1.
Place de la Concorde
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The Place de la Concorde is one of the major public squares in Paris, France. Measuring 8.64 hectares in area, it is the largest square in the French capital and it is located in the citys eighth arrondissement, at the eastern end of the Champs-Élysées. The place was designed by Ange-Jacques Gabriel in 1755 as a moat-skirted octagon between the Champs-Elysées to the west and the Tuileries Garden to the east, decorated with statues and fountains, the area was named Place Louis XV to honor the king at that time. At the north end, two magnificent identical stone buildings were constructed, separated by the rue Royale, these structures remain among the best examples of Louis Quinze style architecture. Initially, the building served as the French Naval Ministry. Shortly after its construction, the building became the opulent home of the Duc dAumont. It was later purchased by the Comte de Crillon, whose family resided there until 1907, the famous luxury Hôtel de Crillon, which currently occupies the building, took its name from its previous owners. During the French Revolution the statue of Louis XV of France was torn down, the new revolutionary government erected the guillotine in the square, and it was here that King Louis XVI was executed on 21 January 1793. In 1795, under the Directory, the square was renamed Place de la Concorde as a gesture of reconciliation after the turmoil of the French Revolution. After the Bourbon Restoration of 1814, the name was changed back to Place Louis XV, after the July Revolution of 1830 the name was returned to Place de la Concorde and has remained that way since. To the west of the Place is the famous Champs-Élysées, to the east of the Place are the Tuileries Gardens. The Galerie nationale du Jeu de Paume and the Musée de lOrangerie, the eastern one houses the French Naval Ministry, and the western one is the Hôtel de Crillon. The Rue Royale leads to the de la Madeleine. The center of the Place is occupied by a giant Egyptian obelisk decorated with hieroglyphics exalting the reign of the pharaoh Ramesses II and it is one of two the Egyptian government gave to the French in the 19th century. The other one stayed in Egypt, too difficult and heavy to move to France with the technology at that time, in the 1990s, President François Mitterrand gave the second obelisk back to the Egyptians. The obelisk once marked the entrance to the Luxor Temple, the self-declared Khedive of Egypt, Muhammad Ali Pasha, offered the 3, 300-year-old Luxor Obelisk to France in 1829. It arrived in Paris on 21 December 1833, three years later, on 25 October 1836, King Louis Philippe had it placed in the center of Place de la Concorde. The obelisk, a granite column, rises 23 metres high, including the base
2.
Arc de Triomphe
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The Arc de Triomphe should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. Beneath its vault lies the Tomb of the Unknown Soldier from World War I and it set the tone for public monuments with triumphant patriotic messages. Inspired by the Roman Arch of Titus, the Arc de Triomphe has an height of 50 metres, width of 45 m. The smaller transverse vaults are 18.68 m high and 8.44 m wide, three weeks after the Paris victory parade in 1919, Charles Godefroy flew his Nieuport biplane under the archs primary vault, with the event captured on newsreel. Pariss Arc de Triomphe was the tallest triumphal arch until the completion of the Monumento a la Revolución in Mexico City in 1938, the Arch of Triumph in Pyongyang, completed in 1982, is modelled on the Arc de Triomphe and is slightly taller at 60 m. The Arc is located on the bank of the Seine at the centre of a dodecagonal configuration of twelve radiating avenues. It was commissioned in 1806 after the victory at Austerlitz by Emperor Napoleon at the peak of his fortunes, the architect, Jean Chalgrin, died in 1811 and the work was taken over by Jean-Nicolas Huyot. On 15 December 1840, brought back to France from Saint Helena, prior to burial in the Panthéon, the body of Victor Hugo was displayed under the Arc during the night of 22 May 1885. The sword carried by the Republic in the Marseillaise relief broke off on the day, it is said, the relief was immediately hidden by tarpaulins to conceal the accident and avoid any undesired ominous interpretations. On 7 August 1919, Charles Godefroy successfully flew his biplane under the Arc, Jean Navarre was the pilot who was tasked to make the flight, but he died on 10 July 1919 when he crashed near Villacoublay while training for the flight. Following its construction, the Arc de Triomphe became the point of French troops parading after successful military campaigns. Famous victory marches around or under the Arc have included the Germans in 1871, the French in 1919, the Germans in 1940, and the French and Allies in 1944 and 1945. A United States postage stamp of 1945 shows the Arc de Triomphe in the background as victorious American troops march down the Champs-Élysées, after the interment of the Unknown Soldier, however, all military parades have avoided marching through the actual arch. The route taken is up to the arch and then around its side, out of respect for the tomb, both Hitler in 1940 and de Gaulle in 1944 observed this custom. By the early 1960s, the monument had grown very blackened from coal soot and automobile exhaust, and during 1965–1966 it was cleaned through bleaching. In the prolongation of the Avenue des Champs-Élysées, a new arch, after the Arc de Triomphe du Carrousel and the Arc de Triomphe de lÉtoile, the Grande Arche is the third arch built on the same perspective. In 1995, the Armed Islamic Group of Algeria placed a bomb near the Arc de Triomphe which wounded 17 people as part of a campaign of bombings, the astylar design is by Jean Chalgrin, in the Neoclassical version of ancient Roman architecture. Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe, Jean-Pierre Cortot, François Rude, Antoine Étex, James Pradier and Philippe Joseph Henri Lemaire
3.
French language
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French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
4.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
5.
1st arrondissement of Paris
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The 1st arrondissement of Paris is one of the 20 arrondissements of the capital city of France. Situated principally on the bank of the River Seine, it also includes the west end of the Île de la Cité. It is the least populated of the arrondissements and one of the smallest by area, a significant part of which is occupied by the Louvre Museum. Much of the remainder of the arrondissement is dedicated to business, the 1st arrondissement is very small, with a land area of only 1,83 km2. The area now occupied by the first arrondissement attained its peak population in the preceding the re-organization of Paris in 1860. In 1999, the population was 16,888, while the arrondissement hosted 63,056 jobs, making it one of the most active for business after the 2nd, 8th, and 9th. ¹The peak of population actually occurred before 1861, but the arrondissement was created in 1860, each of the 20 Paris arrondissements is divided into four quarters. The table below lists the four quarters of the 1st arrondissement, at one time Air Inters head office was located in the first arrondissement. When Minerve, an airline, existed, its office was in the first arrondissement. In terms of state-operated schools, the first arrondissement has two schools, two primary schools, one école polyvalente, one high school, and one sixth form college. The state-operated nursery schools are École Maternelle Auxerrois and École Maternelle Sourdiere, the state-operated primary schools are École Élémentaire Arbre Sec and École Élémentaire DArgenteuil. The arrondissement has one école polyvalente, École Polyvalente Cambon, collège Jean-Baptiste Poquelin is the sole state-operated high school in the arrondissement. Lycée Professionnel Commercial Pierre Lescot is the sole state-operated sixth form college in the first arrondissement
6.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
7.
Catherine de' Medici
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Catherine de Medici, daughter of Lorenzo II de Medici and of Madeleine de La Tour dAuvergne, was an Italian noblewoman who was Queen of France from 1547 until 1559, as the wife of King Henry II. As the mother of three sons who became kings of France during her lifetime, she had extensive, if at times varying, for a time, she ruled France as its regent. In 1533, at the age of fourteen, Caterina married Henry, second son of King Francis I, under the gallicised version of her name, Catherine de Médicis, she was Queen consort of France as the wife of King Henry II of France from 1547 to 1559. Throughout his reign, Henry excluded Catherine from participating in state affairs and instead showered favours on his mistress, Diane de Poitiers. Henrys death thrust Catherine into the arena as mother of the frail fifteen-year-old King Francis II. When he died in 1560, she became regent on behalf of her ten-year-old son King Charles IX and was granted sweeping powers, after Charles died in 1574, Catherine played a key role in the reign of her third son, Henry III. He dispensed with her only in the last months of her life. Catherines three sons reigned in an age of almost constant civil and religious war in France, the problems facing the monarchy were complex and daunting but Catherine was able to keep the monarchy and the state institutions functioning even at a minimum level. At first, Catherine compromised and made concessions to the rebelling Protestants, or Huguenots and she failed, however, to grasp the theological issues that drove their movement. Later she resorted, in frustration and anger, to hard-line policies against them, some historians have excused Catherine from blame for the worst decisions of the crown, though evidence for her ruthlessness can be found in her letters. In practice, her authority was limited by the effects of the civil wars. Without Catherine, it is unlikely that her sons would have remained in power, the years in which they reigned have been called the age of Catherine de Medici. According to Mark Strage, one of her biographers, Catherine was the most powerful woman in sixteenth-century Europe. Catherine was born on 13 April 1519 in Florence, Republic of Florence, the child of Lorenzo de Medici, Duke of Urbino, and his wife, Madeleine de la Tour dAuvergne. The young couple had married the year before at Amboise as part of the alliance between King Francis I of France and Lorenzos uncle Pope Leo X against the Holy Roman Emperor Maximilian I. According to a chronicler, when Catherine was born, her parents were as pleased as if it had been a boy. King Francis wanted Catherine to be raised at the French court, Catherine was first cared for by her paternal grandmother, Alfonsina Orsini. After Alfonsinas death in 1520, Catherine joined her cousins and was raised by her aunt, the death of Pope Leo in 1521 interrupted Medici power briefly, until Cardinal Giulio de Medici was elected Pope Clement VII in 1523
8.
Tuileries Palace
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The Tuileries Palace was a royal and imperial palace in Paris which stood on the right bank of the River Seine. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. After the accidental death of Henry II of France in 1559 and she sold the medieval Hôtel des Tournelles, where her husband had died, and began building the palace of Tuileries in 1564, using architect Philibert de lOrme. The name derives from the tile kilns or tuileries which had occupied the site. The palace was formed by a range of long, narrow buildings. During the reign of Henry IV, the building was enlarged to the south, so it joined the long gallery, the Grande Galerie. During the reign of Louis XIV major changes were made to the Tuileries Palace, from 1659 to 1661 it was extended to the north by the addition of the Théâtre des Tuileries. From 1664 to 1666 the architect Louis Le Vau and his assistant François dOrbay made other significant changes, a new grand staircase was installed in the entrance of the north wing of the palace, and lavishly decorated royal apartments were constructed in the south wing. The kings rooms were on the floor, facing toward the Louvre. At the same time, Louis gardener, André Le Nôtre, the Court moved into the Tuileries Palace in November 1667, but left in 1672, and soon thereafter went to the Palace of Versailles. The Tuileries Palace was virtually abandoned and used only as a theatre, the boy-king Louis XV was moved from Versailles to the Tuileries Palace on 1 January 1716, four months after ascending to the throne. He moved back to Versailles on 15 June 1722, three months before his coronation, both moves were made at the behest of the Regent, the duc dOrléans. The king also resided at the Tuileries for short periods during the 1740s, on 6 October 1789, during the French Revolution, Louis XVI and his family were forced to leave Versailles and brought to the Tuileries where they were kept under surveillance. For the next two years the palace remained the residence of the king. The Tuileries covered riding ring, the Salle du Manège, home to the royal equestrian academy, the royal family tried to escape after dark, on 20 June 1791, but were captured at Varennes and brought back to the Tuileries. The Paris National Guard defended the King, but the daughter of King Louis XVI claimed that many of the guard were already in favor of the revolution, in November 1792, the Armoire de fer incident took place at the Tuileries palace. This was the discovery of a place at the royal apartments. The incident created a scandal that served to discredit the King
9.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
10.
