1.
Forum Boarium
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The Forum Boarium was the cattle forum venalium of Ancient Rome. It was located on a piece of land near the Tiber between the Capitoline, the Palatine and Aventine hills. As the site of the docks of Rome, the Forum Boarium experienced intense commercial activity. The Forum Boarium was the site of the first gladiatorial contest at Rome which took place in 264 BC as part of aristocratic funerary ritual—a munus or funeral gift for the dead. Marcus and Decimus Junius Brutus Scaeva put on a combat in honor of their deceased father with three pairs of gladiators. The site was also a religious center housing the Temple of Hercules Victor, the Temple of Portunus, the Temple of Hercules Victor or Hercules Olivarius, is a circular peristyle building dating from the 2nd century BC. It consists of a colonnade of Corinthian columns arranged in a ring around the cylindrical cella. These elements originally supported an architrave and roof which have disappeared and it is the earliest surviving marble building in Rome. For centuries, this was known as the Temple of Vesta, the Temple of Portunus is a rectangular building built between 100 and 80 BC. It consists of a portico and cella mounted on a podium reached by a flight of steps. The four Ionic columns of the portico are free-standing, while the six columns on the long sides and it is built of tuff and travertine with a stucco surface. This temple was for centuries known as the Temple of Fortuna Virilis, sources claim the Forum was the site for placement of a statue by the sculptor Myron, which had been looted from Aegina. While the source mentions a cow, it may have been a group of Theusus defeating the Minotaur. At the end of the Roman Empire, the area became overtaken with shops, both temples were deconsecrated and converted to Christian churches. Across the street is the church of Santa Maria in Cosmedin famous for its Bocca della Verità, the project also included new landscaping for the site. However, the Arch of Janus is still unrestored, lacus Curtius, Forum Boarium Virtual Tour and Pictures of Boarium Forum Forum Boarium background information
2.
Hercules
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Hercules is the Roman adaptation of the Greek divine hero Heracles, who was the son of Zeus and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures, the Romans adapted the Greek heros iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules was a figure with contradictory characteristics, which enabled later artists and writers to pick. This article provides an introduction to representations of Hercules in the later tradition, Hercules is known for his many adventures, which took him to the far reaches of the Greco-Roman world. One cycle of these adventures became canonical as the Twelve Labours, one traditional order of the labours is found in the Bibliotheca as follows, Slay the Nemean Lion. Capture the Golden Hind of Artemis, clean the Augean stables in a single day. Obtain the girdle of Hippolyta, Queen of the Amazons, obtain the cattle of the monster Geryon. Steal the apples of the Hesperides, Hercules was a favorite subject for Etruscan art, and appears often on bronze mirrors. The Etruscan form Herceler derives from the Greek Heracles via syncope, a mild oath invoking Hercules was a common interjection in Classical Latin. Hercules had a number of myths that were distinctly Roman, one of these is Hercules defeat of Cacus, who was terrorizing the countryside of Rome. The hero was associated with the Aventine Hill through his son Aventinus, Mark Antony considered him a personal patron god, as did the emperor Commodus. Roman brides wore a belt tied with the knot of Hercules. The comic playwright Plautus presents the myth of Hercules conception as a sex comedy in his play Amphitryon, during the Roman Imperial era, Hercules was worshipped locally from Hispania through Gaul. Tacitus records a special affinity of the Germanic peoples for Hercules, in chapter 3 of his Germania, Tacitus states. They say that Hercules, too, once visited them, and they have also those songs of theirs, by the recital of this barditus as they call it, they rouse their courage, while from the note they augur the result of the approaching conflict. For, as their line shouts, they inspire or feel alarm, some have taken this as Tacitus equating the Germanic Þunraz with Hercules by way of interpretatio romana. In the Roman era Hercules Club amulets appear from the 2nd to 3rd century, distributed over the empire, mostly made of gold, a specimen found in Köln-Nippes bears the inscription DEO HER, confirming the association with Hercules
3.
Italian language
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By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
4.
