1.
George Henry Harlow
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George Henry Harlow, was a highly regarded English portrait painter. Harlow was sent when quite young to Dr. Barrows classical school in Soho Square and he was for a short time at Westminster School, but having shown a predilection for painting, he was placed under Henry De Cort, the landscape-painter. He next worked under Samuel Drummond, A. R. A, the portrait-painter, but after about a year entered the studio of Sir Thomas Lawrence. Harlow paid Lawrence handsomely for his admission and the right to copy, Harlow decided to devote himself to painting, and refused an offer of a writership in the East India trade made by his fathers friends. He spent about eighteen months in Lawrences studio, copying his pictures, Harlow henceforth pursued an original system of art education. He inveighed strongly against all rules and principles. Young, headstrong, and impatient of restraint, with a person and amiable disposition. His foibles led his friends to nickname him Clarissa Harlowe and he worked, however, with industry and enthusiasm in his art. Though openly opposed to the Royal Academy, he was a candidate for academician and he exhibited for the first time at the Academy in 1804, showing a portrait of Dr. Thornton. In later years he exhibited many other portraits and his practice in this line was extensive. His portraits are well conceived, and, though much in the manner and his portraits of ladies were always graceful and pleasing. He was less successful, owing to his artistic education, in historical painting. His first exhibited pictures were Queen Elizabeth striking the Earl of Essex, at the Royal Academy,1807. In 1815 he painted Hubert and Prince Arthur for William Leader, in 1814 he painted a set of portraits of the actor Charles Mathews in various characters, which attracted general attention. It was engraved by W. Greatbach for Yates Life of Mathews, early in his career Harlow had made sketches of performers in the theatre, notably of the actress Sarah Siddons, who retired in 1812. A commission from the music teacher Thomas Welsh to paint Siddons as Queen Katharine in Shakespeares Henry VIII and this was begun from memory, but subsequently the actress, at Welshs request, gave the painter a sitting. While painting the portrait, Harlow decided to expand the picture into the Trial Scene from the play, introducing portraits of the various members of the Kemble family. Welsh, though not consulted by Harlow concerning this change of plan, the picture was exhibited at the Royal Academy in 1817, and excited great public interest
2.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
3.
Kingdom of Great Britain
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The Kingdom of Great Britain, officially Great Britain, was a sovereign state in western Europe from 1 May 1707 to 31 December 1800. It did not include Ireland, which remained a separate realm, the unitary state was governed by a single parliament and government that was based in Westminster. Also after the accession of George I to the throne of Great Britain in 1714, the early years of the unified kingdom were marked by Jacobite risings which ended in defeat for the Stuart cause at Culloden in 1746. On 1 January 1801, the kingdoms of Great Britain and Ireland were merged to form the United Kingdom of Great Britain and Ireland. In 1922, five-sixths of Ireland seceded from the United Kingdom, the name Britain descends from the Latin name for the island of Great Britain, Britannia or Brittānia, the land of the Britons via the Old French Bretaigne and Middle English Bretayne, Breteyne. The term Great Britain was first used officially in 1474, in the instrument drawing up the proposal for a marriage between Edward IV of Englands daughter Cecily and James III of Scotlands son James. The Treaty of Union and the subsequent Acts of Union state that England and Scotland were to be United into one Kingdom by the Name of Great Britain. However, both the Acts and the Treaty also refer numerous times to the United Kingdom and the longer form, other publications refer to the country as the United Kingdom after 1707 as well. The websites of the UK parliament, the Scottish Parliament, the BBC, additionally, the term United Kingdom was found in informal use during the 18th century to describe the state. The new state created in 1707 included the island of Great Britain, the kingdoms of England and Scotland, both in existence from the 9th century, were separate states until 1707. However, they had come into a union in 1603. Each of the three kingdoms maintained its own parliament and laws and this disposition changed dramatically when the Acts of Union 1707 came into force, with a single unified Crown of Great Britain and a single unified parliament. Ireland remained formally separate, with its own parliament, until the Acts of Union 1800, legislative power was vested in the Parliament of Great Britain, which replaced both the Parliament of England and the Parliament of Scotland. In practice it was a continuation of the English parliament, sitting at the location in Westminster. Newly created peers in the Peerage of Great Britain were given the right to sit in the Lords. Despite the end of a parliament for Scotland, it retained its own laws. As a result of Poynings Law of 1495, the Parliament of Ireland was subordinate to the Parliament of England, the Act was repealed by the Repeal of Act for Securing Dependence of Ireland Act 1782. The same year, the Irish constitution of 1782 produced a period of legislative freedom, the 18th century saw England, and after 1707 Great Britain, rise to become the worlds dominant colonial power, with France its main rival on the imperial stage
4.
United Kingdom of Great Britain and Ireland
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The United Kingdom of Great Britain and Ireland was established as a sovereign state on 1 January 1801 by the Acts of Union 1800, which merged the kingdoms of Great Britain and Ireland. The growing desire for an Irish Republic led to the Irish War of Independence, Northern Ireland remained part of the United Kingdom, and the state was consequently renamed the United Kingdom of Great Britain and Northern Ireland. Britain financed the European coalition that defeated France in 1815 in the Napoleonic Wars, the British Empire thereby became the foremost world power for the next century. The Crimean War with Russia and the Boer wars were relatively small operations in a largely peaceful century, rapid industrialisation that began in the decades prior to the states formation continued up until the mid-19th century. A devastating famine, exacerbated by government inaction in the century, led to demographic collapse in much of Ireland. It was an era of economic modernization and growth of industry, trade and finance. Outward migration was heavy to the colonies and to the United States. Britain also built up a large British Empire in Africa and Asia, India, by far the most important possession, saw a short-lived revolt in 1857. In foreign policy Britain favoured free trade, which enabled its financiers and merchants to operate successfully in many otherwise independent countries, as in South America. Britain formed no permanent military alliances until the early 20th century, when it began to cooperate with Japan, France and Russia, and moved closer to the United States. A brief period of limited independence for Ireland came to an end following the Irish Rebellion of 1798, the British governments fear of an independent Ireland siding against them with the French resulted in the decision to unite the two countries. This was brought about by legislation in the parliaments of both kingdoms and came into effect on 1 January 1801, however, King George III was bitterly opposed to any such Emancipation and succeeded in defeating his governments attempts to introduce it. When the Treaty of Amiens ended the war, Britain agreed to return most of the territories it had seized, in May 1803, war was declared again. In 1806, Napoleon issued the series of Berlin Decrees, which brought into effect the Continental System and this policy aimed to eliminate the threat from the British by closing French-controlled territory to foreign trade. Frances population and agricultural capacity far outstripped that of the British Isles, Napoleon expected that cutting Britain off from the European mainland would end its economic hegemony. The Spanish uprising in 1808 at last permitted Britain to gain a foothold on the Continent, after Napoleons surrender and exile to the island of Elba, peace appeared to have returned. The Allies united and the armies of Wellington and Blucher defeated Napoleon once, simultaneous with the Napoleonic Wars, trade disputes, arming hostile Indians and British impressment of American sailors led to the War of 1812 with the United States. The war was little noticed in Britain, which could devote few resources to the conflict until the fall of Napoleon in 1814, American frigates inflicted a series of defeats on the Royal Navy, which was short on manpower due to the conflict in Europe
5.
Georgian era
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The Enlightenment was an intellectual movement which dominated the world of ideas in Europe during the 18th century, The Century of Philosophy. In France, the doctrines of les Lumières were individual liberty and religious tolerance in opposition to an absolute monarchy. French historians traditionally place the Enlightenment between 1715, the year that Louis XIV died, and 1789, the beginning of the French Revolution, some recent historians begin the period in the 1620s, with the start of the scientific revolution. Les philosophes of the widely circulated their ideas through meetings at scientific academies, Masonic lodges, literary salons, coffee houses. The ideas of the Enlightenment undermined the authority of the monarchy and the Church, a variety of 19th-century movements, including liberalism and neo-classicism, trace their intellectual heritage back to the Enlightenment. The Age of Enlightenment was preceded by and closely associated with the scientific revolution, earlier philosophers whose work influenced the Enlightenment included Francis Bacon, René Descartes, John Locke, and Baruch Spinoza. The major figures of the Enlightenment included Cesare Beccaria, Voltaire, Denis Diderot, Jean-Jacques Rousseau, David Hume, Adam Smith, Benjamin Franklin visited Europe repeatedly and contributed actively to the scientific and political debates there and brought the newest ideas back to Philadelphia. Thomas Jefferson closely followed European ideas and later incorporated some of the ideals of the Enlightenment into the Declaration of Independence, others like James Madison incorporated them into the Constitution in 1787. The most influential publication of the Enlightenment was the Encyclopédie, the ideas of the Enlightenment played a major role in inspiring the French Revolution, which began in 1789. After the Revolution, the Enlightenment was followed by an intellectual movement known as Romanticism. René Descartes rationalist philosophy laid the foundation for enlightenment thinking and his attempt to construct the sciences on a secure metaphysical foundation was not as successful as his method of doubt applied in philosophic areas leading to a dualistic doctrine of mind and matter. His skepticism was refined by John Lockes 1690 Essay Concerning Human Understanding and his dualism was challenged by Spinozas uncompromising assertion of the unity of matter in his Tractatus and Ethics. Both lines of thought were opposed by a conservative Counter-Enlightenment. In the mid-18th century, Paris became the center of an explosion of philosophic and scientific activity challenging traditional doctrines, the political philosopher Montesquieu introduced the idea of a separation of powers in a government, a concept which was enthusiastically adopted by the authors of the United States Constitution. Francis Hutcheson, a philosopher, described the utilitarian and consequentialist principle that virtue is that which provides, in his words. Much of what is incorporated in the method and some modern attitudes towards the relationship between science and religion were developed by his protégés David Hume and Adam Smith. Hume became a figure in the skeptical philosophical and empiricist traditions of philosophy. Immanuel Kant tried to reconcile rationalism and religious belief, individual freedom and political authority, as well as map out a view of the sphere through private
6.
