The Birthday Party (band)
The Birthday Party were an Australian post-punk band, active from 1977 to 1983. The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their 1981 single "Release the Bats" was particularly influential on the emerging gothic scene. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s."
Photograph circa 1982, from left: Harvey, Cave, Calvert, Pew, Howard (cover image of John Peel Sessions CD, 2001)
The Birthday Party were regulars at Melbourne's Crystal Ballroom, playing their final show there in 1983.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Siouxsie and the Banshees with the Cure. The two groups frequently collaborated.
Devo performing in 1978.
Talking Heads were one of the few American post-punk bands to reach both a large cult audience and the mainstream.
Glenn Branca performing in New York in the 1980s.