expressionisten group of artists, in 1912 he visited the Sonderbund exhibition in Cologne, where works by Pablo Picasso and post-Impressionists such as Vincent van Gogh and Paul Gauguin profoundly influenced his approach to art. His own work was exhibited the same year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, in 1914 Ernst met Hans Arp in Cologne. The two soon became friends and their relationship lasted for fifty years, after Ernst completed his studies in the summer, his life was interrupted by World War I. Ernst was drafted and served both on the Western and the Eastern front, such was the devastating effect of the war on the artist that in his autobiography he referred to his time in the army thus, On the first of August 1914 M. E. died. He was resurrected on the eleventh of November 1918, however, for a brief period on the Western Front, Ernst was assigned to chart maps, which allowed him to continue painting. Several German Expressionist painters died in action during the war, among them Macke, Ernst was demobilized in 1918 and returned to Cologne. He soon married art history student Luise Straus, whom he had met in 1914, in 1919, Ernst visited Paul Klee in Munich and studied paintings by Giorgio de Chirico, which deeply impressed him. Also in 1919 Ernst, social activist Johannes Theodor Baargeld, in 1919–20 Ernst and Baargeld published various short-lived magazines such as Der Strom and die schammade, and organized Dada exhibitions. Ernst and Luises son Ulrich Jimmy Ernst was born on 24 June 1920, Ernsts marriage to Luise was short-lived. In 1921 he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernsts paintings and selected six collages to illustrate his poetry collection Répétitions, a year later the two collaborated on Les malheurs des immortels, and then with André Breton, whom Ernst met in 1921, on the magazine Litterature. During his first two years in Paris Ernst took various odd jobs to make a living and continued to paint, in 1923 the Éluards moved to a new home in Eaubonne, near Paris, where Ernst painted numerous murals. The same year his works were exhibited at Salon des Indépendants, although apparently accepting the ménage à trois at first, Éluard eventually became more concerned about the affair. In 1924 he abruptly left, first for Monaco, and then for Saigon and he soon asked his wife and Max Ernst to join him, both had to sell numerous paintings to finance the trip
32.
Dream
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A dream is a succession of images, ideas, emotions, and sensations that usually occur involuntarily in the mind during certain stages of sleep. Dream interpretation is the attempt at drawing meaning from dreams and searching for an underlying message, the scientific study of dreams is called oneirology. Dreams mainly occur in the rapid-eye movement stage of brain activity is high. REM sleep is revealed by continuous movements of the eyes during sleep, at times, dreams may occur during other stages of sleep. However, these tend to be much less vivid or memorable. The length of a dream can vary, they may last for a few seconds, people are more likely to remember the dream if they are awakened during the REM phase. The average person has three to five dreams per night, and some may have up to seven, however, Dreams tend to last longer as the night progresses. During a full eight-hour night sleep, most dreams occur in the two hours of REM. Opinions about the meaning of dreams have varied and shifted through time, most people today appear to endorse the Freudian theory of dreams – that dreams reveal insight into hidden desires and emotions. Other prominent theories include those suggesting that dreams assist in memory formation, problem solving, the earliest recorded dreams were acquired from materials dating back approximately 5000 years, in Mesopotamia, where they were documented on clay tablets. In the Greek and Roman periods, the believed that dreams were direct messages from one and/or multiple deities, from deceased persons. Some cultures practiced dream incubation with the intention of cultivating dreams that are of prophecy, Sigmund Freud, who developed the psychological discipline of psychoanalysis, wrote extensively about dream theories and their interpretations in the early 1900s. He explained dreams as manifestations of ones deepest desires and anxieties, furthermore, he believed that virtually every dream topic, regardless of its content, represented the release of sexual tension. In The Interpretation of Dreams, Freud developed a technique to interpret dreams and devised a series of guidelines to understand the symbols. In modern times, dreams have been seen as a connection to the unconscious mind and they range from normal and ordinary to overly surreal and bizarre. Dreams can have varying natures, such as being frightening, exciting, magical, melancholic, adventurous, the events in dreams are generally outside the control of the dreamer, with the exception of lucid dreaming, where the dreamer is self-aware. Dreams can at times make a creative thought occur to the person or give a sense of inspiration, the Sumerians in Mesopotamia left evidence of dreams dating back to 3100 BC. According to these early recorded stories, gods and kings, like the 7th century BC scholar-king Assurbanipal, in his archive of clay tablets, some accounts of the story of the legendary king Gilgamesh were found
33.