Old Jewry
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Old Jewry is a one-way street in the City of London, the historic and financial centre of London. It is located within Coleman Street ward and links Poultry to Gresham Street, the street now contains mainly offices for financial companies. The nearest London Underground station is Bank and the closest mainline station is Cannon Street. William the Conqueror encouraged Jews to come to England soon after the Norman Conquest, some settled in cities throughout his new domain, according to Reverend Moses Margoliouth, Old Jewry was a ghetto. Ghettos, areas of a city mainly or exclusively populated by Jews, were common across Europe, in 2001, archaeologists discovered a mikveh near to Old Jewry, on the corner of Gresham Street and Milk Street, under what is now the State Bank of India. It would have fallen into disuse after 1290, when the Jews were expelled from England, on the west side of Old Jewry is St Olave Old Jewry, only the tower of this church survives. When it was destroyed in 1887, a Roman pavement and vases were discovered, jewen Street, not far away, off Aldersgate, still existed in 1722. According to Ephraim Chambers Cyclopaedia, this was the only permitted burial ground for Jews, also nearby is St Lawrence Jewry, a Church of England guild church on Gresham Street, next to the Guildhall. Thomas Rowlandson was born on Old Jewry in 1756, there was a Dissenting chapel in Old Jewry in the 1700s. Richard Price, minister of Newington Green Chapel, was also the afternoon preacher here from 1763. Joseph Fawcett spoke there from 1785, when he began a series of Sunday evening lectures which drew the largest and most genteel London audience that ever assembled in a place of worship. Bank junction Cheapside Ironmonger Lane Lothbury Medieval Old Jewry Jewish guide to Britain Mikveh Mikveh Roman pavement Chambers Encyclopedia Richard Price
7.
City of London
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The City of London is a city and county within London. It constituted most of London from its settlement by the Romans in the 1st century AD to the Middle Ages, the City is now only a tiny part of the metropolis of London, though it remains a notable part of central London. Administratively, it one of the 33 local authority districts of Greater London, however, the City of London is not a London borough. The City of London is widely referred to simply as the City and is colloquially known as the Square Mile. Both of these terms are often used as metonyms for the United Kingdoms trading and financial services industries. The name London is now used for a far wider area than just the City. London most often denotes the sprawling London metropolis, or the 32 London boroughs and this wider usage of London is documented as far back as 1888, when the County of London was created. The local authority for the City, namely the City of London Corporation, is unique in the UK and has some unusual responsibilities for a local council and it is also unusual in having responsibilities and ownerships beyond its boundaries. The Corporation is headed by the Lord Mayor of the City of London, the current Lord Mayor, as of November 2016, is Andrew Parmley. The City is a business and financial centre. Throughout the 19th century, the City was the primary business centre. London came top in the Worldwide Centres of Commerce Index, published in 2008, the insurance industry is focused around the eastern side of the City, around Lloyds building. A secondary financial district exists outside of the City, at Canary Wharf,2.5 miles to the east, the City has a resident population of about 7,000 but over 300,000 people commute to and work there, mainly in the financial services sector. It used to be held that Londinium was first established by merchants as a trading port on the tidal Thames in around 47 AD. However, this date is only supposition, many historians now believe London was founded some time before the Roman conquest of Britain in 43 AD. They base this notion on evidence provided by both archaeology and Welsh literary legend, archaeologists have claimed that as much as half of the best British Iron Age art and metalwork discovered in Britain has been found in the London area. One of the most prominent examples is the famously horned Waterloo Helmet dredged from the Thames in the early 1860s and now exhibited at the British Museum. Also, according to an ancient Welsh legend, a king named Lud son of Heli substantially enlarged and improved a pre-existing settlement at London which afterwards came to be renamed after him, the same tradition relates how this Lud son of Heli was later buried at Ludgate
8.
St Mary Colechurch
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St Mary Colechurch was a parish church in the City of London destroyed in the Great Fire of London in 1666 and not rebuilt. The church was situated at the junction of Poultry and the end of Old Jewry. Named after its first benefactor, it was a prosperous parish able to support a grammar school, the Great Fire of London of 1666 destroyed 86 of the 97 parish churches in the City of London. By 1670 a Rebuilding Act had been passed and a set up under of Sir Christopher Wren to plan the new parishes. Fifty-one were chosen, but St Mary Colechurch was one of the minority not to be rebuilt, C. W. Pearce notes that the last traces of any building vanished in 1839 although a Parish Boundary Mark inside the Mercers’ Hall still exists. A plaque commemorates the church on the southwest corner of Old Jewry, the site is currently occupied by the Alliance & Leicester at 82 Cheapside
9.
Richmond, North Yorkshire
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Richmond is a market town and civil parish in North Yorkshire, England and the administrative centre of the district of Richmondshire. Historically in the North Riding of Yorkshire, it is situated on the edge of the Yorkshire Dales National Park, Richmond is the most duplicated UK placename, with 57 occurrences worldwide. The Rough Guide describes the town as an absolute gem, betty James wrote that without any doubt Richmond is the most romantic place in the whole of the North East. Richmond was named UK town of the year in 2009, the Georgian Theatre Royal in Richmond, built in 1788, is the UKs most complete 18th century theatre. The town of Richemont in Normandy was the origin of the placename Richmond, Richmond in North Yorkshire was the eponymous honour of the Earls of Richmond, a dignity normally also held by the Duke of Brittany from 1136 to 1399. Richmond was founded in 1071 by the Breton Alan Rufus, on lands granted to him by William the Conqueror, Richmond Castle, completed in 1086, had a keep and walls encompassing the area now known as the Market Place. Richmond was part of the lands of the earldom of Richmond, when John V, Duke of Brittany died in 1399 Henry IV took possession. In 1453, the earldom was conferred on Edmund Tudor, and was merged with the crown when Edmunds son Henry became king, as Henry VII in 1485. During the English Civil War, the Covenanter Army led by David Leslie, Lord Newark, took over the castle and conflict between local Catholics and Scottish Presbyterians ensued. The prosperity of the town and centre of the Swaledale wool industry greatly increased in the late 17th and 18th centuries with the burgeoning lead mining industry in nearby Arkengarthdale. It is from this period that the towns Georgian architecture originates, one of Europes first gas works was built in the town in 1830. A permanent military presence was established in the town with the completion of Richmond Barracks in 1877, Richmond Castle in the town centre overlooks the River Swale and is a major tourist attraction. Scollands Hall is the gatehouse and was staffed by the Lords of Bedale, such as Bryan FitzAlan, Lord FitzAlan, other staff residences were Constable Burton and Thornton Steward. Also, Richmond had an extended Wensleydale castlery initially consisting of Middleham Castle, Ravensworth, the Conyers, Wyville, Gascoigne, Stapleton and Lovell families were all notable gentry. The cobbled market place is one of the largest in England, the Green Howards Regimental Museum is in the old Trinity Church in the centre of the towns market place, the town is also home to the Richmondshire Museum. Swale House on Frenchgate, built around 1750, was home to the headmaster and students of the grammar school. For many years, it was the headquarters of Richmondshire District Council, before being closed, the Georgian Theatre Royal, founded in 1788 by the actor Samuel Butler, is off the market place. A decline in the fortunes of theatre led to its closure in 1848, in 1963 the theatre was restored and reopened, with a theatre museum added in 1979
10.
Soho Square
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Soho Square is a square in Soho, London, England, with a park and garden area at its centre that dates back to 1681. It was originally called King Square after Charles II, whose statue stands in the square, at the centre of the garden, there is a distinctive half-timbered gardeners hut. During the summer, Soho Square hosts open-air free concerts, built in the late 1670s, Soho Square was in its early years one of the most fashionable places to live in London. It was originally called Kings Square, for King Charles II, a statue of Charles II was carved by Danish sculptor Caius Gabriel Cibber in 1681 and placed at the centre of the Square. By the early 19th century, the statue was described as being in a most wretched mutilated state, and the inscriptions on the base of the pedestal quite illegible. Goodall placed the statue on an island in his lake at Grims Dyke, where it remained when dramatist W. S. Gilbert purchased the property in 1890, and there it stayed after Gilberts death in 1911. In her will, Lady Gilbert directed that the statue be returned, william Thomas Beckford was born on 29 September 1760 in his familys London home at 22 Soho Square. In the 1770s, the naturalist Joseph Banks who had circumvented the globe with James Cook, in 1778, Banks was elected president of the Royal Society and his home became a kind of scientific salon hosting scientists visiting from around the world. His library and herbarium containing many plants gathered during his travels were open to the general public, between 1778 and 1801 the Square was home to the infamous White House brothel at the Manor House,21 Soho Square. In 1862 the charity House of St Barnabas moved around the corner from Rose Street to 1 Greek Street where it resides today. Wilfrid Voynich had his antiquarian bookshop at no.1 Soho Square from 1902, the publisher Rupert Hart-Davis was at no.36 from about 1947. Fauconberg House was on the side of the square until its demolition in 1924. Two of the houses, nos.10 and 15. At nos.8 and 9 is the French Protestant Church of London, number 22 was home to British Movietone and Kay Film Laboratories, having been re-built to its current form between 1913 and 1914. For almost forty years, beginning in 1955, Soho Square housed the headquarters of animator Richard Williams. In the 1990s Sony Music had an office here and their record label Sony Soho Square has since been renamed S2 Records. The Football Association was headquartered at No 25 from October 2000 until 2009, streets running off the square, counted clockwise from the north, are Soho Street, Sutton Row, Greek Street, Batemans Buildings, Frith Street and Carlisle Street. In the book A Tale of Two Cities by Charles Dickens, Soho Square is where Lucie and her father, Doctor Manette, in the song Why Cant The English
11.