Jacques I Androuet du Cerceau
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He introduced Renaissance architecture to France with the assistance of Pierre Lescot, Philibert Delorme and Jean Bullant. Androuet was born in Paris, but worked in Orléans until 1559, when he returned to Paris, in the 1570s he was back in Paris, working for Charles IX and Catherine de Medici. The nickname Cerceau comes from the emblem of a ring that appears in lieu of a signature on engravings by Jacques Androuet, the standard work on Jacques Androuet du Cerceau the Elder remains the 1887 monograph of Henry de Geymüller. Catherine de Medicis building projects Androuet du Cerceau for the family Notes Sources Baldus, oeuvre de Jacques Androuet dit du Cerceau. Copy at the University of Heidelberg, les Du Cerceau, leur vie et leur oeuvre. 9, pp. 350–354, in The Dictionary of Art, edited by Jane Turner, reprinted with minor corrections in 1998
11.
Henry II of France
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Henry II was a monarch of the House of Valois who ruled as King of France from 31 March 1547 until his death in 1559. The second son of Francis I, he became Dauphin of France upon the death of his elder brother Francis III, Duke of Brittany, as a child, Henry and his elder brother spent over four years in captivity in Spain as hostages in exchange for their father. Henry pursued his fathers policies in matter of arts, wars and he persevered in the Italian Wars against the House of Habsburg and tried to suppress the Protestant Reformation, even as the Huguenot numbers were increasing drastically in France during his reign. Henry suffered a death in a jousting tournament held to celebrate the Peace of Cateau-Cambrésis at the conclusion of the Eighth Italian War. The kings surgeon, Ambroise Paré, was unable to cure the infected wound inflicted by Gabriel de Montgomery and he was succeeded in turn by three of his sons, whose ineffective reigns helped to spark the French Wars of Religion between Protestants and Catholics. Henry was born in the royal Château de Saint-Germain-en-Laye, near Paris and his father was captured at the Battle of Pavia in 1525 by the forces of his sworn enemy, Holy Roman Emperor Charles V, and held prisoner in Spain. To obtain his release, it was agreed that Henry and his brother be sent to Spain in his place. They remained in captivity for four years. Henry married Catherine de Medici, a member of the family of Florence, on 28 October 1533. The following year, he became involved with a thirty-five-year-old widow. They had always very close, she had publicly embraced him on the day he set off to Spain. Diane became Henrys mistress and most trusted confidante and, for the next years, wielded considerable influence behind the scenes. Extremely confident, mature and intelligent, she left Catherine powerless to intervene and she did, however, insist that Henry sleep with Catherine in order to produce heirs to the throne. When his elder brother Francis, the Dauphin and Duke of Brittany, died in 1536 after a game of tennis and he succeeded his father on his 28th birthday and was crowned King of France on 25 July 1547 at Reims Cathedral. Henrys reign was marked by wars with Austria and the persecution of Protestants, Henry II severely punished them, particularly the ministers, for example by burning at the stake or cutting off their tongues for uttering heresies. Even those only suspected of being Huguenots could be imprisoned and it also strictly regulated publications by prohibiting the sale, importation or printing of any unapproved book. It was during the reign of Henry II that Huguenot attempts at establishing a colony in Brazil were made, persecution of Protestants at home did not prevent Henry II from becoming allied with German Protestant princes at the Treaty of Chambord in 1552. Simultaneously, the continuation of his fathers Franco-Ottoman alliance allowed Henry II to push for French conquests towards the Rhine while a Franco-Ottoman fleet defended southern France, an early offensive into Lorraine was successful
12.
Bastille
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The Bastille was a fortress in Paris, known formally as the Bastille Saint-Antoine. It played an important role in the conflicts of France. The Bastille was built to defend the approach to the city of Paris from the English threat in the Hundred Years War. The innovative design proved influential in both France and England and was widely copied, the fortress was declared a state prison in 1417, this role was expanded first under the English occupiers of the 1420s and 1430s, and then under Louis XI in the 1460s. The defences of the Bastille were fortified in response to the English and Imperial threat during the 1550s, the Bastille played a key role in the rebellion of the Fronde and the battle of the faubourg Saint-Antoine, which was fought beneath its walls in 1652. Louis XIV used the Bastille as a prison for members of French society who had opposed or angered him including, after the revocation of the Edict of Nantes. From 1659 onwards, the Bastille functioned primarily as a state penitentiary, although inmates were kept in relatively good conditions, criticism of the Bastille grew during the 18th century, fueled by autobiographies written by former prisoners. Reforms were implemented and prisoner numbers were considerably reduced, in 1789 the royal governments financial crisis and the formation of the National Assembly gave rise to a swelling of republican sentiments among city-dwellers. On 14 July the Bastille was stormed by a revolutionary crowd, seven remaining prisoners were found and released and the Bastilles governor, Bernard-René de Launay, was killed by the crowd. The Bastille was demolished by order of the Committee of the Hôtel de Ville, souvenirs of the fortress were transported around France and displayed as icons of the overthrow of despotism. Almost nothing is left of the Bastille except some remains of its foundation that were relocated to the side of the Boulevard Henri IV. The Bastille was built in response to a threat to Paris during the Hundred Years War between England and France, in 1357, Marcel expanded the city walls and protected the Porte Saint-Antoine with two high stone towers and a 78-foot-wide ditch. A fortified gateway of this sort was called a bastille, and was one of two created in Paris, the other being built outside the Porte Saint-Denis, Marcel was subsequently removed from his post and executed in 1358. In 1369, Charles V became concerned about the weakness of the side of the city to English attacks. Charles instructed Hugh Aubriot, the new provost, to build a larger fortification on the same site as Marcels bastille. Work began in 1370 with another pair of towers being built behind the first bastille, the fortress was probably not finished by the time Charles died in 1380, and was completed by his son, Charles VI. Built to the height, the roofs of the towers. Each of the six towers had underground cachots, or dungeons, at its base
13.
Francis II of France
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Francis II was a monarch of the House of Valois-Angoulême who was King of France from 1559 to 1560. He was also King consort of Scotland as a result of his marriage to Mary, Queen of Scots. He ascended the throne of France at the age of fifteen after the death of his father, Henry II. His short reign was dominated by the first stirrings of the French Wars of Religion and they were unable to help Catholics in Scotland against the progressing Scottish Reformation, however, and the Auld Alliance was dissolved. Francis was succeeded by two of his brothers in turn, both of whom were unable to reduce tensions between Protestants and Catholics. Born eleven years after his parents wedding, Francis was named for his grandfather and he was baptized on 10 February 1544 at the Chapelle des Trinitaires in Fontainebleau. His godparents were Francis I, Pope Paul III, and his great-aunt Marguerite de Navarre and he became governor of Languedoc in 1546, and Dauphin of France in 1547, when his grandfather Francis I died. Franciss governor was Jean dHumières and his tutor was Pierre Danès and he learned dancing from Virgilio Bracesco and fencing from Hector of Mantua. King Henry II, his father, arranged a betrothal for his son to Mary, Queen of Scots, in the Châtillon agreement of 27 January 1548. Mary had been crowned Queen of Scots in Stirling Castle on 9 September 1543 at the age of nine following the death of her father James V. Besides being the queen of Scotland, Mary was a granddaughter of Claude, Duke of Guise, once the marriage agreement was formally ratified, the six-year-old Mary was sent to France to be raised at court until the marriage. On 24 April 1558, the fourteen-year-old Dauphin married the Queen of Scots in Notre Dame Cathedral in Paris. It was a union that could have given the kings of France the throne of Scotland and also a claim to the throne of England through Marys great grandfather. Until his death, Francis held the title King of Scotland, Mary and Francis were to have no children during their short marriage, however, possibly due to Francis illnesses or his undescended testicles. A little over a year after his marriage, on 10 July 1559, Francis became king at the age of fifteen upon the death of his father Henry II, on 21 September 1559, Francis II was crowned king in Reims by his uncle Charles, Cardinal of Lorraine. The crown was so heavy that nobles had to hold it in place for him, the court then moved to the Loire Valley, where the Château de Blois and the surrounding forests were the new kings home. Francis II took the sun for his emblem and for his mottoes Spectanda fides, according to French law, Francis at the age of fifteen was an adult who in theory did not need a regent. But since he was young, inexperienced, and in health, he delegated his power to his wifes uncles from the noble House of Guise, François, Duke of Guise
14.
Louvre Palace
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The Louvre Palace is a former royal palace located on the Right Bank of the Seine in Paris, between the Tuileries Gardens and the church of Saint-Germain lAuxerrois. Its present structure has evolved in stages since the 16th century, in 1793 part of the Louvre became a public museum, now the Musée du Louvre, which has expanded to occupy most of the building. The Palace is situated in the right-bank of the River Seine between Rue de Rivoli to the north and the Quai François Mitterrand to the south. To the west is the Jardin des Tuileries and, to the east, the Rue de lAmiral de Coligny, where its most architecturally famous façade, the Louvre Colonnade, the Cour Napoléon and Cour du Carrousel are separated by the street known as the Place du Carrousel. Some 51,615 sq m in the complex are devoted to public exhibition floor space. The Old Louvre occupies the site of the 12th-century fortress of King Philip Augustus and its foundations are viewable in the basement level as the Medieval Louvre department. This structure was razed in 1546 by King Francis I in favour of a royal residence which was added to by almost every subsequent French monarch. King Louis XIV, who resided at the Louvre until his departure for Versailles in 1678, completed the Cour Carrée, the Old Louvre is a quadrilateral approximately 160 m on a side consisting of 8 ailes which are articulated by 8 pavillons. With it, the last external vestiges of the medieval Louvre were demolished, the New Louvre is the name often given to the wings and pavilions extending the Palace for about 500 m westwards on the north and on the south sides of the Cour Napoléon and Cour du Carrousel. This consummation only lasted a few years, however, as the Tuileries was burned in 1871, the northern limb of the new Louvre consists of three great pavilions along the Rue de Rivoli, the Pavillon de la Bibliothèque, Pavillon de Rohan and Pavillon de Marsan. As on the side, three inside pavilions and their wings define three more subsidiary Courts, Cour du Sphinx, Cour Viconti and Cour Lefuel. The Chinese American architect I. M. Pei was selected in 1983 to design François Mitterrands Grand Louvre Project. The ground-level entrance to this complex was situated in the centre of the Cour Napoléon and is crowned by the prominent steel-and-glass pyramid, in a proposal by Kenneth Carbone, the nomenclature of the wings of the Louvre was simplified in 1987 to reflect the Grand Louvres organization. This allows the visitor to avoid becoming totally mystified at the bewildering array of named wings. The origin of the name Louvre is unclear, the French historian Henri Sauval, probably writing in the 1660s, stated that he had seen in an old Latin-Saxon glossary, Leouar is translated castle and thus took Leouar to be the origin of Louvre. According to Keith Briggs, Sauvals theory is often repeated, even in recent books, but this glossary has never seen again. Briggs suggests that H. J. Wolfs proposal in 1969 that Louvre derives instead from Latin Rubras, david Hanser, on the other hand, reports that the word may come from French louveterie, a place where dogs were trained to chase wolves. In 1190 King Philip II Augustus, who was about to leave on the Third Crusade, completed in 1202, the new fortress was situated in what is now the southwest quadrant of the Cour Carrée
15.
