A tronie is a type of work common in Dutch Golden Age painting and Flemish Baroque painting that depicts an exaggerated or characteristic facial expression. These works were not intended as portraits or caricatures but as studies of expression, type, physiognomy or an interesting character such as an old man or woman, a young woman, the soldier, the shepherdess, the "Oriental", or a person of a particular race.
Jan Lievens's Profile Head of an Old Woman
Frans Hals' Peeckelhaering (The Merry Reveler)
Johannes Vermeer, Girl with a Pearl Earring, c. 1665
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Frans Hogenberg, the Calvinist Iconoclastic Riot of August 20, 1566 when many paintings and church decorations were destroyed and subsequently replaced by Late Northern Mannerist and Baroque artists.
Peter Paul Rubens and Frans Snyders, Prometheus Bound, 1611–12. Philadelphia Museum of Art. This painting is Flemish Baroque example of collaboration and specialization. Snyders, who specialized in animals, painted the eagle while Rubens painted the figure of Prometheus.
Frans Francken the Younger, Preziosenwand (Wall of Treasures), 1636. Kunsthistorischesmuseum, Vienna. This type of painting was one of the distinctly Flemish innovations that developed during the early 17th century.