Edmund Burke
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Burke criticized British treatment of the American colonies, including through its taxation policies. Burke is remembered for his support for Catholic emancipation, the impeachment of Warren Hastings from the East India Company, in the nineteenth century Burke was praised by both conservatives and liberals. Subsequently, in the century, he became widely regarded as the philosophical founder of modern conservatism. Burke was born in Dublin, Ireland, Burke adhered to his fathers faith and remained a practising Anglican throughout his life, unlike his sister Juliana who was brought up as and remained a Roman Catholic. Although never denying his Irishness, Burke often described himself as an Englishman, according to the historian J. C. D. Clark, this was in an age before Celtic nationalism sought to make Irishness and Englishness incompatible. As a child he spent time away from the unhealthy air of Dublin with his mothers family in the Blackwater Valley in County Cork. He received his education at a Quaker school in Ballitore, County Kildare, some 67 kilometres from Dublin. He remained in correspondence with his schoolmate from there, Mary Leadbeater, in 1744, Burke started at Trinity College Dublin, a Protestant establishment, which up until 1793, did not permit Catholics to take degrees. The minutes of the meetings of Burkes Club remain in the collection of the Historical Society, Burke graduated from Trinity in 1748. Burkes father wanted him to read Law, and with this in mind he went to London in 1750, after eschewing the Law, he pursued a livelihood through writing. The late Lord Bolingbrokes Letters on the Study and Use of History was published in 1752 and this provoked Burke into writing his first published work, A Vindication of Natural Society, A View of the Miseries and Evils Arising to Mankind, appearing in Spring 1756. Burke imitated Bolingbrokes style and ideas in a reductio ad absurdum of his arguments for atheistic rationalism, Burke claimed that Bolingbrokes arguments against revealed religion could apply to all social and civil institutions as well. Lord Chesterfield and Bishop Warburton initially thought that the work was genuinely by Bolingbroke rather than a satire, all the reviews of the work were positive, with critics especially appreciative of Burkes quality of writing. Some reviewers failed to notice the ironic nature of the book, a minority of scholars have taken the position that, in fact, Burke did write the Vindication in earnest, later disowning it only for political reasons. It was his only purely philosophical work, and when asked by Sir Joshua Reynolds and French Laurence to expand it thirty years later and it was to be submitted for publication by Christmas 1758. G. M. Young did not value Burkes history and claimed that it was demonstrably a translation from the French. Lord Acton, on commenting on the story that Burke stopped his history because David Hume published his, Burke remained the chief editor of the publication until at least 1789 and there is no evidence that any other writer contributed to it before 1766. On 12 March 1757, Burke married Jane Mary Nugent, daughter of Dr Christopher Nugent and their son Richard was born on 9 February 1758, an elder son, Christopher, died in infancy
12.
Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
13.
Caricature
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A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or through other artistic drawings. In literature, a caricature is a description of a person using exaggeration of some characteristics, Caricatures can be insulting or complimentary and can serve a political purpose or be drawn solely for entertainment. Caricatures of politicians are commonly used in cartoons, while caricatures of movie stars are often found in entertainment magazines. The term is derived from the Italian caricare—to charge or load, an early definition occurs in the English doctor Thomas Brownes Christian Morals, published posthumously in 1716. Expose not thy self by four-footed manners unto monstrous draughts, with the footnote, When Mens faces are drawn with resemblance to some other Animals, the Italians call it, to be drawn in Caricatura Thus, the word caricature essentially means a loaded portrait. Some of the earliest caricatures are found in the works of Leonardo da Vinci, the point was to offer an impression of the original which was more striking than a portrait. Caricature took a road to its first successes in the aristocratic circles of France and Italy. These caricatures were the work of Brig. -Gen, george Townshend whose caricatures of British General James Wolfe, depicted as Deformed and crass and hideous, were drawn to amuse fellow officers. Elsewhere, two great practitioners of the art of caricature in 18th-century Britain were Thomas Rowlandson and James Gillray, Rowlandson was more of an artist and his work took its inspiration mostly from the public at large. Gillray was more concerned with the vicious visual satirisation of political life and they were, however, great friends and caroused together in the pubs of London. In a lecture titled The History and Art of Caricature, the British caricaturist Ted Harrison said that the caricaturist can choose to either mock or wound the subject with an effective caricature. Drawing caricatures can simply be a form of entertainment and amusement – in which case gentle mockery is in order – or the art can be employed to make a social or political point. A caricaturist draws on the characteristics of the subject, the acquired characteristics. Sir Max Beerbohm, created and published caricatures of the men of his own time. His style of single-figure caricatures in formalized groupings was established by 1896 and his published works include Caricatures of Twenty-five Gentlemen, The Poets Corner, and Rossetti and His Circle. He published widely in magazines of the time, and his works were exhibited regularly in London at the Carfax Gallery. George Cruikshank created political prints that attacked the family and leading politicians. He went on to create caricatures of British life for popular publications such as The Comic Almanack
14.
Somerset House
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Somerset House is a large Neoclassical building situated on the south side of the Strand in central London, overlooking the River Thames, just east of Waterloo Bridge. The building, originally the site of a Tudor palace, was designed by Sir William Chambers in 1776, the East Wing forms part of the adjacent Strand campus of Kings College London. In the sixteenth century, the Strand, the bank of the Thames between the City of London and the Palace of Westminster was a favoured site for the mansions of the nobility. In 1539 Edward Seymour, 1st Earl of Hertford, obtained a grant of land at Chester Place, outside Temple Bar, when his nephew the boy-king Edward VI came to the throne in 1547, Seymour became Duke of Somerset and Lord Protector. Pauls Cathedral which were demolished partly at his behest as part of the ongoing Dissolution of the Monasteries and it was a two storey house built around a quadrangle with a gateway rising to three stories and was one of the earliest examples of Renaissance architecture in England. It is not known who designed the building, before it was finished, however, Somerset was overthrown, attainted by Parliament and in 1552 was executed on Tower Hill. Somerset Place then came into the possession of the Crown and his royal nephews half-sister the future Queen Elizabeth I lived there during the reign of her half-sister Queen Mary I. The process of completion and improvement was slow and costly, as late as 1598 Stow refers to it as yet unfinished. In the 17th century, the house was used as a residence by queens consort, during the reign of King James I, the building became the London residence of his wife, Anne of Denmark, and was renamed Denmark House. She commissioned a number of additions and improvements, some to designs by Inigo Jones. In particular, during the period between 1630 and 1635 he built a Chapel where Henrietta Maria of France, wife of King Charles I and this was in the care of the Capuchin Order and was on a site to the south-west of the Great Court. A small cemetery was attached and some of the tombstones are still to be built into one of the walls of a passage under the present quadrangle. Royal occupation of Somerset House was interrupted by the English Civil War and they failed to find a buyer, though a sale of the contents realised the very considerable sum of £118,000. Use was still found for it however, part of it served as an Army headquarters, General Fairfax being given official quarters there, lodgings were also provided for certain other Parliamentary notables. It was in Somerset House that Oliver Cromwells body lay in state after his death in 1658, however she returned to France in 1665 before it was finished. It was then used as a residence by Catherine of Braganza. During her time it received a certain notoriety as being, in the popular mind, Somerset House was refurbished by Sir Christopher Wren in 1685. After the Glorious Revolution in 1688, Somerset House entered on a period of decline, being used for grace
15.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
16.
Jean-Baptiste Pigalle
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Jean-Baptiste Pigalle was a French sculptor. Pigalle was born in Paris, the child of a carpenter. Although he failed to obtain the Prix de Rome, after a struggle he entered the Académie Royale. Pigalle taught the sculptor Louis-Philippe Mouchy, who married his niece, and his name is most commonly known today because of the Pigalle red-light district in Paris, located around the square of the same name. Pigalle died in Paris on 20 August 1785, media related to Jean-Baptiste Pigalle at Wikimedia Commons Virtual Gallery Jean-Baptiste Pigalle in American public collections, on the French Sculpture Census website
17.
James Gillray
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James Gillray was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Gillray has been called the father of the cartoon, with his works satirizing George III, prime ministers. He was born in Chelsea, London and his father, a native of Lanark, had served as a soldier, losing an arm at the Battle of Fontenoy, and was admitted, first as an inmate, and afterwards as an outdoor pensioner, at Chelsea Hospital. Gillray commenced life by learning letter-engraving, at which he became adept. This employment, however, proved irksome to James, so he wandered about for a time with a company of strolling players and his caricatures are almost all in etching, some also with aquatint, and a few using stipple technique. None can correctly be described as engravings, although this term is loosely used to describe them. Hogarths works were the delight and study of his early years, paddy on Horseback, which appeared in 1779, is the first caricature which is certainly his. Two caricatures on Admiral Rodneys naval victory at the Battle of the Saintes, Gillray lived with Miss Humphrey during the entire period of his fame. It is believed that he several times thought of marrying her, and that on one occasion the pair were on their way to the church and we live very comfortably together, we had better let well alone. There is no evidence, however, to support the stories which scandalmongers invented about their relations, Gillrays plates were exposed in Humphreys shop window, where eager crowds examined them. One of his prints, Very Slippy-Weather, shows Miss Humphreys shop in St. Jamess Street in the background. Gillrays eyesight began to fail in 1806 and he began wearing spectacles but they were unsatisfactory. Unable to work to his previous standards, James Gillray became depressed and started drinking heavily. He produced his last print in September 1809, as a result of his heavy drinking Gillray suffered from gout throughout his later life. His last work, from a design by Bunbury, is entitled Interior of a Barbers Shop in Assize Time, while he was engaged on it he became mad, although he had occasional intervals of sanity, which he employed on his last work. The approach of madness may have been hastened by his intemperate habits, in July 1811 Gillray attempted to kill himself by throwing himself out of an attic window above Humphreys shop in St Jamess Street. Gillray lapsed into insanity and was looked after by Hannah Humphrey until his death on 1 June 1815 in London, he was buried in St Jamess churchyard, Piccadilly. A number of his most trenchant satires are directed against George III, during the French Revolution, Gillray took a conservative stance, and he issued caricature after caricature ridiculing the French and Napoleon, and glorifying John Bull
18.
Henry Bunbury (caricaturist)
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For his son, see Sir Henry Bunbury, 7th Baronet Henry William Bunbury was an English caricaturist. The second son of Sir William Bunbury, 5th Baronet, of Mildenhall, Suffolk and he was educated at Westminster School and St Catharines College, Cambridge, and soon showed a talent for drawing, especially for humorous subjects. His son Henry succeeded to the baronetcy and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Bunbury, Henry William. National Portrait Gallery, Henry William Bunbury Original Antique Prints and Engravings by, Henry William Bunbury Bunbury prints within the collection of St. Edmundsbury Heritage Service
19.
