1.
Mario Bava
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Mario Bava was an Italian director, screenwriter, special effects artist, and cinematographer from the golden age of Italian horror films. His work kick-started the giallo genre and the modern slasher film. His son Lamberto Bava later went on to become a horror film director in his own right. Mario Bava was born in San Remo, Liguria on 31 July 1914 and he was the son of Eugenio Bava, a sculptor who also worked as a special effects photographer and cameraman in the Italian silent movie industry. Mario Bavas first ambition was to become a painter, unable to turn out paintings at a profitable rate, he went into his fathers business, working as an assistant to other Italian cinematographers like Massimo Terzano. He also helped his father at the effects department at Benito Mussolinis film factory. Bava became a cinematographer in his own right in 1939, shooting two films with Roberto Rossellini. He made his debut in the early 1940s. Bavas camerawork was a factor in developing the screen personas of such stars of the period as Gina Lollobrigida, Steve Reeves. Bava completed filming I vampiri for director Riccardo Freda in 1956, Bava co-directed The Day the Sky Exploded in 1958, the first Italian science fiction film, predating even the sci-fi films of Antonio Margheriti. Because he had no earlier credited experience as a director, the film was credited solely to Paolo Heusch, in 1960, Bava directed the gothic horror classic Black Sunday, his first solo directorial effort, which made a genre star out of Barbara Steele. His use of light and dark in black-and-white films is widely acclaimed along with his use of color in films such as Black Sabbath, Kill. Blood and Black Lace and The Whip and the Body and his work has proved very influential. Bava directed what is now regarded as the earliest of the Italian giallo films, The Girl Who Knew Too Much and Blood and his 1965 sci-fi/ horror film Planet of the Vampires was a thematic precursor to Alien. Although comic books had served as the basis for countless serials and childrens films in Hollywood, Bavas Danger, many elements of his 1966 film Kill, Baby. Regarded by Martin Scorsese as Bavas masterpiece, also appear in the Asian strain of terror film known as J-horror, 1971s A Bay of Blood is considered one of the earliest slasher films, and was explicitly imitated in Friday the 13th Part 2. Mario Bava was very disappointed with the distribution of some of his later films. His Lisa and the Devil was never picked up by a distributor, in 1977, Bava directed his last horror film, Shock, which was co-directed with his son Lamberto Bava who did the work uncredited
2.
Dino De Laurentiis
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Agostino Dino De Laurentiis was an Italian film producer. Along with Carlo Ponti, he was one of the producers who brought Italian cinema to the scene at the end of World War II. He produced or co-produced more than 500 films, of which 38 were nominated for Academy Awards and he also had a brief acting career in the late 1930s and early 1940s. He was born at Torre Annunziata in the province of Naples and he started his studies at the Centro Sperimentale di Cinematografia in Rome in the years 1937–1938 then interrupted by the outbreak of the Second World War. Following his first movie, Lultimo Combattimento, Laurentiis produced nearly 150 films during the seven decades. In 1946 his company, the Dino de Laurentiis Cinematografica, moved into production, in the early years, De Laurentiis produced Italian neorealist films such as Bitter Rice and the Fellini classics La Strada and Nights of Cabiria, often in collaboration with producer Carlo Ponti. In the 1960s, Laurentiis built his own studio facilities, although these financially collapsed during the 1970s, De Laurentiis relocated to the US in 1976, and became an American citizen in 1986. In the 1980s he had his own studio, De Laurentiis Entertainment Group, based in Wilmington, the building of the studio made Wilmington a center of film and television production. De Laurentiis also made several adaptations of Stephen Kings works, including The Dead Zone, Cats Eye, Silver Bullet, De Laurentiiss company was involved with the horror sequels Halloween II, Evil Dead II and Army of Darkness. De Laurentiis also produced the first Hannibal Lecter film, Manhunter and he passed on adapting the novels sequel, The Silence of the Lambs, but produced the two follow-ups, Hannibal and Red Dragon, a re-adaptation of the novel. He also produced the prequel Hannibal Rising, which tells the story of how Hannibal becomes a serial killer, in the 1980s, de Laurentiis owned and operated DDL Foodshow, a specialty retailer with two gourmet Italian markets in New York City and Los Angeles. His brief first marriage in Italy was annulled, De Laurentiis and Mangano divorced in 1988, she died in 1989. In 1990, he married Martha Schumacher, who produced many of his films since 1985, one of his grandchildren is Giada De Laurentiis, host of Everyday Italian, Behind the Bash, Giada at Home, and Giadas Weekend Getaways on Food Network. He was the brother of Luigi De Laurentiis, who became a film producer after Dino did, and uncle of Aurelio De Laurentiis, also a producer. In 1958, he won the Academy Award for Best Foreign Film for producing La Strada, in 2001, he received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences. In 2012, he received the America Award of the Italy-USA Foundation, De Laurentiis died on 10 November 2010 at his residence in Beverly Hills at the age of 91. Dino De Laurentiis Company Official site Dino De Laurentiis at Find a Grave Dino De Laurentiis at the Internet Movie Database Who Was Dino De Laurentiis, – image slideshow by Life magazine
3.
Franco Brusati
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Franco Brusati was an Italian screenwriter and director. He directed international awarded film hit Bread and Chocolate, one of the finest examples of Commedia allitaliana films in the 1970s and he was an Academy Award nominee as Best Foreign Film for his 1979 film To Forget Venice. It also won the David di Donatello for Best Film, in 1983, he was a member of the jury at the 33rd Berlin International Film Festival
4.
Ben Hecht
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Ben Hecht /ˈhɛkt/ was an American screenwriter, director, producer, playwright, journalist and novelist. A journalist in his youth, he went on to write thirty-five books and he received screen credits, alone or in collaboration, for the stories or screenplays of some seventy films. In the 1910s and early 1920s, Hecht became a noted journalist, foreign correspondent, in the 1920s, his co-authored, reporter-themed play, The Front Page, became a Broadway hit. The Dictionary of Literary Biography - American Screenwriters calls him one of the most successful screenwriters in the history of motion pictures, Hecht received the first Academy Award for Original Screenplay, for Underworld. Many of the screenplays he worked on are now considered classics and he also provided story ideas for such films as Stagecoach. Film historian Richard Corliss called him the Hollywood screenwriter, someone who personified Hollywood itself, in 1940, he wrote, produced, and directed, Angels Over Broadway, which was nominated for Best Screenplay. In total, six of his movie screenplays were nominated for Academy Awards, of his seventy to ninety screenplays, he wrote many anonymously to avoid the British boycott of his work in the late 1940s and early 1950s. According to his autobiography, he never spent more than eight weeks on a script, in 1983,19 years after his death, Ben Hecht was posthumously inducted into the American Theater Hall of Fame. Hecht was born in New York City, the son of Russian Jewish immigrants and his father, Joseph Hecht, worked in the garment industry. His father and mother, Sarah Swernofsky Hecht, had immigrated to New York from Minsk, the family moved to Racine, Wisconsin, where Ben attended high school. When Hecht was in his teens he would spend the summers with an uncle in Chicago. On the road much of the time, his father did not have effect on Hecht’s childhood. Film author Scott Siegal wrote, He was considered a prodigy at age ten, seemingly on his way to a career as a concert violinist. After graduating from school in 1910, at age sixteen Hecht moved to Chicago. He lived with relatives, and started a career in journalism and he found work as a reporter, first for the Chicago Journal, and later with the Chicago Daily News. He was an excellent reporter who worked on several Chicago papers, after World War I, Hecht was sent to cover Berlin for the Chicago Daily News. There he wrote his first and most successful novel, Erik Dorn and it was a sensational debut for Hecht as a serious writer. The 1969 movie, Gaily, Gaily, directed by Norman Jewison, the film was nominated for three Oscars
5.
