The Mack is a 1973 American blaxploitation crime drama film directed by California native Michael Campus, starring Max Julien and Richard Pryor. The film also stars Oscar-nominee Juanita Moore and Tony-nominated actor Dick Anthony Williams. Filmed in Oakland, California the movie follows the rise and fall of Goldie, who returns from a five-year prison sentence to find that his brother is involved in Black nationalism. Goldie decides to take an alternative path, striving to become the city's biggest pimp.

Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the Black power movement, and the Black Panthers spurred black artists to reclaim power over their image, and institutions like UCLA to provide financial assistance for students of color to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.