1.
Moscow
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Moscow is the capital and most populous city of Russia, with 13.2 million residents within the city limits and 17.8 million within the urban area. Moscow has the status of a Russian federal city, Moscow is a major political, economic, cultural, and scientific center of Russia and Eastern Europe, as well as the largest city entirely on the European continent. Moscow is the northernmost and coldest megacity and metropolis on Earth and it is home to the Ostankino Tower, the tallest free standing structure in Europe, the Federation Tower, the tallest skyscraper in Europe, and the Moscow International Business Center. Moscow is situated on the Moskva River in the Central Federal District of European Russia, the city is well known for its architecture, particularly its historic buildings such as Saint Basils Cathedral with its brightly colored domes. Moscow is the seat of power of the Government of Russia, being the site of the Moscow Kremlin, the Moscow Kremlin and Red Square are also one of several World Heritage Sites in the city. Both chambers of the Russian parliament also sit in the city and it is recognized as one of the citys landmarks due to the rich architecture of its 200 stations. In old Russian the word also meant a church administrative district. The demonym for a Moscow resident is москвич for male or москвичка for female, the name of the city is thought to be derived from the name of the Moskva River. There have been proposed several theories of the origin of the name of the river and its cognates include Russian, музга, muzga pool, puddle, Lithuanian, mazgoti and Latvian, mazgāt to wash, Sanskrit, majjati to drown, Latin, mergō to dip, immerse. There exist as well similar place names in Poland like Mozgawa, the original Old Russian form of the name is reconstructed as *Москы, *Mosky, hence it was one of a few Slavic ū-stem nouns. From the latter forms came the modern Russian name Москва, Moskva, in a similar manner the Latin name Moscovia has been formed, later it became a colloquial name for Russia used in Western Europe in the 16th–17th centuries. From it as well came English Muscovy, various other theories, having little or no scientific ground, are now largely rejected by contemporary linguists. The surface similarity of the name Russia with Rosh, an obscure biblical tribe or country, the oldest evidence of humans on the territory of Moscow dates from the Neolithic. Within the modern bounds of the city other late evidence was discovered, on the territory of the Kremlin, Sparrow Hills, Setun River and Kuntsevskiy forest park, etc. The earliest East Slavic tribes recorded as having expanded to the upper Volga in the 9th to 10th centuries are the Vyatichi and Krivichi, the Moskva River was incorporated as part of Rostov-Suzdal into the Kievan Rus in the 11th century. By AD1100, a settlement had appeared on the mouth of the Neglinnaya River. The first known reference to Moscow dates from 1147 as a place of Yuri Dolgoruky. At the time it was a town on the western border of Vladimir-Suzdal Principality
2.
Russian Empire
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The Russian Empire was a state that existed from 1721 until it was overthrown by the short-lived February Revolution in 1917. One of the largest empires in history, stretching over three continents, the Russian Empire was surpassed in landmass only by the British and Mongol empires. The rise of the Russian Empire happened in association with the decline of neighboring powers, the Swedish Empire, the Polish–Lithuanian Commonwealth, Persia. It played a role in 1812–14 in defeating Napoleons ambitions to control Europe. The House of Romanov ruled the Russian Empire from 1721 until 1762, and its German-descended cadet branch, with 125.6 million subjects registered by the 1897 census, it had the third-largest population in the world at the time, after Qing China and India. Like all empires, it included a large disparity in terms of economics, ethnicity, there were numerous dissident elements, who launched numerous rebellions and assassination attempts, they were closely watched by the secret police, with thousands exiled to Siberia. Economically, the empire had an agricultural base, with low productivity on large estates worked by serfs. The economy slowly industrialized with the help of foreign investments in railways, the land was ruled by a nobility from the 10th through the 17th centuries, and subsequently by an emperor. Tsar Ivan III laid the groundwork for the empire that later emerged and he tripled the territory of his state, ended the dominance of the Golden Horde, renovated the Moscow Kremlin, and laid the foundations of the Russian state. Tsar Peter the Great fought numerous wars and expanded an already huge empire into a major European power, Catherine the Great presided over a golden age. She expanded the state by conquest, colonization and diplomacy, continuing Peter the Greats policy of modernisation along West European lines, Tsar Alexander II promoted numerous reforms, most dramatically the emancipation of all 23 million serfs in 1861. His policy in Eastern Europe involved protecting the Orthodox Christians under the rule of the Ottoman Empire and that connection by 1914 led to Russias entry into the First World War on the side of France, Britain, and Serbia, against the German, Austrian and Ottoman empires. The Russian Empire functioned as a monarchy until the Revolution of 1905. The empire collapsed during the February Revolution of 1917, largely as a result of failures in its participation in the First World War. Perhaps the latter was done to make Europe recognize Russia as more of a European country, Poland was divided in the 1790-1815 era, with much of the land and population going to Russia. Most of the 19th century growth came from adding territory in Asia, Peter I the Great introduced autocracy in Russia and played a major role in introducing his country to the European state system. However, this vast land had a population of 14 million, grain yields trailed behind those of agriculture in the West, compelling nearly the entire population to farm. Only a small percentage lived in towns, the class of kholops, close to the one of slavery, remained a major institution in Russia until 1723, when Peter I converted household kholops into house serfs, thus including them in poll taxation
3.
Neuilly-sur-Seine
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Neuilly-sur-Seine is a French commune just west of Paris, in the department of Hauts-de-Seine. A suburb of Paris, Neuilly is immediately adjacent to the city, the area is composed of mostly wealthy, select residential neighbourhoods, and many corporate headquarters are located there. Originally, Neuilly was a hamlet under the jurisdiction of Villiers. In 1224 another charter of Saint-Denis recorded the name as Lugniacum, in a sales contract dated 1266 the name was also recorded as Luingni. In 1316, however, in a ruling of the parlement of Paris, the name was recorded as Nully, in a document dated 1376 the name was again recorded as Nulliacum. Then in the centuries the name recorded alternated between Luny and Nully, and it is only after 1648 that the name was definitely set as Nully. The name spelt Neuilly after the French Academy standard of pronunciation of the ill as a y, various explanations and etymologies have been proposed to explain these discrepancies in the names of Neuilly recorded over the centuries. The original name of Neuilly may have been Lulliacum or Lugniacum, some interpret Lulliacum or Lugniacum as meaning estate of Lullius, probably a Gallo-Roman landowner. This interpretation is based on the many placenames of France made up of the names of Gallo-Roman landowners and these researchers contend that it is only after the fall of the Roman Empire and the Germanic invasions that the area of Neuilly was deforested and settled. Thus, they think that the name Lulliacum or Lugniacum comes from the ancient Germanic word lund meaning forest, akin to Old Norse lundr meaning grove, however, this interesting theory fails to explain why the d of lund is missing in Lulliacum or Lugniacum. Or perhaps the consonants were simply inverted under the influence of the settlements of France called Neuilly. On 1 January 1860, the city of Paris was enlarged by annexing neighbouring communes, on that occasion, a part of the territory of Neuilly-sur-Seine was annexed by the city of Paris, and forms now the neighbourhood of Ternes, in the 17th arrondissement of Paris. On 11 January 1867, part of the territory of Neuilly-sur-Seine was detached and merged with a part of the territory of Clichy to create the commune of Levallois-Perret. On 2 May 1897, the name officially became Neuilly-sur-Seine. However, most people continue to refer to Neuilly-sur-Seine as simply Neuilly, during the 1900 Summer Olympics, it hosted the basque pelota events. The American Hospital of Paris was founded in 1906, in 1919, the Treaty of Neuilly was signed with Bulgaria in Neuilly-sur-Seine to conclude its role in World War I. In 1929, the Bois de Boulogne, which was divided between the communes of Neuilly-sur-Seine and Boulogne-Billancourt, was annexed in its entirety by the city of Paris. It was the site of the Château de Neuilly, an important royal residence during the July Monarchy, Neuilly-sur-Seine is served by three stations on Paris Métro Line 1, Porte Maillot, Les Sablons and Pont de Neuilly
4.
Academy of Fine Arts, Munich
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The Academy of Fine Arts, Munich is one of the oldest and most significant art academies in Germany. It is located in the Maxvorstadt district of Munich, in Bavaria, the Academy of Fine Arts was founded 1808 by Maximilian I Joseph of Bavaria in Munich as the Royal Academy of Fine Arts. The Munich School refers to a group of painters who worked in Munich or were trained at the Academy between 1850 and 1918, the paintings are characterized by a naturalistic style and dark chiaroscuro. Typical painting subjects included landscape, portraits, genre, still-life, from 1900 to 1918 the academys director was Ferdinand Freiherr von Miller. In 1946, the Royal Academy of Fine Arts was merged with the School of arts and crafts, in 1953 its name was changed to the current Academy of Fine Arts. The large 19th-century Renaissance Revival style building complex, designed by Gottfried Neureuther, was completed in 1886 and it has housed the Academy since then. A new Deconstructivist style expansion, designed by the architectural firm Coop Himmelbau as an extension from the building, was completed in 2005
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Der Blaue Reiter
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Der Blaue Reiter was a group of artists united in rejection of the Neue Künstlervereinigung München in Munich, Germany. They considered that the principles of the Neue Künstlervereinigung München, a group Kandinsky had founded in 1909, had become too strict, Der Blaue Reiter was an art movement lasting from 1911 to 1914, fundamental to Expressionism, along with Die Brücke which was founded in 1905. Der Blaue Reiter lacked an artistic manifesto, but it was centered on Kandinsky, Kandinsky wrote 20 years later that the name is derived from Marcs enthusiasm for horses and Kandinskys love of riders, combined with a shared love of the colour blue. For Kandinsky, blue is the colour of spirituality, the darker the blue, within the group, artistic approaches and aims varied from artist to artist, however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of art, the connection between visual art and music, the spiritual and symbolic associations of colour, and a spontaneous. Members were interested in European medieval art and primitivism, as well as the contemporary, as a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstraction. Der Blaue Reiter organized exhibitions in 1911 and 1912 that toured Germany and they also published an almanac featuring contemporary, primitive and folk art, along with childrens paintings. In 1913 they exhibited in the first German Herbstsalon, the group was disrupted by the outbreak of the First World War in 1914. Franz Marc and August Macke were killed in combat, Wassily Kandinsky, Marianne von Werefkin and Alexej von Jawlensky were forced to move back to Russia because of their Russian citizenship. There were also differences in opinion within the group, as a result, Der Blaue Reiter was short-lived, lasting for only three years from 1911 to 1914. Supported by their dealer Galka Scheyer, Kandinsky, Feininger, Klee, together they exhibited and lectured together in the United States from 1924 on. An extensive collection of paintings by Der Blaue Reiter is exhibited in the Städtische Galerie in the Lenbachhaus in Munich. Conceived in June 1911, Der Blaue Reiter Almanach was published in early 1912, by Piper, Munich, in an edition of 1100 copies, on 11 May, Franz Marc received a first print. The volume was edited by Kandinsky and Marc, its costs were underwritten by the industrialist and art collector Bernhard Koehler and it contained reproductions of more than 140 artworks, and 14 major articles. A second volume was planned, but the start of World War I prevented it, instead, a second edition of the original was printed in 1914, again by Piper. The art reproduced in the Almanac marked a turn away from a Eurocentric. The five works by Van Gogh, Cézanne, and Gauguin were outnumbered by seven from Henri Rousseau and thirteen from child artists. From January 1912 through July 1914, the exhibition toured Europe with venues in Cologne, Berlin, Bremen, Hagen, Frankfurt, Hamburg, Budapest, Oslo, Helsinki, Trondheim and Göteborg
7.