Irwin Shaw
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Irwin Shaw was an American playwright, screenwriter, novelist, and short-story author whose written works have sold more than 14 million copies. Though Shaws work received critical acclaim, the success of his commercial fiction ultimately diminished his literary reputation. Shaw was born Irwin Gilbert Shamforoff in the South Bronx, New York City and his parents were Rose and Will. His younger brother, David Shaw, became a noted Hollywood producer and writer, shortly after Irwins birth, the Shamforoffs moved to Brooklyn. Irwin changed his surname upon entering college and he spent most of his youth in Brooklyn, where he graduated from Brooklyn College with a Bachelor of Arts degree in 1934. Shaw died in Davos, Switzerland on May 16,1984, aged 71, Shaw began screenwriting in 1935 at the age of 21, and scripted for several radio shows, including Dick Tracy, The Gumps and Studio One. His play Quiet City, directed by Elia Kazan and with music by Aaron Copland. During the 1940s, Shaw wrote for a number of films, including The Talk of the Town, The Commandos Strike at Dawn and they had one son, Adam Shaw, born in 1950, himself a writer of magazine articles and non-fiction. Shaw enlisted in the U. S. Army and was a warrant officer during World War II, the Young Lions, Shaws first novel, was published in 1948. Based on his experiences in Europe during the war, the novel was successful and was adapted into a 1958 film. Shaw was not happy with the film, Shaws second novel, The Troubled Air, chronicling the rise of McCarthyism, was published in 1951. Accused of being a communist by the Red Channels publication, Shaw was placed on the Hollywood blacklist by the studio bosses. In 1951 he left the United States and went to Europe and he later claimed that the blacklist only glancingly bruised his career. During the 1950s he wrote several screenplays, including Desire Under the Elms. While living in Europe, Shaw wrote more bestselling books, notably Lucy Crown, Two Weeks in Another Town, Rich Man, Poor Man, Rich Man, Poor Man was adapted into a highly successful ABC television miniseries in 1976. His novel The Top of the Hill was made into a TV movie about the Winter Olympics at Lake Placid in 1980, starring Wayne Rogers, Adrienne Barbeau and his last two novels were Bread Upon the Waters and Acceptable Losses. Among his noted short stories are, Sailor Off The Bremen, The Eighty-Yard Run, three of his stories were dramatized for the PBS series Great Performances. This production was released on DVD in 2002 by Kultur Video, in 1950, Shaw wrote a book on Israel with photos by Robert Capa named Report on Israel
6.
Kirk Douglas
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Kirk Douglas is an American actor, producer, director, and author. He is one of the last living people of the film industrys Golden Age, after an impoverished childhood with immigrant parents and six sisters, he had his film debut in The Strange Love of Martha Ivers with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s and 1960s, known for dramas, including westerns. During a 64-year acting career, he has appeared in more than 90 movies, other early films include Young Man with a Horn, playing opposite Lauren Bacall and Doris Day, Ace in the Hole opposite Jan Sterling, and Detective Story. He received a second Oscar nomination for his role in The Bad and the Beautiful, opposite Lana Turner. In 1955, he established Bryna Productions, which began producing films as varied as Paths of Glory, in those two films, he starred and collaborated with the then relatively unknown director, Stanley Kubrick. Douglas helped break the Hollywood blacklist by having Dalton Trumbo write Spartacus with an official on-screen credit and he produced and starred in Lonely Are the Brave, considered a cult classic, and Seven Days in May, opposite Burt Lancaster, with whom he made seven films. In 1963, he starred in the Broadway play One Flew Over the Cuckoos Nest, a story he purchased, which he gave to his son Michael Douglas. As an actor and philanthropist, Douglas has received three Academy Award nominations, an Oscar for Lifetime Achievement, and the Presidential Medal of Freedom, as an author, he has written ten novels and memoirs. Currently, he is No.17 on the American Film Institutes list of the greatest male screen legends of classic Hollywood cinema, after barely surviving a helicopter crash in 1991 and then suffering a stroke in 1996, he has focused on renewing his spiritual and religious life. He lives with his wife, Anne, a producer. He turned 100 on December 9,2016, Douglas was born Issur Danielovitch in Amsterdam, New York, the son of Bryna Bertha and Herschel Harry Danielovitch. His parents were Jewish immigrants from Chavusy, Mogilev Region, in the Russian Empire, and his fathers brother, who emigrated earlier, used the surname Demsky, which Douglass family adopted in the United States. Douglas grew up as Izzy Demsky and legally changed his name to Kirk Douglas before entering the United States Navy during World War II. Even on Eagle Street, in the poorest section of town, where all the families were struggling, and I was the ragmans son. Growing up, Douglas sold snacks to mill workers to earn enough to buy milk, later, he delivered newspapers and during his youth worked at more than forty different jobs before getting a job acting. He found living in a family with six sisters to be stifling, in a sense, it lit a fire under me. In high school, after acting in plays, he knew he wanted to become a professional actor
7.
Silvana Mangano
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Silvana Mangano was an Italian actress. Raised in poverty during World War II, Mangano trained as a dancer and this led to work in films, she achieved a notable success in Bitter Rice and continued working in films for almost four more decades. Born in Rome to an Italian father and an English mother, trained for seven years as a dancer, she was supporting herself as a model. In 1946, at age 16, Mangano won the Miss Rome beauty pageant and through this, one year later, she became a contestant in the Miss Italia contest. Manganos earliest connection with filmmaking occurred through her relationship with actor Marcello Mastroianni. This led her to a contract, though it would take some time for Mangano to ascend to international stardom with her performance in Bitter Rice. Thereafter, she signed a contract with Lux Film, in 1949, and later married Dino De Laurentiis, married to film producer Dino De Laurentiis from 1949, the couple had four children, Veronica, Raffaella, Francesca, and Federico. Veronicas daughter Giada De Laurentiis is host of Everyday Italian and Giada at Home on the Food Network, Raffaella coproduced with her father on Manganos penultimate film, Dune. Federico died in a crash in 1981 in Alaska. De Laurentiis and Mangano separated in 1983, and Mangano began divorce proceedings in 1988, following surgery on 4 December 1989 that left her in a coma, Mangano died of lung cancer in Madrid, Spain on 16 December 1989. A clip of the opening of this performance is featured in the film Cinema Paradiso, Silvana Mangano at the Internet Movie Database Silvana Mangano at AllMovie Silvana Mangano at Find a Grave Front Cover of Life Magazine,11 April 1960
8.