Vauxhall
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Vauxhall is a mixed commercial and residential district of southwest London in the London Borough of Lambeth. Vauxhall formed part of Surrey until 1889 when the County of London was created, Vauxhall is 2.1 km south of Charing Cross and 1.5 km southwest of the actual centre of London at Frazier st near Lambeth North tube station. The area only became known by this name when the Vauxhall Pleasure Gardens opened as a public attraction. Initially most visitors would have approached by river, but crowds of Londoners of all came to know the area after the construction of Westminster Bridge in the 1740s. There are competing theories as to why the Russian word for a railway station is вокзал. This was further embellished into a story that the Tsar Nicholas I of Russia, visiting London in 1844, was taken to see the trains at Vauxhall and made the same mistake. The locality of the L&SWRs original railway terminus, Nine Elms Station, was shown boldly and simply as Vauxhall in the 1841 Bradshaw timetable, in 1838 a music and entertainment pavilion was constructed at the railway terminus. This pavilion was called the Vokzal in homage to the Vauxhall Pleasure Gardens in London, the name soon came to be applied to the station itself, which was the gateway that most visitors used to enter the gardens. It later came to any substantial railway station building. Archdeacon William Coxe describes the place as a sort of Vauxhall in that year, there is no mention of Vauxhall in the 1086 Domesday Book. The area originally formed part of the extensive Manor of South Lambeth, falkes de Breauté acquired it in 1216 when he married Margaret, widow of Baldwin de Redvers, de Breautés lands reverted to the de Redvers family after his death in 1226. In 1293 South Lambeth Manor and the Manor of la Sale Faukes passed, probably by trickery, in 1317 King Edward II granted the manor of Vauxhall, Surrey, to Sir Roger dAmory for his good services at the Battle of Bannockburn. From various accounts, three local roads – the South Lambeth Road, Clapham Road and Wandsworth Road – were ancient and well-known routes to and from London. The land was flat and parts were marshy and poorly drained by ditches, and only started to be developed with the draining of Lambeth Marsh in the mid-18th century, prior to this it provided market garden produce for the nearby City of London. Vauxhall Bridge and Vauxhall Bridge Road were opened in 1816, by 1860 the village had been subsumed by the town of Lambeth. Many of Vauxhalls streets were destroyed during the construction of the railway to Waterloo station, many Vauxhall residents live in social housing. Vauxhall is an ethnically diverse area, with approximately 40% of residents originating from a non-white ethnic group. There is a significant Portuguese community, some with a connection to Madeira, many Portuguese restaurants and bars are located in South Lambeth Road, there is also a significant Muslim community, with almost 6% of residents declaring themselves as Muslim in the 2001 census
20.
Rudolph Ackermann
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Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris and he established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. After this he designed The Royal Sailor, an 8-wheel omnibus that ran between Charing Cross, Greenwich and Woolwich, Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages in order to promote his coach-making. In 1795 he established a print-shop and drawing-school at 96 Strand, Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape, within three years the premises had become too small and he moved to 101 Strand, in his own words four doors nearer to Somerset House, the seat of the Royal Academy of Arts. In 1809 he applied his press to the illustration of his Repository of Arts, Literature, Fashions, which appeared monthly until 1829, Thomas Rowlandson and other distinguished artists were regular contributors. Repository documented the changing classicising fashions in dress and furniture of the Regency, in 1801 he patented a method for rendering paper and cloth waterproof and erected a factory in Chelsea to make it. He was one of the first to illuminate his own premises with gas, indeed, the introduction of lighting by gas owed much to him. After the Battle of Leipzig, Ackermann collected nearly a quarter of a million pounds sterling for the German casualties and he also patented the Ackermann steering geometry. He was buried at St. Clement Danes in The Strand, Vol VI1938, Vol VII,1942 VOL VIII1947, VOL IX1949 Rudolph Ackermann, Microcosm of London, Illustrated by Augustus Charles Pugin and Thomas Rowlandson. 1904 reprint + Illustrations Martin Hardie, English Coloured Books, London, Methuen & Co and New York, chapter VI, Rudolph Ackermann and his Associates. Hyperlinks allow the volumes to be examined by author, engraver, etc. and include references to other works submitted to similar 19th century literary journals
21.
William Combe
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William Combe was a British miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the rules of the Kings Bench Prison. He is chiefly remembered as the author of The Three Tours of Doctor Syntax, a poem, illustrated by artist Thomas Rowlandsons color plates. Combe also wrote a series of letters, supposed to have been written by the second. Of a similar kind were his letters between Swift and Stella and he also wrote the letterpress for various illustrated books, and was a general hack. Combes father Robert Combes was a rich London ironmonger who died in 1756, his mother and he was educated at Eton College, but was withdrawn from the school by William Alexander, his guardian, on his fathers death, Alexander died in 1762. He inherited from both his father and guardian, aspired to the status of gentleman, and changed his name to Combe. He spent his fortune, travelled and was nicknamed Count Combe, and in the period 1769–1773 was low in funds, existing in France, Wales, in 1773 Robert Berkeley employed Combe to edit Thomas Falkners Description of Patagonia. Combe then settled to work as a writer and book editor, in 1776 Combe made his first success in London with The Diaboliad, a satire full of bitter personal attacks. Four years later, in 1780, debts brought him into the Kings Bench Prison, in 1790 and 91, the six volumes of a Devil on Two Sticks in England won for Combe the title of the English le Sage. In 1794 he ghost-wrote the Aeneas Anderson memoir of the Lord Macartney embassy to Peking, A Narrative of the British Embassy to China, in the Years 1792,1793, and 1794. In 1794–1796 he wrote the text for Boydells History of the River Thames and it satirised William Gilpin, who toured Britain to describe his theory of the Picturesque. It was collected in form in 1812, and was followed by two similar Tours. in search of Consolation and. in search of a Wife, the first Mrs Syntax having died at the end of the first Tour. The second Tour was collected as an 1820 book, and the tour as an 1821 book. Some reprint editions over the several decades rendered Rowlandsons color plates in black. Combe died in London on 19 June 1823, also, the diabo-lady, or, a match in hell Letters supposed to have been written by Yorick and Eliza. 2 vols Letters of the Late Lord Lyttleton,2 vols – Original letters of the late Reverend Mr. Laurence Sterne, Never Before Published. The devil upon two sticks in England, being a continuation of Le diable boiteux of Le Sage,6 vols An History of the River Thames
22.
Danse Macabre
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Dance of Death, also called Danse Macabre, is an artistic genre of late-medieval allegory on the universality of death, no matter ones station in life, the Dance of Death unites all. The Danse Macabre consists of the dead or personified Death summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. They were produced as mementos mori, to people of the fragility of their lives. Its origins are postulated from illustrated sermon texts, the earliest recorded visual scheme was a now-lost mural in the Saints Innocents Cemetery in Paris dating from 1424 to 1425, the earliest recorded visual example is from the cemetery of the Church of the Holy Innocents in Paris. Marija na Škrilinama in the Istrian town of Beram, painted by Vincent of Kastav, there was also a Dance of Death painted in the 1540s on the walls of the cloister of St Pauls Cathedral, London with texts by John Lydgate, which was destroyed in 1549. The deathly horrors of the 14th century—such as recurring famines, the Hundred Years War in France, and, most of all, the Black Death—were culturally assimilated throughout Europe. Short verse dialogues between Death and each of its victims, which could have performed as plays, can be found in the direct aftermath of the Black Death in Germany. The French term danse macabre may derive from the Latin Chorea Machabæorum, in 2 Maccabees, a deuterocanonical book of the Bible, the grim martyrdom of a mother and her seven sons is described, and was a well-known mediaeval subject. An alternative explanation is that the term entered France via Spain, both the dialogues and the evolving paintings were ostensive penitential lessons that even illiterate people could understand. Numerous mural versions of that legend from the 13th century onwards have survived, since they showed pictorial sequences of men and corpses covered with shrouds, those paintings are sometimes regarded as cultural precursors of the new genre. A danse macabre painting may show a round dance headed by Death or a chain of alternating dead, from the highest ranks of the mediaeval hierarchy descending to its lowest, each mortals hand is taken by a skeleton or an extremely decayed body. The apparent class distinction in almost all of these paintings is completely neutralized by Death as the ultimate equalizer, the Totentanz of Metnitz, for example, shows how a pope crowned with his mitre is being led into Hell by the dancing Death. Usually, a dialogue is attached to each victim, in which Death is summoning him to dance. Who the beggar or the Emperor, ob arm, ob reich, im Tode gleich. Whether rich or poor, equal in death, the famous designs by Hans Holbein the Younger for his Dance of Death series were drawn in 1526 while he was in Basel. They were cut in wood by the accomplished Formschneider Hans Lützelburger and these woodcuts soon appeared in proofs with titles in German. The first book edition, containing forty-one woodcuts, was published at Lyons by the Treschsel brothers in 1538, ten further designs were added in later editions. The Dance of Death refashions the late-medieval allegory of the danse macabre as a reformist satire, most importantly, it was The pictures and the Bible quotations above them were the main attractions
23.
Tobias Smollett
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Tobias George Smollett was a Scottish poet and author. He was best known for his novels, such as The Adventures of Roderick Random and The Adventures of Peregrine Pickle. His novels were amended liberally by printers, an edition of each of his works was edited by Dr. O. M. Brack. Smollett was born at Dalquhurn, now part of Renton, in present-day West Dunbartonshire and he was the fourth son of Archibald Smollett of Bonhill, a judge and land-owner who died about 1726, and Barbara Cunningham, who died about 1766. His career in medicine came second to his ambitions, during 1739 he went to London to seek fortune as a dramatist. Unsuccessful, he obtained a commission as a surgeon on HMS Chichester and travelled to Jamaica. During 1742 he served as a surgeon during the campaign to capture Cartagena. On his return, he established practice in Downing Street and married a wealthy Jamaican heiress, Anne Nancy Lascelles and she was a daughter of William Lascelles. They had one child, a daughter Elizabeth, who died aged 15 years about 1762 and he had a brother, Capt. James Smollet, and a sister, Jean Smollett, who married Alexander Telfair of Symington, Ayrshire. Jean succeeded to Bonhill after the death of her cousin-german, Mr. Commissary Smollett and they lived in St. John Street off Canongate, Edinburgh and had a son who was in the Military. The Adventures of Roderick Random was modelled on Le Sages Gil Blas, after that Smollett finally had his tragedy, The Regicide, published, though it was never performed. During 1750, Smollett was granted his MD degree in Aberdeen, and also travelled to France, having lived for a brief time in Bath, he returned to London and published The Adventures of Ferdinand Count Fathom during 1753. He was now recognised as an author, whose novels were published by the well-known London bookseller Andrew Millar. Smollett became associated with the likes of David Garrick, Laurence Sterne, Oliver Goldsmith and Samuel Johnson, during 1755 he published an English translation of Miguel de Cervantess novel Don Quixote, which he revised during 1761. During 1756, he became editor of the magazine The Critical Review, Smollett then began what he regarded as his major work, A Complete History of England, from 1757 to 1765. During this period he served a prison sentence for libel. Having suffered the loss of a daughter, he went abroad with his wife, and he also published The History and Adventures of an Atom, which gave his opinion of British politics during the Seven Years War in the guise of a tale from ancient Japan. He also re-visited Scotland and this visit helped inspire his last novel, The Expedition of Humphry Clinker, published during the year of his death
24.