Expressionism
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Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War and it remained popular during the Weimar Republic, particularly in Berlin. The style extended to a range of the arts, including expressionist architecture, painting, literature, theatre, dance, film. The term is sometimes suggestive of angst, in a general sense, painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism, though an alternate view is that the term was coined by the Czech art historian Antonin Matějček in 1910, as the opposite of impressionism, An Expressionist wishes, above all, to express himself. Immediate perception and builds on more complex psychic structures, in 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke in the city of Dresden. This was arguably the founding organization for the German Expressionist movement, a few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter in Munich. The name came from Wassily Kandinskys Der Blaue Reiter painting of 1903, among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke. However, the term Expressionism did not firmly establish itself until 1913, though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910–30, most precursors of the movement were not German. Expressionism is notoriously difficult to define, in part because it overlapped with other major isms of the modernist period, with Futurism, Vorticism, Cubism, Surrealism, more explicitly, that the expressionists rejected the ideology of realism. The term refers to a style in which the artist seeks to depict not objective reality but rather the subjective emotions. It is arguable that all artists are expressive but there are examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon, according to Alberto Arbasino, a difference between the two is that Expressionism doesnt shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific fuck yous, Baroque doesnt, brazil, Anita Malfatti, Cândido Portinari, Di Cavalcanti, Iberê Camargo and Lasar Segall. Estonia, Konrad Mägi, Eduard Wiiralt Finland, Tyko Sallinen, Alvar Cawén, Juho Mäkelä, there were a number of groups of expressionist painters, including Der Blaue Reiter and Die Brücke. Der Blaue Reiter was based in Munich and Die Brücke was based originally in Dresden, Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year. The Expressionists had many influences, among them Edvard Munch, Vincent van Gogh and they were also aware of the work being done by the Fauves in Paris, who influenced Expressionisms tendency toward arbitrary colours and jarring compositions
8.
Abstract art
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Abstract art uses a visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective, the arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, Abstract art, non-figurative art, non-objective art, and nonrepresentational art are loosely related terms. They are similar, but perhaps not of identical meaning, Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be slight, partial, or complete, even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive. Artwork which takes liberties, altering for instance color and form in ways that are conspicuous, total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities, Figurative art and total abstraction are almost mutually exclusive. But figurative and representational art often contains partial abstraction, both geometric abstraction and lyrical abstraction are often totally abstract. It is at level of visual meaning that abstract art communicates. One can enjoy the beauty of Chinese calligraphy or Islamic calligraphy without being able to read it, in Chinese painting, abstraction can be traced to the Tang dynasty painter Wang Mo, who is credited to have invented the splashed-ink painting style. While none of his paintings remain, this style is seen in some Song Dynasty Paintings. A late Song painter named Yu Jian, adept to Tiantai buddhism and his paintings show heavily misty mountains in which the shapes of the objects are barely visible and extremely simplified. This type of painting was continued by Sesshu Toyo in his later years, another instance of abstraction in Chinese painting is seen in Zhu Deruns Cosmic Circle. The painting is a reflection of the Daoist metaphysics in which chaos, in Tokugawa Japan some zen monk-painters created Enso, a circle who represents the absolute enlightenment. Usually made in one spontaneous brush stroke, it became the paradigm of the minimalist aesthetic that guided part of the zen painting, three art movements which contributed to the development of abstract art were Romanticism, Impressionism and Expressionism. Artistic independence for artists was advanced during the 19th century, patronage from the church diminished and private patronage from the public became more capable of providing a livelihood for artists. Expressionist painters explored the use of paint surface, drawing distortions and exaggerations
9.
Russian language
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Russian is an East Slavic language and an official language in Russia, Belarus, Kazakhstan, Kyrgyzstan and many minor or unrecognised territories. Russian belongs to the family of Indo-European languages and is one of the four living members of the East Slavic languages, written examples of Old East Slavonic are attested from the 10th century and beyond. It is the most geographically widespread language of Eurasia and the most widely spoken of the Slavic languages and it is also the largest native language in Europe, with 144 million native speakers in Russia, Ukraine and Belarus. Russian is the eighth most spoken language in the world by number of native speakers, the language is one of the six official languages of the United Nations. Russian is also the second most widespread language on the Internet after English, Russian distinguishes between consonant phonemes with palatal secondary articulation and those without, the so-called soft and hard sounds. This distinction is found between pairs of almost all consonants and is one of the most distinguishing features of the language, another important aspect is the reduction of unstressed vowels. Russian is a Slavic language of the Indo-European family and it is a lineal descendant of the language used in Kievan Rus. From the point of view of the language, its closest relatives are Ukrainian, Belarusian, and Rusyn. An East Slavic Old Novgorod dialect, although vanished during the 15th or 16th century, is considered to have played a significant role in the formation of modern Russian. In the 19th century, the language was often called Great Russian to distinguish it from Belarusian, then called White Russian and Ukrainian, however, the East Slavic forms have tended to be used exclusively in the various dialects that are experiencing a rapid decline. In some cases, both the East Slavic and the Church Slavonic forms are in use, with different meanings. For details, see Russian phonology and History of the Russian language and it is also regarded by the United States Intelligence Community as a hard target language, due to both its difficulty to master for English speakers and its critical role in American world policy. The standard form of Russian is generally regarded as the modern Russian literary language, mikhail Lomonosov first compiled a normalizing grammar book in 1755, in 1783 the Russian Academys first explanatory Russian dictionary appeared. By the mid-20th century, such dialects were forced out with the introduction of the education system that was established by the Soviet government. Despite the formalization of Standard Russian, some nonstandard dialectal features are observed in colloquial speech. Thus, the Russian language is the 6th largest in the world by number of speakers, after English, Mandarin, Hindi/Urdu, Spanish, Russian is one of the six official languages of the United Nations. Education in Russian is still a choice for both Russian as a second language and native speakers in Russia as well as many of the former Soviet republics. Russian is still seen as an important language for children to learn in most of the former Soviet republics, samuel P. Huntington wrote in the Clash of Civilizations, During the heyday of the Soviet Union, Russian was the lingua franca from Prague to Hanoi
10.
Romanization of Russian
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Romanization of the Russian alphabet is the process of transliterating the Russian language from the Cyrillic script into the Latin alphabet. Scientific transliteration, also known as the International Scholarly System, is a system that has used in linguistics since the 19th century. It is based on the Czech alphabet and formed the basis of the GOST, OST8483 was the first Soviet standard on romanization of Russian, introduced in 16 October 1935. This standard is an equivalent of GOST 16876-71 and was adopted as a standard of the COMECON. GOST7. 79-2000 System of Standards on Information, Librarianship and it is the official standard of both Russia and the Commonwealth of Independent States. Machine readable passports is an adoption of an ICAO stadards for travel documents and it was used in Russian passports for a short period during 2010–2013. The standard was substituted in 2013 by GOST R ISO/IEC 7501-1-2013, which does not contain romanization, ISO/R9, established in 1954 and updated in 1968, was the adoption of the scientific transliteration by the International Organization for Standardization. It covers Russian and seven other Slavic languages, ISO9,1995 is the current transliteration standard from ISO. It is based on its predecessor ISO/R9,1968, which it deprecates, for Russian, the UNGEGN, a Working Group of the United Nations, in 1987 recommended a romanization system for geographical names, which was based on the 1983 version of GOST 16876-71. It may be found in some international cartographic products, American Library Association and Library of Congress romanization tables for Slavic alphabets are used in North American libraries and in the British Library since 1975. The formal, unambiguous version of the system requires some diacritics and two-letter tie characters, British Standard 2979,1958 is the main system of the Oxford University Press, and a variation was used by the British Library to catalogue publications acquired up to 1975. The BGN/PCGN system is relatively intuitive for Anglophones to read and pronounce, the portion of the system pertaining to the Russian language was adopted by BGN in 1944 and by PCGN in 1947. In Soviet international passports, transliteration was based on French rules, in 1997, with the introduction of new Russian passports, a diacritic-free English-oriented system was established by the Ministry of Internal Affairs, but this system was also abandoned in 2010. In 2006, GOST52535. 1-2006 was adopted, which defines technical requirements and standards for Russian international passports, in 2010, the Federal Migratory Service of Russia approved Order No. 26, stating that all names in the passports issued after 2010 must be transliterated using GOST52535. 1-2006. The standard was abandoned in 2013, finally in 2013, Order No.320 of the Federal Migratory Service of Russia came into force. It states that all names in the passports must be transliterated using the ICAO system. This system differs from the GOST52535. 1-2006 system in two things, ц is transliterated into ts, ъ is transliterated into ie, Scholarly ¹ Some archaic letters are transcribed in different ways
11.
Odessa
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Odessa or Odesa is the third most populous city of Ukraine and a major seaport and transportation hub located on the northwestern shore of the Black Sea. Odessa is also a center of the Odessa Oblast and a multiethnic cultural center. Odessa is sometimes called the pearl of the Black Sea, the South Capital, the predecessor of Odessa, a small Tatar settlement, was founded by Hacı I Giray, the Khan of Crimea, in 1440 and originally named after him as Hacıbey. After a period of Lithuanian control, it passed into the domain of the Ottoman Sultan in 1529, in 1794, the city of Odessa was founded by a decree of the Empress Catherine the Great. From 1819 to 1858, Odessa was a free port, during the Soviet period it was the most important port of trade in the Soviet Union and a Soviet naval base. On 1 January 2000, the Quarantine Pier at Odessa Commercial Sea Port was declared a free port, during the 19th century, it was the fourth largest city of Imperial Russia, after Moscow, Saint Petersburg and Warsaw. Its historical architecture has a style more Mediterranean than Russian, having heavily influenced by French. Some buildings are built in a mixture of different styles, including Art Nouveau, Renaissance, the city of Odessa hosts both the Port of Odessa and Port Yuzhne, a significant oil terminal situated in the citys suburbs. Another notable port, Chornomorsk, is located in the same oblast, together they represent a major transport hub integrating with railways. Odessas oil and chemical processing facilities are connected to Russian and European networks by strategic pipelines, the city was named in compliance with the Greek Plan of Catherine the Great. It was named after the ancient Greek city of Odessos, which was believed to have been located here. Although Odessa is located in between the ancient Greek cities of Tyras and Olbia, Odessos is believed to be the predecessor of the present day city of Varna, Catherines secretary of state Adrian Gribovsky claimed in his memoirs that the name was his suggestion. Some expressed doubts about this claim, while others noted the reputation of Gribovsky as an honest and modest man, Odessa was the site of a large Greek settlement not later than the middle of the 6th century BC. Some scholars believe it to be a settlement established by Histria. Whether the Bay of Odessa is the ancient Port of the Histrians cannot yet be considered a settled question based on the available evidence, archaeological artifacts confirm extensive links between the Odessa area and the eastern Mediterranean. In the Middle Ages successive rulers of the Odessa region included various nomadic tribes, the Golden Horde, the Crimean Khanate, the Grand Duchy of Lithuania, Yedisan Crimean Tatars traded there in the 14th century. During the reign of Khan Hacı I Giray of Crimea, the Khanate was endangered by the Golden Horde and the Ottoman Turks and, in search of allies, the site of present-day Odessa was then a fortress known as Khadjibey. It was part of the Dykra region, however, most of the rest of the area remained largely uninhabited in this period
12.