Anthony Quinn
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Antonio Rodolfo Quinn Oaxaca, more commonly known as Anthony Quinn, was a Mexican-born American actor, painter and writer. He won the Academy Award for Best Supporting Actor twice, for Viva Zapata. in 1952, Quinn was born Antonio Rodolfo Quinn Oaxaca on April 21,1915 in Chihuahua, Mexico during the Mexican Revolution to Manuela Nellie and Francisco Frank Quinn. Francisco Quinn was born in Mexico, to an Irish immigrant father from County Cork, Frank Quinn rode with Mexican revolutionary Pancho Villa, then later moved to the East Los Angeles neighborhood of City Terrace and became an assistant cameraman at a movie studio. In Quinns autobiography, The Original Sin, A Self-portrait by Anthony Quinn, he denied being the son of an Irish adventurer, when he was six years old, Quinn attended a Catholic church. At age eleven, however, he joined the Pentecostals in the International Church of the Foursquare Gospel, for a time he played in the churchs band and was an apprentice preacher with the renowned evangelist. Quinn grew up first in El Paso, Texas, and later the Boyle Heights, tucson High School in Arizona, many years later, awarded him an honorary high school diploma. As a young man, Quinn boxed professionally to earn money, then studied art and architecture under Frank Lloyd Wright, at Wrights Arizona residence and his Wisconsin studio, when Quinn mentioned that he was drawn to acting, Wright encouraged him. Quinn said he had been offered $800 per week by a film studio, Wright replied, Take it, youll never make that much with me. During a 1999 interview on the show Private Screenings with Robert Osborne, after a short time performing on the stage, Quinn launched his film career performing character roles in the 1936 films Parole and The Milky Way. He played ethnic villains in Paramount films such as Dangerous to Know and Road to Morocco, and played a more sympathetic Crazy Horse in They Died with Their Boots On with Errol Flynn. By 1947, he had appeared in more than fifty films and had played Indians, Mafia dons, Hawaiian chiefs, Filipino freedom-fighters, Chinese guerrillas, and Arab sheiks and he returned to the theater, playing Stanley Kowalski in A Streetcar Named Desire on Broadway. In 1947, he became a citizen of the United States. He came back to Hollywood in the early 1950s, specializing in tough roles and he was cast in a series of B-adventures such as Mask of the Avenger. His big break came from playing opposite Marlon Brando in Elia Kazans Viva Zapata, Quinns performance as Zapatas brother won Quinn an Oscar while Brando lost the Oscar for Best Actor to Gary Cooper in High Noon. Quinn was the first Mexican-American to win an Academy Award, Quinn won his second Oscar for Best Supporting Actor for his portrayal of painter Paul Gauguin in Vincente Minnellis Lust for Life. The following year, he received an Oscar nomination for his part in George Cukors Wild Is the Wind and he starred in The Savage Innocents 1959 as Inuk, an Eskimo who finds himself caught between two clashing cultures. As the decade ended, Quinn allowed his age to show and his physique filled out, his hair grayed, and his once smooth, swarthy face weathered and became more rugged. He played a Greek resistance fighter in The Guns of Navarone, a boxer in Requiem for a Heavyweight
9.
Franco Interlenghi
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Franco Interlenghi was an Italian actor. He made his debut at 15 in Vittorio De Sicas 1946 Neorealist film Sciuscià. He has worked with directors such as Alessandro Blasetti in Fabiola. With his wife, Antonella Lualdi, he had two children, one of whom is actress Antonellina Interlenghi, franco Interlenghi died on 10 September 2015, aged 83. Franco Interlenghi at the Internet Movie Database
10.
Paramount Pictures
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Paramount Pictures Corporation is an American film studio based in Hollywood, California, that has been a subsidiary of the American media conglomerate Viacom since 1994. In 1916, film producer Adolph Zukor contracted 22 actors and actresses and these fortunate few would become the first movie stars. Paramount Pictures is a member of the Motion Picture Association of America, in 2014, Paramount Pictures became the first major Hollywood studio to distribute all of its films in digital form only. Paramount is the fifth oldest surviving studio in the world after the French studios Gaumont Film Company and Pathé, followed by the Nordisk Film company. It is the last major film studio headquartered in the Hollywood district of Los Angeles. Paramount Pictures dates its existence from the 1912 founding date of the Famous Players Film Company, hungarian-born founder, Adolph Zukor, who had been an early investor in nickelodeons, saw that movies appealed mainly to working-class immigrants. With partners Daniel Frohman and Charles Frohman he planned to offer feature-length films that would appeal to the class by featuring the leading theatrical players of the time. By mid-1913, Famous Players had completed five films, and Zukor was on his way to success and its first film was Les Amours de la reine Élisabeth, which starred Sarah Bernhardt. That same year, another aspiring producer, Jesse L. Lasky, opened his Lasky Feature Play Company with money borrowed from his brother-in-law, Samuel Goldfish, the Lasky company hired as their first employee a stage director with virtually no film experience, Cecil B. DeMille, who would find a site in Hollywood, near Los Angeles, for his first feature film. Hodkinson and actor, director, producer Hobart Bosworth had started production of a series of Jack London movies, Paramount was the first successful nationwide distributor, until this time, films were sold on a statewide or regional basis which had proved costly to film producers. Also, Famous Players and Lasky were privately owned while Paramount was a corporation, in 1916, Zukor maneuvered a three-way merger of his Famous Players, the Lasky Company, and Paramount. Zukor and Lasky bought Hodkinson out of Paramount, and merged the three companies into one, with only the exhibitor-owned First National as a rival, Famous Players-Lasky and its Paramount Pictures soon dominated the business. It was this system that gave Paramount a leading position in the 1920s and 1930s, the driving force behind Paramounts rise was Zukor. In 1926, Zukor hired independent producer B. P. Schulberg and they purchased the Robert Brunton Studios, a 26-acre facility at 5451 Marathon Street for US$1 million. In 1927, Famous Players-Lasky took the name Paramount Famous Lasky Corporation, three years later, because of the importance of the Publix Theatres, it became Paramount Publix Corporation. In 1928, Paramount began releasing Inkwell Imps, animated cartoons produced by Max, the Fleischers, veterans in the animation industry, were among the few animation producers capable of challenging the prominence of Walt Disney. The Paramount newsreel series Paramount News ran from 1927 to 1957, Paramount was also one of the first Hollywood studios to release what were known at that time as talkies, and in 1929, released their first musical, Innocents of Paris
11.
Fantasy film
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Fantasy films are films that belong to the fantasy genre with fantastic themes, usually involving magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The genre is considered a form of speculative fiction alongside science fiction films and horror films, Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary. Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are High Fantasy and Sword, both categories typically employ quasi-medieval settings, wizards, magical creatures and other elements commonly associated with fantasy stories. High Fantasy films tend to feature a more richly developed fantasy world, often, they feature a hero of humble origins and a clear distinction between good and evil set against each other in an epic struggle. Many scholars cite J. R. R, to some, the term Sword and Sandal has pejorative connotations, designating a film with a low-quality script, bad acting and poor production values. Another important subgenre of films that has become more popular in recent years is contemporary fantasy. Such films feature magical effects or supernatural occurrences happening in the world of today. Fantasy films set in the afterlife, called Bangsian Fantasy, are less common, other uncommon subgenres include Historical Fantasy and Romantic Fantasy, although 2003s Pirates of the Caribbean, The Curse of the Black Pearl successfully incorporated elements of both. As noted above, superhero movies and fairy tale films might each be considered subgenres of fantasy films, as a cinematic genre, fantasy has traditionally not been regarded as highly as the related genre of science fiction film. Since the late 1990s, however, the genre has gained new respectability in a way, tolkiens The Lord of the Rings and J. K. Jacksons The Lord of the Rings trilogy is due to its ambitious scope, serious tone. These pictures achieved phenomenal commercial and critical success, and the installment of the trilogy became the first fantasy film ever to win the Academy Award for Best Picture. The Harry Potter series has been a financial success, has achieved critical acclaim. Following the success of ventures, Hollywood studios have greenlighted additional big-budget productions in the genre. These have included adaptations of the first, second, and third books in C. S and this is in contrast to science fiction films, which are often released during the northern hemisphere summer. The huge commercial success of these pictures may indicate a change in Hollywoods approach to fantasy film releases. Fantasy films have a history almost as old as the medium itself, however, fantasy films were relatively few and far between until the 1980s, when high-tech filmmaking techniques and increased audience interest caused the genre to flourish
12.
Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
13.
Odyssey
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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
14.
