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Flemish virginals by Hans Ruckers, 1583, Antwerp (Paris, Musée de la Musique). Note the inset keyboard placed left of centre.
Flemish virginals by Hans Ruckers, 1583, Antwerp (Paris, Musée de la Musique). Note the inset keyboard placed left of centre.
An Italian spinetta or virginals after Alessandro Bertolotti, c. 1586, provided with a false outer case. Note the projecting keyboard, unlike the inse
An Italian spinetta or virginals after Alessandro Bertolotti, c. 1586, provided with a false outer case. Note the projecting keyboard, unlike the inset Flemish examples.
Woman at a muselar, by Johannes Vermeer, c. 1672 (National Gallery, London). Note the keyboard placed to the right.
Woman at a muselar, by Johannes Vermeer, c. 1672 (National Gallery, London). Note the keyboard placed to the right.
A typical muselar of the Ruckers school. Note the keyboard on the right of the case.
A typical muselar of the Ruckers school. Note the keyboard on the right of the case.
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Harpsichord with double keyboard. The inside of the lid is decorated with two original paintings depicting the battle between Apollo and Pan based on
Harpsichord with double keyboard. The inside of the lid is decorated with two original paintings depicting the battle between Apollo and Pan based on The Judgment of Midas by Hendrick Goltzius (1590). The front cover shows Apollo and the Muses on Mount Helicon. The exterior was repainted with red chinoiserie decoration in the 18th century.
An early diagram of a vertical harpsichord (clavicytherium) by Arnault de Zwolle, c. 1430
An early diagram of a vertical harpsichord (clavicytherium) by Arnault de Zwolle, c. 1430
Detail of the mechanism of the Harpsichord by Christian Zell, at Museu de la Música de Barcelona
Detail of the mechanism of the Harpsichord by Christian Zell, at Museu de la Música de Barcelona
Sound board of a harpsichord with Chladni patterns
Sound board of a harpsichord with Chladni patterns