Roman temple
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Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain the most obvious symbol of Roman architecture and their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room housed the image of the deity to whom the temple was dedicated. Behind the cella was a room or rooms used by attendants for storage of equipment. The ordinary worshipper rarely entered the cella, and most public ceremonies were performed outside, on the portico, with a crowd gathered in the temple precinct. The most common architectural plan had a rectangular temple raised on a podium, with a clear front with a portico at the top of steps. The sides and rear of the building had much less architectural emphasis, there were also circular plans, generally with columns all round, and outside Italy there were many compromises with traditional local styles. The Roman form of temple developed initially from Etruscan temples, themselves influenced by the Greeks, public religious ceremonies of the official Roman religion took place outdoors, and not within the temple building. Some ceremonies were processions that started at, visited, or ended with a temple or shrine, sacrifices, chiefly of animals, would take place at an open-air altar within the templum. Especially under the Empire, exotic foreign cults gained followers in Rome and these often had very different practices, some preferring underground places of worship, while others, like Early Christians, worshipped in houses. The decline of Roman religion was relatively slow, and the temples themselves were not appropriated by the government until a decree of the Emperor Honorius in 415. Santi Cosma e Damiano, in the Roman Forum, originally the Temple of Romulus, was not dedicated as a church until 527. The best known is the Pantheon, Rome, which is however highly untypical, being a large circular temple with a magnificent concrete roof. The English word temple derives from the Latin templum, which was not the building itself. The Roman architect Vitruvius always uses the word templum to refer to the sacred precinct, the more common Latin words for a temple or shrine were sacellum, aedes, delubrum, and fanum. The Etruscans were a people of northern Italy, whose civilization was at its peak in the seventh century BC, the Etruscans were already influenced by early Greek architecture, so Roman temples were distinctive but with both Etruscan and Greek features. Especially in the periods, further statuary might be placed on the roof. As in the Maison Carrée, columns at the side might be half-columns and these steps were normally only at the front, and typically not the whole width of that
5.
Tiber
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It drains a basin estimated at 17,375 square kilometres. The river has achieved lasting fame as the watercourse of the city of Rome. The river rises at Mount Fumaiolo in central Italy and flows in a southerly direction past Perugia. However, it does not form a delta, owing to a strong north-flowing sea current close to the shore, to the steep shelving of the coast. The source of the Tiber consists of two springs 10 metres away from each other on Mount Fumaiolo and these springs are called Le Vene. The springs are in a beech forest 1,268 metres above sea level, during the 1930s, Benito Mussolini placed an antique marble Roman column at the point where the river arises, inscribed QUI NASCE IL FIUME SACRO AI DESTINI DI ROMA. There is an eagle on the top of this column, the first miles of the Tiber run through Valtiberina before entering Umbria. It is probable that the genesis of the name Tiber was pre-Latin, like the Roman name of Tibur, the same root is found in the Latin praenomen Tiberius. There are also Etruscan variants of this praenomen in Thefarie and Teperie, the legendary king Tiberinus, ninth in the king-list of Alba Longa, was said to have drowned in the river Albula, which was afterward called Tiberis. Yet another etymology is from *dubri-, water, considered by Alessio as Sicel and this root *dubri- is widespread in Western Europe e. g. Dover, Portus Dubris. According to the legend, Jupiter made him a god and guardian spirit of the river and this gave rise to the standard Roman depiction of the river as a powerfully built reclining god, also named Tiberinus, with streams of water flowing from his hair and beard. The Tiber was also believed to be the river into which Romulus and Remus were thrown as infants, according to legend, the city of Rome was founded in 753 BC on the banks of the Tiber about 25 kilometres from the sea at Ostia. The island Isola Tiberina in the centre of Rome, between Trastevere and the ancient center, was the site of an important ancient ford and was later bridged. Legend says Romes founders, the twin brothers Romulus and Remus, were abandoned on its waters, the river marked the boundary between the lands of the Etruscans to the west, the Sabines to the east and the Latins to the south. Benito Mussolini, born in Romagna, adjusted the boundary between Tuscany and Emilia-Romagna, so that the springs of the Tiber would lie in Romagna and it was later used to ship stone, timber and foodstuffs to Rome. During the Punic Wars of the 3rd century BC, the harbour at Ostia became a key naval base and it later became Romes most important port, where wheat, olive oil, and wine were imported from Romes colonies around the Mediterranean. Wharves were also built along the riverside in Rome itself, lining the riverbanks around the Campus Martius area, the Romans connected the river with a sewer system and with an underground network of tunnels and other channels, to bring its water into the middle of the city. Wealthy Romans had garden-parks or horti on the banks of the river in Rome up through the first century BC and these may have been sold and developed about a century later
6.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
7.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
8.
Peripteros
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Peripteros is the special name given to a type of ancient Greek or Roman temple surrounded by a portico with columns. It refers to the element for the architectural definition of buildings surrounded around their outside by a colonnade on all four sides of the cella. By extension, it means simply the perimeter of a building. The term is used of buildings in the Doric order. The peripteros can be a portico, a kiosk or a chapel, if it made up of four columns, it is tetrastyle, of 6, hexastyle, of 8, octastyle, of 10, decastyle, and of 12, dodecastyle. If the columns are fitted into the wall instead of standing alone, it is called a pseudo-peripteros
9.