G. W. Pabst
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Georg Wilhelm Pabst, known professionally as G. W. Pabst, was an Austrian theatre and film director. Pabst was born in Raudnitz, Bohemia, Austria-Hungary, the son of a railroad official, while growing up in Vienna, he studied drama at the Academy of Decorative Arts and initially began his career as a stage actor in Switzerland, Austria and Germany. In 1910, Pabst traveled to the United States, where he worked as an actor and director at the German Theater in New York City, when World War I began, Pabst returned to Europe, where he was interned in a Prisoner-of-war camp in Brest. While imprisoned, Pabst organised a group at the camp. Upon his release in 1919, he returned to Vienna, where he director of the Neue Wiener Bühne. Pabst began his career as a director at the behest of Carl Froelich who hired Pabst as an assistant director. He directed his first film, The Treasure, in 1923 and he developed a talent for discovering and developing the talents of actresses, including Greta Garbo, Asta Nielsen, Louise Brooks, and Leni Riefenstahl. He also co-directed with Arnold Fanck a mountain film entitled The White Hell of Pitz Palu starring Leni Riefenstahl, after the coming of sound, he made a trilogy of films that secured his reputation, Westfront 1918, The Threepenny Opera with Lotte Lenya, and Kameradschaft. Pabst also filmed three versions of Pierre Benoits novel LAtlantide in 1932, in German, English, and French, titled Die Herrin von Atlantis, The Mistress of Atlantis, in 1933, Pabst directed Don Quixote, once again in German, English, and French versions. After making A Modern Hero in the U. S. and Mademoiselle Docteur in France, Pabst returned to Austria and Germany in 1938 to take care of family business, during World War II, he made two films in Germany, Komödianten and Paracelsus. In 1955, he directed the first post-war German feature film to feature the character of Adolf Hitler, on 29 May 1967, Pabst died in Vienna at the age of 82. He was interred at the Zentralfriedhof in Vienna,1941, Venice Film Festival, Gold Medal of the Biennale for Best Director for his film Komödianten Max Deutsch, composer Notes Further reading Amengual, Barthélémy. Boston, Twayne Publishers,1977 Baxter, John, Pabst in International Directory of Films and Filmmakers. Firenze, La Nuova Italia,1983 Jacobsen, Wolfgang G. W, berlin, Argen,1997 Kagelmann, Andre and Keiner, Reinhold. Ihre letzen Tage an der Westfront 1918, une histoire psychologique du cinéma allemand, Paris, Flammarion,1987 Mitry, Jean. Histoire du cinéma, Art et industrie Paris, Editions Universitaires – J. P. Delarge, 1967–1980 Rentschler, New Brunswick, Rutgers University Press,1990 Pabst, Georg Wilhelm. Servitude et grandeur de Hollywood in Le rôle intellectuel du cinéma, Paris, pp. 251–255 Van den Berghe, Marc. Le film et sa problématique vus par la Petite Illustration, Bruxelles,200 G. W. Pabst at the Internet Movie Database G. W. Pabst at Find a Grave
15.
Polyphemus
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Polyphemus is the giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in the Odyssey. His name means abounding in songs and legends, Polyphemus first appears as a savage man-eating giant in the ninth book of Homers Odyssey. Some later Classical writers link his name with the nymph Galatea, in Homers epic, Odysseus lands on the island of the Cyclops during his journey home from the Trojan War and, together with some of his men, enters a cave filled with provisions. When the giant Polyphemus returns home with his flocks, he blocks the entrance with a stone and, scoffing at the usual custom of hospitality. Next morning, the giant kills and eats two more and leaves the cave to graze his sheep, after the giant returns in the evening and eats two more of the men, Odysseus offers Polyphemus some strong and undiluted wine given to him earlier on his journey. Drunk and unwary, the giant asks Odysseus his name, promising him a guest-gift if he answers, Odysseus tells him Οὖτις, which means nobody and Polyphemus promises to eat this Nobody last of all. With that, he falls into a drunken sleep, Odysseus had meanwhile hardened a wooden stake in the fire and now drives it into Polyphemus eye. When Polyphemus shouts for help from his fellow giants, saying that Nobody has hurt him, they think Polyphemus is being afflicted by divine power and recommend prayer as the answer. In the morning, the blind Cyclops lets the sheep out to graze, however, Odysseus and his men have tied themselves to the undersides of the animals and so get away. As he sails off with his men, Odysseus boastfully reveals his real name, Polyphemus prays to his father, Poseidon, for revenge and casts huge rocks towards the ship, which Odysseus barely escapes. The story reappears in later Classical literature, in his Latin epic, Virgil describes how Aeneas observes Polyphemus as he leads his flocks down to the sea. They have encountered Achaemenides, who re-tells the story of how Odysseus and his men escaped, the giant is described as descending to the shore, using a “lopped pine tree” as a walking staff. Once Polyphemus reaches the sea, he washes his oozing eye socket, Achaemenides is taken aboard Aeneas’ vessel and they cast off with Polyphemus in chase. His great roar of frustration brings the rest of the Cyclopes down to the shore as Aeneas draws away in fear, julien dHuy speculates that the myth may be palaeolithic. Elements of the story of Odysseus and Polyphemus are recognizable in the folklore of many other European groups, Wilhelm Grimm collected versions in Serbian, Romanian, Estonian, Finnish, Russian, and German. Versions in Basque, Lappish, Lithuanian, Gascon, Syrian, one such episode, on a vase featuring the hero carried beneath a sheep, was used on a 27 drachma Greek postage stamp in 1983. The blinding was depicted in sculpture, including a giant Polyphemus. This may be an interpretation of a composition, and was apparently repeated in variations in later Imperial palaces by Claudius, Nero
16.
Penelope
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In Homers Odyssey, Penelope is the wife of Odysseus, who is known for her fidelity to Odysseus while he was absent, despite having many suitors. Her name has traditionally been associated with marital fidelity, and so it was with the Greeks and Romans and her character is beyond what was available to most women at the time, and she is considered a match for Odysseus due to her immense strength, warmth and intelligence. The origin of her name is believed by Robert S. P. Penelope is the wife of the character, the king of Ithaca, Odysseus. She only has one son by Odysseus, Telemachus, who was born just before Odysseus was called to fight in the Trojan War and she waits twenty years for the final return of her husband, during which she devises various strategies to delay marrying one of the 108 suitors. On Odysseuss return, disguised as an old beggar, he finds that Penelope has remained faithful, every night for three years, she undoes part of the shroud, until Melantho, one of twelve unfaithful serving women, discovers her chicanery and reveals it to the suitors. Because of her efforts to put off remarriage, Penelope is often seen as a symbol of connubial fidelity, as Irene de Jong comments, As so often, it is Athena who takes the initiative in giving the story a new direction. She simply feels an impulse to meet the men she so loathes. Adding that she might take this opportunity to talk to Telemachus and she is ambivalent, variously asking Artemis to kill her and, apparently, considering marrying one of the suitors. For the plot of the Odyssey, of course, her decision is the turning point, there is debate as to whether Penelope is aware that Odysseus is behind the disguise. On the other hand, because Odysseus seems to be the person who can actually use the bow. When the contest of the bow begins, none of the suitors are able to string the bow, but Odysseus does, Odysseus protests that this cannot be done since he made the bed himself and knows that one of its legs is a living olive tree. Penelope finally accepts that he truly is her husband, a moment that highlights their homophrosýnē, homer implies, that from then on, Odysseus would live a long and happy life together with Penelope and Telemachus, wisely ruling his kingdom and enjoying wide respect and much success. In some early sources such as Pindar, Pans father is Apollo via Penelope, herodotus, Cicero, Apollodorus and Hyginus all make Hermes and Penelope his parents. Pausanias 8.12.5 records the story that Penelope had in fact been unfaithful to her husband, other sources report that Penelope slept with all 108 suitors in Odysseus absence, and gave birth to Pan as a result. This myth reflects the folk etymology that equates Pans name with the Greek word for all, Latin references to Penelope revolved around the sexual loyalty to her absent husband. It suited the marital aspect of Roman society representing the tranquility of the worthy family and she is mentioned by various classical authors including Plautus, Propertius, Horace, Ovid, Martial and Statius. The use of Penelope in Latin texts provided a basis for her use in the Middle Ages. This was reinforced by her named by Saint Jerome among pagan women famed for their chastity
17.
