1.
Arno
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The Arno is a river in the Tuscany region of Italy. It is the most important river of central Italy after the Tiber, the river originates on Mount Falterona in the Casentino area of the Apennines, and initially takes a southward curve. The river turns to the west near Arezzo passing through Florence, Empoli and Pisa, with a length of 241 kilometres, it is the largest river in the region. It has many tributaries, Sieve at 60 kilometres long, Bisenzio at 49 kilometres, and the Era, Elsa, Pesa, the Val di Chiana, a plain drained in the 18th century, which until then had been a marshy area tributary of the Tiber. The upper Valdarno, a valley bordered on the east by the Pratomagno massif. The Sieves basin, which flows into the Arno immediately before Florence, the middle Valdarno, with the plain including Florence, Sesto Fiorentino, Prato, and Pistoia. The lower Valdarno, with the valley of important tributaries such as the Pesa, Elsa, and Era and in which, after Pontedera, the Arno flows into the Ligurian Sea. The river has a variable discharge, ranging from about 6 cubic metres per second to more than 2,000 cubic metres per second. The mouth of the river was once near Pisa but is now several kilometres westwards and it crosses Florence, where it passes below the Ponte Vecchio and the Santa Trìnita bridge. The flow rate of the Arno is irregular and it is sometimes described as having a torrentlike behaviour, because it can easily go from almost dry to near flood in a few days. At the point where the Arno leaves the Apennines, flow measurements can vary between 0.56 and 3,540 cubic metres per second, new dams built upstream of Florence have greatly alleviated the problem in recent years. The flood on November 4,1966, collapsed the embankment in Florence, killing at least 40 people and damaging or destroying millions of works of art, new conservation techniques were inspired by the disaster, but even decades later hundreds of works still await restoration. The philologist Hans Krahe related this toponym on a paleo-European basis *Ar-n-, derived from the Proto-Indo-European root *er-, flow, move
2.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Art museum
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An art museum or art gallery is a building or space for the exhibition of art, usually visual art. Museums can be public or private, but what distinguishes a museum is the ownership of a collection, the term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand, private galleries refers to the commercial enterprises for the sale of art, however, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere. In broad terms, in North American usage, the word gallery alone often implies a private gallery, the term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are found clustered together in large urban centers. Smaller cities are home to at least one gallery, but they may also be found in towns or villages. Contemporary art galleries are open to the general public without charge, however. They usually profit by taking a portion of art sales, from 25% to 50% is typical, there are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly, a gallerys definition can also include the artist cooperative or artist-run space, which often operates as a space with a more democratic mission and selection process. A vanity gallery is an art gallery that charges fees from artists in order to show their work, the shows are not legitimately curated and will frequently or usually include as many artists as possible. Most art professionals are able to identify them on an artists resume, University art museums and galleries constitute collections of art that are developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in both the West and East, making it a global practice, although largely overlooked, there are over 700 university art museums in America alone. This number, in comparison to other kinds of art museums, throughout history, large and expensive works of art have generally been commissioned by religious institutions and monarchs and been displayed in temples, churches, and palaces. Although these collections of art were private, they were made available for viewing for a portion of the public. In classical times, religious institutions began to function as a form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects often donated their collections to temples and it is unclear how easy it was in practice for the public to view these items. At the Palace of Versailles, entrance was restricted to wearing the proper apparel – the appropriate accessories could be hired from shops outside
5.
