1.
The Hunt of the Unicorn
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The Hunt of the Unicorn, or the Unicorn Tapestries, is a series of seven tapestries dating from between 1495 and 1505, now in The Cloisters in New York, probably woven in Brussels or Liège. The tapestries show a group of noblemen and hunters in pursuit of a unicorn, the Hunt for the Unicorn was a common theme in late medieval and renaissance works of art and literature. The tapestries were woven in wool, metallic threads, and silk, the vibrant colours, still evident today, were produced from dye plants, weld, madder, and woad. One of the panels, The Mystic Capture of the Unicorn, the tapestries are subject to scholarly debate about the iconography, the artists who designed the tapestries, and questions surrounding the sequence in which they were meant to be hung. Possibly the seven tapestries were not originally hung together and it was posited by James J. Rorimer in 1942 that they were commissioned by Anne of Brittany, to celebrate her marriage to Louis XII, King of France on 6 December 1491. The clue derived from the occurrence of A and reversed E tied with a cord in a bowknot throughout the series of tapestries. As Rorimer surmised, the letters A and E are interpreted as the first, however Margaret B. Freeman refutes this fairly convincingly in her monograph of 1976, a conclusion which is supported by Adolph S. Cavallo in his 1998 work. The tapestries show pagan and Christian symbolism, the pagan themes emphasise the medieval lore of beguiled lovers, whereas Christian writings interpret the unicorn and its death as the Passion of Christ. The unicorn has long identified as a symbol of Christ by Christian writers. Masonic themes include Serpents, Owls in the form of Owl Eyes or Owl Silhouette, Blood, Sacred Geometry, also there is an allusion in the 2nd tapestry, The Unicorn is Found, to The Last Supper by Davinci. Serpents Owls Hebrew word for God JHWH Sacred Geometry In the Gothic tapestry, when the morality was attached importance to the medieval art, the tapestries illustrate the moralising role of narratives in allegories. The secular unicorn hunt was not only a simply depiction of Christian art, with a regulatory attitude to Rorimers speculation of tapestry ownership, Margaret B. Freeman did not negate the possible function of the tapestries as an interpretation of allegory of true love. The taming of the unicorn symbolises the lover or mate who enchained by virgin, Freeman discovered the connection between the taming of the unicorn and the devotion and subjection in love in the medieval poets. In addition, the pointed out that the overlap of subject the God of Heaven. The original workmanship of the tapestries still remains unanswered at the present, the tapestries were highly probably woven in Brussels in the Flanders, where was the centre of tapestry industry in the medieval European. As a series of works of Brussels looms, the mixture of silk, metallic thread with wool gave the tapestries finer quality. Other sources give slightly different titles and different sequences, the factors that affect this are primarily threefold. Firstly the nature of the tapestries themselves, which exhibit differences of manufacture and size, secondly the nature of the classic stag hunt, usually cited to Livre de la Chasse by Gaston III, Count of Foix of Foix
2.
The Cloisters
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The Cloisters is a museum in Upper Manhattan, New York City specializing in European medieval architecture, sculpture and decorative arts. Its early collection was built by the American sculptor, art dealer and collector George Grey Barnard, Rockefeller extended the collection and in 1931 purchased the site at Washington Heights and contracted the design for a new building that was to become the Cloisters. The museum today is part of the Metropolitan Museum of Art and its architectural and artistic works are largely from the Romanesque and Gothic periods. Its four cloisters, the Cuxa, Bonnefont, Trie and Saint-Guilhem cloisters, were sourced from French monasteries, between 1934 and 1939 they were excavated and reconstructed in Washington Heights, in a large project overseen by the architect Charles Collens. They are surrounded by a series of chapels and rooms grouped by period and source location. The design, layout and ambiance of the building is intended to evoke in visitors a sense of the Medieval European monastic life through its distinctive architecture, the area around the buildings contains reconstructed early medieval gardens. Barnards collection was purchased along with a pieces from Rockefellers holdings and these became the foundation and core of the Cloisters collection. The Cloisters and the adjacent 4 acres gardens are situated in Fort Tryon Park, construction took place over a five-year period beginning in 1934. He also bought several hundred acres of the New Jersey Palisades and this land is now part of the Palisades Interstate Park. Rockefeller was impacted by the depression of the early 1930s. The Cloisters building was designed by Charles Collens, and incorporated elements from the five cloistered abbeys of Catalan, Occitan, in 1988, the Treasury Gallery within the Cloisters, containing objects used for liturgical celebrations, personal devotions, and secular uses, was renovated. Other galleries were refurbished in 1998 and 1999, the Cloisters is a well-known New York City landmark and has been used as a filming location. In 1948, the filmmaker Maya Deren used its ramparts as a backdrop for her experimental film Meditation on Violence, in the same year, German director William Dieterle used the Cloisters as the location for a convent school in his film Portrait of Jennie. The 1968 film Coogans Bluff used the sites pathways and lanes for a motorcycle chase. The museum contains architecture elements and settings relocated mostly from four French medieval abbeys, between 1934 and 1939 they were transported, reconstructed and integrated with new buildings, in a project overseen by the architect Charles Collens. The exterior building is influenced by and contains elements from the 13th century church at Saint-Geraud at Monsempron, France and it was primarily designed by Collins, who took influence from Bernards original Cloisters Museum. The exterior contains stone from a number of European sources, and was built from 1935, primarily from limestone and it includes four Gothic windows from the refectory at Sens, and nine arcades from a priory at Firiory. The bulbous Fuentidueña Chapel was especially difficult to fit into the area, the Cuxa Cloisters are located on the south side of the building and structurally and thematically are the museums centerpiece
3.
Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
4.
Textile arts
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Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. The history of arts is also the history of international trade. Tyrian purple dye was an important trade good in the ancient Mediterranean, the Silk Road brought Chinese silk to India, Africa, and Europe. Tastes for imported luxury fabrics led to sumptuary laws during the Middle Ages, the Industrial Revolution was a revolution of textiles technology, the cotton gin, the spinning jenny, and the power loom mechanized production and led to the Luddite rebellion. The word textile is from Latin texere which means to weave, the simplest textile art is felting, in which animal fibers are matted together using heat and moisture. Most textile arts begin with twisting or spinning and plying fibers to make yarn, the yarn is then knotted, looped, braided, or woven to make flexible fabric or cloth, and cloth can be used to make clothing and soft furnishings. All of these items – felt, yarn, fabric, construction methods such as sewing, knitting, crochet, and tailoring, as well as the tools employed, techniques employed and the objects made all fall under the category of textile arts. The princes capotain hat is made of felt using the most basic of textile techniques and his clothing is made of woven cloth, richly embroidered in silk, and his stockings are knitted. He stands on a rug of wool which softens and warms the floor. ISBN 0-901286-20-6 Arnold, Janet, Patterns of Fashion, the cut and construction of clothes for men and women 2000, barber, Elizabeth Wayland, Womens Work, The First 20,000 Years, W. W. Dynasties, Painting in Tudor and Jacobean England 2000–2007. When silk was gold, Central Asian and Chinese textiles, new York, The Metropolitan Museum of Art. Sarah Lowengard, The Creation of Color in Eighteenth-century Europe, Columbia University Press,2006 Antique textile design archive Contemporary Textile Artists
5.
Weaving
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Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, felting, and braiding or plaiting, the longitudinal threads are called the warp and the lateral threads are the weft or filling. The method in which these threads are inter woven affects the characteristics of the cloth, cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band which meets this definition of cloth can also be using other methods, including tablet weaving, back-strap. The way the warp and filling threads interlace with each other is called the weave, the majority of woven products are created with one of three basic weaves, plain weave, satin weave, or twill. Woven cloth can be plain, or can be woven in decorative or artistic design, in general, weaving involves using a loom to interlace two sets of threads at right angles to each other, the warp which runs longitudinally and the weft that crosses it. One warp thread is called an end and one weft thread is called a pick, the warp threads are held taut and in parallel to each other, typically in a loom. There are many types of looms, Weaving can be summarized as a repetition of these three actions, also called the primary motion of the loom. Beating-up or battening, where the weft is pushed up against the fell of the cloth by the reed. The warp is divided into two overlapping groups, or lines that run in two planes, one another, so the shuttle can be passed between them in a straight motion. Then, the group is lowered by the loom mechanism. Repeating these actions form a fabric mesh but without beating-up, the distance between the adjacent wefts would be irregular and far too large. The warp-beam is a wooden or metal cylinder on the back of the loom on which the warp is delivered, the threads of the warp extend in parallel order from the warp-beam to the front of the loom where they are attached to the cloth-roll. Each thread or group of threads of the passes through an opening in a heddle. The warp threads are separated by the heddles into two or more groups, each controlled and automatically drawn up and down by the motion of the heddles, where a complex design is required, the healds are raised by harness cords attached to a Jacquard machine. Every time the harness moves up or down, an opening is made between the threads of warp, through which the pick is inserted, traditionally the weft thread is inserted by a shuttle. On a conventional loom, the thread is carried on a pirn. A handloom weaver could propel the shuttle by throwing it from side to side with the aid of a picking stick, the picking΅ on a power loom is done by rapidly hitting the shuttle from each side using an overpick or underpick mechanism controlled by cams 80-250 times a minute
6.