Vesta (mythology)
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Vesta is the virgin goddess of the hearth, home, and family in Roman religion. She was rarely depicted in form, and was often personified by the fire of her temple in the Forum Romanum. Entry to her temple was permitted only to her priestesses, the Vestals, as she was considered a guardian of the Roman people, her festival, the Vestalia, was regarded as one of the most important Roman holidays. During the Vestalia matrons of the city walked barefoot to the sanctuary of the goddess, the myths depicting Vesta and her priestesses were few, and were limited to tales of miraculous impregnation by a phallus appearing in the flames of the hearth - the manifestation of the goddess. Vesta was among the Dii Consentes, twelve of the most honored gods in the Roman pantheon and she was the daughter of Saturn and Ops, and sister of, Jupiter, Neptune, Pluto, Juno, and Ceres. Her closest Greek equivalent is Hestia, Ovid derived Vesta from Latin vi stando - standing by power. Cicero supposed that the Latin name Vesta derives from the Greek Hestia and this etymology is offered by Servius as well. Another etymology is that Vesta derives from Latin uestio, as well as from Greek έστἰα, georges Dumézil, a French comparative philologist, surmised that the name of the goddess derives from Proto-Indo-European root *h₁eu-, via the derivative form *h₁eu-s- which alternates with *h₁w-es-. The former is found in Greek εὕειν heuein, Latin urit, ustio and Vedic osathi all conveying burning, see also Gallic Celtic visc fire. According to tradition, worship of Vesta in Italy began in Lavinium, the mother-city of Alba Longa, from Lavinium worship of Vesta was transferred to Alba Longa. Upon entering higher office, Roman magistrates would go to Lavinium to offer sacrifice to Vesta, the Penates were Trojan gods first introduced to Italy by Aeneas. Alongside those household gods was Vesta, who has referred to as Vesta Iliaca. Worship of Vesta, like the worship of gods, originated in the home. The priestesses of Vesta, known as Vestal Virgins, administered her temple and their existence in Alba Longa is connected with the early Roman traditions, for Romulus mother Silvia was a priestess. After assuming the office of pontifex maximus in 12 BC, Augustus converted part of his house into public property. The old shrine remained in the Forum Romanum, but this one linked the public hearth of the state and this strengthened the connection between the office of pontifex maximus and the cult of Vesta. Henceforth, the office of pontifex maximus was tied to the title of emperor, now the emperor was technically a priest of Vesta, and the pontifices were sometimes referred to as pontifices Vestae. In 12 BC,28 April was chosen ex senatus consultum to commemorate the new shrine of Vesta in Augustus home on the Palatine, Vestas cult would continue to dominate the ancient cults with religious observances persisting into the 4th century
10.
Achaean League
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The Achaean League was a Hellenistic-era confederation of Greek city states on the northern and central Peloponnese. The league was named after the region of Achaea in the northwestern Peloponnese, the first league was formed in the 5th century BC. The second Achaean League was established in 280 BC, as a rival of Antigonid Macedon and an ally of Rome, the league played a major role in the exapansion of the Roman Republic into Greece. This process eventually led to the Leagues conquest and dissolution by the Romans in 146 BC, the League represents the most successful attempt by the Greek city states to develop a form of federalism, which balanced the need for collective action with the desire for local autonomy. Through the writings of the Achaean statesman Polybius, this structure has had an influence on the constitution of the United States, the first Achaean League became active in the fifth century in the northwestern Peloponnese. After the catastrophic destruction of the ancient capital Helike by an earthquake and tsunami in 373 BC, it appears to have lapsed sometime in the fourth century. The regional Achaean League was reformed in 281/0 BC by the communities of Dyme, Patrae, Pharae and Tritaea, joined in 275 by Aegium, the league grew quickly to include the entire Achaean heartland, and after a decade it had ten or eleven members. Since the Sicyonians were of Dorian and Ionian origin, their inclusion opened the League for other national elements, Aratus, then only twenty years old, rapidly grew to become the leading politician of the League. In the thirty two years between 245 and his death in 213, Aratus would hold the office of general a total of sixteen times. In other cities of the Peloponnese, namely Argos, Orchomenus and he then used the money to challenge the Macedonian hold on the Peloponnese. Aratus greatest success came when he captured Corinth and the fortress of Acrocorinth in 243 BC in a night attack. This effectively blocked Macedonian access to the Peloponnese by land, isolating their allies at Megalopolis, Antigonus Gonatas finally made peace with the Achaean League in a treaty of 240 BC, ceding the territories that he had lost in Greece. Corinth was followed by Megalopolis in 235 BC and Argos in 229 BC, however the league soon ran into difficulties with the revived Sparta of Cleomenes III. Aratus was forced to call in the aid of the Macedonian King, Antigonus III Doson, Antigonus Doson re-established Macedonian control over much of the region. In 220 BC, the Achaean League entered into a war against the Aetolian League, the young king Philip V of Macedon sided with the Achaeans and called for a Panhellenic conference in Corinth, where the Aetolian aggression was condemned. After Aratuss death, however, the League joined Rome in the Second Macedonian War, the Achaean League was one of the main beneficieries. Under the leadership of Philopoemen, the League was able to defeat a heavily weakened Sparta. The Leagues dominance was not to last long, however, in 146 BC, the leagues relations with Rome completely collapsed, leading to the Achaean War
11.
