The Big House (1930 film)
The Big House is a 1930 American pre-Code prison drama film directed by George Hill, released by Metro-Goldwyn-Mayer, and starring Chester Morris, Wallace Beery, Lewis Stone and Robert Montgomery. The story and dialogue were written by Frances Marion, who won the Academy Award for Best Writing Achievement. As one of the first prison movies, it inspired many others of this genre.
Original lobby card depicting Chester Morris and Wallace Beery
Chester Morris and Wallace Beery in The Big House
Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines in 1934. Although the Hays Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration. Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.
In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film.
Will H. Hays was recruited by the studios in 1922 to help clean up their "Sin City" image after a series of scandals, especially the Roscoe "Fatty" Arbuckle manslaughter trial.
This 1932 promotional photo of Joan Blondell was later banned under the then-unenforceable Motion Picture Production Code.
Clara Bow lifts her skirt on the poster for the pre-Code film The Saturday Night Kid (1929). Skirt-lifting was one of many suggestive activities detested by Hays.