1.
Paila
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Dishes served in clay pailas are often prepared in the paila itself by way of baking in an oven. By extension, the word paila is used for the dishes that are eating from it, such as Paila marina. An advantage of the clay paila is that clay retains heat well and this is performed by placing the bowl on ice and adding ingredients such as fruit, which is stirred to form a variety of ice creams and sorbets. In gastronomy, Chilean and Peruvian clay pans are used to cook cornbread, in Bolivia, especially in the Cochabamba region, paila is used to cook chicharrón. The paila also refers to a Latin percussion instrument, also called timbal or timbaleta and it is composed of two metal cylindrical drums, with a patch on the upper parts. It is usually accompanied by bells and woodblocks and it is frequently used by salsa bands. In Chile the word refers to something vulgar. It is basically used to poke fun at people with large or very pronounced ears, in Colombia the word is used to express that something is bad, ugly or undesirable. Dictionary of the Great Indian Tolima
2.
Percussion instrument
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A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater, struck, scraped or rubbed by hand, or struck against another similar instrument. The percussion family is believed to include the oldest musical instruments, the percussion section of an orchestra most commonly contains instruments such as timpani, snare drum, bass drum, cymbals, triangle and tambourine. However, the section can also contain non-percussive instruments, such as whistles and sirens, percussive techniques can also be applied to the human body, as in body percussion. On the other hand, keyboard instruments, such as the celesta, are not normally part of the percussion section, Percussion instruments may play not only rhythm, but also melody and harmony. Percussion is commonly referred to as the backbone or the heartbeat of an ensemble, often working in close collaboration with bass instruments. In jazz and other popular ensembles, the pianist, bassist, drummer. Most classical pieces written for full orchestra since the time of Haydn and Mozart are orchestrated to place emphasis on the strings, woodwinds, however, often at least one pair of timpani is included, though they rarely play continuously. Rather, they serve to provide additional accents when needed, in the 18th and 19th centuries, other percussion instruments have been used, again generally sparingly. The use of percussion instruments became more frequent in the 20th century classical music, in almost every style of music, percussion plays a pivotal role. In classic jazz, one almost immediately thinks of the rhythm of the hi-hats or the ride cymbal when the word swing is spoken. Because of the diversity of instruments, it is not uncommon to find large musical ensembles composed entirely of percussion. Rhythm, melody, and harmony are all represented in these ensembles, music for pitched percussion instruments can be notated on a staff with the same treble and bass clefs used by many non-percussive instruments. Music for percussive instruments without a pitch can be notated with a specialist rhythm or percussion-clef. The word percussion has evolved from Latin terms, percussio, as a noun in contemporary English it is described in Wiktionary as the collision of two bodies to produce a sound. Hornbostel–Sachs has no high-level section for percussion, Most percussion instruments are classified as idiophones and membranophones.1 Concussion idiophones or clappers, played in pairs and beaten against each other, such as zills and clapsticks. 111.2 Percussion idiophones, includes many percussion instruments played with the hand or by a mallet, such as the hang, gongs and the xylophone. 21 Struck drums, includes most types of drum, such as the timpani, snare drum, (Included in most drum sets or 412. Stringed instruments played with such as the hammered dulcimer
3.
Musical instrument
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A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument, the history of musical instruments dates to the beginnings of human culture. Early musical instruments may have used for ritual, such as a trumpet to signal success on the hunt. Cultures eventually developed composition and performance of melodies for entertainment, Musical instruments evolved in step with changing applications. The date and origin of the first device considered an instrument is disputed. The oldest object that some refer to as a musical instrument. Some consensus dates early flutes to about 37,000 years ago, many early musical instruments were made from animal skins, bone, wood, and other non-durable materials. Musical instruments developed independently in many populated regions of the world, however, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the Middle Ages, instruments from Mesopotamia were in maritime Southeast Asia, development in the Americas occurred at a slower pace, but cultures of North, Central, and South America shared musical instruments. By 1400, musical instrument development slowed in areas and was dominated by the Occident. Musical instrument classification is a discipline in its own right, Instruments can be classified by their effective range, their material composition, their size, etc. However, the most common method, Hornbostel-Sachs, uses the means by which they produce sound. The academic study of instruments is called organology. Once humans moved from making sounds with their bodies—for example, by using objects to create music from sounds. Primitive instruments were designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the notion of making music. Musical instruments are constructed in an array of styles and shapes
4.