Corinth
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Corinth is a city and former municipality in Corinthia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality of Corinth, of which it is the seat and it is the capital of Corinthia. It was founded as Nea Korinthos or New Corinth in 1858 after an earthquake destroyed the settlement of Corinth. Corinth derives its name from Ancient Corinth, a city-state of antiquity, in 1858, the old city, now known as Archaia Korinthos, located 3 kilometres SW of the modern city, was totally destroyed by a magnitude 6.5 earthquake. Nea Korinthos or New Corinth was then built a few kilometers away on the coast of the Gulf of Corinth, a magnitude 6.3 earthquake in 1928 devastated the new city, which was then rebuilt on the same site. It was rebuilt again after a fire in 1933. The Municipality of Corinth had a population of 58,192 according to the 2011 census, the second most populous municipality in the Peloponnese Region after Kalamata. The municipal unit of Corinth had 38,132 inhabitants, of which Corinth itself had 30,176 inhabitants, placing it in place behind Kalamata. The municipal unit of Corinth includes apart from Corinth proper the town of Archaia Korinthos, the town of Examilia, the municipal unit has an area of 102.187 km2. Corinth is an industrial hub at a national level. Corinth Refineries are one of the largest oil refining Industrial complex in Europe, copper cables, petroleum products, leather, medical equipment, marble, gypsum, ceramic tiles, salt, mineral water and beverages, meat products, and gums are produced nearby. As of 2005, a period of deindustrialization has commenced as a large complex, a textile factory. Corinth is a road hub. The A7 toll motorway for Tripoli and Kalamata, branches off the A8/European route E94 toll motorway from Athens at Corinth, Corinth is the main entry point to the Peloponnesian peninsula, the southernmost area of continental Greece. KTEL Korinthias provides intercity bus service in the peninsula and to Athens via the Isthmos station southeast of the city center, local bus service is also available. The city has connected to the Proastiakos, the Athens suburban rail network, since 2005. The port of Corinth, located north of the city centre and close to the northwest entrance of the Corinth Canal, at 3756. 0’ N /2256. 0’ E, serves the needs of industry. It is mainly a cargo exporting facility and it is an artificial harbour (depth approximately 9 metres, protected by a concrete mole
12.
Cella
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A cella or naos is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture, such as a domus. Its enclosure within walls has given rise to extended meanings, of a hermits or monks cell, in Ancient Greek and Roman temples the cella is a room at the centre of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition the cella may contain a table or plinth to receive votive offerings such as statues, precious and semi-precious stones, helmets, spear and arrow heads, swords. The accumulated offerings made Greek and Roman temples virtual treasuries, the cella is typically a simple, windowless, rectangular room with a door or open entrance at the front behind a colonnaded portico facade. In larger temples, the cella was divided by two colonnades into a central nave flanked by two aisles. A cella may contain an adyton, an inner area restricted to access by the priests—in religions that had a consecrated priesthood—or by the temple guard. With very few exceptions Greek buildings were of a design that placed the cella in the center of the plan, such as the Parthenon. The Romans favoured pseudoperipteral buildings with a portico offsetting the cella to the rear, the pseudoperipteral plan uses engaged columns embedded along the side and rear walls of the cella. The Temple of Venus and Roma built by Hadrian in Rome had two cellae arranged back-to-back enclosed by a single outer peristyle, according to Vitruvius, the Etruscan type of temples had three cellae, side by side, conjoined by a double row of columns on the facade. The cella, also called the naos, holds many box-like shrines, the Greek word naos has been extended by archaeologists to describe the central room of the pyramids. Towards the end of the Old Kingdom, naos construction went from being subterranean to being directly into the pyramid. The naos was surrounded by different paths and rooms, many used to confuse and divert thieves. In early Christian and Byzantine architecture, the cella or naos is an area at the centre of the reserved for performing the liturgy. In later periods a small chapel or monks cell was also called a cella, list of Greco-Roman roofs This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Cella. Trachtenberg and Hyman, Architecture, From Prehistory to Post Modernity Vitruvius, De architectura, Book IV. ch 7, translation, plans and reconstructions of Tuscan cellae
13.