Loom
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A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads, the precise shape of the loom and its mechanics may vary, but the basic function is the same. The word loom is derived from the Old English geloma formed from ge- and loma, a root of unknown origin, in 1404 it was used to mean a machine to enable weaving thread into cloth. By 1838 it had gained the meaning of a machine for interlacing thread. Weaving is done by intersecting the longitudinal threads, the warp, i. e. that which is thrown across, with the transverse threads, the major components of the loom are the warp beam, heddles, harnesses or shafts, shuttle, reed and takeup roll. In the loom, yarn processing includes shedding, picking, battening, shedding is the raising of part of the warp yarn to form a shed, through which the filling yarn, carried by the shuttle, can be inserted. On the modern loom, simple and intricate shedding operations are performed automatically by the heddle or heald frame and this is a rectangular frame to which a series of wires, called heddles or healds, are attached. The yarns are passed through the eye holes of the heddles, the weave pattern determines which harness controls which warp yarns, and the number of harnesses used depends on the complexity of the weave. Two common methods of controlling the heddles are dobbies and a Jacquard Head, as the harnesses raise the heddles or healds, which raise the warp yarns, the shed is created. The filling yarn is inserted through the shed by a carrier device called a shuttle. The shuttle is normally pointed at each end to allow passage through the shed, in a traditional shuttle loom, the filling yarn is wound onto a quill, which in turn is mounted in the shuttle. The filling yarn emerges through a hole in the shuttle as it moves across the loom, a single crossing of the shuttle from one side of the loom to the other is known as a pick. As the shuttle back and forth across the shed, it weaves an edge, or selvage. Between the heddles and the roll, the warp threads pass through another frame called the reed. The portion of the fabric that has already been formed but not yet rolled up on the roll is called the fell. After the shuttle moves across the loom laying down the fill yarn, conventional shuttle looms can operate at speeds of about 150 to 160 picks per minute. There are two motions, because with each weaving operation the newly constructed fabric must be wound on a cloth beam. This process is called taking up, at the same time, the warp yarns must be let off or released from the warp beams
7.
Warp and weft
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In weaving, the weft is the term for the thread or yarn which is drawn through, inserted over-and-under, the lengthwise warp yarns that are held in tension on a frame or loom to create cloth. Warp is the lengthwise or longitudinal thread in a roll, while weft is the transverse thread, a single thread of the weft, crossing the warp, is called a pick. Each individual warp thread in a fabric is called an end or end. The weft is a thread or yarn usually made of spun fibre, the original fibres used were wool, flax or cotton. Today, man-made fibres are used in weaving. Because the weft does not have to be stretched on a loom in the way that the warp is, the weft is threaded through the warp using a shuttle, air jets or rapier grippers. Hand looms were the original weavers tool, with the shuttle being threaded through alternately raised warps by hand, inventions during the 18th century spurred the Industrial Revolution, with the picking stick and the flying shuttle speeding up production of cloth. The power loom patented by Edmund Cartwright in 1785 allowed sixty picks per minute, a useful way of remembering which is warp and which is weft is, one of them goes from weft to wight. The words woof and weft derive ultimately from the Old English word wefan, Warp means that which is thrown away. Very simple looms use a warp, in which a single. Because the warp is held under tension during the entire process of weaving and warp yarn must be strong, yarn for warp ends is usually spun. Traditional fibres for warping are wool, linen, alpaca, with the improvements in spinning technology during the Industrial Revolution, it became possible to make cotton yarn of sufficient strength to be used as the warp in mechanized weaving. Later, artificial or man-made fibres such as nylon or rayon were employed, while most people are familiar with weft-faced weavings, it is possible to create warp-faced weavings using densely arranged warp threads. In warp-faced weavings, the design for the textile is in the warp, warp-faced weavings are defined by length-wise stripes and vertical designs due to the limitations of color placement. The expression woof and warp is used metaphorically as one might similarly use fabric, e. g. the warp. The expression is used as a metaphor for the structure on which something is built. Warp or woof are also found in the Bible in the discussion of mildews found in cloth materials in Leviticus 13. Weft is also a term for temporary hair extensions
8.
Old French
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Old French was the Gallo-Romance dialect continuum spoken from the 9th century to the 14th century. In the 14th century, these came to be collectively known as the langues doïl. The mid-14th century is taken as the period to Middle French. The areal of Old French in contemporary terms corresponded to the parts of the Kingdom of France, Upper Burgundy. As part of the emerging Gallo-Romance dialect continuum, the langues doïl were contrasted with the langue doc, in these examples, we notice a clear consequence of bilingualism, that sometimes even changed the first syllable of the Latin words. Pope estimated that perhaps still 15% of the vocabulary of modern French derives from Germanic sources, at the third Council of Tours in 813, priests were ordered to preach in the vernacular language, since the common people could no longer understand formal Latin. The second-oldest document in Old French is the Eulalia sequence, which is important for reconstruction of Old French pronunciation due to its consistent spelling. The Capetians langue doïl, the forerunner of modern standard French, did not begin to become the common speech of all of France, however, until after the French Revolution. In the Late Middle Ages, the Old French dialects diverged into a number of distinct langues doïl, during the Early Modern period, French now becomes established as the official language of the Kingdom of France throughout the realm, also including the langue doc-speaking territories in the south. Old French gives way to Middle French in the mid-14th century, the earliest extant French literary texts date from the ninth century, but very few texts before the 11th century have survived. The first literary works written in Old French were saints lives, the Canticle of Saint Eulalie, written in the second half of the 9th century, is generally accepted as the first such text. The first of these is the area of the chansons de geste. More than one hundred chansons de geste have survived in three hundred manuscripts. The oldest and most celebrated of the chansons de geste is The Song of Roland, a fourth grouping, not listed by Bertrand, is the Crusade cycle, dealing with the First Crusade and its immediate aftermath. Jean Bodels other two categories—the Matter of Rome and the Matter of Britain—concern the French romance or roman, around a hundred verse romances survive from the period 1150–1220. From around 1200 on, the tendency was increasingly to write the romances in prose, the most important romance of the 13th century is the Romance of the Rose which breaks considerably from the conventions of the chivalric adventure story. The Occitan or Provençal poets were called troubadours, from the word trobar to find, lyric poets in Old French are called trouvères. By the late 13th century, the tradition in France had begun to develop in ways that differed significantly from the troubadour poets
9.
Latin
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Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
10.
Latinisation of names
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Latinisation is the practice of rendering a non-Latin name in a Latin style. It is commonly found with personal names, with toponyms. It goes further than romanisation, which is the transliteration of a word to the Latin alphabet from another script and this was often done in the classical era for much the same reason as English-speaking cultures produce English versions of some foreign names. In the case of names in the post-Roman era this may be done to emulate Latin authors. In a scientific context, the purpose of Latinisation may be to produce a name which is internationally consistent. Humanist names, assumed by Renaissance humanists, were very largely Latinised names, Latinisation in humanist names may consist of translation from vernacular European languages, sometimes involving a playful element of punning. Such names could be a cover for social origins. Latinisation is a practice for scientific names. For example, Livistona, the name of a genus of trees, is a Latinisation of Livingstone. In English, place names appear in Latinised form. This is a result of many text books mentioning the places being written in Latin. Because of this, the English language often uses Latinised forms of place names instead of anglicised forms or the original names. Examples of Latinised names for countries or regions are, Estonia Ingria Livonia During the age of the Roman Empire, additionally, Latinised versions of Greek substantives, particularly proper nouns, could easily be declined by Latin speakers with minimal modification of the original word. During the medieval period, following the collapse of the Empire in Western Europe, in the early medieval period, most European scholars were priests and most educated people spoke Latin, and as a result, Latin became firmly established as the scholarly language for the West. Though during modern times Europe has largely abandoned Latin as a scholarly language, by tradition, it is still common in some fields to name new discoveries in Latin. Romanization, conversion of a text in Latin letters Nicolson, Dan H, orthography of Names and Epithets, Latinization of Personal Names
11.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
12.
Mycenaean Greek
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The language is preserved in inscriptions in Linear B, a script first attested on Crete before the 14th century. Most inscriptions are on tablets found in Knossos, in central Crete, as well as in Pylos. Other tablets have found at Mycenae itself, Tiryns and Thebes and at Chania. The language is named after Mycenae, one of the centres of Mycenaean Greece. The tablets long remained undeciphered, and many languages were suggested for them, the texts on the tablets are mostly lists and inventories. No prose narrative survives, much less myth or poetry, still, much may be glimpsed from these records about the people who produced them and about Mycenaean Greece, the period before the so-called Greek Dark Ages. The Mycenaean language is preserved in Linear B writing, which consists of about 200 syllabic signs, since Linear B was derived from Linear A, the script of an undeciphered Minoan language probably unrelated to Greek, it does not reflect fully the phonetics of Mycenaean. In essence, a number of syllabic signs must represent a much greater number of produced syllables. Orthographic simplifications therefore had to be made, There is no disambiguation for the Greek categories of voice and aspiration except the dentals d, t,
13.
Linear B
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Linear B is a syllabic script that was used for writing Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries, the oldest Mycenaean writing dates to about 1450 BC. It is descended from the older Linear A, an earlier script used for writing the Minoan language, as is the later Cypriot syllabary. Linear B, found mainly in the archives at Knossos, Cydonia, Pylos, Thebes and Mycenae. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing and it is also the only one of the prehistoric Aegean scripts to have been deciphered, by English architect and self-taught linguist Michael Ventris. Linear B consists of around 87 syllabic signs and over 100 ideographic signs and these ideograms or signifying signs symbolize objects or commodities. They have no value and are never used as word signs in writing a sentence. The application of Linear B appears to have been confined to administrative contexts, in all the thousands of clay tablets, a relatively small number of different hands have been detected,45 in Pylos and 66 in Knossos. It is possible that the script was used only by a guild of professional scribes who served the central palaces, once the palaces were destroyed, the script disappeared. Linear B has roughly 200 signs, divided into syllabic signs with phonetic values, the representations and naming of these signs have been standardized by a series of international colloquia starting with the first in Paris in 1956. Colloquia continue, the 13th occurred in 2010 in Paris, many of the signs are identical or similar to those in Linear A, however, Linear A encodes an as-yet unknown language, and it is uncertain whether similar signs had the same phonetic values. The grid developed during decipherment by Michael Ventris and John Chadwick of phonetic values for syllabic signs is shown below, initial consonants are in the leftmost column, vowels are in the top row beneath the title. The transcription of the syllable is listed next to the sign along with Bennetts identifying number for the sign preceded by an asterisk, in cases where the transcription of the sign remains in doubt, Bennetts number serves to identify the sign. The signs on the tablets and sealings often show considerable variation from each other, discovery of the reasons for the variation and possible semantic differences is a topic of ongoing debate in Mycenaean studies. Many of these were identified by the edition and are shown in the special values below. The second edition relates, It may be taken as axiomatic that there are no true homophones, the unconfirmed identifications of *34 and *35 as ai2 and ai3 were removed. Other values remain unknown, mainly because of scarcity of evidence concerning them, note that *34 and *35 are mirror images of each other but whether this graphic relationship indicates a phonetic one remains unconfirmed. In recent times, CIPEM inherited the authority of Bennett
14.