Hellenistic art
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A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was largely a continuation of Hellenistic trends. The term Hellenistic refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the Hellenizing of the world, in artistic terms this means that there is huge variety which is often put under the heading of Hellenistic Art for convenience. Each of these dynasties practiced a royal patronage which differed from those of the city-states, in Alexanders entourage were three artists, Lysippus the sculptor, Apelles the painter, and Pyrgoteles the gem cutter and engraver. The period after his death was one of prosperity and considerable extravagance for much of the Greek world. Royalty became important patrons of art, Sculpture, painting and architecture thrived, but vase-painting ceased to be of great significance. Metalwork and a variety of luxury arts produced much fine art. Some types of art were increasingly sophisticated. There has been a trend in writing history to depict Hellenistic art as a decadent style, the 18th century terms Baroque and Rococo have sometimes been applied to the art of this complex and individual period. A renewed interest in historiography as well as recent discoveries, such as the tombs of Vergina. In the architectural field, the dynasties following Hector resulted in vast urban plans, the Doric Temple was virtually abandoned. This city planning was quite innovative for the Greek world, rather than manipulating space by correcting its faults, One notes the appearance of many places of amusement and leisure, notably the multiplication of theatres and parks. The Hellenistic monarchies were advantaged in this regard in that often had vast spaces where they could build large cities, such as Antioch, Pergamon. It was the time of gigantism, thus it was for the temple of Apollo at Didyma. It was designed by Daphnis of Miletus and Paionios of Ephesus at the end of the fourth century BC, the Corinthian order was used for the first time on a full-scale building at the Temple of Olympian Zeus. Pergamon in particular is an example of Hellenistic architecture. Starting from a fortress located on the Acropolis, the various Attalid kings set up a colossal architectural complex. The buildings are fanned out around the Acropolis to take account the nature of the terrain
6.
Niobe
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In Greek mythology, Niobe was a daughter of Tantalus and of either Dione, the most frequently cited, or of Eurythemista or Euryanassa, and the sister of Pelops and Broteas. Her father was the ruler of a city located near Manisa in todays Aegean Turkey that was called Tantalis or the city of Tantalus, or Sipylus. The city was located at the foot of Mount Sipylus and its ruins were reported to be visible in the beginning of the 1st century AD. Pliny reports that Tantalis was destroyed by an earthquake and the city of Sipylus was built in its place. References to his son and Niobes brother as Pelops the Lydian led some scholars to the conclusion that there would be grounds for believing that she belonged to a primordial house of Lydia. Once the gods interred them, she retreated to her native Sipylus, where Nymphs dance around the River Acheloos, and although being a stone, she broods over the sorrows sent from the Gods. Later writers asserted that Niobe was wedded to Amphion, one of the founders of Thebes, where there was a single sanctuary where the twin founders were venerated. Niobe boasted of her fourteen children, seven male and seven female, the number varies in different sources. Her attire was splendid with gold and gems, and her face as beautiful as the face of a woman can be. She stood and surveyed the people with haughty looks, what folly, said she, is this. To prefer beings whom you never saw to those who stand before your eyes, why should Latona be honored with worship rather than I. My father was Tantalus, who was received as a guest at the table of the gods and my husband built and rules this city, Thebes, and Phrygia is my paternal inheritance. Wherever I turn my eyes I survey the elements of my power, nor is my form, to all this let me add, I have seven sons and seven daughters, and look for sons-in-law and daughters-in-law of pretensions worthy of my alliance. Have I not cause for pride, will you prefer to me this Latona, the Titans daughter, with her two children. I have seven times as many, fortunate indeed am I, and fortunate I shall remain. Using arrows, Artemis killed Niobes daughters and Apollo killed Niobes sons, according to some versions, at least one Niobid was spared. Their father, Amphion, at the sight of his dead sons, devastated, Niobe fled back to Mount Sipylus and was turned into stone, and, as she wept unceasingly, waters started to pour from her petrified complexion. Mount Sipylus indeed has a rock formation which resembles a female face
7.