Wall of Charles V
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The wall of Charles V, built from 1356 to 1383 is one of the city walls of Paris. It was built on the bank of the river Seine outside the wall of Philippe Auguste. In the 1640s, the part of the wall of Charles V was demolished and replaced by the larger Louis XIII wall. This new enclosure was destroyed in the 1670s and was replaced by the Grands Boulevards. But decades later, the fields had been replaced by homes, several suburbs were growing rapidly, particularly in the west. The growing population could no longer be contained in the city, furthermore, with the Hundred Years War, it became necessary to build a new enclosure to protect the capital of France. Étienne Marcel, provost of the merchants, began to build an moat from 1356, only the right side was affected by this expansion. King Charles V, from 1358, ordered the fortification and the addition of a large, the new fortification extended westward beyond the Louvre, which lost its function as a fortress. Charles V transformed the Louvre into a residence, but without changing its dimensions and he established a library there with 973 books. On the east, the new home of the King, the Hotel Saint-Pol, was poorly protected, Charles V decided to build the Chastel Saint-Antoine, the Parisians called it the Bastide Saint-Antoine, then la Bastille. In 1370, the provost Hugues Aubriot laid the cornerstone of the building which was completed in 1382, the city then spread over 440 hectares with more than 150,000 inhabitants. The wall, as well as its extension built by Louis XIII on the west side was destroyed in 1670, on orders of Louis XIV after his victories in the Netherlands and Germany. The wall left the Seine at the tour du bois between the Pont du Carrousel and the Pont Royal, then the wall was north of the Rue Saint-Honoré and Palais-Royal then to north-east along the Place des Victoires and the Rue dAboukir up to the Porte Saint-Denis. It then followed the Grands Boulevards, the wall returned to the Seine on the east at the tour de Billy. The wall on the bank of the river, built by Philippe-Auguste was kept. This page is a translation of its French equivalent
16.
Seine
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The Seine is a 777-kilometre-long river and an important commercial waterway within the Paris Basin in the north of France. It rises at Source-Seine,30 kilometres northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and it is navigable by ocean-going vessels as far as Rouen,120 kilometres from the sea. There are 37 bridges within Paris and dozens more spanning the river outside the city, examples in Paris include the Pont Alexandre III and Pont Neuf, the latter of which dates back to 1607. Outside the city, examples include the Pont de Normandie, one of the longest cable-stayed bridges in the world, the Seine rises in the commune of Source-Seine, about 30 kilometres northwest of Dijon. The source has been owned by the city of Paris since 1864, a number of closely associated small ditches or depressions provide the source waters, with an artificial grotto laid out to highlight and contain a deemed main source. The grotto includes a statue of a nymph, on the same site are the buried remains of a Gallo-Roman temple. Small statues of the dea Sequana Seine goddess and other ex voti found at the place are now exhibited in the Dijon archeological museum. The Seine is dredged and oceangoing vessels can dock at Rouen,120 kilometres from the sea, commercial riverboats can use the river from Bar-sur-Seine,560 kilometres to its mouth. At Paris, there are 37 bridges, the river is only 24 metres above sea level 446 kilometres from its mouth, making it slow flowing and thus easily navigable. The Seine Maritime,105.7 kilometres from the English Channel at Le Havre to Rouen, is the portion of the Seine used by ocean-going craft. The tidal section of the Seine Maritime is followed by a section with four large multiple locks until the mouth of the Oise at Conflans-Sainte-Honorine. Multiple locks at Bougival / Chatou and at Suresnes lift the vessels to the level of the river in Paris, upstream from Paris seven locks ensure navigation to Saint Mammès, where the Loing mouth is situated. Through an eighth lock the river Yonne is reached at Montereau-Fault-Yonne, from the mouth of the Yonne, larger ships can continue upstream to Nogent-sur-Seine. From there on, the river is only by small craft. All navigation ends abruptly at Marcilly-sur-Seine, where the ancient Canal de la Haute-Seine used to allow vessels to continue all the way to Troyes and this canal has been abandoned for many years. The average depth of the Seine today at Paris is about 9.5 metres. Until locks were installed to raise the level in the 1800s, the river was much shallower within the city most of the time, today the depth is tightly controlled and the entire width of the river between the built-up banks on either side is normally filled with water. The average flow of the river is low, only a few cubic metres per second
17.
Italian Renaissance garden
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The style was imitated throughout Europe, influencing the gardens of the French Renaissance and the English garden. The Italian Renaissance garden broke down the wall between the garden, the house, and the landscape outside, the Italian Renaissance garden, like Renaissance art and architecture, emerged from the rediscovery by Renaissance scholars of classical Roman models. Pliny the Younger described his life at his villa at Laurentum. a good life and a genuine one and you should take the first opportunity to leave the din, the futile bustle and useless occupations of the city and devote yourself to literature or to leisure. A garden was a place to think, relax, and escape, the first Renaissance text to include garden design was De Re Aedificatoria, by Leon Battista Alberti. He drew upon the principles of Vitruvius, and used quotations from Pliny the Elder and Pliny the Younger to describe what a garden should look like. He argued that a villa should both be looked at and a place to look from, that the house should be placed above the garden, where it could be seen and the owner could look down into the garden. Alberti wrote, The construction will give pleasure to the visitor if, toward this end, I would place it on a slightly elevated place. I would also have the road climb so gently that it fools those who take it to the point that they do not realize how high they have climbed until they discover the countryside below. Within the garden, Alberti wrote. You should place porticos for giving shade, planters where vines can climb, placed on marble columns, vases and amusing statues and you should also have rare plants. Trees should be aligned and arranged evenly, each tree aligned with its neighbours, a popular romance, The Hypnerotomachia Poliphili, published in 1499 in Venice by the monk Francesco Colonna, also had an important influence on the gardens of the Renaissance. It described the voyage and adventures of a traveller, Poliphile, through fantastic landscapes, looking for his love, the garden was a form of political theater, presenting the power, wisdom, order, beauty and glory that the Medici had brought to Florence. The fountain-maker, an engineer who designed the water system. Concealed fountains which drenched unsuspecting visitors, a grove of trees inspired by the groves where pagans would worship. In Renaissance and especially mannerist gardens, this section was filled with statues of animals, giants. An enclosed private garden within the garden, inspired by the cloisters of Medieval monasteries, a place for reading, writing or quiet conversations. Simples, or medicinal plants and herbs, the oldest existing Italian Renaissance garden is at the Villa Medici in Fiesole, north of Florence. It was created sometime between 1455 and 1461 by Giovanni de Medici the son of Cosimo de Medici, the founder of the Medici dynasty, unlike other Medici family villas that were located on flat farmland, this villa was located on a rocky hillside with a view over Florence. The garden has two terraces, one at the ground floor level and the other at the level of the first floor
18.
Labyrinth
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In Greek mythology, the labyrinth was an elaborate structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur eventually killed by the hero Theseus, Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal, branching mazes were reintroduced only when garden mazes became popular during the Renaissance. In English, the labyrinth is generally synonymous with maze. As a result of the history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars. In this specialized usage refers to a complex branching multicursal puzzle with choices of path and direction. A labyrinth in this sense has a route to the center and back. Unicursal labyrinths appeared as designs on pottery or basketry, as body art, the Romans created many primarily decorative unicursal designs on walls and floors in tile or mosaic. Many labyrinths set in floors or on the ground are large enough that the path can be walked, unicursal patterns have been used historically both in group ritual and for private meditation, and are increasingly found for therapeutic use in hospitals and hospices. Labyrinth is a word of Pre-Greek origin, which the Greeks associated with the palace of Knossos in Crete and this designation may not have been limited to Knossos, because the same symbols were discovered in other palaces in Crete. Labrys was a cult-word that was introduced from Anatolia, where such symbols have been found in Çatal Höyük from the Neolithic age. In Labraunda of Caria the double-axe accompanies the storm-god Zeus Labraundos and it also accompanies the Hurrian god of sky and storm Teshub. Labrys, however, comes from Lydian, not Minoan, the Linear B inscription
19.
Grotto
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A grotto is a natural or artificial cave used by humans in both modern times and antiquity, and historically or prehistorically. Naturally occurring grottoes are often small caves near water that are usually flooded or liable to flood at high tide, sometimes, artificial grottoes are used as garden features. The Grotta Azzurra at Capri and the grotto at the villa of Tiberius in the Bay of Naples are examples of popular natural seashore grottoes, the word grotto comes from Italian grotta, Vulgar Latin grupta, and Latin crypta. It is also related by an accident to the word grotesque. The rooms had sunk underground over time, the Romans who discovered this historical monument found it very strange, a sentiment enhanced by the fact that it was uncovered from an underworld source. This led the Romans to give it the name grottesche, or grotesque, grottoes were very popular in Greek and Roman culture. Spring-fed grottoes were a feature of Apollos oracles at Delphi, Corinth, the Hellenistic city of Rhodes was designed with rock-cut artificial grottoes incorporated into the city, made to look natural. According to tradition, Praenestes sacred spring had a native nymph, Tiberius, the Roman emperor, filled his grotto with sculptures to create a sense of mythology, perhaps channeling Polyphemus cave in the Odyssey. The numinous quality of the grotto is still more ancient, in a grotto near Knossos in Crete, Eileithyia was venerated, even farther back in time, the immanence of the divine in a grotto is seen in the sacred caves of Lascaux. The popularity of artificial grottoes introduced Mannerist style to Italian and French gardens of the mid-16th century, two famous grottoes in the Boboli Gardens of Palazzo Pitti were begun by Vasari and completed by Ammanati and Buontalenti between 1583 and 1593. One of these grottoes originally housed the Prisoners of Michelangelo, before Boboli grotto, a garden was laid out by Niccolò Tribolo at the Medici Villa Castello, near Florence. At Pratolino, in spite of the dryness of the site, there was a Grotto of Cupid, with water tricks for the unsuspecting visitor. The Fonte di Fata Morgana at Grassina, not far from Florence, is a garden building. It is decorated with sculptures in the Giambolognan manner, the outside of garden grottoes are often designed to look like an enormous rock, a rustic porch or a rocky overhang. Damp grottoes were cool places to retreat from the Italian sun, in Kuskovo at the Sheremetev estate there is a Summer Grotto, built in 1775. Grottoes could also serve as baths, an example of this is at the Palazzo del Te, in the Casino della Grotta, courtiers once bathed in the small cascade that splashed over the pebbles and shells encrusted in the floor and walls. Grottoes have also served as chapels, or at Villa Farnese at Caprarola and they were often combined with cascading fountains in Renaissance gardens. The grotto designed by Bernard Palissy for Catherine de Medicis château in Paris, there are also grottoes in the gardens designed by André Le Nôtre for Versailles
20.