Corinthian order
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The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order, when classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders, characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and it was employed in southern Gaul at the Maison Carrée, Nîmes and at the comparable podium temple at Vienne. Other prime examples noted by Mark Wilson Jones are the order of the Basilica Ulpia and the arch at Ancona the column of Phocas. The Corinthian order is named for the Greek city-state of Corinth, however, according to the architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket. Its earliest use can be traced back to the Late Classical Period, the earliest Corinthian capital was found in Bassae, dated at 427 BC. In its proportions, the Corinthian column is similar to the Ionic column, though it is more slender, the abacus upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman Colosseum, holding up the least weight and their height to width ratio is about 10,1. One variant is the Tivoli Order, found at the Temple of Vesta, the Tivoli Orders Corintinan Capital has two rows of Acanthus and its abacus is decorated with oversize fleuron in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops, the frieze exhibits fruit swag suspended between bucrania. Above each swag is a rosette, the cornice does not have modillions. Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent and these capitals are typically dated to the 1st centuries of our era, and constitute important elements of Greco-Buddhist art of Gandhara. The classical design was adapted, usually taking a more elongated form. Indo-Corinthian capitals also incorporated figures of the Buddha or Bodhisattvas, usually as central figures surrounded, the Corinthian architrave is divided in two or three sections, which may be equal, or they may bear interesting proportional relationships, one with another. Above the plain, unadorned architrave lies the frieze, which may be carved with a continuous design or left plain. At the Capitol the proportions of architrave to frieze are exactly 1,1, above that, the profiles of the cornice moldings are like those of the Ionic order. If the cornice is deep, it may be supported by brackets or modillions. The Corinthian column is almost always fluted, if it is not, it is often worth pausing to unravel the reason why
14.
Tuff
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Tuff is a type of rock made of volcanic ash ejected from a vent during a volcanic eruption. Following ejection and deposition, the ash is compacted into a rock in a process called consolidation. Tuff is sometimes called tufa, particularly used as construction material. Rock that contains greater than 50% tuff is considered tuffaceous, Tuff is a relatively soft rock, so it has been used for construction since ancient times. Since it is common in Italy the Romans used it often for construction, the Rapa Nui people used it to make most of the moai statues in Easter Island. Tuff can be classified as either sedimentary or igneous rocks and they are usually studied in the context of igneous petrology, although they are sometimes described using sedimentological terms. The material that is expelled in a volcanic eruption can be classified into three types, Volcanic gases, a mixture mostly of water vapour, carbon dioxide. Lava, the name of magma when it emerges and flows over the surface, and tephra, chunks of solid material of all shapes and sizes ejected and thrown through the air. Tephra is made when magma inside the volcano is blown apart by the expansion of hot volcanic gases. It is common for magma to explode as the gas dissolved in it comes out of solution as the pressure decreases when it flows to the surface and these violent explosions produce solid chunks of material that can then fly from the volcano. When these chunks are smaller than 2 mm in diameter they are called volcanic ash and it is made of small, slaggy pieces of lava and rock that have been tossed into the air by outbursts of steam and other gases. Among the loose beds of ash that cover the slopes of many volcanoes, in addition to true ashes of the kind described above, there are lumps of the old lavas and tuffs forming the walls of the crater, etc. In some great volcanic explosions nothing but materials of the kind were emitted. The ashes vary in size from large blocks twenty feet or more in diameter to the minutest impalpable dust, the large masses are called volcanic bombs, they have mostly a rounded, elliptical or pear-shaped form owing to rotation in the air before they solidified. Many of them have ribbed or nodular surfaces, and sometimes they have a crust intersected by many cracks like the surface of a loaf of bread, any ash in which they are very abundant is called an agglomerate. But many volcanoes stand near the sea, and the ashes cast out by them are mingled with the sediments that are gathering at the bottom of the waters, in this way ashy muds or sands or even in some cases ashy limestones are being formed. As a matter of fact most of the found in the older formations contain admixtures of clay, sand, and sometimes fossil shells. The showers of ashes often follow one another after longer or shorter intervals, the coarsest materials or agglomerates show this least distinctly, in the fine beds it is often developed in great perfection
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Architrave
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An architrave is the lintel or beam that rests on the capitals of the columns. It is an element in Classical architecture. The term can also be applied to all sides, including the vertical members, in an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words arche, the architrave is different in the different orders. In the Tuscan, it consists of a plain face, crowned with a fillet. In the Doric and composite, it has two faces, or fasciae, and three in the Ionic and Corinthian, in which it is 10/12 of a high, though. It means the part of something. The part on which the idea, the reasoning, the thought or the philosophy are based, examples, 1). the Mature Hegel- the Hegel of the Philosophy of Right- who becomes the architrave on which he constructs his social philosophy. Ref. Page, XIV, The Ethics of Democracy, A Contemporary Reading of Hegels Philosophy of Right LINK 2) to become the architrave of his theoretic construction Ref. Pag and it is placed above the bracket of a pillar, which gives it extra support. Dravidian architecture recognizes several distinct types of Architraves, rounded, wavy, flower shaped, bevel and tenon type, voluted, figural