Piazza della Signoria
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Piazza della Signoria is an L-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio and it is the focal point of the origin and of the history of the Florentine Republic and still maintains its reputation as the political hub of the city. It is the place of Florentines as well as the numerous tourists, located near Plazzo Vecchio and Piazza del Duomo. The impressive 14th-century Palazzo Vecchio is still preeminent with its crenellated tower, the square is also shared with the Loggia della Signoria, the Uffizi Gallery, the Palace of the Tribunale della Mercanzia, and the Palazzo Uguccioni. Located in front of the Palazzo Vecchio is the Palace of the Assicurazioni Generali, the Palazzo Vecchio is the town hall of the city. This massive, Romanesque, crenellated fortress-palace is among the most impressive town halls of Tuscany, the building acquired its current name when the Medici dukes residence was moved across the Arno to the Palazzo Pitti. The Loggia dei Lanzi consists of wide open to the street. The arches rest on clustered pilasters with Corinthian capitals, the wide arches appealed so much to the Florentines, that Michelangelo even proposed that they should be continued all around the Piazza della Signoria. The vivacious construction of the Loggia is in stark contrast with the architecture of the Palazzo Vecchio. It is effectively an open-air sculpture gallery of antique and Renaissance art including the Medici lions, the Tribunale della Mercanzia is a building where in the past lawyers judged in the trial between merchants. Here was a porch painted by Taddeo Gaddi, Antonio del Pollaiolo and Sandro Botticelli, built for Giovanni Uguccioni since 1550, its design has been variously attributed to Raphael, Michelangelo, Bartolomeo Ammannati or Raffaello da Montelupo. The Palazzo delle Assicurazioni Generali was designed in the Neo-Renaissance style in 1871, on the ground floor of this palace is the historical cafè Rivoire. Other palaces are the palazzo dei Buonaguisi and the palazzo dellArte dei Mercatanti, various imposing statues ring this square including, Copy of Michelangelos David. At the entrance of the Palazzo Vecchio, the original by Michelangelo is housed in the Gallery of the Academy of Fine Arts, later there was a church San Romolo, a loggia and an enormous 5th-century basilica. This was shown by the treasures found beneath the square when it was repaved in the 1980s. Even remains of a Neolithic site were found, the square started taking shape from 1268 on, when houses of Ghibellines were pulled down by the victorious Guelphs. The square remained a long time untidy, full of holes, in 1385 it was paved for the first time. In 1497 Girolamo Savonarola and his followers carried out on this square the famous Bonfire of the Vanities, burning in a large books, gaming tables, fine dresses
8.
Italian Renaissance painting
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The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting. A detailed background is given in the companion articles Renaissance and Renaissance architecture, Italian Renaissance painting can be divided into four periods, the Proto-Renaissance, the Early Renaissance, the High Renaissance, and Mannerism. These dates are approximations rather than specific points because the lives of individual artists, the Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna and Altichiero. The Early Renaissance was marked by the work of Masaccio, Fra Angelico, Paolo Uccello, Piero della Francesca, the High Renaissance period was that of Leonardo da Vinci, Michelangelo, Raphael and Titian. The Mannerist period included Andrea del Sarto, Pontormo and Tintoretto, Mannerism is dealt with in a separate article. The influences upon the development of Renaissance painting in Italy are those also affected Philosophy, Literature, Architecture, Theology, Science, Government. The following is a summary of points dealt with more fully in the articles that are cited above. A number of Classical texts, that had been lost to Western European scholars for centuries and these included Philosophy, Poetry, Drama, Science, a thesis on the Arts and Early Christian Theology. The resulting interest in Humanist philosophy meant that mans relationship with humanity, a revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Brunelleschi and sculptor Donatello. Simultaneous with gaining access to the Classical texts, Europe gained access to advanced mathematics which had its provenance in the works of Byzantine and Islamic scholars. The advent of movable type printing in the 15th century meant that ideas could be disseminated easily, the development of oil paint and its introduction to Italy had lasting effects on the art of painting. The establishment of the Medici Bank and the subsequent trade it generated brought unprecedented wealth to a single Italian city, Cosimo de Medici set a new standard for patronage of the arts, not associated with the church or monarchy. A similar heritage of artistic achievement occurred in Venice through the talented Bellini family, their influential inlaw Mantegna, Giorgione, Titian, much painting of the Renaissance period was commissioned by or for the Catholic Church. These works were often of large scale and were frequently painted in fresco of the Life of Christ. There were also many paintings on the theme of Salvation. Churches also commissioned altarpieces, which were painted in tempera on panel, apart from large altarpieces, small devotional pictures were produced in very large numbers, both for churches and for private individuals, the most common theme being the Madonna and Child. Throughout the period, civic commissions were also important, during the 15th century portraiture became common, initially often formalised profile portraits but increasingly three-quarter face, bust-length portraits. Portraiture was to become a subject for High Renaissance painters such as Raphael and Titian
9.