Syllabary
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A syllabary is a set of written symbols that represent the syllables or moras which make up words. This loosely corresponds to shallow orthographies in alphabetic writing systems, most syllabaries only feature one or two kinds of syllabograms and form other syllables by graphemic rules. Otherwise they are synthetic, if they vary by onset, rime, nucleus or coda, or systematic, some scholars, e. g. Daniels, reserve the general term for analytic syllabaries and invent other terms as necessary. Some system provides katakana language conversion, in addition, the undecoded Cretan Linear A is also believed by some to be a syllabic script, though this is not proven. Chinese characters, the script used for Sumerian, Akkadian and other languages. They are therefore referred to as logosyllabic. The contemporary Japanese language uses two syllabaries together called kana, namely hiragana and katakana, which were developed around 700. They are mainly used to some native words and grammatical elements, as well as foreign words. Because Japanese uses mainly CV syllables, a syllabary is well suited to write the language, as in many syllabaries, however, vowel sequences and final consonants are written with separate glyphs, so that both atta and kaita are written with three kana, あった and かいた. It is therefore called a moraic writing system. Languages that use syllabaries today tend to have simple phonotactics, with a predominance of monomoraic syllables, few syllabaries have glyphs for syllables that are not monomoraic, and those that once did have simplified over time to eliminate that complexity. For example, the Vai syllabary originally had separate glyphs for syllables ending in a coda, the modern script has been expanded to cover all moras, but at the same time reduced to exclude all other syllables. g. Ko-no-so for Κνωσός Knōsos, pe-ma for σπέρμα sperma, the Cherokee syllabary generally uses dummy vowels for coda consonants, but also has a segmental grapheme for /s/, which can be used both as a coda and in an initial /sC/ consonant cluster. The languages of South Asia and Southeast Asia, as well as the Ethiopian Semitic languages, have a type of alphabet called an abugida or alphasyllabary, in the 19th century these systems were called syllabics, a term which has survived in the name of Canadian Aboriginal syllabics. In a true syllabary there may be graphic similarity between characters that share a common consonant or vowel sound, but it is not systematic or close to regular. For example, the characters for ke, ka, and ko in Japanese hiragana have no similarity to indicate their common k sound, compare abugida, where each grapheme typically represents a syllable but where characters representing related sounds are all similar graphically. For example, in Devanagari, an abugida, the characters for ke, ka and ko are के, का and को respectively. English, along many other Indo-European languages like German and Russian, allows for complex syllable structures
15.
Henry VIII of England
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Henry VIII was King of England from 21 April 1509 until his death. Henry was the second Tudor monarch, succeeding his father, Henry VII, Henry is best known for his six marriages and, in particular, his efforts to have his first marriage, to Catherine of Aragon, annulled. Despite his resulting excommunication, Henry remained a believer in core Catholic theological teachings, domestically, Henry is known for his radical changes to the English Constitution, ushering in the theory of the divine right of kings to England. Besides asserting the supremacy over the Church of England, he greatly expanded royal power during his reign. Charges of treason and heresy were commonly used to quash dissent, and he achieved many of his political aims through the work of his chief ministers, some of whom were banished or executed when they fell out of his favour. Thomas Wolsey, Thomas More, Thomas Cromwell, Richard Rich and his contemporaries considered Henry in his prime to be an attractive, educated, and accomplished king, and he has been described as one of the most charismatic rulers to sit on the English throne. He was an author and composer, as he aged, Henry became severely obese and his health suffered, contributing to his death in 1547. He is frequently characterised in his life as a lustful, egotistical, harsh. He was succeeded by his son Edward VI, born 28 June 1491 at the Palace of Placentia in Greenwich, London, Henry Tudor was the third child and second son of Henry VII and Elizabeth of York. Of the young Henrys six siblings, only three – Arthur, Prince of Wales, Margaret, and Mary – survived infancy and he was baptised by Richard Fox, the Bishop of Exeter, at a church of the Observant Franciscans close to the palace. In 1493, at the age of two, Henry was appointed Constable of Dover Castle and Lord Warden of the Cinque Ports. He was subsequently appointed Earl Marshal of England and Lord Lieutenant of Ireland at age three, and was inducted into the Order of the Bath soon after. The day after the ceremony he was created Duke of York, in May 1495, he was appointed to the Order of the Garter. Henry was given an education from leading tutors, becoming fluent in Latin and French. Not much is known about his early life – save for his appointments – because he was not expected to become king, as Duke of York, Henry used the arms of his father as king, differenced by a label of three points ermine. In 1502, Arthur died at the age of 15 of sweating sickness, Arthurs death thrust all his duties upon his younger brother, the 10-year-old Henry. After a little debate, Henry became the new Duke of Cornwall in October 1502, Henry VII gave the boy few tasks. Young Henry was strictly supervised and did not appear in public, as a result, the young Henry would later ascend the throne untrained in the exacting art of kingship
16.
Le Corbusier
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Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930 and his career spanned five decades, he constructed buildings in Europe, Japan, India, and North and South America. Le Corbusier prepared the plan for the city of Chandigarh in India. On July 17,2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as an Outstanding Contribution to the Modern Movement and it was an industrial town, devoted to the manufacture of watches. His father was an artisan who enameled boxes and watches, while his mother gave piano lessons and his elder brother Albert was an amateur violinist. He attended a kindergarten that used Fröbelian methods, like his contemporaries Frank Lloyd Wright and Mies van der Rohe, Le Corbusier did not have formal academic training as an architect. He was attracted to the arts and at the age of fifteen he entered the municipal art school in La-Chaux-de-Fonds which taught the applied arts connected with watchmaking. Three years later he attended the course of decoration, founded by the painter Charles LEplattenier. Le Corbusier wrote later that LEplattenier had made him a man of the woods and his father took him frequently into the mountains around the town. He wrote later, we were constantly on mountaintops, we grew accustomed to a vast horizon and his architecture teacher in the Art School was the architect René Chapallaz, who had a large influence on Le Corbusiers earliest house designs. However, he reported later that it was the art teacher LEplattenier who made him choose architecture, I had a horror of architecture and architects, he wrote. I was sixteen, I accepted the verdict and I obeyed. Le Corbusier began teaching himself by going to the library to read about architecture and philosophy, by visiting museums, by sketching buildings, located on the forested hillside near Chaux-de-fonds. It was a chalet with a steep roof in the local alpine style. The success of this led to his construction of two similar houses, the Villas Jacquemet and Stotzer, in the same area. In Florence, he visited the Florence Charterhouse in Galluzzo, which made an impression on him. I would have liked to live in one of what they called their cells and it was the solution for a unique kind of workers housing, or rather for a terrestrial paradise. In 1911, he traveled again for five months, this time he journeyed to the Balkans and visited Serbia, Bulgaria, Turkey, Greece, as well as Pompeii and Rome. Filling nearly 80 sketchbooks with renderings of what he saw—including many sketches of the Parthenon and he spoke of what he saw during this trip in many of his books, and it was the subject of his last book, Le Voyage dOrient
17.
Nobility
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The privileges associated with nobility may constitute substantial advantages over or relative to non-nobles, or may be largely honorary, and vary from country to country and era to era. There is often a variety of ranks within the noble class. g, san Marino and the Vatican City in Europe. Hereditary titles often distinguish nobles from non-nobles, although in many nations most of the nobility have been un-titled, some countries have had non-hereditary nobility, such as the Empire of Brazil. The term derives from Latin nobilitas, the noun of the adjective nobilis. In modern usage, nobility is applied to the highest social class in pre-modern societies and it rapidly came to be seen as a hereditary caste, sometimes associated with a right to bear a hereditary title and, for example in pre-revolutionary France, enjoying fiscal and other privileges. Nobility is a historical, social and often legal notion, differing from high socio-economic status in that the latter is based on income. Being wealthy or influential cannot, ipso facto, make one noble, various republics, including former Iron Curtain countries, Greece, Mexico, and Austria have expressly abolished the conferral and use of titles of nobility for their citizens. Not all of the benefits of nobility derived from noble status per se, usually privileges were granted or recognised by the monarch in association with possession of a specific title, office or estate. Most nobles wealth derived from one or more estates, large or small and it also included infrastructure such as castle, well and mill to which local peasants were allowed some access, although often at a price. Nobles were expected to live nobly, that is, from the proceeds of these possessions, work involving manual labour or subordination to those of lower rank was either forbidden or frowned upon socially. In some countries, the lord could impose restrictions on such a commoners movements. Nobles exclusively enjoyed the privilege of hunting, in France, nobles were exempt from paying the taille, the major direct tax. In some parts of Europe the right of war long remained the privilege of every noble. During the early Renaissance, duelling established the status of a respectable gentleman, Nobility came to be associated with social rather than legal privilege, expressed in a general expectation of deference from those of lower rank. By the 21st century even that deference had become increasingly minimised, in France, a seigneurie might include one or more manors surrounded by land and villages subject to a nobles prerogatives and disposition. Seigneuries could be bought, sold or mortgaged, if erected by the crown into, e. g. a barony or countship, it became legally entailed for a specific family, which could use it as their title. Yet most French nobles were untitled, in other parts of Europe, sovereign rulers arrogated to themselves the exclusive prerogative to act as fons honorum within their realms. Nobility might be inherited or conferred by a fons honorum
18.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
19.
Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
20.