Odysseus
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Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility and he is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War. The name has several variants, in Greek the character was called Olysseus, Oulixeus, Oulixes, hence, there may originally have been two separate figures, one called something like Odysseus, the other something like Ulixes, who were combined into one complex personality. The etymology of the name is unknown, ancient authors linked the name to the Greek verbs odussomai to be wroth against, to hate, or to oduromai to lament, bewail. Homer in references and puns, relates it to various forms of this verb and it has also been suggested that the name is of non-Greek origin, probably not even Indo-European, with an unknown etymology, R. S. P. Beekes has suggested a Pre-Greek origin. In Book 19 of the Odyssey, where Odysseuss early childhood is recounted, Euryclea tries to guide him to naming the boy Polyaretos, for he has much been prayed for. Autolycus apparently in a sardonic mood, decided to give the child a name that would commemorate his own experience in life. Because I got odium upon myself before coming here, let the childs name be Odysseus to signify this. The pun was prophetic as well as commemorative, Odysseus often receives the patronymic epithet Laertiades, son of Laërtes. In the Iliad and Odyssey there are several epithets used to describe Odysseus and his name and stories were adopted into Etruscan religion under the name Uthuze. Hence, Odysseus was the great-grandson of the Olympian god Hermes, according to the Iliad and Odyssey, his father is Laertes and his mother Anticlea, although there was a non-Homeric tradition that Sisyphus was his true father. The rumor went that Laertes bought Odysseus from the conniving king, Odysseus is said to have a younger sister, Ctimene, who went to Same to be married and is mentioned by the swineherd Eumaeus, whom she grew up alongside, in Book 15 of the Odyssey. Homers Iliad and Odyssey portray Odysseus as a hero, but the Romans. In Virgils Aeneid, written between 29 and 19 BC, he is referred to as cruel Odysseus or deceitful Odysseus. Turnus, in Aeneid ix, reproaches the Trojan Ascanius with images of rugged, forthright Latin virtues, declaring, You shall not find the sons of Atreus here, nor need the frauds of sly Ulysses fear. While the Greeks admired his cunning and deceit, these qualities did not recommend themselves to the Romans, who possessed a rigid sense of honour. His attempts to avoid his sacred oath to defend Menelaus and Helen offended Roman notions of duty, the majority of sources for Odysseus pre-war exploits—principally the mythographers Pseudo-Apollodorus and Hyginus—postdate Homer by many centuries
18.
Circe
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Circe (/ˈsɜːrsiː/, is a goddess of magic or sometimes a nymph, witch, enchantress or sorceress in Greek mythology. By most accounts, she was the daughter of the sungod Helios, and Perse and her brothers were Aeetes, keeper of the Golden Fleece, and Perses. Her sister was Pasiphaë, the wife of King Minos and mother of the Minotaur, other accounts make her the daughter of Hecate, the goddess of witchcraft. Circe was renowned for her vast knowledge of potions and herbs, through the use of these and a magic wand or staff, she transformed her enemies, or those who offended her, into animals. Some say she was exiled to the island of Aeaea by her subjects and her father Helios for killing her husband. Later traditions tell of her leaving or even destroying the island and moving to Italy, in Homers Odyssey, Circe is described as living in a mansion that stands in the middle of a clearing in a dense wood. Around the house prowled strangely docile lions and wolves, the victims of her magic, they were not dangerous. Circe worked at a huge loom, thus so she turned them all into swine with her magic wand or staff after they gorged themselves on it. Only drunken Eurylochus, suspecting treachery from the outset, escaped to warn Odysseus, Odysseus set out to rescue his men, but was intercepted by the messenger god, Hermes, who had been sent by Athena. Hermes told Odysseus to use the holy herb moly to protect himself from Circes wizardry and, having resisted it, to draw his sword, from there, Circe would ask him to bed, but Hermes advised caution, for even there the goddess would be treacherous. She would take his manhood unless he had her swear by the names of the gods that she would not, Odysseus followed Hermes advice, freeing his men and then remained on the island for one year, feasting and drinking wine. She also advised Odysseus to go to the Underworld and gave him directions, towards the end of Hesiods Theogony, it is stated that Circe bore Odysseus three sons, Ardeas or Agrius, Latinus, and Telegonus, who ruled over the Tyrsenoi, that is the Etruscans. The Telegony, a now lost, relates the later history of the last of these. Circe eventually informed him who his absent father was and, when he set out to find Odysseus, with this he killed his father unknowingly. Telegonus then brought back his fathers corpse, together with Penelope and Odysseus other son Telemachus, after burying Odysseus, Circe made the others immortal. According to Lycophrons Alexandra and John Tzetzes scholia on the poem, however, Odysseus then gave Telemachus to Circes daughter Cassiphone in marriage. Some time later, Telemachus had a quarrel with his mother-in-law and killed her, on hearing of this, Odysseus died of grief. In a very late Alexandrian epic from the 5th century AD, in the 3rd century BC epic, the Argonautica, Apollonius Rhodius relates that Circe purified the Argonauts for the death of Absyrtus, maybe reflecting an early tradition
19.
Hercules (1958 film)
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Le fatiche di Ercole is a 1958 Italian epic fantasy, peplum genre film based upon the Hercules and the Quest for the Golden Fleece myths. The film stars Steve Reeves as the hero and Sylva Koscina as his love interest Princess Iole. Hercules was directed by Pietro Francisci and produced by Federico Teti, the film spawned a sequel, Hercules Unchained, that also starred Reeves and Koscina. Hercules is on the road to the court of King Pelias of Iolcus to tutor Pelias son Prince Iphitus in the use of arms. Pelias beautiful daughter Princess Iole updates Hercules on the history of her fathers rise to power and the theft of the kingdoms greatest treasure, some suspect—and it eventually proves true—that King Pelias has acquired the throne through fratricide. Hercules and Iole are attracted to other and a romance eventually develops. King Pelias is warned by a seeress about a wearing one sandal who will challenge his power. When his nephew Jason, the rightful King of Iolcus, arrives in town wearing one sandal, Pelias takes fright and packs him off to retrieve the Golden Fleece from the distant land of Colchis. Jason and Hercules sail aboard the Argo with their friends Ulysses and his father, Laertes, Argos, the twins Castor and Pollux, the lyre-strumming Orpheus, the physician Aesculapius and others. After weathering a tempest at sea, the Argonauts dally in a lush garden-like country with Antea, Jason falls in love with Antea, but, when the Amazons plot the deaths of the heroes, Hercules forces Jason to board the Argo and secretly set sail in the night. On the shores of Colchis, the heroes battle hairy ape-men while Jason slays a dragon, the Argonauts embark for home with their prize. In Iolcus, the populace greet the returning heroes but Pelias and his henchman Eurysteus steal the Golden Fleece, deny Jasons claim, a tense battle between Pelias forces and the heroes follows. Hercules halts Pelias cavalry dead in its tracks by toppling the portico of the palace upon them, Jason ascends the throne while Hercules and Iole set sail for new adventures. Subplots involve the death of Pelias headstrong son Prince Iphitus, and exploits for Hercules resembling the Labors of the Nemean Lion, the films screenplay is based loosely upon the myths of Hercules and the Greek epic poem Argonautica by Apollonius of Rhodes. The film was shot in Eastmancolor, using the French widescreen process Dyaliscope, an American Bison served as the Cretan Bull. Sound effects for some sequences were lifted from MGMs Forbidden Planet. Warners advanced him $300,000 for the privilege of distributing the film in the US, in America, the film generated a Dell comic book adaptation with illustrations by John Buscema and a 33 RPM long-playing RCA Victor recording of the films soundtrack. Cinema Italiano - The Complete Guide From Classics To Cult, new York Times Tribute to Steve Reeves Retrieved 29 August 2008
20.