Grekov Odessa Art school
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The Grekov Odessa Art school is an institution of secondary education in Odessa, Ukraine. It is the oldest and one of the renowned school of arts in the country. The Grekov Odessa Art school was founded as a school on 30 May 1865. The first school principal was Frederick Malman, who drafted the rules of the school and it was not a private institution, but was open Society of Fine Arts under the patronage of the famous people of Odessa and Russian Empire. For a long time there was a school on donations and had no permanent address, for 30 years, the problem was the location of the school care Vice President of Odessa Society of Fine Arts Franz Morandi. The first plaster casts, prints, dummies were discharged him from the Milan Academy of Fine Arts, may 22,1883 outside Preobrazheskaya str.1 was laid the first stone of the building of the future of art school. In 1885 the school was moved to its own premises, december 30,1899 approved the charter and the state of the Art School. In 1909 was death Grand Duke Vladimir Alexandrovich, which was a sponsor of the school during to 25 years, up to 1917 the Odessa Art School has a name of Grand Duke. In 1924 the school was renamed the Polytechnic College of Fine Arts, in 1930 Politechnic College was renamed in Art Institute, but in 1934 the Odessa Art Institute once again becomes secondary educational school. In 1965 in honor of the 100th anniversary school received the name of M. B. Grekov, in 1993, the school was on fire. Burned one of the buildings, where were an assembly hall, in 1997, the Cabinet of Ministers of Ukraine shall issue a decree On improvement of higher vocational education. On the basis of the art school created by the Odessa Theatre and Art School. Today the Grekov Odessa Art school has a fine art specialty with 4 departaments, paintings, sculpture, for 2015 in the school there are 259 students. In groups there are from 6 to 10 people, sychov Alexander Telalim website the state at Marth 2015
13.
Moscow State University
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Lomonosov Moscow State University is a coeducational and public research university located in Moscow, Russia. It was founded on January 25,1755 by Mikhail Lomonosov, MSU was renamed after Lomonosov in 1940 and was then known as Lomonosov University. It also claims to house the tallest educational building in the world and it is rated among the universities with the best reputation in the world. Its current rector is Viktor Sadovnichiy, ivan Shuvalov and Mikhail Lomonosov promoted the idea of a university in Moscow, and Russian Empress Elizabeth decreed its establishment on January 251755. The first lectures were given on April 26th, russians still celebrate January 25th as Students Day. Saint Petersburg State University and Moscow State University engage in rivalry over the title of Russias oldest university. The present Moscow State University originally occupied the Principal Medicine Store on Red Square from 1755 to 1787, in the 18th century, the University had three departments, philosophy, medicine, and law. A preparatory college was affiliated with the University until its abolition in 1812, in 1779, Mikhail Kheraskov founded a boarding school for noblemen which in 1830 became a gymnasium for the Russian nobility. The university press, run by Nikolay Novikov in the 1780s, published the most popular newspaper in Imperial Russia, in 1804, medical education split into clinical, surgical, and obstetrics faculties. During 1884–1897, the Department of Medicine -- supported by donations. The campus, and medical education in general, were separated from the University in 1918, as of 2015, Devichye Pole was operated by the independent I. M. Sechenov First Moscow State Medical University and by various other state and private institutions. The roots of student unrest in the University reach deep into the nineteenth century, in 1905, a social-democratic organization emerged at the University and called for the overthrow of the Czarist government and the establishment of a republic in Russia. The imperial government repeatedly threatened to close the University, after the October Revolution of 1917, the institution began to admit the children of the proletariat and peasantry. In 1919, the University abolished fees for tuition and established a facility to help working-class children prepare for entrance examinations. During the implementation of Joseph Stalins First Five-Year Plan, prisoners from the Gulag were forced to construct parts of the newly expanded University, after 1991, nine new faculties were established. The following year, the University gained a status, it is funded directly from the state budget. On March 19,2008, Russias most powerful supercomputer to date and its peak performance of 60 TFLOPS makes it the fastest supercomputer in the Commonwealth of Independent States. Since 1953, most of the faculties have been situated on Sparrow Hills, the main building was designed by architect Lev Vladimirovich Rudnev
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Roman law
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The historical importance of Roman law is reflected by the continued use of Latin legal terminology in many legal systems influenced by it. After the dissolution of the Western Roman Empire, the Roman law remained in effect in the Eastern Roman Empire, from the 7th century onward, the legal language in the East was Greek. Roman law also denotes the legal system applied in most of Western Europe until the end of the 18th century, in Germany, Roman law practice remained in place longer under the Holy Roman Empire. Roman law thus served as a basis for legal practice throughout Western continental Europe, as well as in most former colonies of these European nations, including Latin America, English and North American common law were influenced also by Roman law, notably in their Latinate legal glossary. Eastern Europe was also influenced by the jurisprudence of the Corpus Juris Civilis, especially in such as medieval Romania which created a new system. Also, Eastern European law was influenced by the Farmers Law of the medieval Byzantine legal system. g and it is believed that Roman Law is rooted in the Etruscan religion, emphasising ritual. The first legal text is the Law of the Twelve Tables, terentilius Arsa, proposed that the law should be written, in order to prevent magistrates from applying the law arbitrarily. In 451 BC, according to the story, ten Roman citizens were chosen to record the laws. While they were performing this task, they were given political power. In 450 BC, the decemviri produced the laws on ten tablets, a second decemvirate is said to have added two further tablets in 449 BC. The new Law of the Twelve Tables was approved by the peoples assembly, modern scholars tend to challenge the accuracy of Roman historians. They generally do not believe that a second decemvirate ever took place, the decemvirate of 451 is believed to have included the most controversial points of customary law, and to have assumed the leading functions in Rome. Furthermore, the question on the Greek influence found in the early Roman Law is still much discussed, many scholars consider it unlikely that the patricians sent an official delegation to Greece, as the Roman historians believed. Instead, those scholars suggest, the Romans acquired Greek legislations from the Greek cities of Magna Graecia, the original text of the Twelve Tables has not been preserved. The tablets were probably destroyed when Rome was conquered and burned by the Gauls in 387 BC, the fragments which did survive show that it was not a law code in the modern sense. It did not provide a complete and coherent system of all applicable rules or give legal solutions for all possible cases, rather, the tables contained specific provisions designed to change the then-existing customary law. Although the provisions pertain to all areas of law, the largest part is dedicated to private law, many laws include Lex Canuleia, Leges Licinae Sextiae, Lex Ogulnia, and Lex Hortensia. Another important statute from the Republican era is the Lex Aquilia of 286 BC, however, Romes most important contribution to European legal culture was not the enactment of well-drafted statutes, but the emergence of a class of professional jurists and of a legal science
15.
University of Tartu
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The University of Tartu is a classical university in the city of Tartu, Estonia. It is the university of Estonia. The University of Tartu is the only university in the country. It was established by King Gustavus Adolphus of Sweden in 1632, there are nearly 14,000 students at the university, of which over 1,300 are foreign students. The QS World University Rankings ranked the University of Tartu 347th in the world in 2016, the university is also ranked 4th in the Emerging Europe and Central Asia region. The Times Higher Education World University Rankings placed it in the 301–350 range among world universities and it is the only university in the Baltic countries to place among the top 200 universities in Europe. UT belongs to top 1% of worlds most cited universities in 10 research areas, the historical buildings of the university are included in the European Heritage Label list as embodiment of the ideas of a university in the Age of Enlightenment. The University of Tartu is a member of the Coimbra Group, the Academia Gustaviana in the then Swedish province of Livonia was the second university founded in the Swedish Empire, following Uppsala University and preceding the Academy of Åbo. A precursor to the academy had been a Jesuit grammar school Gymnasium Dorpatense, founded by Stefan Batory in 1583 and existing to 1601, the first students immatriculated between 20–21 April 1632. The opening ceremony of Academia Dorpatensis took place on 15 October in the same year, the academy in Tartu functioned with Philosophy, Law, Theology and Medical Faculties enjoying the privileges of the University of Uppsala. On account of the Russian–Swedish war, the University of Tartu moved to Tallinn in 1656, in the 17th century the future outstanding Swedish scholars Urban Hiärne, Olof Verelius, Arvid Moller and others studied at the university. In 1690 Tartu became a university town again, Academia Gustavo-Carolina shortly after that moved from Tartu to Pärnu as a result of the coalition against Sweden and the Great Famine of 1695–1697. Academia Gustavo-Carolina, which had opened in Pärnu on 28 August 1699 was closed because of the surrender to Russian forces on 12 August 1710 during the Great Northern War, according to the terms of the capitulation, the Russians agreed to maintain the university in Pärnu. The university was re-opened by the Baltic Germans in Estonia in April 1802, the language of instruction at Dorpat was German from 1802 to 1893. During that time, Dorpat had a nature in that it belonged both to the set of German and Russian universities. Financially and administratively, the latter was important, intellectually and regarding the professoriate and students. Among the 30 German-language universities, of which 23 were inside the German Empire, in teaching, the university educated the local Baltic German leadership and professional classes as well as staff especially for the administration and health system of the entire Russian Empire. In scholarship, it was a university, the time between 1860 and 1880 was its golden age
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Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
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Russian Revolution
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The Russian Revolution was a pair of revolutions in Russia in 1917, which dismantled the Tsarist autocracy and led to the eventual rise of the Soviet Union. The Russian Empire collapsed with the abdication of Emperor Nicholas II, in the second revolution that October, the Provisional Government was removed and replaced with a communist state. The February Revolution was a revolution focused around Petrograd, then capital of Russia, in the chaos, members of the Imperial parliament assumed control of the country, forming the Russian Provisional Government. The army leadership felt they did not have the means to suppress the revolution, the February Revolution took place in the context of heavy military setbacks during the First World War, which left much of the Russian Army in a state of mutiny. During this chaotic period there were frequent mutinies, protests and many strikes, when the Provisional Government chose to continue fighting the war with Germany, the Bolsheviks and other socialist factions campaigned for stopping the conflict. The Bolsheviks turned workers militias under their control into the Red Guards over which they exerted substantial control, the Bolsheviks appointed themselves as leaders of various government ministries and seized control of the countryside, establishing the Cheka to quash dissent. To end Russia’s participation in the First World War, the Bolshevik leaders signed the Treaty of Brest-Litovsk with Germany in March 1918, soon after, civil war erupted among the Reds, the Whites, the independence movements and the non-Bolshevik socialists. It continued for years, during which the Bolsheviks defeated both the Whites and all rival socialists. In this way, the Revolution paved the way for the creation of the Union of Soviet Socialist Republics in 1922, the Russian Revolution of 1905 was said to be a major factor to the February Revolutions of 1917. The events of Bloody Sunday triggered a line of protests, a council of workers called the St. Petersburg Soviet was created in all this chaos, and the beginning of a communist political protest had begun. World War I prompted a Russian outcry directed at Tsar Nicholas II and it was another major factor contributing to the retaliation of the Russian Communists against their royal opponents. However, the problems were merely administrative, and not industrial as Germany was producing great amounts of munitions whilst constantly fighting on two major battlefronts, the war also developed a weariness in the city, owing to a lack of food in response to the disruption of agriculture. Food scarcity had become a problem in Russia, but the cause of this did not lie in any failure of the harvests. As a result, they tended to hoard their grain and to revert to subsistence farming, thus the cities were constantly short of food. At the same time rising prices led to demands for wages in the factories. The outcome of all this, however, was a criticism of the government rather than any war-weariness. The original fever of excitement, which had caused the name of St. Heavy losses during the war also strengthened thoughts that Tsar Nicholas II was unfit to rule, the Liberals were now better placed to voice their complaints, since they were participating more fully through a variety of voluntary organizations
18.