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Travertine
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Travertine is a form of limestone deposited by mineral springs, especially hot springs. Travertine often has a fibrous or concentric appearance and exists in white, tan, cream-colored and it is formed by a process of rapid precipitation of calcium carbonate, often at the mouth of a hot spring or in a limestone cave. In the latter, it can form stalactites, stalagmites, and it is frequently used in Italy and elsewhere as a building material. Travertine is a sedimentary rock, formed by the precipitation of carbonate minerals from solution in ground and surface waters. Similar deposits formed from water are known as tufa. The word travertine is derived from the Italian travertino, itself a derivation of the Latin tiburtinus ‘of Tibur’ and its namesake is also the origin of Tivoli, a district near Rome. Modern travertine is formed from geothermally heated supersaturated alkaline waters, with raised pCO2, on emergence, waters degas CO2 due to the lower atmospheric pCO2, resulting in an increase in pH. Since carbonate solubility decreases with increased pH, precipitation is induced, precipitation may be enhanced by factors leading to a reduction in pCO2, for example increased air-water interactions at waterfalls may be important, as may photosynthesis. Precipitation may also be enhanced by evaporation in some springs, both calcite and aragonite are found in hot spring travertines, aragonite is preferentially precipitated when temperatures are hot, while calcite dominates when temperatures are cooler. When pure and fine, travertine is white, but often it is brown to yellow due to impurities, travertine may precipitate out directly onto rock and other inert materials as in Pamukkale or Yellowstone for example. The latter has a historic value, because it was one of the quarries that Gian Lorenzo Bernini selected material from to build the famous Colonnade of St. Peters Square in Rome in 1656-1667. Michaelangelo also chose travertine as the material for the ribs of the dome of St Peters Basilica. Travertine derives its name from the town, known as Tibur in ancient Roman times. The ancient name for the stone was lapis tiburtinus, meaning tibur stone, detailed studies of the Tivoli and Guidonia travertine deposits revealed diurnal and annual rhythmic banding and laminae, which have potential use in geochronology. Cascades of natural lakes formed behind travertine dams can be seen in Pamukkale, Turkey, in Central Europes last post-glacial palaeoclimatic optimum, huge deposits of tufa formed from karst springs. On a smaller scale, these karst processes are still working, travertine has been an important building material since the Middle Ages. Travertine has formed sixteen huge, natural dams in a valley in Croatia known as Plitvice Lakes National Park, clinging to moss and rocks in the water, the travertine has built up over several millennia to form waterfalls up to 70 m in height. In the U. S. the most well-known place for travertine formation is Yellowstone National Park, Oklahoma has two parks dedicated to this natural wonder
17.
Andrea Palladio
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Andrea Palladio was an Italian architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is considered to be the most influential individual in the history of architecture. All of his buildings are located in what was the Venetian Republic, the city of Vicenza and the Palladian Villas of the Veneto are UNESCO World Heritage Sites. Palladio was born on 30 November 1508 in Padua and was given the name and his father, Pietro, called Della Gondola, was a miller. From early on, Andrea Palladio was introduced into the work of building, in Padua he gained his first experiences as a stonecutter in the sculpture workshop of Bartolomeo Cavazza da Sossano, who is said to have imposed particularly hard working conditions. At the age of sixteen he moved to Vicenza where he would reside for most of his life, here he became an assistant in the Pedemuro studio, a leading workshop of stonecutters and masons. He joined a guild of stonemasons and bricklayers and he was employed as a stonemason to make monuments and decorative sculptures. These sculptures reflected the Mannerist style of the architect Michele Sanmicheli, perhaps the key moment that sparked Palladios career was being employed by the Humanist poet and scholar, Gian Giorgio Trissino, from 1538 to 1539. While Trissino was reconstructing the Villa Cricoli, he took interest in Palladios work, Trissino was heavily influenced by the studies of Vitruvius, who later influenced Palladios own ideals and attitudes toward classical architecture. It was also Trissino who gave him the name by which he became known, Palladio, indeed, the word Palladio means Wise one. The powerful Barbaros introduced Palladio to Venice, where he finally became Proto della Serenissima after Jacopo Sansovino, in addition to the Barbaros, the Corner, Foscari, and Pisani families supported Palladios career. Andrea Palladio began to develop his own architectural style around 1541, the Palladian style, named after him, adhered to classical Roman principles he rediscovered, applied, and explained in his works. Andrea Palladio is known to be one of the most influential architects in Western architecture and his architectural works have been valued for centuries as the quintessence of High Renaissance calm and harmony. He designed many palaces, villas, and churches, but Palladios reputation, initially, the palladian villas are located mainly in the province of Vicenza, while the palazzi are concentrated in the city of Vicenza and the churches in Venice. A number of his works are now protected as part of the World Heritage Site City of Vicenza, other buildings by Palladio are to be found within the Venice and its Lagoon World Heritage Site. Palladios first major public project began when his designs for building the loggias for the town hall and he proposed an addition of two-storey stone buttresses reflecting the Gothic style of the existing hall while using classical proportions. The construction was completed in 1617 after Palladios death, aside from Palladios designs, his publications contributed to Palladianism. During the second half of his life, Palladio published many books, above all, Palladio is most known for his designs of villas and palaces as well as his books
18.