Peplum (film genre)
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They can be immediately differentiated from the competing Hollywood product by their use of dubbing. The pepla attempted to emulate the big-budget Hollywood historical epics of the time, such as Spartacus, Samson and Delilah, the terms peplum and sword-and-sandal were used in a condescending way by film critics. Later, the terms were embraced by fans of the films, Italian director Vittorio Cottafavi called the genre Neo-Mythology. While Hollywood filmmakers, such as D. W, most pepla featured a superhumanly strong man as the protagonist, such as Hercules, Samson, Goliath, Ursus or Italys own popular folk hero Maciste. These supermen often rescued captive princesses from tyrannical despots and fought mythological creatures, in the cases where a superhuman protagonist was not involved, the main character would still possess uncanny fighting abilities and a razor sharp wit. Not all the films were fantasy-based, however, many featured actual historical personalities such as Julius Caesar, Cleopatra, and Hannibal, although great liberties were taken with the storylines. Gladiators, pirates, knights, Vikings, and slaves rebelling against tyrannical kings were also popular subjects, but, similar to the American serials of the 1940s, the peplum always focuses on the heros narrow escapes from the most preposterous dangers throughout the course of the film. Maciste became the favorite character in the film however. Here is a complete list of the silent Maciste films in chronological order, in 1949, the postwar Italian film industry remade Fabiola. The film was released in the United Kingdom and in the United States in 1951 in an edited, English-dubbed version, during the 1950s, a number of American historical epics shot in Italy were released. In 1951, MGM producer Sam Zimbalist cleverly used the production costs, use of frozen funds. In addition to its fictional account linking the Great Fire of Rome, the Persecution of Christians in the Roman Empire and Emperor Nero, MGM also planned Ben Hur to be filmed in Italy as early as 1952. Riccardo Fredas Sins of Rome was filmed in 1953 and released by RKO in an edited, English-dubbed version the following year, unlike Quo Vadis, there were no American actors or production crew. The Anthony Quinn film Attila, the Kirk Douglas epic Ulysses, Riccardo Freda directed another peplum, Theodora, Slave Empress in 1954, starring his wife Gianna Maria Canale. Howard Hawks directed his Land of the Pharaohs in Italy and Egypt in 1955, robert Rossen made his Alexander the Great in Egypt in 1956, with a music score by famed Italian composer Mario Nascimbene. His daughter spotted American bodybuilder Steve Reeves in the American film Athena, the genres instantaneous growth began with the U. S. theatrical release of Hercules in 1959. American producer Joseph E. Levine acquired the U. S. distribution rights for $120,000, spent $1 million promoting the film and this spawned the 1959 Steve Reeves sequel Hercules Unchained, the 1959 re-release of Cecil B. DeMilles Samson and Delilah, and literally dozens of imitations that followed in their wake, Italian filmmakers resurrected their 1920s Maciste character in a brand new 1960s sound film series, followed rapidly by Ursus, Samson, Goliath, Sandokan and various other mighty-muscled heroes
21.
Eurycleia
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In Greek mythology, Eurycleia, or Euryclea, is the daughter of Ops and granddaughter of Peisenor, as well as the wet-nurse of Odysseus. As a girl she was bought by Laertes, Odysseus father and he treated her as his wife, but she was never his consummated lover so as not to dishonor his real wife, Anticleia. Eurycleias name means broad fame, while Anticleia means anti-fame, the tension between the meanings of Eurycleias name and Anticleias name reflects the tension between the three pillars of Odysseus life. He was born to Anticleia, a woman, but was nursed by Eurycleia. Odysseus fame comes from his role as a noble hero paralleled to his role as an anonymous beggar. His heroism is essential for capturing Troy, his skills as an orator and schemer as well as his strength, however, he takes on the role of a beggar not once, but twice. He first appears as a beggar to sneak into Troy and kill unsuspecting Trojan soldiers, in many ways, his role as a beggar, especially when he returns to Ithaca is far more meaningful. Eurycleia is the person to recognize him without him first revealing himself after he returns home from the Trojan War. Odysseus stops her from telling Penelope or anyone else in the house of his identity, Gripping her by the throat he says, Nanny. Or. I will not spare even you my nurse, when I kill the women in this house. Eurycleia also informs Odysseus which of his servant girls had been unfaithful to Penelope during his absence, conspiring with Penelopes suitors and his son Telemachus hangs the twelve that Eurycleia identifies. Later, Eurycleia informs Penelope that Odysseus has returned, but Penelope does not believe the maid and she finally accepts that her husband has returned. In addition, it was Eurycleia who gives provisions and supplies to Telemachus from the storehouse before he leaves for Pylos to seek news about Odysseus. She takes an oath not to tell Penelope he had left until 12 days had passed, canada, Hackett Publishing Company, Inc.2000. Media related to Euryclea at Wikimedia Commons
22.
Nausicaa
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Nausicaa is a character in Homers Odyssey. She is the daughter of King Alcinous and Queen Arete of Phaeacia and her name, in Greek, means burner of ships. In Book Six of the Odyssey, Odysseus is shipwrecked on the coast of the island of Scheria, Nausicaä and her handmaidens go to the sea-shore to wash clothes. Awoken by their games, Odysseus emerges from the forest completely naked, scaring the servants away, Nausicaä gives Odysseus some of the laundry to wear, and takes him to the edge of the town. Realizing that rumors might arise if Odysseus is seen with her, she, but first she advises Odysseus to go directly to Alcinous house and make his case to Nausicaäs mother, Arete. Arete is known as even than Alcinous, and Alcinous trusts her judgment. Odysseus follows this advice, approaching Arete and winning her approval, during his stay, Odysseus recounts his adventures to Alcinous and his court. This recounting forms a portion of the Odyssey. Alcinous then generously provides Odysseus with the ships that finally bring him home to Ithaca, Nausicaä is young and very pretty, Odysseus says that she resembles a goddess, particularly Artemis. Nausicaä is known to have several brothers, according to Aristotle and Dictys of Crete, Nausicaä later married Telemachus, the son of Odysseus, and had a son named Ptoliporthus. Homer gives an account of love never expressed. Nausicaä is also a figure for Odysseus, she ensures Odysseus return home. Odysseus never tells Penelope about his encounter with Nausicaä, out of all the women he met on his journey home. Some suggest this indicates a level of feeling for the girl. The 2nd century BC grammarian Agallis attributed the invention of games to Nausicaä. An asteroid discovered in the year 1879,192 Nausikaa, is named after her, friedrich Nietzsche, in Beyond Good and Evil, said, One should part from life as Odysseus parted from Nausicaa—blessing it rather than in love with it. His theory that the Odyssey was written by a woman was further developed in his 1897 book The Authoress of the Odyssey, an episode in James Joyces Ulysses echoes the Nausicaa story to a degree, the character Gerty McDowell tempts Bloom. In 1907, the Hungarian composer Zoltán Kodály wrote the song Nausikaa to a poem by Aranka Bálint, only one song, Nausikaa, survived from this opera plan
23.
Jacques Dumesnil
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Jacques Dumesnil was a French film and television actor. G. Simone Signoret, The Star as Cultural Sign, jacques Dumesnil at the Internet Movie Database
24.
Alcinous
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Alcinous was, in Greek mythology, a son of Nausithous, or of Phaeax, and father of Nausicaa, Halius, Clytoneus and Laodamas with Arete. His name literally means mighty mind and he married his brother Rhexenors daughter after Rhexenor was killed. In the myth of Jason and the Argonauts, Alcinous is represented as living with his wife Arete in Drepane, the Argonauts, on their return from Colchis, came to his island, and were hospitably received. The Colchians were obliged, by the contrivance of Arete, to depart without their princess, and he was also the King of the Phaeacians. According to Homer, Alcinous is the ruler of the Phaiacians in the island of Scheria. JC Loudon on the Garden of Alcinous
25.