Oliver Goldsmith
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He is thought to have written the classic childrens tale The History of Little Goody Two-Shoes. Goldsmiths birth date and year are not known with certainty, according to the Library of Congress authority file, he told a biographer that he was born on 10 November 1728. The location of his birthplace is also uncertain, when Goldsmith was two years old, his father was appointed the rector of the parish of Kilkenny West in County Westmeath. The family moved to the parsonage at Lissoy, between Athlone and Ballymahon, and continued to live there until his fathers death in 1747, in 1744 Goldsmith went up to Trinity College, Dublin. Neglecting his studies in theology and law, he fell to the bottom of his class, in 1747, along with four other undergraduates, he was expelled for a riot in which they attempted to storm the Marshalsea Prison. He settled in London in 1756, where he held various jobs, including an apothecarys assistant. There, through fellow Club member Edmund Burke, he made the acquaintance of Sir George Savile, the combination of his literary work and his dissolute lifestyle led Horace Walpole to give him the epithet inspired idiot. During this period he used the pseudonym James Willington to publish his 1758 translation of the autobiography of the Huguenot Jean Marteilhe. Goldsmith was described by contemporaries as prone to envy, a congenial but impetuous and disorganised personality who once planned to emigrate to America, mitchell sorely missed good company, which Goldsmith naturally provided in spades. Thomas De Quincey wrote of him All the motion of Goldsmiths nature moved in the direction of the true, the natural, the sweet and his premature death in 1774 may have been partly due to his own misdiagnosis of his kidney infection. Goldsmith was buried in Temple Church in London, the inscription reads, HERE LIES/OLIVER GOLDSMITH. There is a monument to him in the centre of Ballymahon, see The Vicar of Wakefield, The Good-Naturd Man, The Traveller, and She Stoops to Conquer. In 1760 Goldsmith began to publish a series of letters in the Public Ledger under the title The Citizen of the World and it was inspired by the earlier essay series Persian Letters by Charles de Secondat, Baron de Montesquieu. Goldsmith wrote this romantic ballad of precisely 160 lines in 1765, the hero and heroine are Edwin, a youth without wealth or power, and Angelina, the daughter of a lord beside the Tyne. Angelina spurns many wooers, but refuses to make plain her love for young Edwin, quite dejected with my scorn, Edwin disappears and becomes a hermit. One day, Angelina turns up at his cell in boys clothes and, not recognising him, Edwin then reveals his true identity, and the lovers never part again. The poem is notable for its portrayal of a hermit. In keeping with tradition, however, Edwin the Hermit claims to spurn the sex
25.
Laurence Sterne
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Laurence Sterne was an Irish novelist and an Anglican clergyman. Sterne died in London after years of fighting consumption, Sterne was born in Clonmel, County Tipperary. His father, Roger Sterne, was an ensign in a British regiment recently returned from Dunkirk, within six months the family had returned to Yorkshire, and in July 1715 they moved back to Ireland, having decamped with Bag & Baggage for Dublin, in Sternes words. The first decade of Sternes life was spent moving from place to place as his father was reassigned throughout Ireland, during this period Sterne never lived in one place for more than a year. In addition to Clonmel and Dublin, his family lived in, among other places, Wicklow Town, Annamoe, Drogheda, Castlepollard. Sterne was admitted to a sizarship at Jesus College, Cambridge and his great-grandfather Richard Sterne had been the Master of the college as well as the Archbishop of York. Sterne graduated with a degree of Bachelor of Arts in January 1737, Sterne was ordained as a deacon in March 1737 and as a priest in August 1738. His religion is said to have been the centrist Anglicanism of his time, shortly thereafter Sterne was awarded the vicarship living of Sutton-on-the-Forest in Yorkshire. Sterne married Elizabeth Lumley in 1741, in 1743, he was presented to the neighbouring living of Stillington by Rev. Richard Levett, Prebendary of Stillington, who was patron of the living. Subsequently Sterne did duty both there and at Sutton and he was also a prebendary of York Minster. Sternes life at this time was tied with his uncle, Dr Jaques Sterne. Sternes uncle was an ardent Whig, and urged Sterne to begin a career of political journalism which resulted in some scandal for Sterne and, eventually, Jaques Sterne was a powerful clergyman but a mean-tempered man and a rabid politician. In 1741–42 Sterne wrote political articles supporting the administration of Sir Robert Walpole for a newspaper founded by his uncle and his uncle became his arch-enemy, thwarting his advancement whenever possible. In 1759, to support his dean in a squabble, Sterne wrote A Political Romance. At the demands of embarrassed churchmen, the book was burnt, having discovered his talent, at the age of 46, he turned over his parishes to a curate, and dedicated himself to writing for the rest of his life. Sterne was at work on his comic novel during the year that his mother died, his wife was seriously ill. He wrote as fast as he possibly could, composing the first 18 chapters between January and March 1759, an initial, sharply satiric version was rejected by Robert Dodsley, the London printer, just when Sternes personal life was upset. His mother and uncle both died and his wife had a nervous breakdown and threatened suicide
26.
Vauxhall Gardens
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Vauxhall Gardens /ˈvɒksɔːl/ was a pleasure garden in Kennington on the south bank of the River Thames and accessed by boat from London until the erection of Vauxhall Bridge in the 1810s. The wider area was absorbed into the metropolis as the city expanded in the early to mid-19th century and it was one of the leading venues for public entertainment in London, from the mid-17th century to the mid-19th century. Originally known as New Spring Gardens, the site is believed to have opened before the Restoration of 1660, the Gardens consisted of several acres of trees and shrubs with attractive walks. Initially entrance was free, with food and drink being sold to support the venture, the site became Vauxhall Gardens in 1785 and admission was charged for its many attractions. The Gardens drew all manner of people and supported enormous crowds, tightrope walkers, hot-air balloon ascents, concerts and fireworks provided entertainment. A statue depicting George Frederic Handel, erected in the Gardens, in 1817 the Battle of Waterloo was re-enacted, with 1,000 soldiers participating. It closed in 1840 after its owners suffered bankruptcy, but re-opened in 1841 and it changed hands in 1842, and was permanently closed in 1859. The land was redeveloped in the decades, but slum clearance in the late 20th century saw part of the original site opened up as a public park. This was initially called Spring Gardens and renamed in 2012 as Vauxhall Pleasure Gardens and it is managed as a public park by the London Borough of Lambeth. Vauxhall Gardens is depicted in a tile motif at Vauxhall tube station, eminent 18th-century scholar John Barrell, writing in the Times Literary Supplement, brings out Vauxhalls significance. Vauxhall pleasure gardens, on the bank of the Thames. References to Vauxhall are, for 150 years, as ubiquitous as references to Broadway later would be, the Gardens are believed to have opened just before the Restoration of 1660, on property formerly owned by Jane Fauxe, or Vaux, widow, in 1615. Jane is stated to be the widow of John, a vintner, perhaps the earliest record is Samuel Pepys description of a visit he made to the New Spring Gardens on 29 May 1662. The Gardens consisted of several acres laid out with walks, initially admission was free, the proprietors making money by selling food and drink. John Evelyn described the New Spring Garden at Lambeth as a very pretty contrived plantation in 1661, a plan of 1681 shows the circular central feature planted with trees and shrubs, and the formal allées that were to remain a feature as long as the Gardens lasted. Sir John Hawkins, in his General History of Music, says, about the year 1730, Mr. Mr. Tyers opened it with an advertisement of a Ridotto al Fresco, a term which the people of this country had till that time been strangers to. These entertainments were repeated in the course of the summer, and this encouraged the proprietor to make his garden a place of musical entertainment, for every evening during the summer season. The supposed last night of the gardens was on 5 September 1839 when it attracted 1089 people, the Spring Gardens were the most prominent vehicle in England for the public display of the new Rococo style
27.
Georgiana Cavendish, Duchess of Devonshire
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Georgiana Cavendish, Duchess of Devonshire was an English socialite, style icon, author, and activist. Of noble birth from the House of Spencer, married into the House of Cavendish, she was the first wife of William Cavendish, 5th Duke of Devonshire, as the 5th Duchess of Devonshire, she garnered much attention and fame in society during her lifetime. She was the great-great-great-great-aunt of Diana, Princess of Wales and their lives, centuries apart, have been compared in tragedy in contemporary time. The duchess was born Miss Georgiana Spencer, on 7 June 1757, as the first child of John Spencer and his wife, Georgiana, at the Spencer family home, Althorp. After her daughters birth, her mother wrote that I will own I feel so partial to my Dear little Gee, two younger siblings followed, Henrietta and George. Mr John Spencer, great-grandson of John Churchill, 1st Duke of Marlborough and he built a Spencer family residence at St. Jamess, London and raised his children there. The parents raised Georgiana and her siblings in a marriage which bears no record of ever having been any extramarital affairs - a rarity in the era. Meanwhile, Georgiana grew to be close to her mother who was said to favour Georgiana over her other children, when her father assumed the title of Viscount Spencer in 1761, she became The Honourable Georgiana Spencer. In 1765, her father became Earl Spencer and she Lady Georgiana Spencer, on her seventeenth birthday,7 June 1774, Lady Georgiana Spencer was married to societys most eligible bachelor, William Cavendish, the 5th Duke of Devonshire. The wedding took place at Wimbledon Parish Church and it was a small ceremony attended only by her parents, her maternal grandmother, one of her prospective brothers-in-law, and soon-to-be sister-in-law. Her parents were reluctant to let their daughter go. Her father, who had always shown affection to his children, wrote to her, My Dearest Georgiana, I did not know till lately how much I loved you, I miss you every day. Mother and daughter continued to correspond throughout their lives and many of their letters survive. From the beginning of the marriage, the Duke of Devonshire proved to be a reserved man who was quite unlike the duchesss father. The spouses also had little in common and he would seldom be at her side and would spend nights at Brooks playing cards. The duke continued with adulterous behaviour throughout their life and discord followed pregnancies that ended in miscarriage or failure to produce a male child as heir. Before their marriage, the duke had fathered a daughter, Charlotte Williams, born from a dalliance with a former milliner. This was unknown to the duchess until years after her marriage to the duke, after the death of the childs mother, she was compelled to raise Charlotte herself
28.