Timpani
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Timpani, or kettledrums, are musical instruments in the percussion family. A type of drum, they consist of a skin called a head stretched over a large bowl traditionally made of copper and they are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Timpani evolved from military drums to become a staple of the orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras. Timpani is an Italian plural, the singular of which is timpano and they are also often incorrectly termed timpanis. A musician who plays the timpani is a timpanist, alternative spellings with y in place of either or both is—tympani, tympany, or timpany—are occasionally encountered in older English texts. Although the word timpani has been adopted in the English language. The German word for timpani is Pauken, the French and Spanish is timbales, the Ashanti pair of talking drums are known as atumpan. The tympanum is defined in the Etymologiae of St. Isidore of Seville, est enim pars media symphoniae in similitudinem cribri. Tympanum autem dictum quod medium est, unde, et margaritum medium tympanum dicitur, et ipsum ut symphonia ad virgulam percutitur. The tympanum is skin or hide stretched over a wooden vessel which extends out. It is said by the symphonias to resemble a sieve, but has also likened to half a pearl. It is struck with a wand, beating time for the symphonia, the reference comparing the tympanum to half a pearl is borrowed from Pliny the Elder. The basic timpani drum consists of a drumhead stretched across the opening of a bowl made of copper or, in less expensive models, fiberglass. In the Sachs–Hornbostel classification, the timpani are thus considered membranophones, the heads tension can be adjusted by loosening or tightening the rods. Most timpani have six to eight tension rods, the shape of the bowl contributes to the quality of the drum. For example, hemispheric bowls produce brighter tones while parabolic bowls produce darker tones, another factor that affects the timbre of the drum is the quality of the bowls surface. Copper bowls may have a smooth, machined surface or a surface with many small dents hammered into it
5.
Drum
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The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone, Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the players hands, or with a drum stick, to produce sound. There is usually a head on the underside of the drum. Other techniques have been used to cause drums to make sound, Drums are the worlds oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the using a single drum. Others are normally played in a set of two or more, all played by the one player, such as drums and timpani. A number of different drums together with form the basic modern drum kit. Drums are usually played by striking with the hand, or with one or two sticks, in many traditional cultures, drums have a symbolic function and are used in religious ceremonies. Drums are often used in therapy, especially hand drums, because of their tactile nature. In popular music and jazz, drums usually refers to a kit or a set of drums. Drums acquired even divine status in places such as Burundi, where the karyenda was a symbol of the power of the king, the shell almost invariably has a circular opening over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western tradition, the most usual shape is a cylinder, although timpani, for example. Other shapes include a design, truncated cones, goblet shaped. Drums with cylindrical shells can be open at one end, or can have two drum heads, single-headed drums typically consist of a skin stretched over an enclosed space, or over one of the ends of a hollow vessel. Drums with two heads covering both ends of a shell often have a small hole somewhat halfway between the two heads, the shell forms a resonating chamber for the resulting sound. Exceptions include the African slit drum, also known as a log drum as it is made from a tree trunk. Drums with two heads can also have a set of wires, called snares, held across the head, top head. The heads tension can be adjusted by loosening or tightening the rods, many such drums have six to ten tension rods
6.