Anatoly Lunacharsky
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Anatoly Vasilyevich Lunacharsky was a Russian Marxist revolutionary and the first Soviet Peoples Commissar of Education responsible for culture and education. He was active as an art critic and journalist throughout his career, Lunacharsky was born in Poltava, Ukraine, Russian Empire. He was a child of Alexander Antonov and Alexandra Lunacharskaya. His mother was married to statesman Vasily Lunacharsky, which gave Anatolys surname. Alexandra later divorced Lunacharsky and married Antonov, but Anatoly kept his old name, Lunacharsky became a Marxist at 15. He studied at the University of Zurich, under Avenarius, for two years taking a degree. In Zürich, he met European socialists including Rosa Luxemburg and Leo Jogiches, in February 1902, Lunacharsky moved in with Alexander Bogdanov who was working in a mental hospital in Vologda. By September, he married Anna Alexandrovna Malinovkaya, Bogdanovs sister, in 1903, the party split into Bolsheviks led by Vladimir Lenin and Mensheviks led by Julius Martov, Lunacharsky sided with the former. In 1907, he attended the International Socialist Congress, held in Stuttgart, when the Bolsheviks, in turn, split into Lenins supporters and Alexander Bogdanovs followers in 1908, Lunacharsky supported his brother-in-law, Bogdanov, in setting up Vpered. Like many contemporary socialists, Lunacharsky was influenced by the empirio-criticist philosophy of Ernst Mach, Lenin opposed Machism as a form of subjective idealism and strongly criticised its proponents in his book Materialism and Empirio-criticism. In 1909, Lunacharsky joined Bogdanov and Gorky at the villa on the island of Capri. In 1910, Bogdanov, Lunacharsky, Mikhail Pokrovsky and their supporters moved the school to Bologna, in 1913, Lunacharsky moved to Paris, where he started his own Circle of Proletarian Culture. After the outbreak of World War I in 1914, Lunacharsky adopted an internationalist antiwar position, in 1915, Lunacharsky and Pavel Lebedev-Poliansky restarted the social democratic newspaper Vpered, with an emphasis on proletarian culture. The New York Times reported his resignation in 1921, Lunacharsky was associated with the establishment of the Bolshoi Drama Theater in 1919, working with Maxim Gorky, Alexander Blok and Maria Andreyeva. He was also in charge of the Soviet states first censorship system, Lunacharsky helped his former colleague, Alexander Bogdanov, start a semi-independent proletarian art movement, Proletkult. Lunacharsky also oversaw improvements in Russias literacy rate, by arguing for their architectural Importance, he argued for the protection of historic buildings against elements in the Bolshevik Party who wanted to destroy them. In 1930 Lunacharsky represented the Soviet Union at the League of Nations, Lunacharsky died in Menton, France, en route to take up his post as the Soviet ambassador to Spain. Lunacharskys remains were returned to Moscow where his urn was buried in the Kremlin Wall Necropolis, during the Great terror of 1936-1938, Lunacharskys name was erased from the Communist Partys history and his memoirs were banned
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Bauhaus
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The Bauhaus was founded by Walter Gropius in Weimar. Nonetheless, it was founded with the idea of creating a work of art in which all arts, including architecture. The Bauhaus style later became one of the most influential currents in modern design, Modernist architecture and art, design, the Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Although the school was closed, the continued to spread its idealistic precepts as they left Germany. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, many Germans of left-wing views were influenced by the cultural experimentation that followed the Russian Revolution, such as constructivism. Such influences can be overstated, Gropius did not share these radical views, thus, the Bauhaus style, also known as the International Style, was marked by the absence of ornamentation and by harmony between the function of an object or a building and its design. In its first seven years, the Werkbund came to be regarded as the body on questions of design in Germany. The entire movement of German architectural modernism was known as Neues Bauen, beginning in June 1907, Peter Behrens pioneering industrial design work for the German electrical company AEG successfully integrated art and mass production on a large scale. Behrens was a member of the Werkbund, and both Walter Gropius and Adolf Meyer worked for him in this period. The Bauhaus was founded at a time when the German zeitgeist had turned from emotional Expressionism to the matter-of-fact New Objectivity, beyond the Bauhaus, many other significant German-speaking architects in the 1920s responded to the same aesthetic issues and material possibilities as the school. They also responded to the promise of a minimal dwelling written into the new Weimar Constitution, ernst May, Bruno Taut, and Martin Wagner, among others, built large housing blocks in Frankfurt and Berlin. The acceptance of modernist design into everyday life was the subject of publicity campaigns, well-attended public exhibitions like the Weissenhof Estate, films, the Vkhutemas, the Russian state art and technical school founded in 1920 in Moscow, has been compared to Bauhaus. Founded a year after the Bauhaus school, Vkhutemas has close parallels to the German Bauhaus in its intent, organization, the two schools were the first to train artist-designers in a modern manner. Vkhutemas was a school than the Bauhaus, but it was less publicised outside the Soviet Union. With the internationalism of modern architecture and design, there were exchanges between the Vkhutemas and the Bauhaus. In addition, El Lissitzkys book Russia, an Architecture for World Revolution published in German in 1930 featured several illustrations of Vkhutemas/Vkhutein projects there. The school was founded by Walter Gropius in Weimar in 1919 as a merger of the Grand Ducal School of Arts and Crafts and the Weimar Academy of Fine Art. Its roots lay in the arts and crafts founded by the Grand Duke of Saxe-Weimar-Eisenach in 1906
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Nazism
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National Socialism, more commonly known as Nazism, is the ideology and practice associated with the 20th-century German Nazi Party and Nazi Germany, as well as other far-right groups. Nazism subscribed to theories of racial hierarchy and Social Darwinism, identifying Germans as part of what Nazis regarded as an Aryan or Nordic master race and it aimed to overcome social divisions and create a homogeneous society, unified on the basis of racial purity. The term National Socialism arose out of attempts to create a nationalist redefinition of socialism, the Nazi Partys precursor, the Pan-German nationalist and anti-Semitic German Workers Party, was founded on 5 January 1919. By the early 1920s, Adolf Hitler assumed control of the organisation, following the Holocaust and German defeat in World War II, only a few fringe racist groups, usually referred to as neo-Nazis, still describe themselves as following National Socialism. The full name of Adolf Hitlers party was Nationalsozialistische Deutsche Arbeiterpartei, the shorthand Nazi was formed from the first two syllables of the German pronunciation of the word national. The term was in use before the rise of the NSDAP as a colloquial and derogatory word for a peasant, characterizing an awkward. It derived from Ignaz, being a version of Ignatius, a common name in Bavaria. Opponents seized on this and shortened the first word of the name, Nationalsozialistische. The NSDAP briefly adopted the Nazi designation, attempting to reappropriate the term, the use of Nazi Germany, Nazi regime, and so on was popularised by German exiles abroad. From them, the spread into other languages and was eventually brought back to Germany after World War II. In English, Nazism is a name for the ideology the party advocated. The majority of scholars identify Nazism in practice as a form of far-right politics, far-right themes in Nazism include the argument that superior people have a right to dominate over other people and purge society of supposed inferior elements. Adolf Hitler and other proponents officially portrayed Nazism as being neither left- nor right-wing, but the politicians of the Right deserve exactly the same reproach. It was through their miserable cowardice that those ruffians of Jews who came into power in 1918 were able to rob the nation of its arms, a major inspiration for the Nazis were the far-right nationalist Freikorps, paramilitary organisations that engaged in political violence after World War I. The Nazis stated the alliance was purely tactical and there remained substantial differences with the DNVP, the Nazis described the DNVP as a bourgeois party and called themselves an anti-bourgeois party. After the elections in 1932, the alliance broke after the DNVP lost many of its seats in the Reichstag, the Nazis denounced them as an insignificant heap of reactionaries. The DNVP responded by denouncing the Nazis for their socialism, their violence. Kaiser Wilhelm II, who was pressured to abdicate the throne and flee into exile amidst an attempted communist revolution in Germany, there were factions in the Nazi Party, both conservative and radical
21.