Symbol
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A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences, all communication is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas or visual images and are used to other ideas. For example, a red octagon may be a symbol for STOP, on a map, a blue line might represent a river. Alphabetic letters may be symbols for sounds, personal names are symbols representing individuals. A red rose may symbolize love and compassion, the variable x, in a mathematical equation, may symbolize the position of a particle in space. In cartography, a collection of symbols forms a legend for a map The word derives from the Greek symbolon meaning token or watchword. It is an amalgam of syn- together + bole a throwing, a casting, the sense evolution in Greek is from throwing things together to contrasting to comparing to token used in comparisons to determine if something is genuine. The meaning something which stands for something else was first recorded in 1590, later, expanding on what he means by this definition Campbell says, a symbol, like everything else, shows a double aspect. We must distinguish, therefore between the sense and the meaning of the symbol. The term meaning can only to the first two but these, today, are in the charge of science – which is the province as we have said, not of symbols. The ineffable, the unknowable, can be only sensed. Heinrich Zimmer gives an overview of the nature, and perennial relevance. Concepts and words are symbols, just as visions, rituals, through all of these a transcendent reality is mirrored. They are so many metaphors reflecting and implying something which, though thus variously expressed, is ineffable, though thus rendered multiform, Symbols hold the mind to truth but are not themselves the truth, hence it is delusory to borrow them. Each civilisation, every age, must bring forth its own, in the book Signs and Symbols, it is stated that A symbol. Is a visual image or sign representing an idea -- a deeper indicator of a universal truth, Symbols are a means of complex communication that often can have multiple levels of meaning. This separates symbols from signs, as signs have only one meaning, human cultures use symbols to express specific ideologies and social structures and to represent aspects of their specific culture
21.
Emblem
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An emblem is an abstract or representational pictorial image that represents a concept, like a moral truth, or an allegory, or a person, like a king or saint. Although the words emblem and symbol are used interchangeably, an emblem is a pattern that is used to represent an idea or an individual. An emblem crystallizes in concrete, visual terms some abstraction, a deity, an emblem may be worn or otherwise used as an identifying badge or patch. For example, in America, police officers badges refer to their personal metal emblem whereas their woven emblems on uniforms identify members of a particular unit. A real or metal shell, the emblem of St. James the Apostle, sewn onto the hat or clothes. In the Middle Ages, many saints were given emblems, which served to them in paintings and other images, St. Catherine had a wheel, or a sword, St. Anthony Abbot, a pig. These are also called attributes, especially when carried by or close to the saint in art. Kings and other grand persons increasingly adopted personal devices or emblems that were distinct from their family heraldry. The most famous include Louis XIV of Frances sun, the salamander of Francis I of France, the boar of Richard III of England, pisanello produced many of the earliest and finest of these. A symbol, on the hand, substitutes one thing for another, in a more concrete fashion, The Christian cross is a symbol of the Crucifixion. The Red Cross is one of three representing the International Red Cross. A red cross on a background is the emblem of humanitarian spirit. The crescent shape is a symbol of the moon, it is an emblem of Islam, the skull and crossbones is a symbol identifying a poison. The skull is an emblem of the nature of human life. A totem is specifically an animal emblem that expresses the spirit of a clan, heraldry knows its emblems as charges. The lion passant serves as the emblem of England, the lion rampant as the emblem of Scotland, an icon consists of an image, that has become standardized by convention. A logo is an impersonal, secular icon, usually of a corporate entity, since the 15th century the terms of emblem and emblematura belong to the termini technici of architecture. They mean an iconic painted, drawn, or sculptural representation of a concept affixed to houses, Emblem in this sense refers to a didactic or moralizing combination of picture and text intended to draw the reader into a self-reflective examination of his or her own life
22.
Motto
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A motto is a maxim, a phrase meant to formally summarize the general motivation or intention of an individual, family, social group or organization. A motto may be in any language, but Latin has been widely used, especially in the Western world. In heraldry, a motto is depicted below the shield in a banderole, this placement stems from the Middle Ages, in which the vast majority of nobles possessed a coat of arms. In the case of Scottish heraldry it is mandated to appear above the crest, spanish coats of arms may display a motto in the bordure of the shield. In heraldic literature, the rallying cry respectively battle banner are also common, which date back to the battle cry. In English heraldry mottos are not granted with armorial bearings, in Scottish heraldry, mottos can only be changed by re-matriculation, with the Lord Lyon King of Arms. Although very unusual and perhaps outside standard heraldic practice, there are examples of the particular appearance of the motto scroll. Ships and submarines in the Royal Navy each have a badge and motto, Latin has been very common for mottos, but for nation states their official language is generally chosen. A canting motto is one that contains word play, for example, the motto of the Earl of Onslow is Festina lente, punningly interpreting on-slow. In literature, a motto is a sentence, phrase, poem, or word prefixed to an essay, chapter, novel and it is a short, suggestive expression of a guiding principle for the written material that follows. For example, Robert Louis Stevensons Travels with a Donkey in the Cévennes uses mottos at the start of each section, epigram Hendiatris Inscription List of Latin phrases List of mottos List of national mottos Slogan Tagline United in diversity United we stand, divided we fall
23.
Coat of arms
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A coat of arms is an heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the heraldic achievement which in its whole consists of shield, supporters, crest. A coat of arms is traditionally unique to a person, family, state. The ancient Romans used similar insignia on their shields, but these identified military units rather than individuals, the first evidence of medieval coats of arms has been attributed to the 11th century Bayeux Tapestry in which some of the combatants carry shields painted with crosses. However, that heraldic interpretation remains controversial, coats of arms came into general use by feudal lords and knights in battle in the 12th century. By the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the social classes of Europe. Exactly who had a right to use arms, by law or social convention, in the German-speaking regions both the aristocracy and burghers used arms, while in most of the rest of Europe they were limited to the aristocracy. The use of spread to the clergy, to towns as civic identifiers. Flags developed from coats of arms, and the arts of vexillology, the coats of arms granted to commercial companies are a major source of the modern logo. Despite no widespread regulation, heraldry has remained consistent across Europe, some nations, like England and Scotland, still maintain the same heraldic authorities which have traditionally granted and regulated arms for centuries and continue to do so in the present day. In England, for example, the granting of arms is and has controlled by the College of Arms. Unlike seals and other emblems, heraldic achievements have a formal description called a blazon. Many societies exist that also aid in the design and registration of personal arms, in the heraldic traditions of England and Scotland, an individual, rather than a family, had a coat of arms. In those traditions coats of arms are legal property transmitted from father to son, wives, undifferenced arms are used only by one person at any given time. Other descendants of the bearer could bear the ancestral arms only with some difference. One such charge is the label, which in British usage is now always the mark of an apparent or an heir presumptive. Because of their importance in identification, particularly in seals on legal documents and this has been carried out by heralds and the study of coats of arms is therefore called heraldry. In time, the use of arms spread from military entities to educational institutes, the author Helen Stuart argues that some coats of arms were a form of corporate logo
24.
Baldachin
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A baldachin, or baldaquin, is a canopy of state typically placed over an altar or throne. A cloth of honour is a simpler cloth hanging vertically behind the throne, Baldachin was originally a luxurious type of cloth from Baghdad, from which name the word is derived, in English as baudekin and other spellings. Matthew Paris records that Henry III of England wore a robe de preciosissimo baldekino at a ceremony at Westminster Abbey in 1247, the word for the cloth became the word for the ceremonial canopies made from the cloth. In the Middle Ages, a canopy of state, cloth of honour, or cloth of state was hung above the seat of a personage of sufficient standing. The seat under such a canopy of state would normally be raised on a dais, the cloth above a seat generally continued vertically down to the ground behind the seat. Emperors and kings, reigning dukes and bishops were accorded this honour, in a 15th-century manuscript illumination the sovereign Grand Master of the Knights Hospitaller in Rhodes sits in state to receive a presentation copy of the authors book. His seat is raised on a dais and backed with a richly embroidered dosser. Under his feet is a cushion, such as protected the feet of the King of France when he presided at a lit de justice, the King of France was also covered by a mobile canopy during his Coronation, held up on poles by several Peers of France. The Virgin Mary in particular, is often shown sitting under a cloth of honour in medieval. The cloth was simply a luxurious textile, often imported and with rich patterns, as in brocades. French kings are shown with blue cloths patterned with the gold fleur-de-lys. The coats-of-arms embroidered or woven into the tapestry are of England, sometimes, as in the presentation miniature Jean Wauquelin presenting his Chroniques de Hainaut to Philip the Good by Rogier van der Weyden, the cloth continues over the seat, and then to the floor. The canopy of estate may still be seen in most formal throne rooms, louis XIV developed the rituals of receptions in his state bedchamber, the petit lever to which only a handful of his court élite might expect to be invited. The other monarchs of Europe soon imitated his practice, even his staunchest enemy, William III of England, had his grooms of the bedchamber and its tester is quickly recognizable as a baldachin, serving its time-honoured function, the bedding might easily be replaced by a gilded throne. The queens of France spent a deal of time in their chambre. By the time Marie Antoinette escaped the mob from this bedroom, such state beds, the canopy imitated cloth in bronze, as did many subsequent imitations. This famous and spectacular feature is called the Baldacchino, though strictly it is a ciborium. Berninis design for the Baldachin incorporated giant solomonic columns inspired by columns that ringed the altar of the Old St. Peters and these columns were originally donated by Constantine, and a false tradition asserts they are the columns from the Temple of Jerusalem
25.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
26.