Tom-tom drum
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A tom-tom drum is a cylindrical drum with no snares. The name came originally from the Anglo-Indian and Sinhala, the tom-tom drum was added to the drum kit in the early part of the 20th century. Most toms range in size between 6 and 20 inches in diameter, though floor toms can go as large as 24 inches, the first drum kit tom-toms had no rims, the heads were tacked to the shell. As major drum manufacturers began to offer tunable tom-toms with hoops and tuning lugs, later a 16 in drum mounted on three legs was added. Finally, a drum was mounted on the right of the bass drum. Together with a 14 in snare drum and a drum of varying size. Later, the mounted tom-toms, known as hanging toms or rack toms, were deepened by one inch each, extra-deep hanging toms, known as cannon depth, never achieved popularity. A wide variety of configurations are available and in use at all levels from advanced student kits upwards. Most toms range in size between 6 and 20 inches in diameter, though floor toms can go as large as 24 inches. Note that these terms do not imply drum depths, so for example and these terms fusion and rock are really marketing terms invented by drum manufacturing companies, and there is not an absolute definition for them, more a case of an accepted norm. In the 50s and early 60s, it was common to have only a single hanging tom, Standard tom-tom depths The standard depth rack toms popular in the 1950-1980s were 12×8 and 13×9. This classic configuration is popular among many players. FAST sizes are 10×8, 12×9, 13×10, etc, DW use the marketing term FAST for these sizes, but they are not unique to DW, and are widely popular sizes with all drum manufacturers. New Standard - 10×9, 12×10, 13×11, etc. i. e, the New standard sizes are 2 deeper than what was considered standard in the 50s. However, despite the term, these are becoming standard in favour of FAST sizes. Power toms are one inch deeper than standard, so standard sizes are 10×9 or 10×10, 12×11 and this depth overtook the classic setup in popularity during the 1980s. Square - 10×10, 12×12, 13×13, etc, popular in the 80s and 90s but no longer popular. Hyperdrive - Shallow depths made popular initially by Tama, 10×6.5, 12×7, 13×7.5, single-headed tom-toms have also been used in drumkits, though their use has fallen off in popularity since the 1970s
7.
Salsa music
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Salsa music is a popular dance music that initially arose in New York City during the 1960s. Salsa is the product of various genres including the Cuban son montuno, guaracha, cha cha chá, mambo, and to a certain extent bolero. Latin jazz, which was developed in New York City, has had a significant influence on salsa arrangers, piano guajeos. Salsa is primarily Cuban son, itself a fusion of Spanish canción and guitar and Afro-Cuban percussion, Salsa also occasionally incorporates elements of rock, R&B, and funk. All of these elements are grafted onto the basic Cuban son montuno template when performed within the context of salsa. The first salsa bands were predominantly Cubans and Puerto Ricans who moved to New York since 1930’s, the music eventually spread throughout Colombia and the rest of the Americas. Ultimately, it became a global phenomenon, some of the founding salsa artists were Johnny Pacheco, Celia Cruz, Ray Barretto, Rubén Blades, Willie Colón, Larry Harlow, Roberto Roena, Bobby Valentín, Eddie Palmieri, and Héctor Lavoe. Salsa means sauce in the Spanish language, and carries connotations of the common in Latin. In the 20th century, salsa acquired a meaning in both English and Spanish. In this sense salsa has been described as a word with vivid associations, Cuban immigrants and Puerto Rican in New York have used the term analogously to swing or soul music. In this usage salsa connotes a frenzied, hot and wild musical experience that draws upon or reflects elements of Latin culture, various music writers and historians have traced the use of salsa to different periods of the 20th century. Max Salazar traces the word back to the early 1930s, when Ignacio Piñeiro composed Échale salsita, World music author Sue Steward claims salsa was originally used in music as a cry of appreciation for a particularly piquant or flashy solo. I was using salsa, but the music wasnt defined by that, the music was still defined as Latin music. And that was a very, very broad category, because it even includes mariachi music, so salsa defined this particular type of music. Its a name that everyone could pronounce, Sanabrias Latin New York magazine was an English language publication. Consequently, his promoted events were covered in The New York Times, as well as Time and they reported on this new phenomenon taking New York by storm—salsa. But promotion certainly wasnt the factor in the musics success, as Sanabria makes clear, Musicians were busy creating the music. Johnny Pacheco, the director and producer of Fania Records, molded New York salsa into a tight, polished
8.