Samuel Johnson
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Johnson was a devout Anglican and committed Tory, and is described by the Oxford Dictionary of National Biography as arguably the most distinguished man of letters in English history. He is also the subject of perhaps the most famous biography in English literature, born in Lichfield, Staffordshire, Johnson attended Pembroke College, Oxford for just over a year, before his lack of funds forced him to leave. After working as a teacher, he moved to London, where he began to write for The Gentlemans Magazine and his early works include the biography Life of Mr Richard Savage, the poems London and The Vanity of Human Wishes, and the play Irene. After nine years of work, Johnsons A Dictionary of the English Language was published in 1755 and it had a far-reaching effect on Modern English and has been described as one of the greatest single achievements of scholarship. This work brought Johnson popularity and success, until the completion of the Oxford English Dictionary 150 years later, Johnsons was viewed as the pre-eminent British dictionary. His later works included essays, an annotated edition of The Plays of William Shakespeare. In 1763, he befriended James Boswell, with whom he travelled to Scotland. Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets, Johnson was a tall and robust man. His odd gestures and tics were disconcerting to some on first meeting him, after a series of illnesses, he died on the evening of 13 December 1784, and was buried in Westminster Abbey. Born on 18 September 1709, to Michael Johnson, a bookseller and he did not cry and, with doubts surrounding the newborns health, his aunt exclaimed that she would not have picked such a poor creature up in the street. Since it was feared that the baby die, the vicar of St Marys was summoned to perform a baptism. Two godfathers were chosen, Samuel Swynfen, a physician and graduate of Pembroke College, Oxford, and Richard Wakefield, a lawyer, coroner, Johnsons health improved and he was put to wet-nurse with Joan Marklew. He soon contracted scrofula, known at time as the Kings Evil because it was thought royalty could cure it. Sir John Floyer, former physician to King Charles II, recommended that the young Johnson should receive the royal touch, however, the ritual was ineffective, and an operation was performed that left him with permanent scars across his face and body. Johnson demonstrated signs of intelligence as a child, and his parents, to his later disgust. His education began at the age of three, and was provided by his mother, who had him memorise and recite passages from the Book of Common Prayer. When Samuel turned four, he was sent to a nearby school, a year later, Johnson went to Lichfield Grammar School, where he excelled in Latin. During this time, Johnson started to exhibit the tics that would influence how people viewed him in his years
29.
James Boswell
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James Boswell, 9th Laird of Auchinleck, was a Scottish biographer and diarist, born in Edinburgh. Boswells surname has passed into the English language as a term for a constant companion and observer, Boswell was born in Blairs Land on the east side of Parliament Close behind St Giles Cathedral in Edinburgh on 29 October 1740. He was the eldest son of a judge, Alexander Boswell, Lord Auchinleck, as the eldest son, he was heir to his familys estate of Auchinleck in Ayrshire. Boswells mother was a strict Calvinist, and he felt that his father was cold to him, as a child, he was delicate and suffered from some type of nervous ailment which appeared to be inherent and would afflict him sporadically all through his life. At the age of five, he was sent to James Mundells academy, an institution by the standards of the time. Boswell was unhappy there, and his sickliness began to manifest itself in the physical incidents associated with nightmares, in view of this, the now-eight-year-old was removed from the academy and educated by a string of private tutors who included John Dunn and a Mr. Fergusson. The former had more success than his successor, he versed his charge in the joys of literature. Dunn was also present during, if not directly involved in, Boswells serious affliction of 1752 and this afforded him his first experience of genuine society, and his recovery was rapid and complete. It may, however, have inculcated the notion that travel, at thirteen, Boswell was enrolled into the arts course at the University of Edinburgh, studying there from 1753 to 1758. Midway through his studies, he suffered a depression and nervous illness, but. Boswell had swarthy skin, black hair and dark eyes, he was of average height and his appearance was alert and masculine, and he had an ingratiating sense of good humour. Upon turning nineteen, he was sent to continue his studies at the University of Glasgow, while at Glasgow, Boswell decided to convert to Catholicism and become a monk. Upon learning of this, his father ordered him home, instead of obeying, though, Boswell ran away to London, where he spent three months, living the life of a libertine, before he was taken back to Scotland by his father. Upon returning, he was re-enrolled at Edinburgh University and forced by his father to sign away most of his inheritance in return for an allowance of £100 a year, on 30 July 1762, Boswell took his oral law exam, which he passed with some skill. Upon this success, Lord Auchinleck decided to raise his sons allowance to £200 a year and it was during his second spell there that Boswell wrote his London Journal and, on 16 May 1763, met Johnson for the first time. The pair became friends almost immediately, the first conversation between Johnson and Boswell is quoted in Life of Samuel Johnson as follows, Mr. Johnson, I do indeed come from Scotland, but I cannot help it. That, Sir, I find, is what a great many of your countrymen cannot help. It was around three months after this first encounter with Johnson that Boswell departed for Europe with the goal of continuing his law studies at Utrecht University
30.
Mary Robinson (poet)
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Mary Robinson was an English actress, poet, dramatist, novelist, and celebrity figure. During her lifetime she was known as the English Sappho and she earned her nickname Perdita for her role as Perdita in 1779. She was the first public mistress of King George IV while he was still Prince of Wales, Robinson was born in Bristol, England to John Darby, a naval captain, and his wife Hester. In her memoirs, Robinson gives her birth in 1758 but the year 1757 seems more likely according to published research. Her father deserted her mother and took on a mistress when Robinson was still a child, the family hoped for a reconciliation, but Captain Darby made it clear that this was not going to happen. Without the support of her husband, Hester Darby supported herself, however, during one of his brief returns to the family, Captain Darby had the school closed. Robinson, who at one point attended a school run by the social reformer Hannah More, Hester Darby encouraged her daughter to accept the proposal of an articled clerk, Thomas Robinson, who claimed to have an inheritance. After the early marriage, Robinson discovered that her husband did not have an inheritance and he continued to live an elaborate lifestyle, however, and had multiple affairs that he made no effort to hide. After her husband squandered their money, the fled to Talgarth. Here they lived in a large estate, called Tregunter Park. Eventually Her husband was imprisoned for debt in the Fleet Prison where she accompanied him for many months, during this time, Mary Robinson found a patron in Georgiana Cavendish, Duchess of Devonshire, who sponsored the publication of Robinsons first volume of poems, Captivity. After her husband obtained his release from prison, Robinson decided to return to the theatre and she launched her acting career and took to the stage, playing Juliet, at Drury Lane Theatre in December 1776. Robinson was best known for her facility with the parts, her performances as Viola in William ShakespearesTwelfth Night. But she gained popularity with playing in Florizel and Perdita, an adaptation of Shakespeare and it was during this performance that she attracted the notice of the young Prince of Wales, later King George IV of the United Kingdom. He offered her twenty thousand pounds to become his mistress, with her new social prominence, Robinson became a trend-setter in London, introducing a loose, flowing muslin style of gown based upon Grecian statuary that became known as the Perdita. It took Robinson a considerable amount of time to decide to leave her husband for the Prince, throughout much of her life she struggled to live in the public eye and also to stay true to the values in which she believed. She eventually gave in to her desires to be with a man whom she thought would treat her better than Mr. Robinson, however, the Prince ended the affair in 1781, refusing to pay the promised sum. Perdita Robinson was left to support herself through an annuity promised by the Crown, in return for some letters written by the Prince and they had no children, although Robinson had a miscarriage
31.
George IV of the United Kingdom
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George IV was King of the United Kingdom of Great Britain and Ireland and of Hanover following the death of his father, George III, on 29 January 1820, until his own death ten years later. From 1811 until his accession, he served as Prince Regent during his fathers mental illness. George IV led an extravagant lifestyle that contributed to the fashions of the Regency era and he was a patron of new forms of leisure, style and taste. He commissioned John Nash to build the Royal Pavilion in Brighton and remodel Buckingham Palace and he even forbade Caroline to attend his coronation and asked the government to introduce the unpopular Pains and Penalties Bill in a desperate, unsuccessful attempt to divorce her. For most of Georges regency and reign, Lord Liverpool controlled the government as Prime Minister and his ministers found his behaviour selfish, unreliable and irresponsible. At all times he was much under the influence of favourites, taxpayers were angry at his wasteful spending at a time when Britons were fighting in the Napoleonic Wars. He did not provide leadership in time of crisis, nor act as a role model for his people. Liverpools government presided over Britains ultimate victory, negotiated the peace settlement, after Liverpools retirement, George was forced to accept Catholic emancipation despite opposing it. His only child, Princess Charlotte, died before him in 1817 and so he was succeeded by his younger brother, George was born at St Jamess Palace, London, on 12 August 1762, the first child of King George III of the United Kingdom and Queen Charlotte. As the eldest son of a British sovereign, he automatically became Duke of Cornwall and Duke of Rothesay at birth, he was created Prince of Wales, on 18 September of the same year, he was baptised by Thomas Secker, Archbishop of Canterbury. His godparents were the Duke of Mecklenburg-Strelitz, the Duke of Cumberland, George was a talented student, and quickly learned to speak French, German and Italian, in addition to his native English. He was a witty conversationalist, drunk or sober, and showed good, the Prince of Wales turned 21 in 1783, and obtained a grant of £60,000 from Parliament and an annual income of £50,000 from his father. It was far too little for his needs – the stables alone cost £31,000 a year and he then established his residence in Carlton House, where he lived a profligate life. Animosity developed between the prince and his father, who desired more frugal behaviour on the part of the heir apparent, the King, a political conservative, was also alienated by the princes adherence to Charles James Fox and other radically inclined politicians. Soon after he reached the age of 21, the prince became infatuated with Maria Fitzherbert and she was a commoner, six years his elder, twice widowed, and a Roman Catholic. Despite her complete unsuitability, the prince was determined to marry her, nevertheless, the couple went through a marriage ceremony on 15 December 1785 at her house in Park Street, Mayfair. Legally the union was void, as the Kings consent was not granted, however, Fitzherbert believed that she was the princes canonical and true wife, holding the law of the Church to be superior to the law of the State. For political reasons, the union remained secret and Fitzherbert promised not to reveal it, the prince was plunged into debt by his exorbitant lifestyle
32.
