Venetian painting
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Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of th
Titian, Salome with the Head of John the Baptist c. 1515; this religious work also functions as an idealized portrait of a beauty, a Venetian genre developed by Titian, supposedly often using Venetian courtesans as models.
Giovanni Bellini, San Zaccaria Altarpiece, 1505, a late work, San Zaccaria, Venice
Paolo Veneziano, polyptych altarpiece with Coronation of the Virgin, c. 1350
Carlo Crivelli, The Annunciation, with St. Emidius, 1486
Giovanni Bellini
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Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been
Venetian painting
…Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c…
Presumed self-portrait, c. 1500, Musei Capitolini (Rome)
St. Jerome in the Desert, c. 1455; Tempera on panel; Barber Institute, Birmingham
Christ Blessing, 1500; Tempera, oil, and gold on panel, Kimbell Art Museum, Texas
Madonna and Child with the Infant St. John the Baptist, c. 1480; oil; Indianapolis Museum of Art