Telemachus
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Telemachus is a figure in Greek mythology, the son of Odysseus and Penelope, and a central character in Homers Odyssey. Telemachuss name in Greek means far from battle, or perhaps fighting from afar, as a bowman does. In Homers Odyssey, Telemachus, under the instructions of Athena, spends the first four books trying to gain knowledge of his father, Odysseus, who left for Troy when Telemachus was still an infant. At the outset of Telemachus journey, Odysseus had been absent from his home at Ithaca for twenty years due to the Trojan War, during his absence, Odysseus house has been occupied by hordes of suitors seeking the hand of Penelope. Telemachus first visits Nestor and is received by the old man who regales him with stories of his fathers glory. Telemachus then departs with Nestors son Peisistratus, who accompanies him to the halls of Menelaus, whilst there, Telemachus is again treated as an honored guest as Menelaus and Helen tell complementary yet contradictory stories of his fathers exploits at Troy. Telemachus focuses on his fathers return to Ithaca in Book XV and he visits Eumaeus, the swineherd, who happens to be hosting a disguised Odysseus. After Odysseus reveals himself to Telemachus due to Athenas advice, the two men plan the downfall of the suitors, Telemachus then returns to the palace to keep an eye on the suitors and to await his father as the beggar. When Penelope challenges the suitors to string Odysseus bow and shoot an arrow through the handle-holes of twelve axeheads and he would have completed the task, nearly stringing the bow on his fourth attempt, however, Odysseus subtly stops him before he can finish his attempt. Following the suitors failure at this task, Odysseus reveals himself and he and Telemachus bring swift, the Telegony was a short 2-book epic poem recounting the life and death of Odysseus after the events of the Odyssey. In this mythological postscript, Odysseus is accidentally killed by Telegonus, after Odysseus death, Telemachus returns to Aeaea with Telegonus and Penelope, and there marries Circe. From the Dictionary of Greek and Roman Biography and Mythology, The son of Odysseus and he was still an infant at the time when his father went to Troy, and in his absence of nearly twenty years he grew up to manhood. Telemachus followed the advice, but the refused to quit his house. There they were received by Nestor, who also sent his own son to conduct Telemachus to Sparta. Menelaus again kindly received him, and communicated to him the prophecy of Proteus concerning Odysseus, from Sparta Telemachus returned home, and on his arrival there, he found his father, with the swineherd Eumaeus. But as Athena had metamorphosed him into a beggar, Telemachus did not recognise his father until the latter disclosed to him who he was. Father and son now agreed to punish the suitors, and when they were slain or dispersed, according to some accounts, Telemachus became the father of Perseptolis either by Polycaste, the daughter of Nestor, or by Nausicaa, the daughter of Alcinous. He is also said to have had a daughter called Roma, one account states that Odysseus, in consequence of a prophecy that his son was dangerous to him, sent him away from Ithaca
26.
Elena Zareschi
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Elena Zareschi was an Italian stage, television and film actress. Born Elina Lazzareschi in Buenos Aires to Italian parents from Lucca, Zareschi moved to Rome in the mid-1930s and enrolled at the Centro Sperimentale di Cinematografia, in the same year, she made her film debut in the drama L’ultima nemica. While she had few opportunities in films, Zareschi was very active on stage, elena Zareschi, la grande tragica del teatro italiano. Elena Zareschi at the Internet Movie Database
27.
Cassandra
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Cassandra, also known as Alexandra or Kassandra, was a daughter of King Priam and of Queen Hecuba of Troy in Greek mythology. In modern usage her name is employed as a device to indicate someone whose accurate prophecies are not believed by those around them. In an alternative version, she fell asleep in a temple, Cassandra became a figure of epic tradition and of tragedy. Hjalmar Frisk notes unexplained etymology, citing various hypotheses found in Wilhelm Schulze, Edgar Howard Sturtevant, J. Davreux, R. S. P. Beekes cites García Ramóns derivation of the name from the Proto-Indo-European root *kend- raise. Cassandra was the daughter of King Priam and Queen Hecuba and the twin sister of Helenus. According to legend, Cassandra had dark curly hair and dark brown eyes and was both beautiful and clever, but considered insane. However, her perceived insanity is the result of being cursed by the god Apollo, many versions of the myth relate that she incurred the gods wrath by refusing him sex, sometimes after first promising herself in exchange for the power of prophecy. Hyginus says, In another version, Cassandra consented to have sex with Apollo in exchange for the gift of prophecy and her punishment was the curse of never being believed. In some versions of the myth, Apollo curses her by spitting into her mouth during a kiss, in Aeschylus Agamemnon, she foretells the betrayal of Clytemnestra. She also bemoans her relationship with Apollo, Cassandra had served as a priestess of Apollo and her cursed gift from Apollo became a source of endless pain and frustration to Cassandra. Cassandra was seen as a liar and a madwoman by her family, in some versions of the story, she was often locked up in a pyramidal building on the citadel on her father King Priam’s orders. She was accompanied there by the wardress who cared for her under orders to inform the King of all of his daughters prophetic utterances. She was driven insane by this in the versions where she was incarcerated, though in the versions where she was not. According to legend, Cassandra had instructed her twin brother Helenus in the power of prophecy so he could be a prophet, like her, Helenus was always correct whenever he had made his predictions, but unlike his sister, people believed him. Cassandra made many predictions, with all of her prophecies being disbelieved except for one and she was believed when she foresaw who Paris was and proclaimed that he was her abandoned brother. This took place after he had sought refuge in the altar of Zeus from their brothers’ wrath, Cassandra foresaw that Paris’ abduction of Helen for his wife would bring about the Trojan War and cause the destruction of Troy. She did warn Paris not to go to Sparta along with Helenus who echoed her prophecy, Cassandra saw Helen coming into Troy at Paris return home from Sparta. She furiously snatched away Helens golden veil and tore at her hair, for she had foreseen that Helens arrival would bring the calamities of the Trojan War, the Trojan people, however, welcomed Helen into their city
28.
Evi Maltagliati
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Evi Maltagliati was an Italian stage, television and film actress. Born in Florence as Evelina Maltagliati, she started her career at debuted in the theater just 15 years old and her critical consecration came in 1933 with the role of Titania in a Max Reinhardts rapresentation of William Shakespeares A Midsummer Nights Dream staged in Boboli. She later worked on stage with Eduardo De Filippo, Gino Cervi, Vittorio Gassman, Nino Manfredi, while she had few opportunities in films, she was very active on television, in TV dramas and series. Maltagliati was married to comedian Eugenio Cappabianca
29.