Bible
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The Bible is a collection of sacred texts or scriptures that Jews and Christians consider to be a product of divine inspiration and a record of the relationship between God and humans. Many different authors contributed to the Bible, what is regarded as canonical text differs depending on traditions and groups, a number of Bible canons have evolved, with overlapping and diverging contents. The Christian Old Testament overlaps with the Hebrew Bible and the Greek Septuagint, the New Testament is a collection of writings by early Christians, believed to be mostly Jewish disciples of Christ, written in first-century Koine Greek. These early Christian Greek writings consist of narratives, letters, among Christian denominations there is some disagreement about the contents of the canon, primarily the Apocrypha, a list of works that are regarded with varying levels of respect. Attitudes towards the Bible also differ amongst Christian groups and this concept arose during the Protestant Reformation, and many denominations today support the use of the Bible as the only source of Christian teaching. With estimated total sales of over 5 billion copies, the Bible is widely considered to be the book of all time. It has estimated sales of 100 million copies, and has been a major influence on literature and history, especially in the West. The English word Bible is from the Latin biblia, from the word in Medieval Latin and Late Latin. Medieval Latin biblia is short for biblia sacra holy book, while biblia in Greek and it gradually came to be regarded as a feminine singular noun in medieval Latin, and so the word was loaned as a singular into the vernaculars of Western Europe. Latin biblia sacra holy books translates Greek τὰ βιβλία τὰ ἅγια ta biblia ta hagia, the word βιβλίον itself had the literal meaning of paper or scroll and came to be used as the ordinary word for book. It is the diminutive of βύβλος byblos, Egyptian papyrus, possibly so called from the name of the Phoenician sea port Byblos from whence Egyptian papyrus was exported to Greece, the Greek ta biblia was an expression Hellenistic Jews used to describe their sacred books. Christian use of the term can be traced to c.223 CE, bruce notes that Chrysostom appears to be the first writer to use the Greek phrase ta biblia to describe both the Old and New Testaments together. The division of the Hebrew Bible into verses is based on the sof passuk cantillation mark used by the 10th-century Masoretes to record the verse divisions used in oral traditions. The oldest extant copy of a complete Bible is an early 4th-century parchment book preserved in the Vatican Library, the oldest copy of the Tanakh in Hebrew and Aramaic dates from the 10th century CE. The oldest copy of a complete Latin Bible is the Codex Amiatinus and he states that it is not a magical book, nor was it literally written by God and passed to mankind. In Christian Bibles, the New Testament Gospels were derived from traditions in the second half of the first century CE. Riches says that, Scholars have attempted to reconstruct something of the history of the oral traditions behind the Gospels, the period of transmission is short, less than 40 years passed between the death of Jesus and the writing of Marks Gospel. This means that there was time for oral traditions to assume fixed form
27.
Ovid
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Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
28.
Metamorphoses
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The Metamorphoses is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework. Although meeting the criteria for an epic, the poem defies simple classification by its use of varying themes and tones. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, numerous episodes from the poem have been depicted in acclaimed works of sculpture, painting, and music. The work has been the subject of numerous translations into English, Ovids decision to make myth the dominant subject of the Metamorphoses was influenced by the predisposition of Alexandrian poetry. However, whereas it served in that tradition as the cause for reflection or insight, he made it instead the object of play. There are three examples of the Metamorphoses by later Hellenistic writers, but little is known of their contents, the Heteroioumena by Nicander of Colophon is better known, and clearly an influence on the poem —21 of the stories from this work were treated in the Metamorphoses. However, in a way that was typical for writers of the period, the Metamorphoses was longer than any previous collection of metamorphosis myths and positioned itself within a historical framework. Some of the Metamorphoses derives from literary and poetic treatment of the same myths. This material was of varying quality and comprehensiveness — while some of it was finely worked, scholars have found it difficult to place the Metamorphoses in a genre. However, the handles the themes and employs the tone of virtually every species of literature, ranging from epic and elegy to tragedy. Commenting on the debate, G. Karl Galinsky has opined that. It would be misguided to pin the label of any genre on the Metamorphoses and it begins with the ritual invocation of the muse, and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, the recurring theme, as with nearly all of Ovids work, is love—be it personal love or love personified in the figure of Amor. Apollo comes in for particular ridicule as Ovid shows how love can confound the god out of reason. The work as a whole inverts the order, elevating humans and human passions while making the gods and their desires. The Metamorphoses ends with an epilogue, one of two surviving Latin epics to do so. Book I – The Creation, the Ages of Mankind, the flood, Deucalion and Pyrrha, Apollo and Daphne, Io, Book II – Phaëton, Callisto, the raven and the crow, Ocyrhoe, Mercury and Battus, the envy of Aglauros, Jupiter and Europa
29.
Hellenistic period
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It is often considered a period of transition, sometimes even of decadence or degeneration, compared to the enlightenment of the Greek Classical era. The Hellenistic period saw the rise of New Comedy, Alexandrian poetry, the Septuagint, Greek science was advanced by the works of the mathematician Euclid and the polymath Archimedes. The religious sphere expanded to include new gods such as the Greco-Egyptian Serapis, eastern deities such as Attis and Cybele, the Hellenistic period was characterized by a new wave of Greek colonization which established Greek cities and kingdoms in Asia and Africa. This resulted in the export of Greek culture and language to new realms. Equally, however, these new kingdoms were influenced by the cultures, adopting local practices where beneficial, necessary. Hellenistic culture thus represents a fusion of the Ancient Greek world with that of the Near East, Middle East and this mixture gave rise to a common Attic-based Greek dialect, known as Koine Greek, which became the lingua franca through the Hellenistic world. Scholars and historians are divided as to what event signals the end of the Hellenistic era, Hellenistic is distinguished from Hellenic in that the first encompasses the entire sphere of direct ancient Greek influence, while the latter refers to Greece itself. The word originated from the German term hellenistisch, from Ancient Greek Ἑλληνιστής, from Ἑλλάς, Hellenistic is a modern word and a 19th-century concept, the idea of a Hellenistic period did not exist in Ancient Greece. Although words related in form or meaning, e. g, the major issue with the term Hellenistic lies in its convenience, as the spread of Greek culture was not the generalized phenomenon that the term implies. Some areas of the world were more affected by Greek influences than others. The Greek population and the population did not always mix, the Greeks moved and brought their own culture. While a few fragments exist, there is no surviving historical work which dates to the hundred years following Alexanders death. The works of the major Hellenistic historians Hieronymus of Cardia, Duris of Samos, the earliest and most credible surviving source for the Hellenistic period is Polybius of Megalopolis, a statesman of the Achaean League until 168 BC when he was forced to go to Rome as a hostage. His Histories eventually grew to a length of forty books, covering the years 220 to 167 BC, another important source, Plutarchs Parallel Lives though more preoccupied with issues of personal character and morality, outlines the history of important Hellenistic figures. Appian of Alexandria wrote a history of the Roman empire that includes information of some Hellenistic kingdoms, other sources include Justins epitome of Pompeius Trogus Historiae Philipicae and a summary of Arrians Events after Alexander, by Photios I of Constantinople. Lesser supplementary sources include Curtius Rufus, Pausanias, Pliny, in the field of philosophy, Diogenes Laertius Lives and Opinions of Eminent Philosophers is the main source. Ancient Greece had traditionally been a collection of fiercely independent city-states. After the Peloponnesian War, Greece had fallen under a Spartan hegemony, in which Sparta was pre-eminent but not all-powerful
30.
Tarim Basin
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The Tarim Basin is an endorheic basin in northwest China occupying an area of about 1,020,000 km2. Its northern boundary is the Tian Shan mountain range and its boundary is the Kunlun Mountains on the edge of the Qinghai-Tibet Plateau. The Taklamakan Desert dominates much of the basin, the historical Uyghur name for the Tarim Basin is Altishahr, which means six cities in Uyghur. They were governed separately until 1884, north side, The Chinese called this the Tien Shan Nan Lu or Tien Shan South Road, as opposed to the Bei Lu north of the mountains. Along it runs the modern highway and railroad while the middle Tarim River is about 100 km south, Kashgar was where the caravans met before crossing the mountains. Center, Most of the basin is occupied by the Taklamakan Desert which is too dry for permanent habitation, the Yarkand, Kashgar and Aksu Rivers join to form the Tarim River which runs along the north side of the basin. Formerly it continued to Loulan, but some time after 330AD it turned southeast near Korla toward Charkilik, the Tarim ended at the now-dry Lop Nur which occupied a changing position east of Loulan. Eastward is the fabled Jade Gate which the Chinese considered the gateway to the Western Regions, beyond that is Dunhuang with its ancient manuscripts and then Anxi at the west end of the Gansu Corridor. The modern road continues east to Tibet, there is no current road east across the Kumtag Desert to Dunhuang, but caravans somehow made the crossing thru the Yangguan pass south of the Jade Gate. Roads and passes, rivers and caravan routes, The Southern Xinjiang Railway branches from the Lanxin Railway near Turpan, follows the side of the basin to Kashgar. Roads, The main road from eastern China reaches Urumchi and continues as highway 314 along the side to Kashgar. Highway 315 follows the side from Kashgar to Charkilik and continues east to Tibet. There are currently four north-south roads across the desert,218 runs from Charkilik to Korla along the former course of the Tarim forming an oval whose other end is Kashgar. The Tarim Desert Highway, an engineering achievement, crosses the center from Niya to Luntai. The new Highway 217 follows the Khotan River from Khotan to near Aksu, a road follows the Yarkand River from Yarkand to Baqu. East of the Korla-Charkilik road travel continues to be very difficult, Rivers coming south from the Tien Shan join the Tarim, the largest being the Aksu. Rivers flowing north from the Kunlun are usually named for the town or oasis they pass through, Most dry up in the desert, only the Hotan River reaching the Tarim in good years. An exception is the Qiemo River which flowed northeast into Lop Nor, ruins in the desert imply that these rivers were once larger
31.
Church of St. Trophime, Arles
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The Church of St. Trophime is a Roman Catholic church and former cathedral located in the city of Arles, in the Bouches-du-Rhône Department of southern France. It was built between the 12th century and the 15th century, and is in the Romanesque architectural tradition, the sculptures over the churchs portal, particularly the Last Judgement, and the columns in the adjacent cloister, are considered some of the finest examples of Romanesque sculpture. The church was built upon the site of the 5th century basilica of Arles, in the 15th century a Gothic choir was added to the Romanesque nave. 250 According to legend, Trophimus of Arles becomes the first bishop of Arles, raimon de Montredon organizes the transfer of the relics of St. Trophime from the basilica of St. Stephen in Alyscamps to the new cathedral of St. Trophime. The Emperor of the Holy Roman Empire, Frederick Barbarossa, is crowned at St. Trophime Cathedral by the archbishop of Arles, following the precedent of Frederick Barbarossa, Emperor Charles IV is crowned king of Arles at St. Trophime Cathedral. 1445 to 1465 The Romanesque abside of the church is replaced by a Gothic choir,1801, When the Bishopric moved to Aix-en-Provence, St. Trophime was reclassified as a simple parish church. 1882, Raised to the level of a basilica by Pope Leo XIII. 1981, Classified a UNESCO world heritage site, as part of the Arles, Roman and Romanesque Monuments group. At the time the Cathedral was built, in the late 11th century or early 12th century, Arles was the second-largest city in Provence, with a population of between 15,000 and 20,000 people. It had a port on the Rhône, and two new cities, on either side of the old Roman town, surrounded by a wall. The apse and the transept were built first, in the late 11th century. The windows are small and high up on the nave, above the level of the collateral aisles, though mainly notable for its outstanding Romanesque architecture and sculpture, the church contains rich groups of art from other periods. These include several important carved Late Roman sarcophagi, reliquaries from various periods, Trophime Bigot is also represented, and there are several Baroque tapestries, including a set of ten on the Life of the Virgin. The church has used to hold items originally from other churches or religious houses in the region that were dispersed in the French Revolution or at other times. The west portal is one of the treasures of Romanesque sculpture, presenting the story of the Apocalypse according to St. John, and the Gospel of St. Matthew. Christ is seated in majesty in the timpanum, with the symbols of the Evangelists around him, the angel of St. Matthew, the lion of St. Mark, the bull of St. Luke, the Apostles are seated below him. To the left of the portal, a procession of chosen Christians are going to heaven, the bases of the columns beside the portal are decorated with statues of lions, Samson and Delilah, and Samson and the Lion. The cloister was constructed in the half of the 12th century
32.