Echo
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In audio signal processing and acoustics, echo is a reflection of sound that arrives at the listener with a delay after the direct sound. The delay is proportional to the distance of the surface from the source. Typical examples are the echo produced by the bottom of a well, by a building, or by the walls of an enclosed room, a true echo is a single reflection of the sound source. The word echo derives from the Greek ἠχώ, itself from ἦχος, echo in the folk story of Greek is a mountain nymph whose ability to speak was cursed, only able to repeat the last words anyone spoke to her. Some animals use echo for location sensing and navigation, such as cetaceans, acoustic waves are reflected by walls or other hard surfaces, such as mountains and privacy fences. The reason of reflection may be explained as a discontinuity in the propagation medium and this can be heard when the reflection returns with sufficient magnitude and delay to be perceived distinctly. When sound, or the echo itself, is reflected multiple times from multiple surfaces, the human ear cannot distinguish echo from the original direct sound if the delay is less than 1/15 of a second. The velocity of sound in dry air is approximately 343 m/s at a temperature of 25 °C, therefore, the reflecting object must be more than 17. 2m from the sound source for echo to be perceived by a person located at the source. When a sound produces an echo in two seconds, the object is 343m away. In nature, canyon walls or rock cliffs facing water are the most common settings for hearing echoes. The strength of echo is frequently measured in dB sound pressure level relative to the transmitted wave. Echoes may be desirable or undesirable, in music performance and recording, electric echo effects have been used since the 1950s. The Echoplex is a delay effect, first made in 1959 that recreates the sound of an acoustic echo. Designed by Mike Battle, the Echoplex set a standard for the effect in the 1960s and was used by most of the guitar players of the era. While Echoplexes were used heavily by guitar players, many recording studios used the Echoplex. Beginning in the 1970s, Market built the solid-state Echoplex for Maestro, in the 2000s, most echo effects units use electronic or digital circuitry to recreate the echo effect. Hamilton Mausoleum, Hamilton, South Lanarkshire, Scotland, Its high stone holds the record for the longest echo in the world, gol Gumbaz of Bijapur, India, Any whisper, clap or sound gets echoed repeatedly. The gazebo of Napier Museum in Trivandrum, Kerala, India, listen to Duck echoes and an animated demonstration of how an echo is formed
34.
Echo (mythology)
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In Greek mythology, Echo was an Oread who resided on Mount Cithaeron. Zeus loved consorting with beautiful nymphs and often visited them on Earth, eventually, Zeuss wife, Hera, became suspicious, and came from Mt. Olympus in an attempt to catch Zeus with the nymphs. Echo, by trying to protect Zeus, endured Heras wrath, so when Echo met Narcissus and fell in love with him, she was unable to tell him how she felt and was forced to watch him as he fell in love with himself. In Metamorphoses, the poet Ovid tells of Juno and the jealousy she felt towards her husband Jupiter for his many affairs, though vigilant, whenever she was about to catch him, Echo distracted her with lengthy conversations. When at last Juno realized the truth, she cursed Echo, from that moment on, the once loquacious nymph could only repeat the most recently spoken words of another person. Sometime after being cursed, Echo spied a young man, Narcissus and she immediately fell in love with him and, infatuated, followed quietly. The more she looked at the man, the more she longed for him. Though she wished with all her heart to call out to Narcissus, during the hunt, Narcissus became separated from his companions and called out, ‘is anyone there’, and heard the nymph repeat his words. Startled Narcissus answered the voice, ‘come here’, only to be told the same, when Narcissus saw that nobody had emerged from the glade he concluded that the owner of the voice must be running away from him and called out again. Finally he shouted, This way, we must come together, taking this to be a reciprocation of her love, Echo concurred ecstatically, We must come together. In her delight, Echo rushed to Narcissus ready to throw her arms around her beloved, Narcissus, however, was appalled and, spurning her, exclaimed, ‘Hands off. May I die before you enjoy my body. ’ All Echo could whisper in reply was, ‘enjoy my body’ and having done so she fled, scorned, humiliated, despite the harshness of her rejection, Echo’s love for Narcissus only grew. When Narcissus died, wasting away before his own reflection, consumed by a love that could not be, when Narcissus, looking one last time into the pool uttered, Oh marvellous boy, I loved you in vain, farewell, Echo too chorused, Farewell. Eventually, Echo, too, began to waste away and her beauty faded, her skin shrivelled, and her bones turned to stone. Today, all remains of Echo is the sound of her voice. The tale of Daphnis and Chloe is a 2nd-century romance by Greek author Longus, at one point in the novel, Daphnis and Chloe are staring out at the boats gliding across the sea. Chloe, having never heard an echo before, is confused on hearing the song repeated in a nearby valley. Daphnis promises to tell her the story of Echo in exchange for ten more kisses, daphnis’ rendition differs radically from Ovid’s account
35.