Etching
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Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal. In modern manufacturing, other chemicals may be used on other types of material, as a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology. In traditional pure etching, a plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with an etching needle where he or she wants a line to appear in the finished piece. The échoppe, a tool with an oval section, is also used for swelling lines. The plate is dipped in a bath of acid, technically called the mordant or etchant. The acid bites into the metal where it is exposed, leaving behind lines sunk into the plate, the remaining ground is then cleaned off the plate. The plate is inked all over, and then the ink wiped off the surface, the plate is then put through a high-pressure printing press together with a sheet of paper. The paper picks up the ink from the lines, making a print. The process can be repeated many times, typically several hundred impressions could be printed before the shows much sign of wear. The work on the plate can also be added to by repeating the whole process, Etching has often been combined with other intaglio techniques such as engraving or aquatint. The process as applied to printmaking is believed to have been invented by Daniel Hopfer of Augsburg, Hopfer was a craftsman who decorated armour in this way, and applied the method to printmaking, using iron plates. Apart from his prints, there are two examples of his work on armour, a shield from 1536 now in the Real Armeria of Madrid. The switch to copper plates was made in Italy. On the other hand, the handling of the ground and acid need skill and experience, prior to 1100 AD, the New World Hohokam independently utilized the technique of acid etching in marine shell designs. Jacques Callot from Nancy in Lorraine made important technical advances in etching technique and he developed the échoppe, a type of etching-needle with a slanting oval section at the end, which enabled etchers to create a swelling line, as engravers were able to do. Callot also appears to have responsible for an improved, harder, recipe for the etching ground
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Aquatint
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Aquatint is an intaglio printmaking technique, a variant of etching. In intaglio printmaking, the artist makes marks on the plate that are capable of holding ink, the inked plate is passed through a printing press together with a sheet of paper, resulting in a transfer of the ink to the paper. This can be repeated a number of times, depending on the particular technique, like etching, aquatint uses the application of a mordant to etch into the metal plate. Where the engraving uses a needle to make lines that print in black. The rosin is acid resistant and typically adhered to the plate by controlled heating, the tonal variation is controlled by the level of mordant exposure over large areas, and thus the image is shaped by large sections at a time. Another tonal technique, mezzotint, begins with a surface that is evenly indented so that it will carry a fairly dark tone of ink. The mezzotint plate is then smoothed and polished to make areas carry less ink, alternatively, beginning with a smooth plate, areas are roughened to make them darker. Occasionally these two techniques are combined, the painter and printmaker Jan van de Velde IV invented the aquatint technique in Amsterdam, around 1650. The cartographer Peter Perez Burdett later introduced his secret aquatint technique to England in the 1770s, an aquatint requires a metal plate, an acid, and something to resist the acid. Traditionally copper or zinc plates were used, the artist applies a ground that will resist acid. Ground is applied by either dissolving powdered resin in spirits, applying the powder directly to the surface of the plate, in all forms of etching the acid resist is commonly referred to as the ground. An aquatint box is used to apply resin powder, the powder is at the bottom of the box, a crank or a bellows is used to blow the powder up into the air of the box. A window allows the engraver to see the density of flowing powder, when the powder covers the plate, it can be extracted from the box for the next operations. The plate is then heated, if the plate is covered with powder, the resin melts forming a fine and even coat, if it is in spirits, the spirits evaporate and the result is essentially the same. Now the plate is dipped in acid, producing an even, at this point, the plate is said to carry about a 50% halftone. This means that, were the plate printed with no further biting, at some point the artist will then etch an outline of any aspects of the drawing s/he wishes to establish with line, this provides the basis and guide for the later tone work. S/he may also have applied an acid-resistant stop out if s/he intends to keep any areas totally white and free of ink, the artist then begins immersing the plate in the acid bath, progressively stopping out any areas that have achieved the designed tonality. These tones, combined with the limited line elements, give aquatints a distinctive, also, aquatints, like mezzotints, provide ease in creating large areas of tone without laborious cross-hatching, but aquatint plates, it is noted, are generally more durable than mezzotint plates
34.
Engraving
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Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it. Wood engraving is a form of printing and is not covered in this article. Engraving was an important method of producing images on paper in artistic printmaking, in mapmaking. Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving, hand engraving is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also engraved, using just the same techniques to make the lines in the plate. Each graver is different and has its own use, engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes, dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers. In addition to engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are usually used for lettering, using a pantographic system, there are versions for the insides of rings and also the outsides of larger pieces. Such machines are used for inscriptions on rings, lockets. Gravers come in a variety of shapes and sizes that yield different line types, the burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a curved tip that is commonly used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, ring gravers are made with particular shapes that are used by jewelry engravers in order to cut inscriptions inside rings. Flat gravers are used for work on letters, as well as wriggle cuts on most musical instrument engraving work, remove background. Knife gravers are for line engraving and very deep cuts, round gravers, and flat gravers with a radius, are commonly used on silver to create bright cuts, as well as other hard-to-cut metals such as nickel and steel. Square or V-point gravers are typically square or elongated diamond-shaped and used for cutting straight lines, V-point can be anywhere from 60 to 130 degrees, depending on purpose and effect. These gravers have very small cutting points, other tools such as mezzotint rockers, roulets and burnishers are used for texturing effects. Burnishing tools can also be used for stone setting techniques
35.
Drawing
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Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. A drawing instrument releases small amount of material onto a surface, the most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything, the medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas, the wide availability of drawing instruments makes drawing one of the most common artistic activities. In addition to its artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering. A quick, freehand drawing, usually not intended as a work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, traditional drawings were monochrome, or at least had little colour, while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks, dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a medium, applied with brushes or pens. Drawing is often exploratory, with emphasis on observation, problem-solving. Drawing is also used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies, there are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as drawing, stippling, shading, the surrealist method of entopic graphomania. A quick, unrefined drawing may be called a sketch, in fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called drawings even when they have been transferred to another medium by printing. Drawing as a Form of Communication Drawing is one of the oldest forms of human expression and these drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced in prehistoric times were eventually stylised and simplified, Drawing in the Arts Drawing is used to express ones creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise, initially, artists used and reused wooden tablets for the production of their drawings
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John Bull
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John Bull is a national personification of the United Kingdom in general and England in particular, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country dwelling, jolly, John Bull originated in the creation of Dr. John Arbuthnot, a friend of Jonathan Swift and satirist Alexander Pope in 1712, and was popularised first by British print makers. Arbuthnot created Bull in his pamphlet Law is a Bottomless Pit, the same year Arbuthnot published a four-part political narrative The History of John Bull. Originally derided, William Hogarth and other British writers made Bull a heroic archetype of the freeborn Englishman, later, the figure of Bull was disseminated overseas by illustrators and writers such as American cartoonist Thomas Nast and Irish writer George Bernard Shaw, author of John Bulls Other Island. Starting in the 1760s, Bull was portrayed as an Anglo-Saxon country dweller and he was almost always depicted in a buff-coloured waistcoat and a simple frock coat. Britannia, or a lion, is used as an alternative in some editorial cartoons. As a literary figure, John Bull is well-intentioned, frustrated, full of common sense, unlike Uncle Sam later, he is not a figure of authority but rather a yeoman who prefers his small beer and domestic peace, possessed of neither patriarchal power nor heroic defiance. Arbuthnot provided him with a sister named Peg, and an adversary in Louis Baboon. Peg continued in pictorial art beyond the 18th century, but the figures associated with the original tableau dropped away. John Bull himself continued to appear as a national symbol in posters. Bull is usually portrayed as a stout, portly man in a tailcoat with light-coloured breeches, by the twentieth century however his waistcoat nearly always depicts a Union Flag, and his coat is generally dark blue. He also wears a low topper on his head and is accompanied by a bulldog. John Bull has been used in a variety of different ad campaigns over the years, singer David Bowie famously wore a coat worn in the style of Bull. Washington Irving described him in his chapter entitled John Bull from The Sketch Book, plain, downright, matter-of-fact fellow, with much less of poetry about him than rich prose. There is little of romance in his nature, but a vast deal of a natural feeling. He is a companion, if you allow him to have his humour and to talk about himself. In 1966, The Times, criticising the Unionist government of Northern Ireland, John Bulls surname is also reminiscent of the alleged fondness of the English for beef, reflected in the French nickname for English people, les rosbifs. It is also reminiscent of the animal, and for that reason Bull is portrayed as virile, strong, and stubborn like a bull
37.
