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Tomb of Cyrus the Great
Tomb of Cyrus the Great
The first modern depiction of the tomb, published by James Justinian Morier in 1811, entitled the "Tomb of Madre Suleiman"
The first modern depiction of the tomb, published by James Justinian Morier in 1811, entitled the "Tomb of Madre Suleiman"
Tomb of Cyrus at Pasargadae, where the festivities started.
Tomb of Cyrus at Pasargadae, where the festivities started.
A cake in the shape of the Cyrus Cylinder and a cake in the shape of the Tomb of Cyrus at Pasargadae
A cake in the shape of the Cyrus Cylinder and a cake in the shape of the Tomb of Cyrus at Pasargadae
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"Winged Genius" statue at Pasargadae, with braided hair and a Hemhem crown, traditionally identified as Cyrus
"Winged Genius" statue at Pasargadae, with braided hair and a Hemhem crown, traditionally identified as Cyrus
The four-winged guardian figure that may depict Cyrus, known from a bas-relief on a doorway pillar from Pasargadae. An inscription says "I am Cyrus th
The four-winged guardian figure that may depict Cyrus, known from a bas-relief on a doorway pillar from Pasargadae. An inscription says "I am Cyrus the King, an Achaemenian." Scholars doubting the relief depicts Cyrus note the inscription was inscribed in a later period and that the same inscription is found on other palaces in the complex.
"I am Cyrus the King, an Achaemenian" in Old Persian, Elamite and Akkadian languages. It is known as the "CMa inscription", carved in a column of Pala
"I am Cyrus the King, an Achaemenian" in Old Persian, Elamite and Akkadian languages. It is known as the "CMa inscription", carved in a column of Palace P in Pasargadae. These inscriptions on behalf of Cyrus were probably made later by Darius I in order to affirm his lineage, using the Old Persian script he had designed.
Painting of king Astyages sending Harpagus to kill young Cyrus
Painting of king Astyages sending Harpagus to kill young Cyrus