House of Medici
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The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to fund the Medici Bank. The bank was the largest in Europe during the 15th century, the Medici produced three Popes of the Catholic Church—Pope Leo X, Pope Clement VII, and Pope Leo XI, two regent queens of France—Catherine de Medici and Marie de Medici. In 1531, the family became hereditary Dukes of Florence, in 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, the grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de Medici, Tuscany was fiscally bankrupt. Their wealth and influence initially derived from the textile trade guided by the guild of the Arte della Lana. They, along with families of Italy—such as the Visconti and Sforza of Milan, the Este of Ferrara. The Medici Bank was one of the most prosperous and most respected institutions in Europe, there are some estimates that the Medici family were the wealthiest family in Europe for a time. From this base, they acquired political power initially in Florence and later in wider Italy, a notable contribution to the profession of accounting was the improvement of the general ledger system through the development of the double-entry bookkeeping system for tracking credits and debits. The Medici family were among the earliest businesses to use the system, the Medici family came from the agricultural Mugello region, north of Florence, being mentioned for the first time in a document of 1230. The origin of the name is uncertain, Medici is the plural of medico, also written del medico or delmedigo, meaning, medical doctor. It has been suggested that the derived from one Medico di Potrone, a castellan of Potrone in the late 11th century. The dynasty began with the founding of the Medici Bank, until the late 14th century, prior to the Medici, the leading family of Florence was the House of Albizzi. In 1293 the Ordinances of Justice were enacted, which became the constitution of the republic of Florence throughout the Italian Renaissance. The citys numerous luxurious palazzi were becoming surrounded by townhouses, built by the ever prospering merchant class. In 1298, one of the leading banking families of Europe, the main challengers to the Albizzi family were the Medicis, first under Giovanni de Medici, later under his son Cosimo di Giovanni de Medici and great-grandson, Lorenzo de Medici. The Medici controlled the Medici bank—then Europes largest bank—and an array of other enterprises in Florence, in 1433, the Albizzi managed to have Cosimo exiled. The next year, however, a pro-Medici Signoria was elected, the Medici became the citys leading family, a position they would hold for the next three centuries. Cosimo and Lorenzo rarely held official posts but were the unquestioned leaders, some examples of these families include the Bardi, Salviati, Cavalcanti, and the Tornabuoni
10.
Anna Maria Luisa de' Medici
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Anna Maria Luisa de Medici was the last lineal descent of the House of Medici. The succession of His Serene Grand Duke, Anna Maria Luisa was the only daughter of Cosimo III de Medici, Grand Duke of Tuscany, and Marguerite Louise dOrléans, a niece of Louis XIII of France. As Johann Wilhelm had syphilis the union produced no offspring, which, combined with her siblings barrenness, meant that the Medici were on the verge of extinction. In 1713 Cosimo III altered the Tuscan laws of succession to allow the accession of his daughter, however, in 1735, as part of a territorial arrangement, the European powers appointed Francis Stephen of Lorraine as heir, and he duly ascended the Tuscan throne in her stead. When Gian Gastone died in 1737, Francis Stephens envoy offered Anna Maria Luisa the position of regent of Tuscany. Her death, in 1743, brought the grand ducal House of Medici to an end and her remains were interred in the Medicean necropolis, the Basilica of San Lorenzo, Florence, which she helped complete. She was named after her maternal aunt Anne Marie Louise dOrléans and her parents relationship was quarrelsome, Marguerite Louise took every chance to humiliate Cosimo. On one documented occasion, she branded him a groom in the presence of the Papal nuncio. The enmity between them continued until 26 December 1674, after all attempts at conciliation failed, a stressed Cosimo consented to his wifes departure for the Convent of Montmartre, France. The contract created that day revoked her privileges as a fille de France. Cosimo granted her a pension of 80,000 livres in compensation and she abandoned Tuscany in June 1675, Anna Maria Luisa never saw her again. Although Cosimo doted on his daughter, she was raised by her paternal grandmother, in 1669, Anna Maria Luisa was considered as a potential bride to Louis, le Grand Dauphin, the heir-apparent of Louis XIV of France. Cosimo III did not like the idea of a French marriage, instead, Cosimo offered her to his first choice, Peter II of Portugal. Peters ministers, fearing that Princess Anna Maria Luisa would dominate Peter II and fearing she might have inherited Marguerite Louise’s manner, in fact, contemporaries thought her traits to be a combination of those of her father and paternal grandmother, Vittoria della Rovere. Following refusals from Spain, Portugal, France and Savoy, Leopold I, Holy Roman Emperor, suggested Johann Wilhelm, Elector Palatine. James II of England put forward his brother-in-law, Francesco II dEste, Duke of Modena, the Elector Palatine obtained the style Royal Highness from the Holy Roman Emperor for Cosimo III in February 1691. Consequently, Johann Wilhelm was ultimately chosen and he and Anna Maria Luisa were married by proxy on 29 April 1691. She departed for Düsseldorf, her husband’s capital, on 6 May 1691, accompanied by her younger brother, Johann Wilhelm surprised her at Innsbruck, where they officially married
11.