Faience
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Faience or faïence is the conventional name in English for fine tin-glazed pottery on a delicate pale buff earthenware body. It is originally associated by French speakers with wares exported from Faenza in northern Italy. The invention of a white pottery glaze suitable for painted decoration, the invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding 1,000 °C was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a variety of pottery from several parts of the world, including many types of European painted wares. Technically, lead-glazed earthenware, such as the French sixteenth-century Saint-Porchaire ware, does not properly qualify as faience, semi-vitreous stoneware may be glazed like faience. However, this material is not pottery at all, containing no clay, the Metropolitan Museum of Art displays a faience hippopotamus from Meir, Egypt, dated to Dynasty 12, ca. Examples of ancient faience are also found in Minoan Crete, which was influenced by Egyptian culture. Faience material, for instance, has recovered from the Knossos archaeological site. The Moors brought the technique of tin-glazed earthenware to Al-Andalus, where the art of lustreware with metallic glazes was perfected, from Málaga in Andalusia and later Valencia these Hispano-Moresque wares were exported, either directly or via the Balearic Islands to Italy and the rest of Europe. This type of Spanish pottery owed much to its Moorish inheritance, in Italy, locally produced tin-glazed earthenwares, initiated in the fourteenth century, reached a peak in the late fifteenth and early sixteenth centuries. The first northerners to imitate the tin-glazed earthenwares being imported from Italy were the Dutch, English Delftware produced in Lambeth, London, and at other centers, from the late sixteenth century, provided apothecaries with jars for wet and dry drugs. Many of the potters in London were Flemish. By about 1600, blue-and-white wares were being produced, labelling the contents within decorative borders, the production was slowly superseded in the second half of the eighteenth century with the introduction of cheap creamware. Dutch potters in northern Germany established German centres of faience, the first manufactories in Germany were opened at Hanau and Heusenstamm, in Switzerland, Zunfthaus zur Meisen near Fraumünster church houses the porcelain and faience collection of the Swiss National Museum in Zurich. Faïence parlante bears mottoes often on decorative labels or banners, wares for apothecaries, including albarello, can bear the names of their intended contents, generally in Latin and often so abbreviated to be unrecognizable to the untutored eye. Mottoes of fellowships and associations became popular in the 18th century, at the low end of the market, local manufactories continued to supply regional markets with coarse and simple wares. These so-called majolica wares were also made by Wedgwood and numerous smaller Staffordshire potteries round Burslem
21.
Bernard Palissy
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Bernard Palissy was a French Huguenot potter, hydraulics engineer and craftsman, famous for having struggled for sixteen years to imitate Chinese porcelain. It is often difficult to distinguish examples from Palissys own workshop, imitations and adaptations of his style continued to be made in France until roughly 1800, and then revived considerably in the 19th century. In the 19th-century, Palissys pottery became the inspiration for Mintons Ltds Victorian majolica, Palissy is known for his contributions to the natural sciences, and is famous for discovering principles of geology, hydrology and fossil formation. A Protestant, Palissy was imprisoned for his belief during the tumultuous French Wars of Religion and he died of poor treatment in the Bastille in 1589. According to his friend Pierre de LEstoile, Palissy was born in 1510, the location of Palissys birth is not certain, but is believed to be either Saintes, Périgord, Limousin or Agen. He lived most of his life in Saintonge, Palissy was born to a poor family, and while his education did not include Greek or Latin, it did instruct him in practical sciences including geometry and surveying. Early in his life, Palissy was commissioned by the crown to survey the salt marshes of Saintonge, in his memoirs, Palissy tells us that he was apprenticed to a glass-painter. At the end of his apprenticeship he spent a journeyman year acquiring fresh knowledge in parts of France, including Guyenne, Languedoc, Provence, Dauphiné, Burgundy. He later traveled north to the Low Countries, perhaps even in the Rhine Provinces of Germany, Palissy returned to Saintonge where he married and had children. In 1539 or 1540, Palissy was shown a white enamelled cup that astonished him, the piece of fine white pottery may have derived from Faenza, Urbino, Saint-Porchaire or even China. In Palissys time pottery covered with beautiful white tin-glaze was manufactured throughout Italy, Spain, Germany, a man as travelled and as acute as Palissy, however, would have been acquainted with its appearance and properties. At the neighboring village of La Chapelle-des-Pots, Palissy mastered the rudiments of peasant pottery as it was practised in the 16th century and he may also have learned of manufacture of European tin-enamelled pottery. In his work Palissy produced ceramics using a great many ingredients including tin, lead, iron, steel, antimony, sapphire, copper, sand, saltwort, pearlash, and litharge. For nearly sixteen years Palissy labored to recreate the pottery that he had seen, working with the utmost diligency but never succeeding. At times he and his family were reduced to poverty, he burned his furniture and even, it is said, the floor boards of his house to feed the fires of his furnaces. Meanwhile, he endured the reproaches of his wife, who, with her little family clamouring for food, all these struggles and failures are faithfully recorded by Palissy himself in his autobiography. Palissy failed to discover the secret of Chinese porcelain, but invented a style of pottery, called Palissy ware. The pottery is decorated with reliefs mimicking wildlife from Palissys native Saintonge marshes, in 1542, a peasant revolt against the gabelle salt tax in Saintonge brought royal forces, headed by the Duc de Montmorency, near Palissys home
22.
Porcelain
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Porcelain /ˈpɔːrsəlᵻn, ˈpɔːrslᵻn/ is a ceramic material made by heating materials, generally including kaolin, in a kiln to temperatures between 1,200 and 1,400 °C. Porcelain was first developed in China around 2,000 years ago, then spread to other East Asian countries, and finally Europe. It combines well with both glazes and paint, and can be modelled very well, allowing a range of decorative treatments in tablewares, vessels. It also has uses in technology and industry. The European name, porcelain in English, come from the old Italian porcellana because of its resemblance to the translucent surface of the shell, Porcelain is also referred to as china or fine china in some English-speaking countries, as it was first seen in imports from China. Porcelain has been described as being completely vitrified, hard, impermeable, white or artificially coloured, translucent, however, the term porcelain lacks a universal definition and has been applied in a very unsystematic fashion to substances of diverse kinds which have only certain surface-qualities in common. Terms such as porcellaneous or near-porcelain may be used in such cases, a high proportion of modern porcelain is made of the variant bone china. Kaolin is the material from which porcelain is made, even though clay minerals might account for only a small proportion of the whole. The word paste is an old term for both the unfired and fired material, a more common terminology these days for the unfired material is body, for example, when buying materials a potter might order an amount of porcelain body from a vendor. The composition of porcelain is highly variable, but the mineral kaolinite is often a raw material. Other raw materials can include feldspar, ball clay, glass, bone ash, steatite, quartz, petuntse, the clays used are often described as being long or short, depending on their plasticity. Long clays are cohesive and have high plasticity, short clays are cohesive and have lower plasticity. Clays used for porcelain are generally of lower plasticity and are shorter than many other pottery clays and they wet very quickly, meaning that small changes in the content of water can produce large changes in workability. Thus, the range of content within which these clays can be worked is very narrow. The following section provides information on the methods used to form, decorate, finish, glaze. Many types of glaze, such as the iron-containing glaze used on the wares of Longquan, were designed specifically for their striking effects on porcelain. Porcelain wares may be decorated under the glaze using pigments that include cobalt and copper or over the glaze using coloured enamels. Like many earlier wares, modern porcelains are often biscuit-fired at around 1,000 °C, coated with glaze, another early method is once-fired where the glaze is applied to the unfired body and the two fired together in a single operation
23.
Quincunx
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A quincunx /ˈkwɪn. kʌŋks/ is a geometric pattern consisting of five points arranged in a cross, with four of them forming a square or rectangle and a fifth at its center. It forms the arrangement of five units in the corresponding to the five-spot on six-sided dice, playing cards. It is represented in Unicode as U+2059 ⁙ Five dot punctuation or U+2684 ⚄ Die face-5, the quincunx was originally a coin issued by the Roman Republic c. 211–200 BC, whose value was five twelfths of an as, on the Roman quincunx coins, the value was sometimes indicated by a pattern of five dots or pellets. However, these dots were not always arranged in a quincunx pattern, the Oxford English Dictionary dates the first appearances of the Latin word in English as 1545 and 1574. The first citation for “A pattern used for planting dates from 1606. The OED also cites a 1647 reference to the German astronomer Kepler to the astronomical/astrological meaning, quincunx patterns occur in many contexts, In heraldry, groups of five elements are often arranged in a quincunx pattern, called in saltire in heraldic terminology. The flag of the Solomon Islands features this pattern, with its five stars representing the five island groups in the Solomon Islands. Another instance of this occurred in the flag of the 19th-century Republic of Yucatán. A quincunx is a pattern for planting an orchard. Quincunxes are used in computer graphics as a pattern for multisample anti-aliasing. Quincunx antialiasing samples scenes at the corners and centers of each pixel and these five sample points, in the shape of a quincunx, are combined to produce each displayed pixel. However, samples at the points are shared with adjacent pixels. In numerical analysis, the quincunx pattern describes the two-dimensional five-point stencil, in architecture, a quincuncial plan, also defined as a cross-in-square, is the plan of an edifice composed of nine bays. The central and the four angular ones are covered with domes or groin vaults so that the pattern of these forms a quincunx. In Khmer architecture, the towers of a temple, such as Angkor Wat, are arranged in a quincunx to represent the five peaks of Mount Meru. A quincunx is one of the designs of Cosmatesque inlay stonework. A quincuncial map is a map projection that maps the poles of the sphere to the centre and four corners of a square
24.