Arras
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Arras is the capital of the Pas-de-Calais department, which forms part of the region of Hauts-de-France, prior to the reorganization of 2014 it was located in Nord-Pas-de-Calais. It is located in Northern France on the Scarpe river, the Arras plain lies on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley, established during the Iron Age by the Gauls, the town of Arras was first known as Nemetocenna, which is believed to have originated from the Celtic word nemeton, meaning sacred space. The first mention of the name Arras appeared in the 12th century, some hypothesize it is a contraction of Atrebates, a Belgic tribe of Gaul and Britain that used to inhabit the area. The name Atrebates could have evolved to become Atrades, Atradis, Aras. Others believe it comes from the Celtic word Ar, meaning running water, Arras is Pas-de-Calais’ third most populous town after Calais and Boulogne-sur-Mer. The town counted 43,693 residents in 2012, with the Arras metropolitan area having a population of 124,200, Arras is located 182 kilometers north of Paris and can be reached in 2 hours by car and in 50 minutes by TGV. It is the center of the former Artois province. Its local speech is characterized as a patois, the city of Arras is well known for its architecture, culture, and history. It was once part of the Spanish Netherlands, a portion of the Low Countries controlled by Spain from 1556 to 1714, each year Arras attracts thousands of visitors, who explore the citys architecture and historic buildings. Some famous attractions include the splendid Town Hall and its Belfry, the Boves, the Squares, the Art District, the Abbey District, the Vauban Citadel, unlike many French words, the final s in the name Arras should be pronounced. Archaeologists found evidence of human settlements in the Scarpe basin. The archaeological sites of Mont-Saint-Vaast in Arras and Biache-Saint-Vaast were Stone Age settlements of the Mousterian culture and they were evidenced by the finds of stone tools. Very little was found to document the Bronze Age and Early Iron Age in the Arras area, Arras was founded on the boat of Baudimont by the Belgic tribe of the Atrebates, who named it Nemetocenna in reference to a nemeton that probably existed there. It was later renamed Nemetacum/Atrebatum by the Romans, under whom it became an important garrison town, in the Scarpe valley archaeologists excavations and data recovery revealed Late Iron Age settlements. These buildings, believed to be farms, were found near the municipalities of Arras, Hamblain-les-Prés, in the 4th century, Nemetecacum was renowned for its arts and crafts as well as textiles trade throughout the whole empire. Between 406 and 407, the city was taken and destroyed by Germanic invaders, in 428, the Salian Franks led by Clodion le Chevelu took control of the region including the current Somme department. Roman General Aetius then chose to negotiate for peace and concluded a treaty with Clodion that gave the Franks the status of «foederati» fighting for Rome
33.
Wool
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Wool is the textile fiber obtained from sheep and other animals, including cashmere and mohair from goats, qiviut from muskoxen, angora from rabbits, and other types of wool from camelids. Wool has several qualities that distinguish it from hair or fur, it is crimped, Wool is produced by follicles which are small cells located in the skin. These follicles are located in the layer of the skin called the epidermis. Follicles can be classed as primary or secondary follicles. Primary follicles produce three types of fiber, Kemp, medullated fibers and true wool fibers, secondary follicles only produce true wool fibers. Medullated fibers share nearly identical characteristics to hair and are long but lack crimp, Kemp fibers are very coarse and shed out. Wools scaling and crimp make it easier to spin the fleece by helping the individual fibers attach to each other, because of the crimp, wool fabrics have greater bulk than other textiles, and they hold air, which causes the fabric to retain heat. Wool has a specific heat coefficient, so it impedes heat transfer in general. This effect has benefited desert peoples, as Bedouins and Tuaregs use wool clothes for insulation, felting of wool occurs upon hammering or other mechanical agitation as the microscopic barbs on the surface of wool fibers hook together. The amount of crimp corresponds to the fineness of the wool fibers, a fine wool like Merino may have up to 100 crimps per inch, while coarser wool like karakul may have as few as one or two. In contrast, hair has little if any scale and no crimp, on sheep, the hair part of the fleece is called kemp. Wool fibers readily absorb moisture, but are not hollow, Wool can absorb almost one-third of its own weight in water. Wool absorbs sound like many other fabrics and it is generally a creamy white color, although some breeds of sheep produce natural colors, such as black, brown, silver, and random mixes. Wool ignites at a higher temperature than cotton and some synthetic fibers, Wool carpets are specified for high safety environments, such as trains and aircraft. Wool is usually specified for garments for firefighters, soldiers, Wool is considered by the medical profession to be allergenic. Sheep shearing is the process by which the fleece of a sheep is cut off. After shearing, the wool is separated into four categories, fleece, broken, bellies. In Australia before being auctioned, all Merino fleece wool is objectively measured for micron, yield, staple length, staple strength, the sheep is given a dip in antiseptic solution after shearing, so as to cure the wounds caused during shearing
34.
Palace
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A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name Palātium, for Palatine Hill in Rome which housed the Imperial residences, in many parts of Europe, the term is also applied to ambitious private mansions of the aristocracy. Many historic palaces are now put to uses such as parliaments, museums, hotels. The word is sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions. The word palace comes from Old French palais, from Latin Palātium, the original palaces on the Palatine Hill were the seat of the imperial power while the capitol on the Capitoline Hill was the religious nucleus of Rome. Long after the city grew to the seven hills the Palatine remained a residential area. Emperor Caesar Augustus lived there in a purposely modest house only set apart from his neighbours by the two trees planted to flank the front door as a sign of triumph granted by the Senate. His descendants, especially Nero, with his Golden House, enlarged the house, the word Palātium came to mean the residence of the emperor rather than the neighbourhood on top of the hill. Palace meaning government can be recognized in a remark of Paul the Deacon, AD790 and describing events of the 660s, When Grimuald set out for Beneventum, he entrusted his palace to Lupus. At the same time, Charlemagne was consciously reviving the Roman expression in his palace at Aachen, in the 9th century, the palace indicated the housing of the government too, and the constantly travelling Charlemagne built fourteen. In the Holy Roman Empire the powerful independent Electors came to be housed in palaces and this has been used as evidence that power was widely distributed in the Empire, as in more centralized monarchies, only the monarchs residence would be a palace. In modern times, the term has been applied by archaeologists and historians to large structures that housed combined ruler, court, in informal usage, a palace can be extended to a grand residence of any kind. The earliest known palaces were the residences of the Egyptian Pharaohs at Thebes, featuring an outer wall enclosing labyrinthine buildings. Other ancient palaces include the Assyrian palaces at Nimrud and Nineveh, the Minoan palace at Knossos, the Brazilian new capital, Brasília, hosts modern palaces, most designed by the citys architect Oscar Niemeyer. The Alvorada Palace is the residence of the Brazils president. The Planalto Palace is the official workplace, the Jaburu Palace is the official residence of Brazils vice-president. In Canada, Government House is a given to the official residences of the Canadian monarchy. The use of the term Government House is a custom from the British Empire
35.
Castle
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A castle is a type of fortified structure built in Europe and the Middle East during the Middle Ages by European nobility. Scholars debate the scope of the castle, but usually consider it to be the private fortified residence of a lord or noble. Usage of the term has varied over time and has applied to structures as diverse as hill forts. Over the approximately 900 years that castles were built, they took on a great many forms with different features, although some, such as curtain walls. A European innovation, castles originated in the 9th and 10th centuries, after the fall of the Carolingian Empire resulted in its territory being divided among individual lords and princes. Although their military origins are often emphasised in castle studies, the structures served as centres of administration. Many castles were built from earth and timber, but had their defences replaced later by stone. Early castles often exploited natural defences, lacking features such as towers and arrowslits, in the late 12th and early 13th centuries, a scientific approach to castle defence emerged. This led to the proliferation of towers, with an emphasis on flanking fire, many new castles were polygonal or relied on concentric defence – several stages of defence within each other that could all function at the same time to maximise the castles firepower. These changes in defence have been attributed to a mixture of castle technology from the Crusades, such as concentric fortification, not all the elements of castle architecture were military in nature, so that devices such as moats evolved from their original purpose of defence into symbols of power. Some grand castles had long winding approaches intended to impress and dominate their landscape, while castles continued to be built well into the 16th century, new techniques to deal with improved cannon fire made them uncomfortable and undesirable places to live. As a result, true castles went into decline and were replaced by artillery forts with no role in civil administration, and country houses that were indefensible. From the 18th century onwards, there was a renewed interest in castles with the construction of castles, part of a romantic revival of Gothic architecture. The word castle is derived from the Latin word castellum, which is a diminutive of the word castrum, meaning fortified place. The Old English castel, Old French castel or chastel, French château, Spanish castillo, Italian castello, the word castle was introduced into English shortly before the Norman Conquest to denote this type of building, which was then new to England. In its simplest terms, the definition of a castle accepted amongst academics is a fortified residence. Feudalism was the link between a lord and his vassal where, in return for service and the expectation of loyalty. Castles served a range of purposes, the most important of which were military, administrative, as well as defensive structures, castles were also offensive tools which could be used as a base of operations in enemy territory
36.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
37.