George Cruikshank
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George Cruikshank was a British caricaturist and book illustrator, praised as the modern Hogarth during his life. His book illustrations for his friend Charles Dickens, and many other authors and his father, Isaac Cruikshank, was one of the leading caricaturists of the late 1790s and Cruikshank started his career as his fathers apprentice and assistant. His older brother, Isaac Robert, also followed in the business as a caricaturist. Cruikshanks early work was caricature, but in 1823, at the age of 31 and he illustrated the first,1823 English translation of Grimms Fairy Tales, published in two volumes as German Popular Stories. On 16 October 1827, he married Mary Ann Walker, two years after her death, on 7 March 1851, he married Eliza Widdison. The two lived at 263 Hampstead Road, North London, upon his death, it was discovered that Cruikshank had fathered 11 illegitimate children with a mistress named Adelaide Attree, his former servant, who lived close to where he lived with his wife. Adelaide was ostensibly married and had taken the married surname Archibold, Cruikshanks early career was renowned for his social caricatures of English life for popular publications. He achieved early success collaborating with William Hone in his political satire The Political House That Jack Built, in the same year he produced the remarkable anti-abolitionist New Union Club. It satirised a dinner party organised by abolitionists with black guests and his first major work was Pierce Egans Life in London. This was followed by The Comic Almanack and Omnibus and he gained notoriety with his political prints that attacked the royal family and leading politicians. In 1820 he received a bribe of £100 for a pledge not to caricature His Majesty in any immoral situation. His work included a personification of England named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as James Gillray, Cruikshank replaced one of his major influences, James Gillray, as Englands most popular satirist. For a generation he delineated Tories, Whigs and Radicals impartially, satirical material came to him from every public event – wars abroad, the enemies of Britain, the frolic, among other qualities, such as the weird and terrible, in which he excelled. For Charles Dickens, Cruikshank illustrated Sketches by Boz, The Mudfog Papers, Cruikshank even acted in Dickenss amateur theatrical company. On 30 December 1871 Cruikshank published a letter in The Times which claimed credit for much of the plot of Oliver Twist, the letter launched a fierce controversy around who created the work. Cruikshank was not the first Dickens illustrator to make such a claim, the friendship between Cruikshank and Dickens soured further when Cruikshank became a fanatical teetotaler in opposition to Dickenss views of moderation. Nightcap and nightdress belonged to a past age and reminded you of Cruickshanks illustrations to the novels of Charles Dickens, in the late 1840s, Cruikshanks focus shifted from book illustration to an obsession with temperance and anti-smoking. Formerly a heavy drinker, he now supported, lectured to, and supplied illustrations for the National Temperance Society, for his efforts he was made vice president of the National Temperance League in 1856
38.
Brighton
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Brighton /ˈbraɪtən/ is a seaside resort on the south coast of England. It is part of the county of East Sussex, within the historic county of Sussex. Archaeological evidence of settlement in the dates back to the Bronze Age, Roman. The ancient settlement of Brighthelmstone was documented in the Domesday Book, Brighton began to attract more visitors following improved road transport to London and becoming a boarding point for boats travelling to France. The town also developed in popularity as a resort for sea bathing as a purported cure for illnesses. Brighton continued to grow as a centre of tourism following the arrival of the railways in 1841. Many of the attractions were built in the Victorian era, including the Grand Hotel, the West Pier. Brighton attracted 7.5 million day visitors in 2015/16 and 4.9 million overnight visitors, Brighton has also been called the UKs hippest city, and the happiest place to live in the UK. Brightons earliest name was Bristelmestune, recorded in the Domesday Book, although more than 40 variations have been documented, Brighthelmstone was the standard rendering between the 14th and 18th centuries. Brighton was originally a shortened form, first seen in 1660, it gradually supplanted the longer name. Brighthelmstone was the official name until 1810, though. The name is of Anglo-Saxon origin, most scholars believe that it derives from Beorthelm + tūn—the homestead of Beorthelm, a common Old English name associated with villages elsewhere in England. The tūn element is common in Sussex, especially on the coast, an alternative etymology taken from the Old English words for stony valley is sometimes given but has less acceptance. Brighthelm gives its name to, among other things, a church, the town was originally split in half by the Wellesbourne, a winterbourne which was culverted and buried in the 18th century. Poet Horace Smith called it The Queen of Watering Places, which is widely used. Novelist William Makepeace Thackeray referred to Doctor Brighton, calling the one of the best of Physicians. London-by-Sea is well-known, reflecting Brightons popularity with Londoners as a resort, a commuter dormitory. The Queen of Slaughtering Places, a pun on Smiths description, the mid 19th-century nickname School Town referred to the remarkable number of boarding, charity and church schools in the town at the time
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St Paul's, Covent Garden
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As well as being the parish church of Covent Garden, the church has gained the nickname of the actors church by a long association with the theatre community. Completed in 1633, St Pauls was the first entirely new church to be built in London since the Reformation and its design and the layout of the square have been attributed to Inigo Jones since the 17th century, although firm documentary evidence is lacking. The building is described by Sir John Summerson as a study in the strictly Vitruvian Tuscan Order and it has been seen as a work of deliberate primitivism, the Tuscan order is associated by Palladio with agricultural buildings. In 1630, the 4th Earl of Bedford was given permission to demolish buildings on an area of land he owned north of the Strand, the result was the Covent Garden Piazza, the first formal square in London. The new buildings were classical in character, at the west end was a church, linked to two identical houses. The south side was left open, work on the church was completed in 1633, at a cost of to Bedford estate of £4,886, but it was not consecrated until 1638 due to a dispute between the earl and the vicar of St Martin-in-the-Fields. It remained a chapel within the parish of St Martin-in-the-Fields until 1645, when Covent Garden was made a separate parish, in 1789 there was a major restoration of the church, under the direction of the architect Thomas Hardwick. Six years later, in September 1795, the church was burnt out by a fire, a survey of the damage found that the outer walls were still structurally sound, but that the portico would have to be reconstructed. It is unclear whether this was in fact done, having been restored once more, again under Hardwicks supervision, the church was reconsecrated on 1 August 1798. Despite the destruction, the records were saved, as was the pulpit — the work of Grinling Gibbons. The puritan Thomas Manton ministered from the pulpit of St Pauls until the Great Ejection, on 23 September 1662 Simon Patrick, later Bishop of Ely, was preferred to the rectory of St. Paul’s where he served during the plague. The first known victim of the 1665–1666 outbreak of the Plague in England, the east end, facing the piazza, is faced in stone, with a massive portico, its boldly-projecting pediment supported by two columns and two piers. There were originally three doorways behind the portico, the one, which survives, was built as a false door as the interior wall behind it is occupied by the altar. The other two were blocked up in the 19th century, when the floor was raised. The main entrance to the church is through the plainer west front, which has a pediment, but no portico. William Prynne, writing in 1638 said that it was intended to have the altar at the west end. The earliest existing detailed description, dating from 1708, says that the exterior was not of bare brick, in 1789 it was decided to case the walls in Portland stone as part of a major programme of renovation, which Thomas Hardwick was chosen to supervise. When Hardwicks stone facing was removed from the church in 1888, the building was then reclad in the present unrendered red brick
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George Moutard Woodward
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George Murgatroyd Woodward was an English amateur caricaturist and humor writer. He was a friend and drinking companion of Thomas Rowlandson, Woodward was born in Stanton Hall in Derbyshire, England the son of William Woodward in 1760. Nicknamed Mustard George, Woodward had a crude but energetic style. Widely published in the Caricature magazine and elsewhere, his drawings were nearly all etched by others, primarily Thomas Rowlandson, described by Dorothy George as He makes a very considerable figure in caricature, he was original, prolific, and varied. Fourteen Plates etched by G. M. Woodward, rudolf Ackermann Thomas Rowlandson Thomas Tegg Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum, Mary Dorothy George. Vol VI1938, Vol VII1942, VOL VIII1947, dictionary of British Cartoonists and caricaturists 1730-1980 Bryant and Heneage, Scolar Press,1994. Media related to George Moutard Woodward at Wikimedia Commons
41.
Macassar oil
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Macassar oil is a compounded oil used primarily by men in Victorian and Edwardian times as a hair conditioner to groom and style the hair. It was popularised by Alexander Rowland, a celebrated London barber and it was then not uncommon for barbers to make their own hair preparations, and around 1783 Rowland began offering Rowlands Macassar Oil. Within two decades it had become popular, and was aggressively advertised with extravagant claims of its effectiveness. The words Macassar Oil were registered as a trademark by A, Rowlands son later stated that a relative living in the island of Celebes in the Dutch East Indies had helped in procurement of the basic ingredient. Macassar oil is made with coconut oil or palm oil or that of Schleichera oleosa, combined with ylang-ylang oil. Macassar oil was so named because it was reputed to have been manufactured from ingredients purchased in the port of Makassar in Indonesia, due to the tendency for the oil to transfer from the users hair to the back of his chair, the antimacassar was developed. This is a cloth, placed over the back of a chair to protect the upholstery. Ylang-Ylang Macassar Oil for the Hair
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Snake oil
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Snake oil, originally a fraudulent liniment without snake extract, has come to refer to any product with questionable or unverifiable quality or benefit. By extension, an oil salesman is someone who knowingly sells fraudulent goods or who is himself a fraud, quack. The use of snake oil long predates the 19th century, in Europe, viper oil had been commonly recommended for many afflictions, including the ones for which rattlesnake oil was subsequently favored. When rubbed on the skin at the site, snake oil was claimed to bring relief. Patent medicines originated in England, where a patent was granted to Richard Stoughtons Elixir in 1712, to increase sales, an accomplice in the crowd would often attest to the value of the product in an effort to provoke buying enthusiasm. The doctor would leave town before his customers realized they had been cheated and this practice is also called grifting and its practitioners are called grifters. The composition of snake oil medicines varies markedly among products, stanleys snake oil — produced by Clark Stanley, the Rattlesnake King — was tested by the United States government in 1917. It was found to contain mineral oil 1% fatty oil red pepper turpentine camphor This is similar in composition to modern-day capsaicin-based liniments or chest rubs, none of the oil content was found to have been extracted from any actual snakes. The government sued the manufacturer for misbranding and misrepresenting its product, soon after the decision, snake oil became synonymous with false cures and snake-oil salesmen became a tag for charlatans. Drug fraud Crocodile oil Elixir Golden hammer Medicine show Panacea Patent medicine Placebo Silver bullet Laudanum Laetrile Quackery Gandhi, a History Of Snake Oil Salesmen
43.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
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This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Rowlandson, Thomas". Encyclopædia Britannica. 23 (11th ed.). Cambridge University Press. p. 787.
This article incorporates text from a publication now in the