Maurus Servius Honoratus
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These works, In tria Virgilii Opera Expositio, constituted the first incunable to be printed at Florence, by Bernardo Cennini,1471. In the Saturnalia of Macrobius, Servius appears as one of the interlocutors, allusions in that work, the commentary on Virgil has survived in two distinct manuscript traditions. The first is a short commentary, which is attributed to Servius in the superscription in the manuscripts. A second class of manuscripts, all deriving from the 10th and 11th centuries, the added matter is undoubtedly ancient, dating from a time but little removed from that of Servius, and is founded to a large extent on historical and antiquarian literature which is now lost. The writer is anonymous and probably a Christian, although not if, as is often suggested, a third class of manuscripts, written for the most part in Italy, gives the core text with interpolated scholia, which demonstrate the continued usefulness of the Virgilii Opera Expositio. The authentic commentary of Maurus Servius Honoratus is in effect the only complete extant edition of a classic author written before the collapse of the Empire in the West, Servius set his face against the prevalent allegorical methods of exposition of text. For the antiquarian and the historian, the value of his work lies in his preservation of facts in Roman history, religion, antiquities and language. Not a little of the erudition of Varro and other ancient scholars has survived in his pages. The edition of Georg Thilo and Hermann Hagen, remains the only edition of the whole of Servius work. Currently in development is the Harvard Servius, of the five volumes. E. K. Rand, Is Donatuss Commentary on Virgil Lost, Donatuss authorship of the supplementary material. Servio, stratificazioni esegetiche e modelli culturali / Servius, exegetical stratifications, Latin Wikisource has original text related to this article, Maurus Servius Honoratus Commentary on the Aeneid of Virgil is at the Perseus Project in Latin. De Centum Metris at Intratext. com De Centum Metris at Forum Romanorum Servii grammatici qui feruntur in Vergilii carmina commentarii, Georius Thilo, lipsiae in aedibus B. G. Teubneri, 1881-1902, vol. 2, vol.3 part 1, vol.3 part 2
19.
Aeneid
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The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter, the hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. The Aeneid is widely regarded as Virgils masterpiece and one of the greatest works of Latin literature, the Aeneid can be divided into two halves based on the disparate subject matter of Books 1–6 and Books 7–12. These two halves are commonly regarded as reflecting Virgils ambition to rival Homer by treating both the Odysseys wandering theme and the Iliads warfare themes and this is, however, a rough correspondence, the limitations of which should be borne in mind. Virgil begins his poem with a statement of his theme and an invocation to the Muse and he then explains the reason for the principal conflict in the story, the resentment held by the goddess Juno against the Trojan people. This is consistent with her throughout the Homeric epics. Also in the manner of Homer, the story begins in medias res, with the Trojan fleet in the eastern Mediterranean. The fleet, led by Aeneas, is on a voyage to find a second home and it has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris, also, Ganymede, a Trojan prince, was chosen to be the cup bearer to her husband, Jupiter—replacing Junos daughter, Hebe. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe, Aeolus does not accept the bribe, but agrees to carry out Junos orders, the storm then devastates the fleet. The fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, There, Aeneass mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and recounts to him the history of Carthage. At a banquet given in honour of the Trojans, Aeneas sadly recounts the events that occasioned the Trojans arrival. He begins the tale shortly after the war described in the Iliad, Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse. The Greeks pretended to sail away, leaving a warrior, Sinon, to inform the Trojans that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece. The Trojan priest Laocoön saw through the Greek plot and urged the horses destruction, then, in what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons. The Trojans then took the horse inside the walls, and after nightfall the armed Greeks emerged from it. In a dream, Hector, the fallen Trojan prince, advised Aeneas to flee with his family, Aeneas awoke and saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was alone to fend off the Greeks
20.