Beauty
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Beauty is a characteristic of an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Beauty is studied as part of aesthetics, culture, social psychology and sociology, an ideal beauty is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection. The experience of beauty often involves an interpretation of some entity as being in balance and harmony with nature, because this can be a subjective experience, it is often said that beauty is in the eye of the beholder. The classical Greek noun that best translates to the English beauty or beautiful was κάλλος, kallos, however, kalos may and is also translated as ″good″ or ″of fine quality″ and thus has a broader meaning than only beautiful. Similarly, kallos was used differently from the English word beauty in that it first and foremost applied to humans, the Koine Greek word for beautiful was ὡραῖος, hōraios, an adjective etymologically coming from the word ὥρα, hōra, meaning hour. In Koine Greek, beauty was associated with being of ones hour. Thus, a ripe fruit was considered beautiful, whereas a woman trying to appear older or an older woman trying to appear younger would not be considered beautiful. In Attic Greek, hōraios had many meanings, including youthful, the earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive, ancient Greek architecture is based on this view of symmetry and proportion. Plato considered beauty to be the Idea above all other Ideas, aristotle saw a relationship between the beautiful and virtue, arguing that Virtue aims at the beautiful. During the Gothic era, the classical canon of beauty was rejected as sinful. Later, Renaissance and Humanist thinkers rejected this view, and considered beauty to be the product of rational order, Renaissance artists and architects criticised the Gothic period as irrational and barbarian. This point of view of Gothic art lasted until Romanticism, in the 19th century, the Age of Reason saw a rise in an interest in beauty as a philosophical subject. For example, Scottish philosopher Francis Hutcheson argued that beauty is unity in variety and variety in unity. The Romantic poets, too, became concerned with the nature of beauty, with John Keats arguing in Ode on a Grecian Urn that Beauty is truth, truth beauty. Ye know on earth, and all ye need to know, in the Romantic period, Edmund Burke postulated a difference between beauty in its classical meaning and the sublime. The concept of the sublime, as explicated by Burke and Kant, suggested viewing Gothic art and architecture, though not in accordance with the standard of beauty
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Germans
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Germans are a Germanic ethnic group native to Central Europe, who share a common German ancestry, culture and history. German is the mother tongue of a substantial majority of ethnic Germans. The English term Germans has historically referred to the German-speaking population of the Holy Roman Empire since the Late Middle Ages, before the collapse of communism and the reunification of Germany in 1990, Germans constituted the largest divided nation in Europe by far. Ever since the outbreak of the Protestant Reformation within the Holy Roman Empire, of approximately 100 million native speakers of German in the world, roughly 80 million consider themselves Germans. Thus, the number of Germans lies somewhere between 100 and more than 150 million, depending on the criteria applied. Today, people from countries with German-speaking majorities most often subscribe to their own national identities, the German term Deutsche originates from the Old High German word diutisc, referring to the Germanic language of the people. It is not clear how commonly, if at all, the word was used as an ethnonym in Old High German, used as a noun, ein diutscher in the sense of a German emerges in Middle High German, attested from the second half of the 12th century. The Old French term alemans is taken from the name of the Alamanni and it was loaned into Middle English as almains in the early 14th century. The word Dutch is attested in English from the 14th century, denoting continental West Germanic dialects, while in most Romance languages the Germans have been named from the Alamanni, the Old Norse, Finnish and Estonian names for the Germans were taken from that of the Saxons. In Slavic languages, the Germans were given the name of němьci, originally with a meaning foreigner, the English term Germans is only attested from the mid-16th century, based on the classical Latin term Germani used by Julius Caesar and later Tacitus. It gradually replaced Dutch and Almains, the latter becoming mostly obsolete by the early 18th century, the Germans are a Germanic people, who as an ethnicity emerged during the Middle Ages. Originally part of the Holy Roman Empire, around 300 independent German states emerged during its decline after the Peace of Westphalia in 1648 ending the Thirty Years War and these states eventually formed into modern Germany in the 19th century. The concept of a German ethnicity is linked to Germanic tribes of antiquity in central Europe, the early Germans originated on the North German Plain as well as southern Scandinavia. By the 2nd century BC, the number of Germans was significantly increasing and they began expanding into eastern Europe, during antiquity these Germanic tribes remained separate from each other and did not have writing systems at that time. In the European Iron Age the area that is now Germany was divided into the La Tène horizon in Southern Germany and the Jastorf culture in Northern Germany. By 55 BC, the Germans had reached the Danube river and had either assimilated or otherwise driven out the Celts who had lived there, and had spread west into what is now Belgium and France. Conflict between the Germanic tribes and the forces of Rome under Julius Caesar forced major Germanic tribes to retreat to the east bank of the Rhine, in Roman-held territories with Germanic populations, the Germanic and Roman peoples intermarried, and Roman, Germanic, and Christian traditions intermingled. The adoption of Christianity would later become an influence in the development of a common German identity
23.
Tatars
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The Tatars are a Turkic people living in Asia and Europe who were one of the five major tribal confederations in the Mongolian plateau in the 12th century CE. The name Tatar first appears in form on the Kul Tigin monument as
24.
Vologda
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Vologda is a city and the administrative, cultural, and scientific center of Vologda Oblast, Russia, located on the Vologda River within the watershed of the Northern Dvina. The city serves as a transport hub of the Northwest of Russia. The Ministry of Culture of the Russian Federation has classified Vologda as a city, one of forty-one in Russia. 224 buildings in Vologda have been recognized as cultural heritage monuments. Two conflicting theories exist as to the date of Vologdas foundation, the year 1147 is the official date first fixed in 1780 by Alexey Zasetsky in his book Stories about miracles of Gerasimus of Vologda. The story mentions that in 1147 the Trinity Monastery was founded close to the Vologda River, the date of the foundation of the monastery is then taken as the date of the foundation of the city of Vologda and is mentioned in official city documents. This date, which would make Vologda to be of the age as Moscow, is, however. The story was written in 1666 by a certain Foma. Foma himself admitted that he had no sufficient data on the biography, the story contains many contradicting details. Besides, the life in the Russian north was not known in the 12th century. Archeological excavations do not confirm this date either, instead, they demonstrate that the city of Vologda was founded in the 13th century. The year 1264 was the first mention of Vologda when it was included in the list of possessions of the Novgorod Republic in the agreement between the Republic and the Grand Prince of Vladimir and this date is also supported by archaeological data. The nucleus of Vologda in the 13th century was not located in the area which is now the city center and this area was the center of Vologda up to 1565. Until that year, no stone constructions existed in Vologda, all of the city fortifications, bridges, houses, churches, and industrial enterprises were made of wood. In 1371, Dmitry Prilutsky, a monk from the Nikolsky Monastery in Pereslavl-Zalessky, founded Nikolsky Monastery, now known as Spaso-Prilutsky Monastery, in 1397, during the reign of Vasily I, Vologda was added to the Grand Duchy of Moscow. Subsequently, the city was several times attacked by Novgorod forces, during the Muscovite Civil War, Vologda played a key role. From there Vasily traveled to the Kirillo-Belozersky Monastery where the hegumen released him from the oath, the civil war continued, and in 1450, Vologda was besieged by the troops of Dmitry Shemyaka, however, they did not manage to occupy the town. After the death of Vasily in 1462, Vologda passed to the possession of his son Andrey Menshoy and became the center of the Principality of Vologda
25.
Franz von Stuck
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Franz Stuck was a German painter, sculptor, engraver, and architect. In 1906, Stuck was awarded the Order of Merit of the Bavarian Crown and was known as Franz Ritter von Stuck. Born at Tettenweis near Passau, Stuck displayed an affinity for drawing, to begin his artistic education he relocated in 1878 to Munich, where he would settle for life. From 1881 to 1885 Stuck attended the Munich Academy and he first became well known by cartoons for Fliegende Blätter, and vignette designs for programmes and book decoration. In 1889 he exhibited his first paintings at the Munich Glass Palace, in 1892 Stuck co-founded the Munich Secession, and also executed his first sculpture, Athlete. The next year he won acclaim with the critical and public success of what is now his most famous work. Also during 1893, Stuck was awarded a medal for painting at the Worlds Columbian Exposition in Chicago. In 1895 he began teaching painting at the Munich Academy, in 1897 Stuck married an American widow, Mary Lindpainter, and began work designing his own residence and studio, the Villa Stuck. His designs for the villa included everything from layout to interior decorations, having attained much fame by this time, Stuck was ennobled on December 9,1905 and would receive further public honours from around Europe during the remainder of his life. He continued to be respected among young artists as professor at the Munich Academy. Notable students of his over the years include Paul Klee, Hans Purrmann, Wassily Kandinsky, Alf Bayrle and he was a member of the International Society of Sculptors, Painters and Gravers. Franz von Stuck died on August 30,1928 in Munich and he is buried in the Munich Waldfriedhof next to his wife Mary. Stucks subject matter was primarily from mythology, inspired by the work of Arnold Böcklin, large forms dominate most of his paintings and indicate his proclivities for sculpture. His seductive female nudes are an example of popular Symbolist content. Ritter von Stucks Kämpfende Amazone, created in 1897, graced Hermann Görings Carinhall, the number of Stucks pupils who achieved great success served to enhance the teachers own fame. Yet by the time of his death, Stucks importance as an artist in his own right had almost been forgotten, his art seemed old-fashioned, Stucks reputation languished until the late 1960s when a renewed interest in Art Nouveau brought him to attention once more. In 1968 the Villa Stuck was opened to the public, it is now a museum, in Robert Waites book The Psychopathic God, Adolph Hitler and numerous other sources it is noted that Franz Stuck was Hitlers favorite painter from childhood on. Stucks paintings were mentioned by Carl Jung, who wrote, Art nouveau Symbolism Adam, collection of Works by Franz von Stuck Museum Villa Stuck The Gallery of Franz von Stuck Franz von Stuck, Living Images Grave of Mary and Franz von Stuck
26.
Claude Monet
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Monets ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the son of Claude Adolphe Monet and Louise Justine Aubrée Monet. On 20 May 1841, he was baptized in the parish church, Notre-Dame-de-Lorette, as Oscar-Claude. Despite being baptized Catholic, Monet later became an atheist, in 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the familys ship-chandling and grocery business and his mother was a singer, and supported Monets desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts, locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, Boudin taught Monet en plein air techniques for painting. Both received the influence of Johan Barthold Jongkind, on 28 January 1857, his mother died. At the age of sixteen, he left school and went to live with his widowed, childless aunt, when Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window. Monet was in Paris for several years and met other painters, including Édouard Manet and others who would become friends. After drawing a low number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry in Algeria for a seven-year period of military service. His prosperous father could have purchased Monets exemption from conscription but declined to do so when his son refused to give up painting. While in Algeria Monet did only a few sketches of scenes, a single landscape. In a Le Temps interview of 1900 however he commented that the light, after about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monets aunt intervened to get him out of the army if he agreed to complete a course at an art school and it is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter
27.