Elizabeth I of England
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Elizabeth I was Queen of England and Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana or Good Queen Bess, Elizabeth was the daughter of Henry VIII and Anne Boleyn, his second wife, who was executed two and a half years after Elizabeths birth. Annes marriage to Henry VIII was annulled, and Elizabeth was declared illegitimate, edwards will was set aside and Mary became queen, deposing Lady Jane Grey. During Marys reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant rebels, in 1558, Elizabeth succeeded her half-sister to the throne and set out to rule by good counsel. She depended heavily on a group of trusted advisers, led by William Cecil, one of her first actions as queen was the establishment of an English Protestant church, of which she became the Supreme Governor. This Elizabethan Religious Settlement was to evolve into the Church of England and it was expected that Elizabeth would marry and produce an heir to continue the Tudor line. She never did, despite numerous courtships, as she grew older, Elizabeth became famous for her virginity. A cult grew around her which was celebrated in the portraits, pageants, in government, Elizabeth was more moderate than her father and half-siblings had been. One of her mottoes was video et taceo, in religion, she was relatively tolerant and avoided systematic persecution. Elizabeth was cautious in foreign affairs, manoeuvring between the powers of France and Spain. She only half-heartedly supported a number of ineffective, poorly resourced military campaigns in the Netherlands, France, by the mid-1580s, England could no longer avoid war with Spain. Englands defeat of the Spanish Armada in 1588 associated Elizabeth with one of the greatest military victories in English history, Elizabeths reign is known as the Elizabethan era. Some historians depict Elizabeth as a short-tempered, sometimes indecisive ruler, towards the end of her reign, a series of economic and military problems weakened her popularity. Such was the case with Elizabeths rival, Mary, Queen of Scots, after the short reigns of Elizabeths half-siblings, her 44 years on the throne provided welcome stability for the kingdom and helped forge a sense of national identity. Elizabeth was born at Greenwich Palace and was named after both her grandmothers, Elizabeth of York and Elizabeth Howard and she was the second child of Henry VIII of England born in wedlock to survive infancy. Her mother was Henrys second wife, Anne Boleyn, at birth, Elizabeth was the heir presumptive to the throne of England. She was baptised on 10 September, Archbishop Thomas Cranmer, the Marquess of Exeter, the Duchess of Norfolk, Elizabeth was two years and eight months old when her mother was beheaded on 19 May 1536, four months after Catherine of Aragons death from natural causes. Elizabeth was declared illegitimate and deprived of her place in the royal succession, eleven days after Anne Boleyns execution, Henry married Jane Seymour, who died shortly after the birth of their son, Prince Edward, in 1537
25.
Margaret of Valois
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Margaret of Valois was a French princess of the Valois dynasty who became queen consort of Navarre and later also of France. Charles IX arranged for her to marry a distant cousin, King Henry III of Navarre, and she thus became Queen of Navarre in 1572. In 1589, after all her brothers had died leaving no sons, Margarets husband, the senior-most agnatic heir to France, succeeded to the French throne as Henry IV, the first Bourbon King of France. A queen of two kingdoms, Margaret was subjected to political manipulations, including being held prisoner by her own brother, Henry III of France. However, her life was anything but passive and she was famous for her beauty and sense of style, notorious for a licentious lifestyle, and also proved a competent memoirist. She was indeed one of the most fashionable women of her time, while imprisoned, she took advantage of the time to write her memoirs, which included a succession of stories relating to the disputes of her brothers Charles IX and Henry III with her husband. The memoirs were published posthumously in 1628, Margaret was born Marguerite de Valois on May 14,1553, at the royal Château de Saint-Germain-en-Laye, the seventh child and third daughter of Henry II and Catherine de Medici. Three of her brothers would become kings of France, Francis II, Charles IX and her sister, Elisabeth of Valois, would become the third wife of King Philip II of Spain. In 1565, her mother Catherine met with Philip IIs chief minister Duke of Alba at Bayonne in hopes of arranging a marriage between Margaret and Philips son Don Carlos, however, Alba refused any consideration of a dynastic marriage. Margaret was secretly involved with Henry of Guise, the son of the late Duke of Guise, when Catherine found this out, she had her daughter brought from her bed. Catherine and the king then beat her and sent Henry of Guise from court. The marriage of the 19-year-old Margaret to Henry, who had become King of Navarre upon the death of his mother, Jeanne dAlbret, the groom, a Huguenot, had to remain outside the cathedral during the religious ceremony. It was hoped this union would reunite family ties and create harmony between Catholics and the Protestant Huguenots, traditionally believed to have been instigated by Catherine de Medici, the marriage was an occasion on which many of the most wealthy and prominent Huguenots had gathered in largely Catholic Paris. Margaret has been credited with saving the lives of several prominent Protestants, including her husband, during the massacre, by keeping them in her rooms, Henry of Navarre had to feign conversion to Catholicism. After more than three years of confinement at court, Henry escaped Paris in 1576, leaving his wife behind, finally granted permission to return to her husband in Navarre, for the next three and a half years Margaret and her husband lived in Pau. Both openly kept other lovers, and they quarrelled frequently, after an illness in 1582, Queen Margaret returned to the court of her brother, Henry III, in Paris. Her brother was soon scandalized by her reputation and behavior, and forced her to leave the court, after long negotiations, she was allowed to return to her husbands court in Navarre, but she received an icy reception. Determined to overcome her difficulties, Queen Margaret masterminded a coup détat and seized power over Agen and she spent several months of fortifying the city, but the citizens of Agen revolted against her, and Queen Margaret fled to the castle of Carlat
26.
Henry IV of France
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Henry IV, also known by the epithet Good King Henry, was King of Navarre from 1572 to 1610 and King of France from 1589 to 1610. He was the first French monarch of the House of Bourbon, baptised as a Catholic but raised in the Protestant faith by his mother Jeanne dAlbret, Queen of Navarre, he inherited the throne of Navarre in 1572 on the death of his mother. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomews Day massacre, and later led Protestant forces against the royal army. Henry, as Head of the House of Bourbon, was a direct descendant of Louis IX of France. Upon the death of his brother-in-law and distant cousin Henry III of France in 1589 and he initially kept the Protestant faith and had to fight against the Catholic League, which denied that he could wear Frances crown as a Protestant. To obtain mastery over his kingdom, after four years of stalemate, as a pragmatic politician, he displayed an unusual religious tolerance for the era. Notably, he promulgated the Edict of Nantes, which guaranteed religious liberties to Protestants and he was assassinated in 1610 by François Ravaillac, a fanatical Catholic, and was succeeded by his son Louis XIII. Considered a usurper by some Catholics and a traitor by some Protestants, an unpopular king immediately after his accession, Henrys popularity greatly improved after his death, in light of repeated victories over his enemies and his conversion to Catholicism. The Good King Henry was remembered for his geniality and his concern about the welfare of his subjects. He was celebrated in the popular song Vive le roi Henri, Henry was born in Pau, the capital of the joint Kingdom of Navarre with the sovereign principality of Béarn. His parents were Queen Joan III of Navarre and her consort, Antoine de Bourbon, Duke of Vendôme, although baptised as a Roman Catholic, Henry was raised as a Protestant by his mother, who had declared Calvinism the religion of Navarre. As a teenager, Henry joined the Huguenot forces in the French Wars of Religion, on 9 June 1572, upon his mothers death, he became King of Navarre. At Queen Joans death, it was arranged for Henry to marry Margaret of Valois, daughter of Henry II, the wedding took place in Paris on 18 August 1572 on the parvis of Notre Dame Cathedral. On 24 August, the Saint Bartholomews Day Massacre began in Paris, several thousand Protestants who had come to Paris for Henrys wedding were killed, as well as thousands more throughout the country in the days that followed. Henry narrowly escaped death thanks to the help of his wife and he was made to live at the court of France, but he escaped in early 1576. On 5 February of that year, he formally abjured Catholicism at Tours and he named his 16-year-old sister, Catherine de Bourbon, regent of Béarn. Catherine held the regency for nearly thirty years, Henry became heir presumptive to the French throne in 1584 upon the death of Francis, Duke of Anjou, brother and heir to the Catholic Henry III, who had succeeded Charles IX in 1574. Because Henry of Navarre was the senior agnatic descendant of King Louis IX, King Henry III had no choice
27.
Henry III of France
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Henry III was a monarch of the House of Valois who was elected the monarch of the Polish-Lithuanian Commonwealth from 1573 to 1575 and ruled as King of France from 1574 until his death. He was the last French monarch of the Valois dynasty, as the fourth son of King Henry II of France and Catherine de Medici, Henry was not expected to assume the throne of France. He was thus a candidate for the vacant Commonwealth throne. Henrys rule over Commonwealth was brief, but notable, the Henrician Articles he signed into law accepting the Commonwealth throne established Poland as an elective monarchy subject to free election by the Polish nobility. Of his three brothers, two would live long enough to ascend the French throne, but both died young and without a legitimate male heir. He abandoned Commonwealth upon receiving word that he had inherited the throne of France at the age of 22, Henry III was himself a politique, arguing that a strong and religiously tolerant monarchy would save France from collapse. Henry IIIs legitimate heir was his distant cousin Henry, King of Navarre, the Catholic League, led by Henry I, Duke of Guise, sought to exclude Protestants from the succession and championed the Catholic Charles, Cardinal of Bourbon, as Henry IIIs heir. Henry was born at the royal Château de Fontainebleau, the son of King Henry II and Catherine de Medici and grandson of Francis I of France. His older brothers were Francis II of France, Charles IX of France and he was made Duke of Angoulême and Duke of Orléans in 1560, then Duke of Anjou in 1566. He was his mothers favourite, she called him chers yeux and lavished fondness and his elder brother, Charles, grew to detest him, partially because he resented his better health. In his youth, Henry was considered the best of the sons of Catherine de Medici, unlike his father and elder brothers, he had little interest in the traditional Valois pastimes of hunting and physical exercise. Although he was fond of fencing and skilled in it, he preferred to indulge his tastes for the arts. These predilections were attributed to his Italian mother, at one point in his youth he showed a tendency towards Protestantism as a means of rebelling. At the age of nine, calling himself a little Huguenot, he refused to attend Mass, sang Protestant psalms to his sister Margaret and his mother firmly cautioned her children against such behaviour, and he would never again show any Protestant tendencies. Instead, he became nominally Roman Catholic, reports that Henry engaged in same sex relations with his court favourites, known as the mignons, date back to his own time. Certainly he enjoyed relationships with them. The scholar Louis Crompton provides substantial contemporary evidence of Henry IIIs homosexuality, and it is difficult, he writes, to reconcile the king whose use of favourites is so logically strategic with the man who goes to pieces when one of them dies. In 1570, discussions commenced to arrange for Henry to court Queen Elizabeth I of England, Elizabeth, almost 37, was expected by many parties in her country to marry and produce an heir
28.
Claude Mollet
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As de Serres did, Mollet maintained two tree nurseries, in the outskirts of the Faubourg Saint-Honoré, west of Paris. He claimed to have introduced boxwood as an edging to his parterre patterns, Mollets volume Théâtre des plans et jardinages, which contains autobiographical information, was published by his son in 1652, after his death. The manuscript was written years before, about 1613–15. Online version of André Mollets Le jardin de plaisir Sten Karling, The importance of André Mollet, macDougall and F. Hamilton Hazlehurst, editors This is the basis for the information in this article
29.