William Shakespeare
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William Shakespeare was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the worlds pre-eminent dramatist. He is often called Englands national poet, and the Bard of Avon and his extant works, including collaborations, consist of approximately 38 plays,154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright, Shakespeare was born and brought up in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children, Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a career in London as an actor, writer. He appears to have retired to Stratford around 1613, at age 49, Shakespeare produced most of his known work between 1589 and 1613. His early plays were primarily comedies and histories, which are regarded as some of the best work ever produced in these genres. He then wrote mainly tragedies until about 1608, including Hamlet, Othello, King Lear, in his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and it was prefaced with a poem by Ben Jonson, in which Shakespeare is hailed, presciently, as not of an age, but for all time. In the 20th and 21st centuries, his works have been adapted and rediscovered by new movements in scholarship. His plays remain highly popular and are studied, performed. William Shakespeare was the son of John Shakespeare, an alderman and a successful glover originally from Snitterfield, and Mary Arden and he was born in Stratford-upon-Avon and baptised there on 26 April 1564. His actual date of birth unknown, but is traditionally observed on 23 April. This date, which can be traced back to an 18th-century scholars mistake, has proved appealing to biographers because Shakespeare died on 23 April 1616 and he was the third child of eight and the eldest surviving son. At the age of 18, Shakespeare married 26-year-old Anne Hathaway, the consistory court of the Diocese of Worcester issued a marriage licence on 27 November 1582. The next day, two of Hathaways neighbours posted bonds guaranteeing that no lawful claims impeded the marriage, twins, son Hamnet and daughter Judith, followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at the age of 11 and was buried 11 August 1596, after the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the bill of a law case before the Queens Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589
38.
Edmund Spenser
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Edmund Spenser was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the craftsmen of nascent Modern English verse. He was deeply affected by Irish faerie mythology, which he knew from his home at Kilcolman and his genocidal tracts against Gaelic culture were war propaganda. His house was burned to the ground during the war, causing him to flee Ireland, Edmund Spenser was born in East Smithfield, London, around the year 1552, though there is some ambiguity as to the exact date of his birth. As a young boy, he was educated in London at the Merchant Taylors School, while at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a time secretary to John Young. In 1579, he published The Shepheardes Calender and around the time married his first wife. They had two children, Sylvanus and Katherine, in July 1580, Spenser went to Ireland in service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Spenser served under Lord Gray with Walter Raleigh at the Siege of Smerwick massacre, when Lord Grey was recalled to England, Spenser stayed on in Ireland, having acquired other official posts and lands in the Munster Plantation. Raleigh acquired other nearby Munster estates confiscated in the Second Desmond Rebellion, some time between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. He later bought a second holding to the south, at Rennie and its ruins are still visible today. A short distance away grew a tree, locally known as Spensers Oak until it was destroyed in a strike in the 1960s. Local legend has it that he penned some of The Faerie Queene under this tree. In 1590, Spenser brought out the first three books of his most famous work, The Faerie Queene, having travelled to London to publish and promote the work and he was successful enough to obtain a life pension of £50 a year from the Queen. By 1594, Spensers first wife had died, and in that year he married Elizabeth Boyle, the marriage itself was celebrated in Epithalamion. They had a son named Peregrine, in 1596, Spenser wrote a prose pamphlet titled A View of the Present State of Ireland. This piece, in the form of a dialogue, circulated in manuscript and it is probable that it was kept out of print during the authors lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally pacified by the English until its indigenous language and customs had been destroyed, in 1598, during the Nine Years War, Spenser was driven from his home by the native Irish forces of Aodh Ó Néill
39.
Flanders
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Flanders is the Dutch-speaking northern portion of Belgium, although there are several overlapping definitions, including ones related to culture, language, politics and history. It is one of the communities, regions and language areas of Belgium, the demonym associated with Flanders is Fleming, while the corresponding adjective is Flemish. The official capital of Flanders is Brussels, although Brussels itself has an independent regional government, in historical contexts, Flanders originally refers to the County of Flanders, which around AD1000 stretched from the Strait of Dover to the Scheldt estuary. In accordance with late 20th century Belgian state reforms the area was made two political entities, the Flemish Community and the Flemish Region. These entities were merged, although geographically the Flemish Community, which has a cultural mandate, covers Brussels. Flanders has figured prominently in European history, as a consequence, a very sophisticated culture developed, with impressive achievements in the arts and architecture, rivaling those of northern Italy. Belgium was one of the centres of the 19th century industrial revolution, geographically, Flanders is generally flat, and has a small section of coast on the North Sea. Much of Flanders is agriculturally fertile and densely populated, with a density of almost 500 people per square kilometer. It touches France to the west near the coast, and borders the Netherlands to the north and east, the Brussels Capital Region is an enclave within the Flemish Region. Flanders has exclaves of its own, Voeren in the east is between Wallonia and the Netherlands and Baarle-Hertog in the consists of 22 exclaves surrounded by the Netherlands. It comprises 6.5 million Belgians who consider Dutch to be their mother tongue, the political subdivisions of Belgium, the Flemish Region and the Flemish Community. The first does not comprise Brussels, whereas the latter does comprise the Dutch-speaking inhabitants of Brussels, the political institutions that govern both subdivisions, the operative body Flemish Government and the legislative organ Flemish Parliament. The two westernmost provinces of the Flemish Region, West Flanders and East Flanders, forming the central portion of the historic County of Flanders, a feudal territory that existed from the 8th century until its absorption by the French First Republic. Until the 1600s, this county also extended over parts of France, one of the regions conquered by the French in Flanders, namely French Flanders in the Nord department. French Flanders can be divided into two regions, Walloon Flanders and Maritime Flanders. The first region was predominantly French-speaking already in the 1600s, the latter became so in the 20th century, the city of Lille identifies itself as Flemish, and this is reflected, for instance, in the name of its local railway station TGV Lille Flandres. The region conquered by the Dutch Republic in Flanders, now part of the Dutch province of Zeeland, the significance of the County of Flanders and its counts eroded through time, but the designation remained in a very broad sense. In the Early modern period, the term Flanders was associated with the part of the Low Countries
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Brussels tapestry
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Sophie Schneebalg-Perelmans attribution to Brussels of The Lady and the Unicorn at the Musée de Cluny may well be correct. Leo must have motivated by the already high technical quality of Brussels tapestries. A Hunts of Maximilian suite, depicting hunting in each of the months, was woven to cartoons by Bernard van Orley ca1531-33, van Orleys pupils, Pieter Coecke van Aelst and Michiel Coxie, also provided cartoons for Brussels looms under the general influence of Italian painting. A set of Seven Deadly Sins, of which four survive, are recognized as Pieter Coecke van Aelsts masterpieces, Brussels quickly took pre-eminence in tapestry weaving. In 1528 a city decree ordained that each piece of Brussels tapestry over a certain size bear the mark of a red shield flanked by two Bs, this aids in identifying Brussels production. Each tapestry was to include the woven mark of the maker or the merchant who commissioned the tapestry for resale, the public market for tapestry sales was Antwerp. Though he was the arch-rival of the Habsburgs, Francis I of France commissioned tapestries from Brussels and Antwerp in the early years of his reign. The prominent Brussels weaver Peter de Pannemaker executed for Francis that same year a suite enriched with silver and gold thread, to designs by Matteo del Nassaro of Verona, an engraver of gems. There were other commissions and purchases by Francis of Brussels tapestry until the establishment, about 1540 of a manufactory at Fontainebleau, the Valois tapestries depicting festivities at the court of France were woven in the Spanish Netherlands, likely in Brussels, shortly after 1580. Other nobles continued to support Brussels manufacture in the 16th century, only 136 tapestries from the initial original collection of 356 pieces remain today, from which the largest part was commissioned in Brussel. In England, both Cardinal Wolsey and Henry VIII amassed large tapestry collections, Wolsey furnished his palaces at York Place and Hampton Court with rich tapestries. Many of the cardinals acquisitions illustrate Biblical texts, but he also acquired secular works, one was purchased from the executors of the Bishop of Durham and one was commissioned directly by Wolsey. Evidence associates this later set with a partial set now in the Victoria & Albert Museum, the Seven Deadly Sins panels woven for Wolseys bedroom at Hampton Court are also thought to be Brussels work. By the time of his fall in 1529, Wolseys collection included over 600 tapestry pieces, old, but despite his commissions to the weavers of Brussels, his tastes were conventional, and none of his acquisitions seem to have been in the new style pioneered by van Orley. Conversely, Henry VIII embraced the new Italianate style, in October 1528, Henry acquired a small set of the Twelve Months and a much larger ten-piece set of The Story of David measuring 743 1/2 ells from the merchant Richard Gresham. Two of these, The Triumph of Hercules and the Triumph of Bacchus, the prominent atelier of Jan Raes the Elder and Younger had executed a set of Animals in Landscapes for Cardinal Montalto. and a suite of the History of Samson. Other leading Brussels ateliers of the 17th century were directed by Martin Reymbouts, rubenss pupil Jacob Jordaens also provided many cartoons for tapestries. Kermesse subjects drawn from life in the manner of the Teniers, father
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Geraardsbergen
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Geraardsbergen is a city and municipality located in the Denderstreek and in the Flemish Ardennes, the hilly southern part of the Belgian province of East Flanders. On January 1,2006 Geraardsbergen had a population of 31,380. The total area is 79.71 km² which gives a density of 394 inhabitants per km². The current mayor of Geraardsbergen is Guido De Padt, from the Open VLD party, Geraardsbergen is one of the oldest cities in Belgium. It came into close to the settlement of Hunnegem and in 1068 was one of the first communities in Western Europe to be granted city status. The city was destroyed in 1381 by Walter IV of Enghien, according to legend, during the siege local people threw some of their left over food over the city wall to show that they had sufficient food to survive a long siege. This bravado notwithstanding, the city was captured by Enghiens troops. Every year the city organizes the krakelingenworp carnival on top of the hill at Oudenberg to celebrate this historical event, on 29 May 1815, shortly before the Battle of Waterloo, Wellington and Blücher reviewed the Allied cavalry here. Some 6,000 troops were paraded in meadows on the banks of the Dender between Geraardsbergen and Jedeghem, manneken Pis, the oldest such statue, older than the more famous one in Brussels. The wall, a street paved with cobblestones, climbed every year by cyclists during the Tour of Flanders. Boelare Castle, seat of the feudal domain Land of Boelare. Overboelare Airfield, small glider airfield with a Douglas C-54A Skymaster as gate guard, Geraardsbergen is known for the mattentaart, a type of sweet pastry. This is made with matten paste or cheese curd, the mattentaart was granted Protected Geographical Indication status by the European Union in 2006, indicating they can only be made in Geraardsbergen or in the nearby municipality of Lierde