Michelangelo
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Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, and poet of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since described as one of the greatest artists of all time. A number of Michelangelos works of painting, sculpture, and architecture rank among the most famous in existence and he sculpted two of his best-known works, the Pietà and David, before the age of thirty. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library, at the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peters Basilica. Michelangelo transformed the plan so that the end was finished to his design, as was the dome, with some modification. Michelangelo was unique as the first Western artist whose biography was published while he was alive, in his lifetime he was often called Il Divino. One of the qualities most admired by his contemporaries was his terribilità, the attempts by subsequent artists to imitate Michelangelos impassioned and highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo was born on 6 March 1475 in Caprese near Arezzo, at the time of Michelangelos birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelos mother was Francesca di Neri del Miniato di Siena, the Buonarrotis claimed to descend from the Countess Mathilde of Canossa, this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelos birth, the returned to Florence. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him, If there is good in me. Along with the milk of my nurse I received the knack of handling chisel and hammer, as a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches, the city of Florence was at that time the greatest centre of the arts and learning in Italy. Art was sponsored by the Signoria, by the merchant guilds and by patrons such as the Medici. The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence, the sculptor Lorenzo Ghiberti had laboured for fifty years to create the bronze doors of the Baptistry, which Michelangelo was to describe as The Gates of Paradise. The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence – Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco. The interiors of the churches were covered with frescos, begun by Giotto. During Michelangelos childhood, a team of painters had been called from Florence to the Vatican, among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing, and portraiture who had the largest workshop in Florence at that period
12.
Doni Tondo
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The Doni Tondo or Doni Madonna, sometimes called The Holy Family, is the only finished panel painting by the mature Michelangelo to survive. The painting is in the form of a tondo, or round frame, the Doni Tondo features the Christian Holy family along with John the Baptist in the foreground and contains five ambiguous nude male figures in the background. The inclusion of these figures has been interpreted in a variety of ways. The Virgin Mary is the most prominent figure in the composition, Mary sits directly on the ground without a cushion between herself and the ground, to better communicate the theme of her relationship to the earth. The grass directly below the figure is green, which contrasts to the grassless ground surrounding her, although the green is now darker. Saint Joseph has a position in the image compared to Mary, perhaps as the head of the family. Mary is located between his legs, as if he is protecting her, there is some debate as to whether Mary is receiving the Christ child from Joseph or vice versa. Saint John the Baptist, the saint of Florence, is very commonly included in Florentine works depicting the Madonna. He is in the middle-ground of the painting, between the Holy Family and the background, the elements around the family include plants and perhaps water. The painting is still in its frame, one that Michelangelo might have influenced or helped design. The frame is ornately carved and rather unusual for the five heads it contains which protrude three-dimensionally into space, similar to the nudes of the background, the meanings of these heads has been subject to speculation. The frame also contains carvings of crescent moons, stars, vegetation and these symbols are, perhaps, references to the Doni and Strozzi families, taken from each one’s coat of arms. As depicted on the frame, “the moons are bound together with ribbons that interlock with the lions, there is a horizontal band separating the foreground and background, whose function is to separate the Holy Family from the background figures and St. John the Baptist. The background figures are five nudes, whose meaning and function are subject to much speculation, the Holy Family is much larger in size than the nudes in the background, and there appears to be water in between the land where the Holy Family and the nudes are situated. The Holy Family all gaze at Christ, but none of the nudes look directly at him, the far background contains a landscape. The juxtaposition of bright colors foreshadows the same use of color in Michelangelo’s later Sistine ceiling frescoes, the folds of the drapery are sharply modeled, and the skin of the figures is so smooth, it looks as if the medium is marble. The surface treatment of the massive figures resembles a more than a painting. The nude figures in the background have softer modeling and look to be precursors to the ignudi, Michelangelo’s technique includes shading from the most intense colors first to the lighter shades on top, using the darker colors as shadows, a technique called cangiante