Morus (plant)
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Morus, a genus of flowering plants in the family Moraceae, comprises 10–16 species of deciduous trees commonly known as mulberries, growing wild and under cultivation in many temperate world regions. The closely related genus Broussonetia is also known as mulberry, notably the paper mulberry. Mulberries are fast-growing when young, but soon become slow-growing and rarely exceed 10–15 metres tall, the leaves are alternately arranged, simple and often lobed and serrated on the margin. Lobes are more common on juvenile shoots than on mature trees, the trees can be monoecious or dioecious. The mulberry fruit is a fruit, approximately 2 to 3 cm long. Immature fruits are white, green, or pale yellow, in most species the fruits turn pink and then red while ripening, then dark purple or black, and have a sweet flavor when fully ripe. The fruits of the white-fruited cultivar are white when ripe, the fruit of this cultivar is also sweet, the taxonomy of Morus is complex and disputed. Morus classification is further complicated by widespread hybridisation, wherein the hybrids are fertile. Jams and sherbets are often made from the fruit in this region, black mulberry was imported to Britain in the 17th century in the hope that it would be useful in the cultivation of silkworms. It was much used in medicine, especially in the treatment of ringworm. Mulberries are also widespread in Greece, particularly in the Peloponnese, mulberries can be grown from seed, and this is often advised as seedling-grown trees are generally of better shape and health, but they are most often planted from large cuttings which root readily. The mulberry plants which are allowed to grow tall with a height of 5–6 feet from ground level. Usually, the plantation is raised and in formation with a spacing of 6 feet ×6 feet, or 8 feet ×8 feet, as plant to plant. The plants are usually pruned once a year during the season to a height of 5–6 feet. The leaves are harvested three or four times a year by a leaf-picking method under rain-fed or semiarid conditions, depending on the monsoon, the tree branches pruned during the fall season are cut and used to make durable baskets supporting agriculture and animal husbandry. Some North American cities have banned the planting of mulberries because of the amounts of pollen they produce. In actuality, only the male mulberry trees produce pollen, this light-weight pollen can be inhaled deeply into the lungs, conversely, female mulberry trees produce all-female flowers, which draw pollen and dust from the air. Because of this feature, all-female mulberry trees have an OPALS allergy scale rating of just 1
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Bombyx mori
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The silkworm is the larva or caterpillar of the domesticated silk moth, Bombyx mori. It is an important insect, being a primary producer of silk. A silkworms preferred food is white mulberry leaves, though they may eat other mulberry species, domestic silk moths are closely dependent on humans for reproduction, as a result of millennia of selective breeding. Wild silk moths are different from their cousins, they are not as commercially viable in the production of silk. The silkworm was domesticated from the wild silkmoth Bombyx mandarina, which has a range from northern India to northern China, Korea, Japan, the domesticated silkworm derives from Chinese rather than Japanese or Korean stock. Silkworms were unlikely to have been domestically bred before the Neolithic age, before then, the tools to manufacture quantities of silk thread had not been developed. The domesticated B. mori and the wild B. mandarina can still breed, mulberry silkworms can be categorized into three different but connected groups or types. The major groups of silkworms fall under the univoltine and bivoltine categories, the univoltine breed is generally linked with the geographical area within greater Europe. The eggs of this type hibernate during winter due to the cold climate, the second type is called bivoltine and is normally found in China, Japan, and Korea. The breeding process of this takes place twice annually, a feat made possible through the slightly warmer climates. The polyvoltine type of mulberry silkworm can only be found in the tropics, the eggs are laid by female moths and hatch within nine to 12 days, so the resulting type can have up to eight separate life cycles throughout the year. Eggs take about 14 days to hatch into larvae, which eat continuously and they have a preference for white mulberry, having an attraction to the mulberry odorant cis-jasmone. They are not monophagous since they can eat other species of Morus, as well as some other Moraceae and they are covered with tiny black hairs. When the color of their heads turns darker, it indicates they are about to molt, after molting, the instar phase of the silkworms emerge white, naked, and with little horns on their backs. After they have molted four times, their bodies become slightly yellow, the larvae then prepare to enter the pupal phase of their lifecycle, and enclose themselves in a cocoon made up of raw silk produced by the salivary glands. The final molt from larva to pupa takes place within the cocoon, to prevent this, silkworm cocoons are boiled. The heat kills the silkworms and the water makes the cocoons easier to unravel, often, the silkworm itself is eaten. As the process of harvesting the silk from the cocoon kills the larvae, sericulture has been criticized by animal welfare, mahatma Gandhi was critical of silk production based on the Ahimsa philosophy not to hurt any living thing
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La Samaritaine
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La Samaritaine was a large department store in Paris, France, located in the first arrondissement. The nearest métro station is Pont-Neuf, directly in front at the quai du Louvre and it is currently owned by LVMH, a luxury-goods maker. The store, which had been operating at a loss since the 1970s, was closed in 2005 purportedly because the building did not meet safety codes. In 2010 it was announced that a Japanese firm had been chosen to redesign the building as a combination hotel/apartments/offices. The store was first opened in 1869 by Ernest Cognacq and Marie-Louise Jaÿ, his wife and incidentally the first clothing vendor at Le Bon Marché, a rival department store. Cognacq began his trade selling ties under an umbrella on the Pont Neuf, then took a space on the rue de la Monnaie, starting out on a small scale with a very small boutique. By 1900, the couple had decided to expand their enterprise, giving birth to the edifice seen today. Inspired by the methods of Aristide Boucicaut to those of Le Bon Marché. Cognacq arranged La Samaritaine as a collection of individually owned stores, through the steady acquisition of neighboring buildings, Ernest Cognacq regularly expanded what could no longer be called a boutique. The surrounding city blocks were entirely reworked and reconstructed progressively from 1883 to 1933, further structural changes were successfully completed in 1933 by Henri Sauvage who, in his turn, reworked the architecture to reflect the aesthetic principles of Art Déco. The result was a department store, one that is today considered a historical monument. La Samaritaine was bought in 2001 by LVMH, the company that had just previously purchased Le Bon Marché. On 15 June 2005, in order to update the 19th-century building to modern standards of security, or for purposes of restructuring, as the labor unions believe, LVMH selected the Japanese architectural firm SANAA to renovate the building. The name La Samaritaine comes from a used to draw river water for public use, adjacent to the Pont Neuf. On the front of the pump was a gilded bas-relief of the Samaritan Woman drawing water for Jesus as described in the Fourth Chapter of Johns Gospel. Cognacq began operating under a canopy in a stand he set up in one of the bridges characteristic corbeilles or semi-circular balconies, La Samaritaine was well known in the 20th century for its rooftop café, which afforded excellent views of the city. La Samaritaine featured in the 1991 film Les Amants du Pont-Neuf and part of the 2012 film Holy Motors is set in and around the shell of the building, both directed by Leos Carax. The rooftop café of La Samaritaine and a clip of Pont Neuf also feature in the 2002 movie The Bourne Identity, directed by Doug Liman
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Pont Neuf
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The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. Its name, which was given to distinguish it from older bridges that were lined on both sides with houses, has remained after all of those were replaced. The bridge is composed of two spans, one of five arches joining the left bank to the Île de la Cité. Today the tip of the island is the location of the Square du Vert-Galant, as early as 1550, Henry II was asked to build a bridge here because the existing Pont Notre-Dame was overloaded, but the expense was too much at the time. In February 1578, the decision to build the bridge was made by Henry III who laid its first stone in 1578, further design changes were made during the summer of 1579. First, the number of arches was changed from eight and four to seven, second, it was decided to allow houses to be built on the bridge. This required the widening of the bridge, the remaining piers were built over the next nine years. After a long delay beginning in 1588, due to political unrest, the bridge was opened to traffic in 1604 and completed in July 1606. It was inaugurated by Henri IV in 1607, like most bridges of its time, The Pont Neuf is constructed as a series of many short arch bridges, following Roman precedents. The bridge had heavy traffic from the beginning, it was for a time the widest bridge in Paris. In 1885, one of the piers of the arm was undermined. A major restoration of the Pont Neuf was begun in 1994 and was completed in 2007, the mascarons are the stone masks,381 in number, each being different and which decorate the sides of the bridge. They represent the heads of forest and field divinities from ancient mythology, as well as satyrs, the mascarons remained in place until 1851-1854, when the bridge was completely rebuilt. At that time six of the original mascarons from the 16th century were placed in the Musée Carnavalet, eight other originals were first placed in the Musée national du Moyen Âge, and are now in the French National Museum of the Renaissance in the Château dÉcouen. Fontenelle made sixty-one masks which are found on the side of the bridge between the right bank and the Île de la Cité. After his death, Giambolognas assistant Pietro Tacca completed the statue and it was destroyed in 1792 during the French Revolution, but was rebuilt in 1818, following the restoration of the Bourbon monarchy. Bronze for the new statue was obtained with the bronze from a statue of Louis Charles Antoine Desaix, as well as from the statue of Napoleon in Place Vendôme, the new statue was cast from a mold made using a surviving cast of the original. The last Grand Master of the Knights Templar, Jacques de Molay, was burned at the stake on March 18,1314, on the Île aux Juifs, the execution was ordered by Philippe le Bel after Jacques retracted all of his previous confessions, which outraged Philip
33.
Charles V of France
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Charles V, called the Wise, was a monarch of the House of Valois who ruled as King of France from 1364 to his death. In 1349, as a prince, Charles received from his grandfather King Philip VI the province of Dauphiné to rule. This allowed him to bear the title Dauphin until his coronation, after 1350, all heirs apparent of France bore the title of Dauphin until their coronation. Charles became regent of France when his father John II was captured by the English at the Battle of Poitiers in 1356. With the help of talented advisers known as the Marmousets, his management of the kingdom allowed him to replenish the royal treasury. He established the first permanent army paid with regular wages, which liberated the French populace from the companies of routiers who regularly plundered the country when not employed. Furthermore, the French Navy, led by Jean de Vienne and he was succeeded by his son Charles VI the Mad, whose disastrous reign allowed the English to regain control of large parts of France. Charles was born at the Château de Vincennes outside of Paris, the future king was highly intelligent but physically weak, with pale skin and a thin, ill-proportioned body. This made a sharp contrast to his father, who was tall, strong, as neither the pope nor the emperor wanted to buy, the transaction was concluded with Philip VI. Under the Treaty of Romans, the Dauphiné of Viennois was to be held by a son of the future king John the Good, so it was Charles, the eldest son of the latter, who became the first Dauphin. At the age of twelve, he was confronted with the exercise of power while staying in Grenoble. A few days after his arrival, the people of Grenoble were invited to the Place Notre-Dame, young Charles took his place next to Bishop John of Chissé and received the oath of allegiance of the people. On April 8,1350 at Tain-lHermitage, the Dauphin married his cousin Joanna of Bourbon at the age of 12, the prior approval of the pope was obtained for this consanguineous marriage. The marriage was delayed by the death of his mother Bonne of Luxembourg and his grandmother Joan the Lame, the dauphin himself had been seriously ill from August to December 1349. Gatherings were limited to slow the spread of the then raging in Europe. Despite his young age, the applied to be recognized by his subjects. Charles was recalled to Paris at the death of his grandfather Philip VI, the legitimacy of John the Good, and that of the Valois in general, was not unanimous. His father, Philip VI, had lost all credibility with the disasters of Crecy, Calais, the ravages of the plague, the royal clan had to cope with opposition from all sides in the kingdom
34.