Haystacks (Monet series)
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Haystacks is a title of a series of impressionist paintings by Claude Monet. The primary subjects of all of the paintings in the series are stacks of hay in the field after the harvest season, the title refers primarily to a twenty-five canvas series begun in the end of summer of 1890 and continued through the following spring, using that years harvest. Some use a definition of the title to refer to other paintings by Monet with this same theme. The series is known for its use of repetition to show differences in perception of light across various times of day, seasons. The subjects were painted in fields near Monets home and gardens in Giverny, the series is among Monets most notable works. Six of the twenty-five haystacks pieces in this series are currently housed at the Art Institute of Chicago, several private collections also hold Haystack paintings. Monet settled in Giverny in 1883, most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres of his home. Indeed, the haystacks themselves were situated just outside his door and he was intensely aware of and fascinated by the visual nuances of the region’s landscape and the variation in the seasons. Monet had already painted the subject in different moods. The conventional wisdom was that the compact, solid haystacks were both a subject and an unimaginative one. However, contemporary writers and friends of the artist noted that Monets subject matter was always carefully chosen, Monet undertook a study of capturing their vibrance under direct light and juxtaposing the same subject from the same view in more muted atmospheric conditions. It was not unusual for Monet to alter the canvases back in his studio, the stacks depicted herein are variously referred to as haystacks and grainstacks. The 15-to-20-foot stacks were emblematic of the beauty and prosperity of countryside Normandy in France, the haystacks functioned as storage facilities that preserved the wheat until stalk and chaff could be more efficiently separated. The Norman method of storing hay was to use hay as a cover to shield ears of wheat from the elements until they could be threshed, the threshing machines traveled from village to village. Thus, although the wheat was harvested in July it often took until March for all the farms to be reached and these stacks became common in the mid 19th century. This method survived for 100 years, until the inception of combine harvesters, although shapes of stacks were regional, it was common for them to be round in the Paris Basin and the region of Normandy in which Giverny is situated. Monet noticed this subject on a casual walk and he requested that his stepdaughter Blanche Hoschedé bring him two canvases. He believed that one canvas for overcast weather and one for sunny weather would be sufficient, however, he realized he could not demonstrate the several distinct impressions on one or two canvases
28.
Richard Wagner
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works and he described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen and his advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music, Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, until his final years, Wagners life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century, his influence spread beyond composition into conducting, philosophy, literature, Richard Wagner was born to an ethnic German family in Leipzig, where his family lived at No. 3, the Brühl in the Jewish quarter and he was baptized at St. Thomas Church. He was the child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine. Wagners father Carl died of typhus six months after Richards birth, afterwards his mother Johanna lived with Carls friend, the actor and playwright Ludwig Geyer. In August 1814 Johanna and Geyer probably married—although no documentation of this has found in the Leipzig church registers. She and her family moved to Geyers residence in Dresden, until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father, Geyers love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel, in late 1820, Wagner was enrolled at Pastor Wetzels school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a scale at the keyboard and preferred playing theatre overtures by ear. Following Geyers death in 1821, Richard was sent to the Kreuzschule, at the age of nine he was hugely impressed by the Gothic elements of Carl Maria von Webers opera Der Freischütz, which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright and his first creative effort, listed in the Wagner-Werk-Verzeichnis as WWV1, was a tragedy called Leubald. Begun when he was in school in 1826, the play was influenced by Shakespeare
29.
Lohengrin (opera)
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Lohengrin, WWV75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. It is part of the Knight of the Swan tradition, the opera has inspired other works of art. King Ludwig II of Bavaria named his fairy-tale castle New Swan Castle, or Neuschwanstein and it was King Ludwigs patronage that later gave Wagner the means and opportunity to compose, build a theatre for, and stage his epic cycle The Ring of the Nibelung. The most popular and recognizable part of the opera is the Bridal Chorus, better known as Here Comes the Bride, the literary figure of Lohengrin first appeared as a supporting character in the final chapter of the middle-age epic poem Parzival of Wolfram von Eschenbach. The Grail Knight Lohengrin, son of the Grail King Parzival, is sent to the duchess of Brabant to defend her and his protection comes under the condition that she must never ask his name. If she violates this requirement, he will be forced to leave her, Wagner attempted at the same time to weave elements of Greek tragedy into the plot. He wrote the following in Mitteilungen an meine Freunde about his Lohengrin plans, Who doesnt know Zeus, the god is in love with a human woman and approaches her in human form. The lover finds that she cannot recognize the god in this form, Zeus knows that she would be destroyed by the sight of his real self. He suffers in this awareness, suffers knowing that he must fulfill this demand and he will seal his own doom when the gleam of his godly form destroys his lover. Is the man who craves for God not destroyed, in composing Lohengrin Wagner created a new form of opera, the through-composed music drama. The composition is not divided into numbers, but is played from act to act without any interruption. This style of composition contrasts with that of the conventional number opera, which is divided into arias, recitatives, Lohengrin still contains lengthy performances—for example, Elsas Alone in dark days and Lohengrins Grail aria—which harken back to the classical solo aria form. Wagner made extensive use of leitmotives in his composition and these motives allowed Wagner to precisely narrate the inner thoughts of the characters on stage, even without speech. The first production of Lohengrin was in Weimar, Germany, on 28 August 1850 at the Staatskapelle Weimar under the direction of Franz Liszt, Liszt chose the date in honour of Weimars most famous citizen, Johann Wolfgang von Goethe, who was born on 28 August 1749. Despite the inadequacies of the lead tenor Karl Beck, it was a popular success. Wagner himself was unable to attend the first performance, having been exiled because of his part in the 1849 May Uprising in Dresden. Although he conducted various extracts in concert in Zurich, London, Paris and Brussels, the operas first performance outside German-speaking lands was in Riga on 5 February 1855. The Austrian premiere took place in Vienna at the Theater am Kärntnertor on 19 August 1858, the work was produced in Munich for the first time at the National Theatre on 16 June 1867, with Heinrich Vogl in the title role and Mathilde Mallinger as Elsa
30.
Helena Blavatsky
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Helena Petrovna Blavatsky was a Russian occultist, spirit medium, and author who co-founded the Theosophical Society in 1875. She gained a following as the leading theoretician of Theosophy. Born into an aristocratic Russian-German family in Yekaterinoslav, Ukraine, Blavatsky traveled widely around the Russian Empire as a child, largely self-educated, she developed an interest in Western esotericism during her teenage years. According to her claims, in 1849 she embarked on a series of world travels, visiting Europe, the Americas. Both contemporary critics and later biographers have argued that some or all of foreign visits were fictitious. Relocating to the United States in 1873, she befriended Henry Steel Olcott and rose to attention as a spirit medium. In New York City, Blavatsky co-founded the Theosophical Society with Olcott, in 1877 she published Isis Unveiled, a book outlining her Theosophical world-view. In 1880 she and Olcott moved to India, where the Society was allied to the Arya Samaj and that same year, while in Ceylon she and Olcott became the first Westerners to officially convert to Buddhism. Although opposed by the British administration, Theosophy spread rapidly in India, amid ailing health, in 1885 she returned to Europe, there establishing the Blavatsky Lodge in London. Here she published The Secret Doctrine, a commentary on what she claimed were ancient Tibetan manuscripts and she died of influenza in the home of her disciple and successor, Annie Besant. Blavatsky was a controversial figure during her lifetime, championed by supporters as a guru and derided as a fraudulent charlatan. Developing a reliable account of Blavatskys life has proved difficult for biographers because in life she deliberately provided contradictory accounts. Further, very few of her own writings authored prior to 1873 survive, the accounts of her early life provided by her family members have also been considered dubious by biographers. Blavatsky was born as Helena Petrovna von Hahn in the Ukrainian town of Yekaterinoslav and her birth date was 12 August 1831, although according to the Julian calendar used in 19th-century Russia it was 31 July. Immediately after her birth, she was baptized into the Russian Orthodox Church and her mother was Helena Andreyevna von Hahn, a self-educated 17-year-old who herself was the daughter of Princess Yelena Pavlovna Dolgorukova, a similarly self-educated aristocrat. Pyotr had not been present at his daughters birth, having been in Poland fighting to suppress the November Uprising against Russian rule, a year after Pyotrs arrival in Yekaterinoslav, the family relocated to the nearby army town of Romankovo. When Blavatsky was two old, her younger brother, Sasha, died in another army town when no medical help could be found. In 1835, mother and daughter moved to Odessa, where Blavatskys maternal grandfather Andrei Fadeyev and it was in this city that Blavatskys sister Vera Petrovna was born
31.
Tulpa
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Tulpa is a concept in mysticism of a being or object which is created through sheer spiritual or mental discipline alone. Indian Buddhist texts call it an unreal, illusory, or mind-created apparition, the term comes from Tibetan to build or to construct, Tibetan, སྤྲུལ་པ, Wylie, sprul-pa, Sanskrit, निर्मित nirmita निर्माण nirmāṇa. Tulpa is sometimes used synonymously to magical emanation, conjured thing, phantom, some modern practitioners use the term to refer to a type of imaginary friend. One early Buddhist text, the Samaññaphala Sutta lists the ability to create a “mind-made body” as one of the fruits of the contemplative life, a Buddha or other realized being is able to project many such nirmitas simultaneously in an infinite variety of forms, in different realms simultaneously. Asangas Bodhisattvabhūmi defines nirmāṇa as an illusion and “basically, something without a basis”. The Madhyamaka school of philosophy sees all reality as empty of essence, tulpa is a spiritual discipline and teachings concept in Tibetan Buddhism and Bon. The term “thoughtform” is used as early as 1927 in Evans-Wentz translation of the Tibetan Book of the Dead. John Myrdhin Reynolds in a note to his English translation of the story of Garab Dorje defines a tulpa as “an emanation or a manifestation. ”The 14th Dalai Lama is said to be partly a tulpa of Chenrezig. The Dalai Lama mentioned in a statement that his successor might appear via tulpa while the current Dalai Lama is still alive. As the Tibetan use of the concept is described in the book Magical Use of Thoughtforms. While they were told that the tulpa was a deity, The pupil who accepted this was deemed a failure –. Belgian-French explorer, spiritualist, and Buddhist Alexandra David-Néel observed these mystical practices in 20th century Tibet and she reported tulpas are magic formations generated by a powerful concentration of thought. David-Néel wrote that an accomplished Bodhisattva is capable of effecting ten kinds of magic creations, the power of producing magic formations, tulkus or less lasting and materialized tulpas, does not, however, belong exclusively to such mystic exalted beings. Any human, divine or demoniac being may be possessed of it, the only difference comes from the degree of power, and this depends on the strength of the concentration and the quality of the mind itself. This, say Tibetan occultists, happens nearly mechanically, just as the child, David-Néel raised the possibility that her experience was illusory, I may have created my own hallucination, though she reports that others could see the thoughtforms that have been created. A thoughtform is the equivalent concept to a tulpa but within the Western occult tradition, the Western understanding is believed by some to have originated as an interpretation of the Tibetan concept. Its concept is related to the Western philosophy and practice of magic and he further elaborated on thoughtforms in his following book, Clairvoyance and Occult Powers. The theosophist Annie Besant wrote a book titled Thought Forms, describing them in detail, the community originated in 2009 from the discussion board 4chan, and gained popularity through the emergence of the My Little Pony, Friendship Is Magic fandom
32.
