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Francis Bacon, Three Studies for a Crucifixion, 1962, Guggenheim Museum in New York
Francis Bacon, Three Studies for a Crucifixion, 1962, Guggenheim Museum in New York
Bacon in the early 1950s
Bacon in the early 1950s
Crucifixion (1933)
Crucifixion (1933)
Three Studies for a Portrait of Henrietta Moraes, 1963
Three Studies for a Portrait of Henrietta Moraes, 1963
Velázquez's Portrait of Innocent X, 1650. Although Bacon avoided seeing the original, it remained the painting that most affected him, and one to whic
Velázquez's Portrait of Innocent X, 1650. Although Bacon avoided seeing the original, it remained the painting that most affected him, and one to which he referred over and over.