Fronde
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The Fronde was a series of civil wars in France between 1648 and 1653, occurring in the midst of the Franco-Spanish War, which had begun in 1635. The king confronted the opposition of the princes, the nobility, the law courts, and most of the French people. The Fronde was divided into two campaigns, the Fronde of the parlements and the Fronde of the nobles, the timing of the outbreak of the Fronde des parlements, directly after the Peace of Westphalia that ended the Thirty Years War, was significant. A. Lloyd Moote argues that Cardinal Mazarin blundered into the crisis, the Fronde represented the final attempt of the French nobility to do battle with the king, and they were humiliated. The long-term result was to strengthen Royal authority, but to weaken the economy, the Fronde facilitated the emergence of absolute monarchy. The French word fronde means sling, Parisian crowds used slings to smash the windows of supporters of Cardinal Mazarin, the Fronde in the end provided an incentive for the establishment of royalist absolutism, since the disorders eventually discredited the feudal concept of liberty. The pressure that saw the traditional liberties under threat came in the form of extended and increased taxes as the Crown needed to recover from its expenditures in the recent wars. The costs of the Thirty Years War constrained Mazarins government to raise funds by means, the impôts, the taille. The nobility refused to be so taxed, based on their old liberties, or privileges, and the brunt fell upon the bourgeoisie. When Louis XIV became king in 1643, he was only a child, most historians consider that Louiss later insistence on absolutist rule and depriving the nobility of actual power was a result of these events in his childhood. The military record of the first Fronde is almost blank, the noble faction demanded the calling of an assembly of the Estates General. The nobles believed that in the Estates-General they could continue to control the element as they had in the past. The royal faction, having no army at its disposal, had to release the prisoners. But Frances signing of the Peace of Westphalia allowed the French army to return from the frontiers, the two warring parties signed the Peace of Rueil after little blood had been shed. From then on the Fronde became a story of intrigues, half-hearted warfare in a scramble for power and control of patronage, the military operations fell into the hands of war-experienced mercenaries, led by two great, and many lesser, generals. The peace of Rueil lasted until the end of 1649, the princes, received at court once more, renewed their intrigues against Mazarin. On 14 January 1650, Cardinal Mazarin, having come to an understanding with Monsieur Gondi and Madame de Chevreuse, suddenly arrested Condé, Conti, the war which followed this coup is called the Princes Fronde. This time it was Turenne, before and afterwards the most loyal soldier of his day, listening to the promptings of Madame de Longueville, he resolved to rescue her brother Condé, his old comrade in the battles of Freiburg and Nördlingen
35.
Louis XIV of France
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Louis XIV, known as Louis the Great or the Sun King, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch of a country in European history. In the age of absolutism in Europe, Louis XIVs France was a leader in the centralization of power. Louis began his rule of France in 1661, after the death of his chief minister. By these means he became one of the most powerful French monarchs, under his rule, the Edict of Nantes, which granted rights to Huguenots, was abolished. The revocation effectively forced Huguenots to emigrate or convert in a wave of dragonnades, which managed to virtually destroy the French Protestant minority. During Louis reign, France was the leading European power, and it fought three wars, the Franco-Dutch War, the War of the League of Augsburg. There were also two lesser conflicts, the War of Devolution and the War of the Reunions, warfare defined Louis XIVs foreign policies, and his personality shaped his approach. Impelled by a mix of commerce, revenge, and pique, in peacetime he concentrated on preparing for the next war. He taught his diplomats their job was to create tactical and strategic advantages for the French military, Louis XIV was born on 5 September 1638 in the Château de Saint-Germain-en-Laye, to Louis XIII and Anne of Austria. He was named Louis Dieudonné and bore the title of French heirs apparent. At the time of his birth, his parents had married for 23 years. His mother had experienced four stillbirths between 1619 and 1631, leading contemporaries thus regarded him as a divine gift and his birth a miracle of God. Sensing imminent death, Louis XIII decided to put his affairs in order in the spring of 1643, in defiance of custom, which would have made Queen Anne the sole Regent of France, the king decreed that a regency council would rule on his sons behalf. His lack of faith in Queen Annes political abilities was his primary rationale and he did, however, make the concession of appointing her head of the council. Louis relationship with his mother was uncommonly affectionate for the time, contemporaries and eyewitnesses claimed that the Queen would spend all her time with Louis. Both were greatly interested in food and theatre, and it is likely that Louis developed these interests through his close relationship with his mother. This long-lasting and loving relationship can be evidenced by excerpts in Louis journal entries, such as, but attachments formed later by shared qualities of the spirit are far more difficult to break than those formed merely by blood
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Israel Silvestre
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Orphaned at an early age, he was taken in by his uncle in Paris, Israel Henriet, an etcher and print-seller, and friend of Jacques Callot. Between 1630 and 1650 Silvestre travelled widely in France, Spain and Italy and his work, especially of Venetian subjects published in the 1660s, influenced eighteenth-century painters of vedute such as Luca Carlevaris and Canaletto, who adapted his compositions. In 1661 he inherited the stock of plates of his uncle, the printseller Israel Henriet, among which was a part of the works of Callot. In 1662 he was appointed dessinateur et graveur du Roi and in 1673 he was appointed drawing-master to Louis, le Grand Dauphin. From 1668 he was granted space in the galleries of the Louvre. Silvestres atelier was large, he had at least two pupils who had careers as engravers, François Noblesse and Meunier. In 1670 Charles Le Brun recommended him for membership in the Académie royale de peinture et de sculpture, in 1675 his son, the artist Louis de Silvestre, was born at Sceaux. At his death he left a collection of drawings, more than a thousand engravings. The family collection was sold at auction in 1810, the royal party at the enchanted gardens at the Royal Opera of Versailles, theater during the reign of Louis XIV, on May 7-131664. List of engravings by Israel Silvestre
37.
Louis Le Vau
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Louis Le Vau was a French Classical architect who worked for Louis XIV of France. He was born and died in Paris and he was responsible, with André Le Nôtre and Charles Le Brun, for the redesign of the château of Vaux-le-Vicomte. His later works included the Palace of Versailles and his collaboration with Claude Perrault on the Palais du Louvre, sulpice, and Hôtel Lambert, on the Île Saint-Louis, Paris. La peinture à Versailles, XVIIe siècle, Louis Le Vau, Mazarins Collège, Colberts Revenge. La Collection de portraits de lAcadémie royale de Peinture et de Sculpture, Peintures entrées sous le règne de Louis XIV (1648–1715, université de Paris IV,1994, pp. 164–166. Portraits des premiers architectes de Versailles, Revue des Arts, March 1955, françois dOrbay, Architecte de Louis XIV. Media related to Louis Le Vau at Wikimedia Commons
38.
Place du Carrousel
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The Place du Carrousel is a public square in the 1st arrondissement of Paris, located at the open end of the courtyard of the Louvre Palace, a space occupied, prior to 1883, by the Tuileries Palace. Sitting directly between the museum and the Tuileries Garden, the Place du Carrousel delineates the end of the gardens just as the Place de la Concorde defines its western end. The name carrousel refers to a type of military dressage, an equine demonstration now commonly called military drill, the Place du Carrousel was named in 1662, when it was used for such a display by Louis XIV. The king and queen were installed in the Tuileries Palace under surveillance, during this time, there were many plots designed to help members of the royal family escape from France. The queen rejected several because she would not leave without the king, other opportunities to rescue the family were ultimately frittered away by the indecisive king. After many delays, the escape occurred on 21 June 1791. An hour and a later, the palace was invaded by the mob. They massacred the Swiss Guards, who fought with blind dedication and desperation, some seven hundred were killed, and their bloodied bodies decorated the yard in front of the palace, in the gardens of the palace, and along the banks of the Seine. On 13 August, the family was imprisoned in the tower of the Temple in the Le Marais district. On 21 August 1792, the guillotine was erected in the Place du Carrousel, in total, thirty-five people were guillotined there. On 2 August 1793, at the site of the guillotine. It bore an inscription, To the spirit of the late Marat,13 July, from his underground tomb, he still makes the traitors tremble. A treacherous hand thwarted the affections of the people, there was also an exhibit of the famous hip bath of Marat and his desk where some of his most impassioned polemics were drafted. These items stayed in place until 9 Thermidor Year II, during the revolution of 1848, the Tuileries Palace was looted and severely damaged by rioters. The fire lasted for hours and entirely consumed the palace. The ruins of the Tuileries stood on the site for eleven years, in 1882, the French National Assembly voted for the demolition of the ruins, and, despite much contrary sentiment, this was accomplished in 1883. The salvageable remains of the building were sold to a private entrepreneur, once the palace had been cleared away, the ground, which had been known as the Place du Carrousel since 1662, could, once again, be used as a public square. It is an arch that was commissioned in 1806 to commemorate Napoleons military victories of the previous year
39.