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Flemish people
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They are one of two principal ethnic groups in Belgium, the other being the French-speaking Walloons. Flemish people make up the majority of the Belgian population, historically, all inhabitants of the medieval County of Flanders were referred to as Flemings, irrespective of the language spoken. The contemporary region of Flanders comprises a part of historical county, as well as parts of the medieval duchy of Brabant. The sense of Flemish identity increased significantly after the Belgian Revolution, prior to this, the term Flemings in the Dutch language was in first place used for the inhabitants of the former County of Flanders. Flemish however had been used since the 14th century to refer to the language, the modern Belgian province of Limburg was not part of the treaty, and only came to be considered Flemish in the 19th century. In 1830 the southern provinces of the United Netherlands proclaimed their independence, under French rule, French was enforced as the only official language in public life, resulting in a Frenchification of the elites and, to a lesser extent, the middle classes. The Dutch King allowed the use of both Dutch and French dialects as administrative languages in the Flemish provinces and he also enacted laws to reestablish Dutch in schools. Lastly, Belgian liberals were dissatisfied with William for his despotic behaviour. Following the revolt, the reforms of 1823 were the first Dutch laws to be abolished. After the Hundred Years War many Flemings migrated to the Azores, by 1490 there were 2,000 Flemings living in the Azores. Willem van der Haegen was the sea captain who brought settlers from Flanders to the Azores. Today many Azoreans trace their genealogy from present day Flanders, within Belgium the Flemings form a clearly distinguishable group, set apart by their language and customs. However, the perception of being a single polity varies greatly, depending on subject matter, locality. Generally, Flemings will seldom identify themselves as being Dutch and vice versa and this is partly caused by the popular stereotypes in the Netherlands as well as Flanders which are mostly based on the cultural extremes of both Northern and Southern culture. It is the majority language in Belgium, being spoken natively by three-fifths of the population and its various dialects contain a number of lexical and a few grammatical features which distinguish them from the standard language. As in the Netherlands, the pronunciation of Standard Dutch is affected by the dialect of the speaker. All Dutch dialects spoken in Belgium are spoken in adjacent areas of the Netherlands as well, at the same time East Flemish forms a continuum with both Brabantic and West Flemish. Standard Dutch is primarily based on the Hollandic dialect and to an extent on Brabantian
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Holy Grail tapestries
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The Holy Grail or San Graal tapestries are a set of six tapestries depicting scenes from the legend of King Arthur and the quest for the Holy Grail. The tapestries were commissioned from Morris & Co. by William Knox DArcy in 1890 for his room at Stanmore Hall. Additional versions of the tapestries with minor variations were woven on commission by Morris & Co. over the next decade, the six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malorys Morte dArthur. The narrative panels were accompanied by smaller verdure or woodland panels featuring deer, the knights shields hung on trees, the sequence was worked over a period of five years, from 1891 to 1894, at Merton Abbey. The Attainment was the first of the series to be completed, the original set of tapestries remained at Stanmore Hall until DArcys death in 1920. They were subsequently sold and dispersed, Morris & Co. wove a second subset of the narrative panels in 1895 and 1896 for the drawing room at Compton Hall, Lawrence Hodsons seat near Wolverhampton. A third complete set was woven for George McCulloch in 1898 and 1899, some hangings from these subsequent weavings are in the Birmingham Museum and Art Gallery. Others are in the collection of Andrew Lloyd Webber, the Stanmore Hall weaving of The Attainment was purchased by guitarist Jimmy Page in 1978, the piece failed to meet its reserve at auction in 2008 and remains in Pages collection. Fairclough, Oliver and Emmeline Leary, Textiles by William Morris and Morris & Co, 1861–1940, Birmingham Museums and Art Gallery,1981, ISBN 0-89860-065-0 Parry, Linda, ed
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Morris & Co.
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Morris, Marshall, Faulkner & Co. was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. The firms designs are sold today under licences given to Sanderson and Sons. The prospectus set forth that the firm would undertake carving, stained glass, metal-work, paper-hangings, chintzes, the first headquarters of the firm were at 8 Red Lion Square in London. The work shown by the firm at the 1862 International Exhibition attracted much notice, in the autumn of 1864 a severe illness obliged Morris to choose between giving up his home at Red House in Kent and giving up his work in London. With great reluctance he gave up Red House, and in 1865 established himself under the roof with his workshops, now relocated to larger premises in Queen Square. The decoration of churches was from the first an important part of the business, a great wave of church-building and remodelling by the Church of England in the 1840s and 1850s increased the demand for ecclesiastical decoration of all kinds, especially stained glass. But this market shrank in the depression of the later 1860s. Morris was producing repeating patterns for wallpaper as early as 1862, in August 1874, Morris determined to restructure the partnership, generating a dispute with Marshall, Rossetti, and Madox Brown over the return on their shares. The company was dissolved and reorganized under Morriss sole ownership as Morris & Co. on 31 March 1875, during these years, Morris took up the practical art of dyeing as a necessary adjunct of his manufacturing business. He spent much of his time at the Staffordshire dye works of Thomas Wardle, mastering the processes of that art and making experiments in the revival of old or discovery of new methods. The complex, on 7 acres, included buildings and a dyeworks, and the various buildings were soon adapted for stained-glass, textile printing. In 1879, Morris had taught himself tapestry weaving in the medieval style, Dearle executed Morris and Co. s first figural tapestry from a design by Walter Crane in 1883. and animal figures by Philip Webb. Two significant secular commissions helped establish the reputation in the late 1860s, a royal project at St. Jamess Palace. The green dining room featured stained glass windows and panel figures by Burne-Jones, panels with branches of fruit or flowers by Morris, and olive branches and a frieze by Philip Webb. The St. Jamess commission comprised decorative schemes for the Armoury and the Tapestry Room, and included panels of stylized floral patterns painted on ceilings, cornices, dados, windows, and doors. In 1871 Morris & Co. were responsible for the windows at All Saints church in the village of Wilden near to Stourport-on-Severn and they were designed by Edward Burne-Jones for Alfred Baldwin, his wifes brother-in-law. Standen near East Grinstead, West Sussex, was designed between 1892 and 1894 by Philip Webb for a prosperous London solicitor, James Beale, his wife Margaret and it is decorated with Morris carpets, fabrics and wallpapers. Stanmore Hall was the last major decorating commission executed by Morris & Co. before Morriss death in 1896, as Morris pursued other interests, notably socialism and the Kelmscott Press, day-to-day work at the firm was delegated
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William Morris
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William Morris was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a contributor to the revival of traditional British textile arts. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy family, Morris came under the strong influence of medievalism while studying Classics at Oxford University. Webb and Morris designed a home, Red House, then in Kent. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others, in 1875, Morris assumed total control of the company, which was renamed Morris & Co. Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, greatly influenced by visits to Iceland, with Eiríkr Magnússon he produced a series of English-language translations of Icelandic Sagas. In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration, in 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years. Morris is recognised as one of the most significant cultural figures of Victorian Britain, though best known in his lifetime as a poet, founded in 1955, the William Morris Society is devoted to his legacy, while multiple biographies and studies of his work have seen publication. Many of the associated with his life are open to visitors, much of his work can be found in art galleries and museums. Morris was born at Elm House in Walthamstow, Essex, on 24 March 1834. Raised into a wealthy family, he was named after his father. His mother was Emma Morris, who came from Woodford Hall in Woodford, Essex and he also took rides through the Essex countryside on his pony, and visited the various churches and cathedrals throughout the country, marveling at their architecture. His father took him on visits outside of the county, for instance to Canterbury Cathedral, the Chiswick Horticultural Gardens, and to the Isle of Wight, where he adored Blackgang Chine. In February 1848 Morris began his studies at Marlborough College in Marlborough, Wiltshire and he despised his time there, being bullied, bored, and homesick. He did use the opportunity to many of the prehistoric sites of Wiltshire, such as Avebury and Silbury Hill. At Christmas 1851, Morris was removed from the school and returned to Water House, guy, Assistant Master at the nearby Forest School. In June 1852 Morris entered Oxford Universitys Exeter College, although since the college was full and he disliked the college and was bored by the manner in which they taught him Classics
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Merton Abbey Mills
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Merton Abbey Mills is a former textile factory in the parish of Merton in London, England near the site of the medieval Merton Priory, now the home of a variety of businesses, mostly retailers. The River Wandle flowing north towards Wandsworth drove watermills and provided water for a number of processes in Merton. Merton Abbey Mills were established by Huguenot silk throwers in the eighteenth century. The complex, on 7 acres, included buildings and a dyeworks, and the various buildings were soon adapted for stained glass making, textile printing, and fabric, tapestry. Morris refused to destroy existing buildings, and adapted them or built new ones, in 1904 Liberty & Co took over the Littler site, and then in 1940 the Morris facilities as well. They continued to operate the Merton Abbey Mills until 1972, during World War II part of the site was used to construct gun-turrets for the Bristol Blenheim fighter-bomber. Today Merton Abbey Mills is a market and the site of a summer theatre. A number of buildings from the Morris period, and even earlier, survive, a water-mill still turns in the summer, and the colourhouse, a mid-18th century industrial building, is now a childrens theatre. The water-mill and colour house are both Grade II listed buildings, history of silk Fairclough, Oliver and Emmeline Leary, Textiles by William Morris and Morris & Co
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