Tito Puente
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Ernesto Antonio Tito Puente was an American musician, songwriter and record producer. He is best known for dance-oriented mambo and Latin jazz compositions that endured over a 50-year career and he and his music appear in many films such as The Mambo Kings and Fernando Truebas Calle 54. He guest-starred on several shows, including Sesame Street and The Simpsons two-part episode Who Shot Mr. Burns. Tito Puente was born on April 20,1923, at Harlem Hospital Center in the New York borough of Manhattan and his family moved frequently, but he spent the majority of his childhood in the Spanish Harlem area of the city. Puentes father was the foreman at a razorblade factory, as a child, he was described as hyperactive, and after neighbors complained of hearing seven-year-old Puente beating on pots and window frames, his mother sent him to 25-cent piano lessons. By the age of 10, he switched to percussion, drawing influence from jazz drummer Gene Krupa and he later created a song-and-dance duo with his sister Anna in the 1930s and intended to become a dancer, but an ankle tendon injury prevented him pursuing dance as a career. When the drummer in Machitos band was drafted to the army, Tito Puente served in the Navy for three years during World War II after being drafted in 1942. He was discharged with a Presidential Unit Citation for serving in nine battles on the escort carrier USS Santee, the GI Bill allowed him to study music at Juilliard School of Music, where he completed a formal education in conducting, orchestration and theory. In 1969, he received the key to the City of New York from former Mayor John Lindsay, in 1992, he was inducted into the National Congressional Record, and in 1993 he received the James Smithson Bicentennial Medal from the Smithsonian. During the 1950s, Puente was at the height of his popularity, and helped to bring Afro-Cuban and Caribbean sounds like mambo, son, Puente was so successful playing popular Afro-Cuban rhythms that many people mistakenly identify him as Cuban. Dance Mania, possibly Puentes most well known album, was released in 1958, later, he moved into more diverse sounds, including pop music, bossa nova and others, eventually settling down with a fusion of Afro-Cuban and Latin jazz. In 1979, Puente won the first of five Grammy Awards for the albums A Tribute to Benny Moré, On Broadway, Mambo Diablo, in 1990, Puente was awarded the James Smithson Bicentennial Medal. He was also awarded a Grammy at the first Latin Grammy Awards, in 1995, he appeared as himself on the Simpsons episode Who Shot Mr. Burns. In early 2000, he shot the music documentary Calle 54 and he was posthumously awarded the Grammy Lifetime Achievement Award in 2003. Puentes son Richard Richie Puente was the percussionist in the 70s Funk Band Foxy, Puentes youngest son, Tito Puente Jr. Puentes granddaughter, Janeen Puente, is a singer and bandleader. Her band is known as the Janeen Puente Orchestra, on September 10,2007, a United States Post Office in Spanish Harlem was named after him at a ceremony presided by House Ways and Means Committee Chairman Charles Rangel and Rep. José Serrano. An amphitheatre was named in his honor at Luis Muñoz Marín Park, next to the Roberto Clemente Coliseum, in San Juan, Puente performed at the closing ceremonies at the 1996 Summer Olympics in Atlanta, Georgia. The timbales he used there are on display at the National Museum of American History in Washington D. C, in 1997, he was awarded the National Medal of Arts
9.
Musical Instrument Museum (Phoenix)
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The Musical Instrument Museum is located in Phoenix, Arizona. Opened in April 2010, it is the largest museum of its type in the world, the collection of over 15,000 musical instruments and associated objects includes examples from nearly 200 countries and territories, representing every inhabited continent. Some larger countries such as México, India, China, Russia, the United States and Brazil have multiple displays with subsections for different types of ethnic, folk, the Museum was founded by Robert J. Ulrich, former CEO and chairman of Target Corporation. An avid collector of African art and a world museum enthusiast, Ulrich and his friend Marc Felix originated the idea after a visit to the Instrument Museum in Brussels, Belgium. The design of the museum benefited as well from the consultation of the Musée de la Musique in Paris modernised in 1997. The contemporary building covers approximately 200,000 square-feet, with two floors of light-filled galleries, built at a cost of over $250 million, MIM creates an exciting musical experience for visitors. The exhibit for each country features a flat screen high-resolution video showing local musicians performing on native instruments, visitors can listen to the performances through a wireless guidePORT and headphones that are activated automatically when an exhibit is being observed. The facility contains a 299-seat theater for concerts, which are held primarily after regular hours, joshua Bell recorded his album French Impressions in the theater in 2011. There is also a cafe with both indoor and outdoor seating, GROUND FLOOR, The Artist Gallery - Instruments, video concert footage, photographs, performance outfits, and other special items linked to world-renowned musicians and music innovators. The gallery currently includes exhibits for musical icons such as Elvis Presley, Pablo Casals, John Lennon, King Sunny Adé, Taylor Swift, and many others from around the world. The Experience Gallery - MIM’s unique Experience Gallery invites guests of all ages to touch, play, guests do more than have fun trying their hand at new instruments. They participate in music being brought to life. ”The Target Gallery - The Target Gallery complements the museum’s permanent collection with exciting and informative traveling shows, special engagements. The Conservation Lab - Seen through a viewing window, MIM’s Conservation Lab gives guests a behind-the-scenes glimpse at collection maintenance. Café Allegro - Open from 11 a. m. to 2 p. m. Café Allegro serves a menu of foods prepared from scratch, using fresh. Stations feature global cuisine, local and regional dishes, grilled specialties, freshly made soups and salads, and delicious desserts. Museum Store - The Museum Store is open daily to the public during museum hours and offers gift cards, a selection of books and CDs, instruments, handmade gifts. MIM Music Theater - This world-class concert hall offers an array of concerts by artists from every corner of the globe. UPPER LEVEL, MIM’s collection is presented in Geographical Galleries that focus on five major world regions and these are, The Africa and Middle East gallery, which displays instruments and artifacts from sub-Saharan, North African, and Middle Eastern nations
10.