Macrobius
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Only in later manuscripts were his names reversed as Ambrosius Theodosius Macrobius, which James Willis then adopted for his edition of the Commentary. Little is known for certain about Macrobius, but there are many theories and he states at the beginning of his Saturnalia that he was born under a foreign sky, and both of his major works are dedicated to his son, Eustachius. His major works have led experts to assume that he was a pagan, which foreign sky Macrobius was born under has been the subject of much speculation. Terrot Glover considers Macrobius either an ethnic Greek, or born in one of the Greek-speaking parts of the Roman Empire, such as Egypt, J. E. Sandys went further and argued that Macrobius was born in one of the Greek provinces. Scholars have attempted to identify him with a Macrobius who is mentioned in the Codex Theodosianus as a prefect of Spain. The Codex Theodosianus also records a praepositus named Macrobius in 422, a number of older authorities go so far as to identify Macrobius the author with the first, and date his floruit to 399–410. Further, Cameron points out that during his lifetime Macrobius was referred to as Theodosius and it is significant that the only surviving law addressed to this Theodosius sanctions a privilege for Africa Proconsularis on the basis of information received concerning Byzacena, Cameron notes. Macrobiuss most influential one of the most widely cited books of the Middle Ages—was a commentary in two books on the Dream of Scipio narrated by Cicero at the end of his Republic. In astronomy, this work is noted for giving the diameter of the Sun as twice the diameter of the Earth. Of a third work On the Differences and Similarities of the Greek and Latin Verb, we possess an abstract by a certain Johannes. See editions by Ludwig von Jan, Franz Eyssenhardt, James Willis, the grammatical treatise will be found in Jans edition and Heinrich Keils Grammatici latini, see also Georg Friedrich Schömann, Commentatio macrobiana. Macrobiuss Saturnalia consists of an account of the held at the house of Vettius Agorius Praetextatus during the holiday of the Saturnalia. It contains a variety of curious historical, mythological, critical, antiquarian. The work takes the form of a series of dialogues among learned men at a fictional banquet. The latter part of the book is taken up with a dissertation upon luxury and the sumptuary laws intended to check it. The seventh book consists largely of the discussion of various physiological questions, the primary value of the work lies in the facts and opinions quoted from earlier writers. Cambridge, MA/ London, Harvard University Press,2011, percival Vaughan Davies, Macrobius, The Saturnalia. New York, Columbia University Press,1969, william Harris Stahl, Macrobius, Commentary on the Dream of Scipio
21.
Glossary of ancient Roman religion
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The vocabulary of ancient Roman religion was highly specialized. Its study affords important information about the religion, traditions and beliefs of the ancient Romans and this legacy is conspicuous in European cultural history in its influence on later juridical and religious vocabulary in Europe, particularly of the Western Church. For theonyms, or the names and epithets of gods, see List of Roman deities, for public religious holidays, see Roman festivals. For temples see the List of Ancient Roman temples, individual landmarks of religious topography in ancient Rome are not included in this list, see Roman temple. The verb abominari was a term of augury for an action that rejects or averts an unfavourable omen indicated by a signum, the noun is abominatio, from which English abomination derives. At the taking of formally solicited auspices, the observer was required to acknowledge any potentially bad sign occurring within the templum he was observing, regardless of the interpretation. He might, however, take actions in order to ignore the signa, including avoiding the sight of them. The latter tactic required promptness, wit and skill based on discipline, thus the omen had no validity apart from the observation of it. The aedes was the place of a god. It was thus a structure that housed the image, distinguished from the templum or sacred district. Aedes is one of several Latin words that can be translated as shrine or temple, for instance, the Temple of Vesta, as it is called in English, was in Latin an aedes. See also the diminutive aedicula, a small shrine, in his work On Architecture, Vitruvius always uses the word templum in the technical sense of a space defined through augury, with aedes the usual word for the building itself. The design of an aedes, he writes, should be appropriate to the characteristics of the deity. Thus in theory, though not always in practice, architectural aesthetics had a theological dimension, the word aedilis, a public official, is related by etymology, among the duties of the aediles was the overseeing of public works, including the building and maintenance of temples. The temple of Flora, for instance, was built in 241 BC by two aediles acting on Sibylline oracles, the plebeian aediles had their headquarters at the aedes of Ceres. In religious usage, ager was terrestrial space defined for the purposes of augury in relation to auspicia, there were five kinds of ager, Romanus, Gabinus, peregrinus, hosticus and incertus. The ager Romanus originally included the space outside the pomerium. According to Varro, the ager Gabinus pertained to the circumstances of the oppidum of Gabii
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