Jean-Baptiste Colbert
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Jean-Baptiste Colbert was a French politician who served as the Minister of Finances of France from 1665 to 1683 under the rule of King Louis XIV. His relentless hard work and thrift made him an esteemed minister and he achieved a reputation for his work of improving the state of French manufacturing and bringing the economy back from the brink of bankruptcy. Historians note that, despite Colberts efforts, France actually became increasingly impoverished because of the Kings excessive spending on wars, Colbert worked to create a favourable balance of trade and increase Frances colonial holdings. He also founded royal tapestry works at Gobelins and supported those at Beauvais, Colbert worked to develop the domestic economy by raising tariffs and by encouraging major public works projects. Colbert also worked to ensure that the French East India Company had access to markets, so that they could always obtain coffee, cotton, dyewoods, fur, pepper. In addition, Colbert founded the French merchant marine, Colbert issued more than 150 edicts to regulate the guilds. One such law had the intention of improving the quality of cloth, the edict declared that if the authorities found a merchants cloth unsatisfactory on three separate occasions, they were to tie him to a post with the cloth attached to him. Colberts father and grandfather operated as merchants in his birthplace of Reims and he claimed to have Scottish ancestry. A general belief exists that he spent his youth at a Jesuit college, working for a Parisian banker. Before the age of 20, Colbert had a post in the war office, Colbert spent some time as an inspector of troops, eventually becoming the personal secretary of Le Tellier. In 1647, through means, Colbert acquired the confiscated goods of an uncle. In 1648, he and his wife Marie Charron, received 40,000 crowns from an unknown source, in 1657, he purchased the Barony of Seignelay. Colbert was recommended to King Louis XIV by Mazarin, while Cardinal Mazarin was in exile, Louis trust in Colbert grew. In 1652 Colbert was asked to manage the affairs of the Cardinal while he was away and this new responsibility would detach Colbert from his other responsibility as commissaire des guerres. Although Colbert was not a supporter of Mazarin in principle, he would defend the cardinals interests with unflagging devotion. Colberts earliest recorded attempt at tax reform came in the form of a mémoire to Mazarin, showing that of the taxes paid by the people, the paper also contained an attack upon the Superintendent Fouquet. The postmaster of Paris, a spy of Fouquets, read the letter, in 1661, Mazarin died and Colbert made sure of the Kings favour by revealing the location of some of Mazarins hidden wealth. In short, Colbert acquired power in every department except that of war, a great financial and fiscal reform at once claimed all his energies
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French formal garden
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The French formal garden, also called the jardin à la française, is a style of garden based on symmetry and the principle of imposing order on nature. The Garden à la française evolved from the French Renaissance garden, the gardens were designed to represent harmony and order, the ideals of the Renaissance, and to recall the virtues of Ancient Rome. His successor Henry II, who had traveled to Italy and had met Leonardo da Vinci. The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, in 1536 the architect Philibert de lOrme, upon his return from Rome, created the gardens of the Château dAnet following the Italian rules of proportion. The different parts of the gardens were not harmoniously joined together, all this was to change in the middle of the 17th century with the development of the first real Garden à la française. The first important garden à la française was the Chateau of Vaux-le-Vicomte, created by Nicolas Fouquet, Fouquet commissioned Louis Le Vau to design the chateau, Charles Le Brun to design statues for the garden, and André Le Nôtre to create the gardens. For the first time, that garden and the chateau were perfectly integrated, the symmetry attained at Vaux achieved a degee of perfection and unity rarely equalled in the art of classic gardens. The chateau is at the center of this spatial organization which symbolizes power. The Gardens of Versailles, created by André Le Nôtre between 1662 and 1700, were the greatest achievement of the Garden à la francaise. The central symbol of the Garden was the sun, the emblem of Louis XIV, the views and perspectives, to and from the palace, continued to infinity. The king ruled over nature, recreating in the not only his domination of his territories. Andre Le Nôtre died in 1700, but his pupils and his ideas continued to dominate the design of gardens in France through the reign of Louis XV. The major inspiration for gardens continued to be architecture, rather than nature – the architect Ange-Jacques Gabriel designed elements of the gardens at Versailles, Choisy, nonetheless, a few variations in the strict geometry of the garden à la française began to appear. Elaborate parterres of broderies, with their curves and counter-curves, were replaced by parterres of grass bordered with flowerbeds, circles became ovals, called rotules, with alleys radiating outward in the shape of an x, and irregular octagon shapes appeared. Gardens began to follow the landscape, rather than moving earth to shape the ground into artificial terraces. Jacques Boyceau, sieur de la Barauderie the superintendent of royal gardens under Louis XIII and his book, Traité du jardinage selon les raisons de la nature et de lart. Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements was published after his death in 1638, claude Mollet, was the chief gardener of three French Kings, Henry IV, Louis XIII and the young Louis XIV. The gardens he created became the symbols of French grandeur and rationality, joseph-Antoine Dezallier dArgenville wrote Theorie et traite de jardinage, laid out the principles of the Garden à la francaise, and included drawings and designs of gardens and parterres
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Vaux-le-Vicomte
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The Château de Vaux-le-Vicomte is a baroque French château located in Maincy, near Melun,55 kilometres southeast of Paris in the Seine-et-Marne département of France. At Vaux-le-Vicomte, the architect Louis Le Vau, the landscape architect André le Nôtre, and their collaboration marked the beginning of the Louis XIV style combining architecture, interior design and landscape design. The gardens pronounced visual axis is an example of this style, Fouquet was an avid patron of the arts, attracting many artists with his generosity. When Fouquet became King Louis XIVs superintendent of finances in 1657, he commissioned Le Vau, Le Brun and Le Nôtre to renovate his estate, fouquet’s artistic and cultivated personality subsequently brought out the best in the three. To secure the necessary grounds for the plans for Vaux-le-Vicomte’s garden and castle. The displaced villagers were employed in the upkeep and maintenance of the gardens. It was said to have employed 18 thousand workers and cost as much as 16 million livres, the château and its patron became for a short time a focus for fine feasts, literature and arts. The poet Jean de La Fontaine and the playwright Molière were among the close to Fouquet. At the inauguration of Vaux-le-Vicomte, a Molière play was performed, along with an event organized by François Vatel. The celebration had been too impressive and the superintendents home too luxurious, Fouquets intentions were to flatter the king, part of Vaux-le-Vicomte was actually constructed specifically for the king, but Fouquets plan backfired. Jean-Baptiste Colbert led the king to believe that his ministers magnificence was funded by the misappropriation of public funds, Colbert, who then replaced Fouquet as superintendent of finances, arrested him. Later, Voltaire was to sum up the famous fête, On 17 August, at six in the evening Fouquet was the King of France, La Fontaine wrote describing the fête and shortly afterwards penned his Elégie aux nymphes de Vaux. After Fouquet was arrested and imprisoned for life and his wife exiled, the king seized, confiscated or purchased 120 tapestries, the statues and all the orange trees from Vaux-le-Vicomte. He then sent the team of artists to design what would be a larger project than Vaux-le-Vicomte. Madame Fouquet recovered her property 10 years later and retired there with her eldest son, in 1705, after the death of her husband and son, she decided to put Vaux-le-Vicomte up for sale. Marshal Claude Louis Hector de Villars became the new owner without first seeing the chateau, in 1764, the Marshals son sold the estate to the Duke of Praslin, whose descendants would maintain the property for over a century. In 1875, after thirty years of neglect, the estate was sold to Alfred Sommier in a public auction, the château was empty, some of the outbuildings had fallen into ruin and the famous gardens were totally overgrown. The huge task of restoration and refurbishment began under the direction of the architect Gabriel-Hippolyte Destailleur, when Sommier died in 1908, the château and the gardens had recovered their original appearance
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Gardens of Versailles
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The Gardens of Versailles occupy part of what was once the Domaine royal de Versailles, the royal demesne of the château of Versailles. Situated to the west of the palace, the gardens cover some 800 hectares of land, in addition to the meticulous manicured lawns, parterres of flowers, and sculptures are the fountains, which are located throughout the garden. Dating from the time of Louis XIV and still using much of the network of hydraulics as was used during the Ancien Régime. On weekends from spring to early autumn, the administration of the museum sponsors the Grandes Eaux – spectacles during which all the fountains in the gardens are in full play. In 1979, the gardens along with the château were inscribed on the UNESCO World Heritage List, one of thirty-one such designations in France. With Louis XIII’s final purchase of lands from Jean-François de Gondi in 1632 and his assumption of the role of Versailles in the 1630s. Records indicate that late in the decade Claude Mollet and Hilaire Masson designed the gardens and this early layout, which has survived in the so-called Du Bus plan of c.1662, shows an established topography along which lines of the gardens evolved. This is evidenced in the definition of the main east-west. From this point forward, the expansion of the gardens of Versailles followed the expansions of the château, accordingly, Louis XIVs building campaigns apply to the gardens as well. At every stage the prescribed tour was managed, under the Sun Kings directions. First building campaign In 1662, minor modifications to the château were undertaken, existing bosquets and parterres were expanded and new ones created. Most significant among the creations at this time were the Orangerie, the Versailles Orangery, which was designed by Louis Le Vau, was located south of the château, a situation that took advantage of the natural slope of the hill. It provided an area in which orange trees were kept during the winter months. The Grotte de Thétys, which was located to the north of the château, formed part of the iconography of the château, the grotto would be completed during the second building campaign. By 1664, the gardens had evolved to the point that Louis XIV inaugurated the gardens with the fête galante called Les Plaisirs de l’Île Enchantée. The event, which officially was to celebrate his mother, Anne d’Autriche, guests were regaled with fabulous entertainments in the gardens over a period of one week. As a result of this fête – particularly the lack of housing for guests, Louis realized the shortcomings of Versailles and began to expand the château and the gardens once again. With this new phase of construction, the gardens assumed the topographical and iconological design vocabulary that would remain in force until the 18th century. ”
43.
Charles Perrault
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Charles Perrault was a French author and member of the Académie Française. He laid the foundations for a new genre, the fairy tale. The best known of his tales include Le Petit Chaperon Rouge, Cendrillon, Le Chat Botté, La Belle au bois Dormant, some of Perraults versions of old stories have influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have adapted to opera, ballet, theatre. Perrault was a figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients. Perrault was born in Paris to a bourgeois family, the seventh child of Pierre Perrault. He attended very good schools and studied law before embarking on a career in government service and he took part in the creation of the Academy of Sciences as well as the restoration of the Academy of Painting. In 1654, he moved in with his brother Pierre, who had purchased a post as the tax collector of the city of Paris. When the Academy of Inscriptions and Belles-Lettres was founded in 1663, Perrault was appointed its secretary and served under Jean Baptiste Colbert, Jean Chapelain, Amable de Bourzeys, and Jacques Cassagne were also appointed. His design was chosen over designs by Gian Lorenzo Bernini and François Mansart, in 1668, Perrault wrote La Peinture to honor the kings first painter, Charles Le Brun. He also wrote Courses de tetes et de bague, written to commemorate the 1662 celebrations staged by Louis for his mistress, Louise-Françoise de La Baume le Blanc, Perrault was elected to the Académie française in 1671. He married Marie Guichon, age 19, in 1672, she died in 1678, in 1669 Perrault advised Louis XIV to include thirty-nine fountains each representing one of the fables of Aesop in the labyrinth of Versailles in the gardens of Versailles. The work was carried out between 1672 and 1677, water jets spurting from the animals mouths were conceived to give the impression of speech between the creatures. There was a plaque with a caption and a written by the poet Isaac de Benserade next to each fountain. Perrault produced the guidebook for the labyrinth, Labyrinte de Versailles, printed at the press, Paris, in 1677. Philippe Quinault, a family friend of the Perraults, quickly gained a reputation as the librettist for the new musical genre known as opera. He was on the side of the Moderns and wrote Le Siècle de Louis le Grand, Le Siècle de Louis le Grand was written in celebration of Louis XIVs recovery from a life-threatening operation. Perrault argued that because of Louiss enlightened rule, the present age was superior in respect to ancient times
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Antoine Coysevox
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Charles Antoine Coysevox, French sculptor, was born at Lyon, and belonged to a family which had emigrated from Franche-Comté, a Spanish possession at the time. The name should be pronounced quazevo, in 1666, he married Marguerite Quillerier, Leramberts niece, who died a year after the marriage. In 1671, after four years spent working at Saverne, which was destroyed by fire in 1780. In 1676, his bust of the kings painter Charles Le Brun obtained admission for him to the Académie Royale, a year later he married Claude Bourdict. For niches on the façade of Jules Hardouin-Mansarts royal chapel at Les Invalides, on the upper storey stand his Cardinal Virtues. He executed Justice and Force and the River Garonne at Versailles, models in weather-resistant stucco were set up in 1699, replaced by marbles when they were finished in 1705. The groups were seized as biens nationaux in 1796 and dispersed, the Seine and Marne went to Saint-Cloud, Coysevox died in Paris,10 October 1720. Besides the works given above, he carved about a dozen monuments, including those to Colbert, to Cardinal Mazarin. Between 1708 and 1710 Coysevox produced three sculptures for Marly, a Pan, flanked by a Flora and a Dryad. A highly finished terracotta bozzetto or reduction of the Dryad, signed and dated 1709, is in the Ashmolean Museum, among the pupils of Coysevox were Nicolas and Guillaume Coustou and René Frémin. This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Coysevox. François Souchal, Françoise de La Mourèyre, Henriette Dumuis, French Sculptors of the 17th and 18th Centuries, contains the latest, revised biography and list of works. Web Gallery of Art Art Renewal Center Louvre Database Insecula Catholic Encyclopedia article Antoine Coysevox in American public collections, on the French Sculpture Census website
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