Hard Rock Cafe
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Hard Rock Cafe International, Inc. is a chain of theme restaurants founded in 1971 by Isaac Tigrett and Peter Morton in London. In 1979, the cafe began covering its walls with rock and roll memorabilia, in 2007, Hard Rock was sold to the Seminole Tribe of Florida, and since then it is headquartered in Orlando, Florida. As of December 2015, there were 191 Hard Rock locations in 59 countries, including 168 cafes,23 hotels, and 11 casinos. The first Hard Rock Cafe opened on June 14,1971 at Gloucester House, Piccadilly, London, under the ownership of young Americans Peter Morton, Hard Rock initially had an eclectic decor but it later started to display memorabilia. The chain began to expand worldwide in 1982 with locations in Toronto, Los Angeles, San Francisco, Chicago, Paris, Hard Rock Cafe locations in the United States vary from smaller, more tourist driven markets to large metropolises. Hard Rock Cafe typically does not franchise cafe locations in the United States, all US cafes are corporate owned and operated, except for cafes in Tampa and Four Winds New Buffalo casino. However, in the transition of the Las Vegas Hard Rock Hotel property originally owned, Morton retained hotel naming rights west of the Mississippi. When Morton sold his Las Vegas Hard Rock Hotel to the Morgans Hotel Group, he sold those naming rights. The Albuquerque hotel no longer pays for the Hard Rock rights, more hotels franchised from Morgans are planned for Sioux City and Vancouver. In 1990, The Rank Group, a London-based leisure company, acquired Mecca Leisure Group, Rank went on to purchase Hard Rock America from Peter Morton as well as Hard Rock Canada from Nick Bitove. After the completion of these acquisitions, Rank gained worldwide control of the brand, in March 2007, the Seminole Tribe of Florida acquired Hard Rock Cafe International, Inc. and other related entities from Rank for US$965 million. Most customers, it was argued, do not realize that they are subsidizing a low wage when they give the tip, HRC is known for its collection of rock and roll memorabilia. The collection began in 1979 with an un-signed Red Fender Lead II guitar from Eric Clapton, Clapton wanted management to hang the guitar over his regular seat in order to lay claim to that spot, and they obliged. This prompted Pete Townshend of The Who to give one of his guitars, Hard Rocks archive includes over 80,000 items, and is the largest private collection of Rock and Roll memorabilia in the world. Marquee pieces from the collection were displayed in a Hard Rock museum named The Vault in Orlando. After the closure, items were disbursed to various restaurant locations, the London Vault remains open and free to visitors, located in the retail Rock Shop of the original cafe. In 2005, Deep Purple launched its new album Rapture of the Deep in Hard Rock Cafe London and this show at the release party itself was released as a DVD. The Hard Rock Café is also in possession of a Bedford VAL6 axle coach used in the 1967 film The Beatles Magical Mystery Tour, the vehicle was completely refurbished after filming
11.