Pointillism
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Pointillism /ˈpɔɪntᵻlɪzəm/ is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism, the term Pointillism was coined by art critics in the late 1880s to ridicule the works of these artists, and is now used without its earlier mocking connotation. The movement Seurat began with this technique is known as Neo-Impressionism, the Divisionists, too, used a similar technique of patterns to form images, though with larger cube-like brushstrokes. The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a range of tones. It is related to Divisionism, a technical variant of the method. Divisionism is concerned with theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today, and is seen in the works of Seurat, Signac. However, see also Andy Warhols early works, and Pop Art, the practice of Pointillism is in sharp contrast to the traditional methods of blending pigments on a palette. Pointillism is analogous to the four-color CMYK printing process used by some printers and large presses that place dots of Cyan, Magenta, Yellow. Televisions and computer monitors use a technique to represent image colors using Red, Green. If red, blue, and green light are mixed, the result is something close to white light, painting is inherently subtractive, but Pointillist colors often seem brighter than typical mixed subtractive colors. This may be partly because subtractive mixing of the pigments is avoided, the painting technique used for Pointillist color mixing is at the expense of the traditional brushwork used to delineate texture. The majority of Pointillism is done in oil paint, anything may be used in its place, but oils are preferred for their thickness and tendency not to run or bleed. Pointillism also refers to a style of 20th-century music composition, different musical notes are made in seclusion, rather than in a linear sequence, giving a sound texture similar to the painting version of Pointillism. This type of music is known as punctualism or klangfarbenmelodie
33.
Fauvism
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While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Henri Matisse and André Derain, the paintings of the Fauves were characterized by seemingly wild brush work and strident colors, while their subject matter had a high degree of simplification and abstraction. Fauvism can be classified as a development of Van Goghs Post-Impressionism fused with the pointillism of Seurat and other Neo-Impressionist painters. Other key influences were Paul Cézanne and Paul Gauguin, whose employment of areas of saturated color—notably in paintings from Tahiti—strongly influenced Derains work at Collioure in 1905, in 1888 Gauguin had said to Paul Sérusier, How do you see these trees. So, put in yellow, this shadow, rather blue, paint it with pure ultramarine, Fauvism can also be seen as a mode of Expressionism. Moreaus broad-mindedness, originality and affirmation of the potency of pure color was inspirational for his students. Matisse said of him, He did not set us on the right roads and this source of empathy was taken away with Moreaus death in 1898, but the artists discovered other catalysts for their development. In 1896, Matisse, then an art student, visited the artist John Peter Russell on the island of Belle Île off the coast of Brittany. The next year he returned as Russells student and abandoned his earth-colored palette for bright Impressionist colors, later stating, Russell was my teacher, Russell had been a close friend of Vincent van Gogh and gave Matisse a Van Gogh drawing. In parallel with the discovery of contemporary avant-garde art came an appreciation of pre-Renaissance French art. Another aesthetic influence was African sculpture, of which Vlaminck, Derain, many of the Fauve characteristics first cohered in Matisses painting, Luxe, Calme et Volupté, which he painted in the summer of 1904, whilst in Saint-Tropez with Paul Signac and Henri-Edmond Cross. The artists shared their first exhibition at the 1905 Salon dAutomne, Henri Rousseau was not a Fauve, but his large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited near Matisses work and may have had an influence on the pejorative used. Vauxcelles comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, the pictures gained considerable condemnation—A pot of paint has been flung in the face of the public, wrote the critic Camille Mauclair —but also some favorable attention. Matisses Neo-Impressionist landscape, Luxe, Calme et Volupté, had already exhibited at the Salon des Indépendants in the spring of 1905. Art history History of painting Neo-Fauvism Visual arts Western painting Gerdts, the Color of Modernism, The American Fauves. Spivey, Virginia, Fauvism, Smarthistory at Khan Academy Whitfield, Fauve Painting from the Permanent Collection at the National Gallery of Art Fauvism, The Wild Beasts of Early Twentieth Century Art Rewald, Sabine. New York, The Metropolitan Museum of Art Gelett Burgess, The Wild Men of Paris, Matisse, Picasso and Les Fauves,1910
34.
Bavaria
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Bavaria is a free state and one of 16 federal states of Germany. Located in the German southeast with an area of 70,548 square kilometres and its territory comprises roughly a fifth of the total land area of Germany, and, with 12.9 million inhabitants, it is Germanys second most populous state. Munich, Bavarias capital and largest city, is the third largest city in Germany, the Duchy of Bavaria dates back to the year 555. In the 17th century CE, the Duke of Bavaria became a Prince-elector of the Holy Roman Empire, the Kingdom of Bavaria existed from 1806 to 1918, when Bavaria became a republic. In 1946, the Free State of Bavaria re-organised itself on democratic lines after the Second World War, Bavaria has a unique culture, largely because of the states Catholic majority and conservative traditions. Bavarians have traditionally been proud of their culture, which includes such as Oktoberfest. The state also has the second largest economy among the German states by GDP figures, modern Bavaria also includes parts of the historical regions of Franconia, Upper Palatinate and Swabia. The Bavarians emerged in a north of the Alps, previously inhabited by Celts. The Bavarians spoke Old High German but, unlike other Germanic groups, rather, they seem to have coalesced out of other groups left behind by Roman withdrawal late in the 5th century. These peoples may have included the Celtic Boii, some remaining Romans, Marcomanni, Allemanni, Quadi, Thuringians, Goths, Scirians, Rugians, the name Bavarian means Men of Baia which may indicate Bohemia, the homeland of the Celtic Boii and later of the Marcomanni. They first appear in written sources circa 520, a 17th century Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the diocese was named after an ancient Bohemian king, Boiia, in the 14th century BCE. From about 554 to 788, the house of Agilolfing ruled the Duchy of Bavaria and their daughter, Theodelinde, became Queen of the Lombards in northern Italy and Garibald was forced to flee to her when he fell out with his Frankish overlords. Garibalds successor, Tassilo I, tried unsuccessfully to hold the frontier against the expansion of Slavs. Tassilos son Garibald II seems to have achieved a balance of power between 610 and 616, after Garibald II little is known of the Bavarians until Duke Theodo I, whose reign may have begun as early as 680. From 696 onwards he invited churchmen from the west to organize churches and his son, Theudebert, led a decisive Bavarian campaign to intervene in a succession dispute in the Lombard Kingdom in 714, and married his sister Guntrud to the Lombard King Liutprand. At Theodos death the duchy was divided among his sons, at Hugberts death the duchy passed to a distant relative named Odilo, from neighbouring Alemannia. He was defeated near Augsburg in 743 but continued to rule until his death in 748, saint Boniface completed the peoples conversion to Christianity in the early 8th century. Bavaria was in ways affected by the Protestant Reformation in the 16th century
35.
Murnau am Staffelsee
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Murnau am Staffelsee is a market town in the district of Garmisch-Partenkirchen, in the Oberbayern region of Bavaria, Germany. The market originated in the 12th century around the Murnau Castle, Murnau is on the edge of the Bavarian Alps, approximately 70 kilometres south of Munich. Directly to its west is the Staffelsee lake and to the south are the peaks and ridges of the Ammergauer Alps beginning with the Hörnle up to the Ettaler Manndl, to the south, the Murnauer Moos is the largest enclosed wetland of its kind in Central Europe. Murnau was first documented in 1150 and it received the right to hold markets from Louis V, Duke of Bavaria, in 1350 and retains the title of Markt to this day. The area around Murnau was already settled in pre-Christian times, from the reign of Septimius Severus, a Roman road called Via Raetia led above the Brenner Pass and Seefeld Saddle through the upper Isar-Loisachtal valleys all the way to Augsburg. The road continued under the name Via Imperii as an imperial road, signs of Celtic and Roman settlements have been found on the meanwhile outworn moss area around the Moosberg in the Murnauer Moos. At that time Murnau was not more than a station with the name Murau or Mureau. The name from which late Murnau has been formed referred to the current Murnauer moss, Murnau has been mentioned documentary at the first time in 1150. The church Saint Nikolaus appeared about 1300 in an official document, the first naming of the castle Murnau occurs in 1324. In 1350 Ludwig the Brandenburger confirms the blood spell, the right, the weekly market on Wednesday. 1632–1648, Murnau is occupied by Sweden and French, also the quartering of imperial troops during the Thirty Years War takes place. In 1634 the plague breaks out, the church Saint Nikolaus gets rebuild from 1717 to 1734. In 1722 the Leonhardi and the Skapuliermarkt is granted, in 1803 the cloister of Ettal is secularized, the health care office is forced to close and Murnau gets assigned to the district court of Weilheim. The town suffered a fire in the year of 1835 and was subsequently almost completely rebuilt. The subsequent rebuilding led to a closed townscape as Murnau is presented today, during World War II a Nazi POW camp for Polish officers was located there. In 1879 the railway line Weilheim-Murnau opened, ten years later in 1889 the connection Murnau-Garmisch follows. And so does the line Murnau-Oberammergau in 1900, Münter house Murnau Avenue Kottmüller Initiated by Emanuel von Seidls, the site of Murnau has changed completely in beginning of the 20th century. In 1908 both artist pairs Gabriele Münter / Vassily Kandinsky and Marianne von Werefkin / Alexej Jawlensky stayed in Murnau at the time to paint together
36.
Annie Besant
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Annie Besant was a British socialist, theosophist, womens rights activist, writer and orator and supporter of Irish and Indian self-rule. In 1867, Annie at age 20, married Frank Besant, a clergyman and she then became a prominent speaker for the National Secular Society and writer and a close friend of Charles Bradlaugh. In 1877 they were prosecuted for publishing a book by birth control campaigner Charles Knowlton, the scandal made them famous, and Bradlaugh was elected M. P. for Northampton in 1880. She became involved with union actions including the Bloody Sunday demonstration and she was a leading speaker for the Fabian Society and the Marxist Social Democratic Federation. She was elected to the London School Board for Tower Hamlets, in 1890 Besant met Helena Blavatsky and over the next few years her interest in theosophy grew while her interest in secular matters waned. She became a member of the Theosophical Society and a prominent lecturer on the subject, as part of her theosophy-related work, she travelled to India. In 1898 she helped establish the Central Hindu College and in 1922 she helped establish the Hyderabad National Collegiate Board in Mumbai, in 1902, she established the first overseas Lodge of the International Order of Co-Freemasonry, Le Droit Humain. Over the next few years she established lodges in many parts of the British Empire, in 1907 she became president of the Theosophical Society, whose international headquarters were in Adyar, Madras. She also became involved in politics in India, joining the Indian National Congress, when World War I broke out in 1914, she helped launch the Home Rule League to campaign for democracy in India and dominion status within the Empire. This led to her election as president of the India National Congress in late 1917, in the late 1920s, Besant travelled to the United States with her protégé and adopted son Jiddu Krishnamurti, who she claimed was the new Messiah and incarnation of Buddha. Krishnamurti rejected these claims in 1929, after the war, she continued to campaign for Indian independence and for the causes of theosophy, until her death in 1933. Annie Wood was born in 1847 in London into a family of Irish origin. She was proud of her heritage and supported the cause of Irish self-rule throughout her adult life and her father died when she was five years old, leaving the family almost penniless. Her mother supported the family by running a house for boys at Harrow School. However, she was unable to support Annie and persuaded her friend Ellen Marryat to care for her, Marryat made sure that Besant had a good education. She was given a sense of duty to society and an equally strong sense of what independent women could achieve. As a young woman, she was able to travel widely in Europe. There she acquired a taste for Roman Catholic colour and ceremony that never left her, in 1867, at age twenty, she married 26-year-old clergyman Frank Besant, younger brother of Walter Besant
37.