Arete (moral virtue)
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Arete, in its basic sense, means excellence of any kind. The term may also mean moral virtue, in its earliest appearance in Greek, this notion of excellence was ultimately bound up with the notion of the fulfillment of purpose or function, the act of living up to ones full potential. The term from Homeric times onwards is not gender specific, Homer applies the term of both the Greek and Trojan heroes as well as major female figures, such as Penelope, the wife of the Greek hero Odysseus. In the Homeric poems, Arete is frequently associated with bravery, the man or woman of Arete is a person of the highest effectiveness, they use all their faculties—strength, bravery and wit—to achieve real results. In the Homeric world, then, Arete involves all of the abilities and potentialities available to humans, in some contexts, Arete is explicitly linked with human knowledge, where the expressions virtue is knowledge and Arete is knowledge are used interchangeably. The highest human potential is knowledge and all other human abilities are derived from this central capacity, the Ancient Greeks applied the term to anything, for example, the excellence of a chimney, the excellence of a bull to be bred and the excellence of a man. The meaning of the word changes depending on what it describes, since everything has its own peculiar excellence and this way of thinking comes first from Plato, where it can be seen in the Allegory of the Cave. By the 5th and 4th centuries BC, arete as applied to men had developed to include quieter virtues, Plato attempted to produce a moral philosophy that incorporated this new usage, but it was in the work of Aristotle that the doctrine of arete found its fullest flowering. Aristotles Doctrine of the Mean is an example of his thinking. Arete has also used by Plato when talking about athletic training. Stephen G. Miller delves into this usage in his book Ancient Greek Athletics, Aristotle is quoted as deliberating between education towards arete. or those that are theoretical. Educating towards arete in this means that the boy would be educated towards things that are useful in life. But even Plato himself says that arete is not something that can be agreed upon and he says, Nor is there even an agreement about what constitutes arete, something that leads logically to a disagreement about the appropriate training for arete. It was commonly believed that the mind, body, and soul each had to be developed and prepared for a man to live a life of arete and this led to the thought that athletics had to be present in order to obtain arete. They did not need to consume ones life, merely exercise the body into the condition for arete, just like the mind. In Homers Iliad and Odyssey, arete is used mainly to describe heroes and nobles and their mobile dexterity, with reference to strength and courage. Penelopes arete, for example, relates to co-operation, for which she is praised by Agamemnon, the excellence of the gods generally included their power, but, in the Odyssey, the gods can grant excellence to a life, which is contextually understood to mean prosperity. Arete was also the name of King Alcinouss wife, according to Bernard Knoxs notes found in the Robert Fagles translation of The Odyssey, arete is also associated with the Greek word for pray, araomai
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Achilles
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In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
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Mentorship
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Mentorship is a relationship in which a more experienced or more knowledgeable person helps to guide a less experienced or less knowledgeable person. The mentor may be older or younger than the person being mentored and it is a learning and development partnership between someone with vast experience and someone who wants to learn. The person in receipt of mentorship may be referred to as a protégé, a protégée, an apprentice or, in the 2000s, the mentor may be referred to as a godfather/godmother or a rabbi. Mentoring is a process always involves communication and is relationship-based. Mentoring in Europe has existed since at least Ancient Greek times, the roots of the practice are lost in antiquity. The word itself was inspired by the character of Mentor in Homers Odyssey, though the actual Mentor in the story is a somewhat ineffective old man, the goddess Athena takes on his appearance in order to guide young Telemachus in his time of difficulty. Mainstream business literature subsequently adopted the terms and concepts, promoting them as pathways to success for all career climbers, in 1970 these terms were not in the general American vocabulary, by the mid-1990s they had become part of everyday speech. The focus of mentoring is to develop the person and so the techniques are broad. Sowing, mentors are often confronted with the difficulty of preparing the learner before he or she is ready to change. Sowing is necessary when you know that what you say may not be understood or even acceptable to learners at first, catalyzing, when change reaches a critical level of pressure, learning can escalate. Here the mentor chooses to plunge the learner right into change, provoking a different way of thinking, showing, this is making something understandable, or using your own example to demonstrate a skill or activity. You show what you are talking about, you show by your own behavior, harvesting, here the mentor focuses on picking the ripe fruit, it is usually used to create awareness of what was learned by experience and to draw conclusions. The key questions here are, What have you learned, leadership authors Jim Kouzes and Barry Z. Multiple mentors, A new and upcoming trend is having multiple mentors and this can be helpful because we can all learn from each other. Having more than one mentor will widen the knowledge of the person being mentored, there are different mentors who may have different strengths. Profession or trade mentor, This is someone who is currently in the trade/profession you are entering and they know the trends, important changes and new practices that you should know to stay at the top of your career. A mentor like this would be someone you can discuss ideas regarding the field, industry mentor, This is someone who doesnt just focus on the profession. This mentor will be able to give insight on the industry as a whole, whether it be research, development or key changes in the industry, you need to know
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Alessandro Fersen
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Alessandro Fersen was a Polish-born Italian dramatist, actor, theater director, author and drama teacher. Born Aleksander Fajrajzen in Łódź to a Jewish family, Fersen he moved to Genoa with his family in 1913, a student under Giuseppe Rensi, in 1934 he graduated in philosophy from the University of Genoa with a thesis later published under the title LUniverso come giuoco. Due to the laws of 1938 he moved to Paris. From 1947 Fersen worked for more than a decade for the Teatro Stabile of Genoa, directing adaptations of Shakespeare, Pirandello, Molière, Anouilh, among others. In 1957 he began a career as a drama teacher founding a school in Rome. He was also an author of critical and theoretical essays, aimed at a theater. The Earth Cries Out Il sentiero dellodio Lorenzaccio Jealousy Il viale della speranza Puccini Condemned to Hang Musoduro Woman of the Red Sea Perdonami, the Two Orphans Ulysses Theodora, Slave Empress The Lost City Desperate Farewell Alessandro Fersen Foundation Alessandro Fersen at the Internet Movie Database
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Diomedes
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Diomedes or Diomede is a hero in Greek mythology, known for his participation in the Trojan War. He was born to Tydeus and Deipyle and later became King of Argos, succeeding his maternal grandfather, in Homers Iliad Diomedes is regarded alongside Ajax as one of the best warriors of all the Achaeans. Later, he founded ten or more Italian cities, after his death, Diomedes was worshipped as a divine being under various names in Italy and also in Greece. Diomedes was, on his father’s side, an Aetolian, and this is because his father Tydeus left Calydon and fled to Argos in order to avoid being persecuted by his uncle Agrius. He married King Adrastuss daughter Deipyle, Tydeus was one of the Seven Against Thebes. This expedition failed and all leaders, including Tydeus were killed, Tydeus was Athena’s favourite warrior at the time, and when he was dying she wanted to offer him a magic elixir that would make him immortal. However, she withdrew the privilege in apparent disgust when Tydeus gobbled down the brains of the hated enemy who had wounded him. According to some, Diomedes was four years old when his father was killed, at the funeral of their fathers, the sons of Seven Against Thebes met and vowed to vanquish Thebes one day. They called themselves Epigoni because they were born after everything has happened, ten years later, the Epigoni appointed Alcmaeon as their commander in chief and gathered an army. They added to their forces from Argos contingents from Messenia, Arcadia, Corinth and this army, however, was a small one compared to the forces of Thebes. The Epigoni war is remembered as the most important expedition in Greek Mythology before the Trojan War and it was a favorite topic for epics, but, unfortunately, all of these epics are now lost. The main battle took place at Glisas where the warrior Aegialeus was slain by King Laodamas, Diomedes was fifteen years old by then and was considered the mightiest of all. Vanquished by the Epigoni, the Thebans followed the counsel of Tiresias, Epigoni took the city, and most Argive commanders returned rich to their countries after having sacked Thebes, but the city they handed over to Thersander. Adrastus died of grief when he learned that his son Aegialeus had perished in the battle at Glisas, Aegialeus was married to Comaetho, daughter of Tydeus. Diomedes, in turn, married Aegialeuss daughter Aegialia when he returned from battle and he was then appointed as the King of Argos and thus became one of the most powerful rulers of Hellas at such a young age. According to some, Diomedes ruled Argos for more than five years and brought much wealth and he was a skilled politician and was greatly respected by other rulers. He still kept an eye on Calydonian politics, and when the sons of Agrius put Oeneus in jail and their own father on the throne, Diomedes attacked and ceded the kingdom, slaying all the traitors except Thersites, Onchestus and Agrius restoring his grandfather to the throne. Later, Oeneus passed the Kingdom to his son-in-law Andraemon and headed for Argos to meet Diomedes and he was assassinated on the way by Thersites and Onchestus