Remedios Varo
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Remedios Varo Uranga was a Spanish-Mexican para-surrealist painter and anarchist. Born in Girona, Spain in 1908, she studied at the Real Academia de Bellas Artes de San Fernando, during the Spanish Civil War she fled to Paris where she was greatly influenced by the surrealist movement. She met her husband, the French surrealist poet Benjamin Péret. She was forced into exile from Paris during the German occupation of France and she died in 1963, at the height of her career, from a heart attack, in Mexico City. She was born María de los Remedios Alicia Rodriga Varo y Uranga in Anglès and her birth helped her mother get over the death of another daughter, which is the reason behind the name. Varo’s father, Rodrigo Varo y Zajalvo, was a man who had a strong influence on his daughter’s artistic development. Varo would copy the blueprints he brought home from his job in construction and he encouraged independent thought and supplemented her education with science and adventure books, notably the novels of Alexandre Dumas, Jules Verne, and Edgar Allan Poe. As she grew older, he provided her with text on mysticism, Varo’s mother, Ignacia Uranga Bergareche, was born to Basque parents in Argentina. She was a devout Catholic and commended herself to the saint of Anglès. Her father was a engineer, and the family traveled the Iberian Peninsula. To keep Remedios busy during these trips, her father had her copy the technical drawings of his work with their straight lines, radii, and perspectives. As a child, she read much with favorite authors including Jules Verne, Edgar Allan Poe and she also read books about oriental philosophy and mysticism. Those first few years of her left an impression on her that would later show up in motifs like machinery, furnishing, artifacts. Varo was given the basic education deemed proper for young ladies of a good upbringing at a convent school - an experience that fostered her rebellious tendencies. Varo took a view of religion and rejected the religious ideology of her childhood education and instead clung to the liberal. The very first works of Varos, a self-portrait and several portraits of family members, in 1924, aged 15, she enrolled at the Real Academia de Bellas Artes de San Fernando, in Madrid, the alma mater of Salvador Dalí and other renowned artists. Varo got her diploma as a teacher in 1930. At school, surrealistic elements were already apparent in her work, as it had arrived to Spain from France, while in Madrid, Varo had her initial introduction to Surrealism through lectures, exhibitions, films, and theater
36.
Drawing
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Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. A drawing instrument releases small amount of material onto a surface, the most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything, the medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas, the wide availability of drawing instruments makes drawing one of the most common artistic activities. In addition to its artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering. A quick, freehand drawing, usually not intended as a work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, traditional drawings were monochrome, or at least had little colour, while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks, dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a medium, applied with brushes or pens. Drawing is often exploratory, with emphasis on observation, problem-solving. Drawing is also used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies, there are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as drawing, stippling, shading, the surrealist method of entopic graphomania. A quick, unrefined drawing may be called a sketch, in fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called drawings even when they have been transferred to another medium by printing. Drawing as a Form of Communication Drawing is one of the oldest forms of human expression and these drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced in prehistoric times were eventually stylised and simplified, Drawing in the Arts Drawing is used to express ones creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise, initially, artists used and reused wooden tablets for the production of their drawings