Times Square
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It stretches from West 42nd to West 47th Streets. One of the worlds busiest pedestrian areas, it is also the hub of the Broadway Theater District, Times Square is one of the worlds most visited tourist attractions, drawing an estimated 50 million visitors annually. Approximately 330,000 people pass through Times Square daily, many of them tourists, the southern triangle of Times Square has no specific name, but the northernmost of the two triangles is called Father Duffy Square. Since 2008, the booth has been backed by a red, sloped, triangular set of stairs, which is used by people to sit, talk, eat. When Manhattan Island was first settled by the Dutch, three small streams united near what is now 10th Avenue and 40th street and these three streams formed the Great Kill. From there the Great Kill wound through the low-lying Reed Valley, known for fish and waterfowl, the name was retained in a tiny hamlet, Great Kill, that became a center for carriage-making, as the upland to the south and east became known as Longacre. Before and after the American Revolution, the area belonged to John Morin Scott, scotts manor house was at what is currently 43rd Street, surrounded by countryside used for farming and breeding horses. By 1872, the area had become the center of New Yorks horse carriage industry, the locality had not previously been given a name, and city authorities called it Longacre Square after Long Acre in London, where the horse and carriage trade was centered in that city. William Henry Vanderbilt owned and ran the American Horse Exchange there, in 1910 it became the Winter Garden Theatre. The first theater on the square, the Olympia, was built by cigar manufacturer, by the early 1890s this once sparsely settled stretch of Broadway was ablaze with electric light and thronged by crowds of middle- and upper-class theatre, restaurant and cafe patrons. In 1904, New York Times publisher Adolph S. Ochs persuaded Mayor George B, mcClellan, Jr. to construct a subway station there, and the area was renamed Times Square on April 8,1904. Just three weeks later, the first electrified advertisement appeared on the side of a bank at the corner of 46th Street, the north end later became Duffy Square, and the former Horse Exchange became the Winter Garden Theatre. The New York Times, according to Nolan, moved to spacious offices west of the square in 1913. The old Times Building was later named the Allied Chemical Building in 1963, now known simply as One Times Square, it is famed for the Times Square Ball drop on its roof every New Years Eve. In 1913, the Lincoln Highway Association, headed by entrepreneur Carl G. Fisher, chose the intersection of 42nd Street and Broadway to be the Eastern Terminus of the Lincoln Highway. This was the first road across the United States, which originally spanned 3,389 miles coast-to-coast through 13 states to its terminus in Lincoln Park in San Francisco. Times Square grew dramatically after World War I and it became a cultural hub full of theatres, music halls, and upscale hotels. Times Square quickly became New Yorks agora, a place to gather to await great tidings and to celebrate them, advertising also grew significantly in the 1920s, growing from $25 million to $85 million over the decade
12.
Military band
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A military band is a group of personnel that performs musical duties for military functions, usually for the armed forces. A typical military band consists mostly of wind and percussion instruments, the conductor of a band commonly bears the title of Bandmaster or Director of Music. Ottoman military bands are thought to be the oldest variety of marching band in the world. Military bands also play a part in funeral ceremonies. There are two types of traditions in military bands. The first is military field music and this type of music includes bugles, bagpipes, or fifes and almost always drums. This type of music was used to control troops on the battlefield as well as for entertainment, following the development of instruments such as the keyed trumpet or the saxhorn family of brass instruments, a second tradition of the brass and woodwind military band was formed. 11th century book Divânu Lügatit-Türk mentions prototype of Mehtaran, as a nevbet, 17th century traveler Evliya Çelebi noted that the Ottoman Empire had 40 guilds of musicians in 1670s Istanbul. Ottoman military bands influenced European equivalents, each regiment in the British Army maintained its own military band. Until 1749 bandsmen were civilians hired at the expense of the colonel commanding a regiment, instruments during the 18th century included fifes, drums, the oboe, French horn, clarinet and bassoon. Drummers summoned men from their farms and ranches to muster for duty, in the chaotic environment of the battlefield, musical instruments were the only means of commanding the men to advance, stand or retire. In the mid 19th century each smaller unit had their own fifer and drummer, when units massed for battle a band of musicians was formed for the whole. The American military band traditions date from the British era, from the American Revolutionary War onward military bands marched in the same manner as their French counterparts. During the American Civil War most Union regiments had both types of groups within the unit and these performed in a concert setting for entertainment, as well as continued to perform drill and martial events. Field music is popular with many organizations such as police, fire. Indeed, Russia has a tradition of military bands and so many military marches have been composed by various composers through the years. The military bands also provide musical support in civil and military events, in a wide range of groups. Some can even continue the old Russian military band traditions by donning the old imperial military uniforms of the Russian Empire, todays French Armed Forces bands are also of the headquarters element from the regimental or brigade level onward and can also provide musical elements for civil and military events