Charles Webster Leadbeater
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Charles Webster Leadbeater was an influential member of the Theosophical Society, author on occult subjects and co-initiator with J. I. Wedgwood of the Liberal Catholic Church and he became a high-ranking officer of the society, but resigned in 1906 amid a scandal involving accusations of pederasty. After Annie Besant became President of the Society, he was readmitted, Leadbeater went on to write over 69 books and pamphlets as well as maintain regular speaking engagements. His efforts on behalf of the society assured his status as one of its members until his death in 1934. Leadbeater was born in Stockport, Cheshire, in 1854 and his father, Charles Sr. was born in Lincoln and his mother Emma was born in Liverpool. By 1861 the family had relocated to London, where his father was a railway contractors clerk, in 1862, when Leadbeater was eight years old, his father died from tuberculosis. Four years later a bank in which the savings were invested became bankrupt. Without finances for college, Leadbeater sought work soon after graduating high school in order to provide for his mother. He worked at various clerical jobs, during the evenings he became largely self-educated. For example, he studied astronomy and had a 12-inch reflector telescope to observe the heavens at night and he also studied French, Latin and Greek. An uncle, his fathers brother-in-law, was the well-known Anglican cleric William Wolfe Capes, by his uncles influence, Leadbeater was ordained an Anglican priest in 1879 in Farnham by the Bishop of Winchester. By 1881, he was living with his mother at Bramshott in a cottage which his uncle had built. He was an active priest and teacher who was remembered later as a bright and cheerful, about this time, after reading about the séances of reputed medium Daniel Dunglas Home, Leadbeater developed an active interest in spiritualism. His interest in Theosophy was stimulated by A. P. Sinnetts Occult World, the next year he met Helena Petrovna Blavatsky when she came to London, she accepted him as a pupil and he became a vegetarian. Around this time he wrote a letter to Kuthumi, asking to be accepted as his pupil, shortly afterward, an encouraging response influenced him to go to India, he arrived at Adyar in 1884. This was the start of a career with the Theosophical Society. During 1885, Leadbeater traveled with Henry Steel Olcott, first President of the Theosophical Society, to Burma, in Ceylon they founded the English Buddhist Academy, with Leadbeater staying there to serve as its first headmaster under very austere conditions. This school gradually expanded to become Ananda College, which now has more than 6,000 students and has a named for Leadbeater
38.
Tretyakov Gallery
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The State Tretyakov Gallery is an art gallery in Moscow, Russia, the foremost depository of Russian fine art in the world. In 1892, Tretyakov presented his famous collection of approximately 2,000 works to the Russian nation. The façade of the building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin, during the 20th century, the gallery expanded to several neighboring buildings, including the 17th-century church of St. Nicholas in Tolmachi. In 1977 the Gallery kept a significant part of the George Costakis collection, Pavel Tretyakov started collecting art in the middle of 1850. The founding year of the Tretyakov Gallery is considered to be 1856, schilder and Skirmish with Finnish Smugglers by V. G. Kudyakov, although earlier, in 1854-1855, he had bought 11 graphic sheets and 9 pictures of old Dutch masters, in 1867 the Moscow City Gallery of Pavel and Sergei Tretyakov was opened. The Gallery’s collection consisted of 1,276 paintings,471 sculptures and 10 drawings of Russian artists, in August 1892 Tretyakov presented his art gallery to the city of Moscow as a gift. In the collection at time, there were 1,287 paintings and 518 graphic works of the Russian school,75 paintings and 8 drawings of European schools,15 sculptures. The official opening of the called the Moscow City Gallery of Pavel. The gallery was located in a mansion that the Tretykov family had purchased in 1851. As the Tretyakov collection of art grew, the part of the mansion filled with art and it became necessary to make additions to the mansion in order to store. Additions were made in 1873,1882,1885,1892 and 1902-1904, construction of the façade was managed by the architect A. M. In early 1913, the Moscow City Duma elected Igor Grabar as a trustee of the Tretyakov Gallery, on June 3,1918, the Tretyakov Gallery was declared owned by Russian Federated Soviet Republic and was named the State Tretyakov Gallery. Igor Grabar was again appointed director of the museum, with Grabar’s active participation in the same year, the State Museum Fund was created, which up until 1927 remained one of the most important sources of replenishment of the gallerys collection. In 1926 architect and academician A. V, shchusev became the director of the gallery. In the following year the gallery acquired the house on Maly Tolmachevsky Lane. After restructuring in 1928, it housed the administration, academic departments, library, manuscripts department
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Lenbachhaus
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The Lenbachhaus in Munich contains an art museum and is part of Munichs Kunstareal. Some of the rooms have kept their original design, the city of Munich acquired the building in 1924 and opened a museum there in 1929. The latest wing was closed to the public in 2009 to allow the expansion and restoration of the Lenbachhaus by Norman Foster, the museum reopened in May 2013. The architect placed the new entrance on Museumsplatz in front of the Propylaea. The new facade, clad in metal tubes made of an alloy of copper and aluminum, the gallery contains a variety of works by Munich painters and contemporary artists, in styles such as The Blue Rider and New Objectivity. Works by members of the Munich Secession are also on display, the group was founded in 1892, and includes artists such as the impressionist painters Lovis Corinth, Max Slevogt and Fritz von Uhde. Münter donated 1,000 “Blue Rider” works to the museum on her 80th birthday, artists of the New Objectivity like Christian Schad and Rudolf Schlichter are exhibited in several rooms. The Lenbachhaus strengthened its investment especially in the oeuvre of Joseph Beuys considerably by acquiring numerous works of art, young artists are promoted in exhibitions in the affiliated Kunstbau above the Subway Station Königsplatz. Stephanie Weber curated a show of Mark Boulos and film series of Charles Simonds and Christoph Schlingensief, all the while commissioning performances by Tom Thayer. Spencer Yeh and adding to the works by Vito Acconci, VALIE EXPORT. Since starting at Munichs Lenbachhaus in September, shes been hard at work on a retrospective of Polish-born feminist artist Lea Lublin that opens this summer, Lenbachhaus website Lenbachhaus at the Google Art Project
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Solomon R. Guggenheim Museum
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It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern and contemporary art and also features special exhibitions throughout the year. The museum was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director and it adopted its current name after the death of its founder, Solomon R. Guggenheim, in 1952. In 1959, the museum moved from rented space to its current building, designed by Frank Lloyd Wright, the cylindrical building, wider at the top than the bottom, was conceived as a temple of the spirit. Its unique ramp gallery extends up from ground level in a long, the building underwent extensive expansion and renovations in 1992 and from 2005 to 2008. The museums collection has grown organically, over eight decades, and is founded several important private collections. The collection is shared with the museums sister museums in Bilbao, Spain, in 2013, nearly 1.2 million people visited the museum, and it hosted the most popular exhibition in New York City. Solomon R. Guggenheim, a member of a mining family, had been collecting works of the old masters since the 1890s. In 1926, he met artist Hilla von Rebay, who introduced him to European avant-garde art, in abstract art that she felt had a spiritual. Guggenheim completely changed his strategy, turning to the work of Wassily Kandinsky. He began to display his collection to the public at his apartment in the Plaza Hotel in New York City, as the collection grew, he established the Solomon R. Guggenheim Foundation, in 1937, to foster the appreciation of modern art. The foundations first venue for the display of art, the Museum of Non-Objective Painting, opened in 1939 under the direction of Rebay, in midtown Manhattan. By the early 1940s, the foundation had accumulated such a collection of avant-garde paintings that the need for a permanent museum building had become apparent. In 1943, Rebay and Guggenheim wrote a letter to Frank Lloyd Wright asking him to design a structure to house, Wright accepted the opportunity to experiment with his organic style in an urban setting. It took him 15 years,700 sketches, and six sets of working drawings to create the museum, in 1948, the collection was greatly expanded through the purchase of art dealer Karl Nierendorfs estate of some 730 objects, notably German expressionist paintings. By that time, the collection included a broad spectrum of expressionist and surrealist works, including paintings by Paul Klee, Oskar Kokoschka. Nevertheless, she left a portion of her collection to the foundation in her will, including works by Kandinsky, Klee, Alexander Calder, Albert Gleizes, Mondrian. The museum was renamed the Solomon R. Guggenheim Museum in 1952, Rebay conceived of the space as a temple of the spirit that would facilitate a new way of looking at the modern pieces in the collection. She wrote to Wright that each of these great masterpieces should be organized into space, would test the possibilities to do so
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Art of Europe
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The art of Europe encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. Before the 1800s, the Christian church was an influence upon European art. The history of the Church was very much reflected in the history of art, in the same period of time there was renewed interest in heroes and heroines, tales of mythological gods and goddesses, great wars, and bizarre creatures which were not connected to religion. Secularism has influenced European art since the Classical period, while most art of the last 200 years has produced without reference to religion. On the other hand, European art has often influenced by politics of one kind or another, of the state, of the patron. European art is arranged into a number of periods, which, historically. Broadly the periods are, Classical, Byzantine, Medieval, Gothic, Renaissance, Baroque, Rococo, Neoclassical, European prehistoric art is an important part of the European cultural heritage. Prehistoric art history is divided into four main periods, Stone age, Neolithic, Bronze age. Most of the artifacts of this period are small sculptures. The oldest European cave art dates back 40,800, rock painting was also performed on cliff faces, but fewer of those have survived because of erosion. One well-known example is the paintings of Astuvansalmi in the Saimaa area of Finland. When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Altamira cave, Cantabria, Spain in 1879, recent reappraisals and numerous additional discoveries have since demonstrated their authenticity, while at the same time stimulating interest in the artistry of Upper Palaeolithic peoples. Cave paintings, undertaken with only the most rudimentary tools, can also furnish valuable insight into the culture, the figures are generally rather sketchily depicted in thin paint, with the relationships between the groups of humans and animals more carefully depicted than individual figures. Other less numerous groups of art, many engraved rather than painted. The Iberian examples are believed to date from a period perhaps covering the Upper Paleolithic, Mesolithic. There are human heads and some fully represented animals, but full-length human figures at any size are so rare that their absence may represent a religious taboo, the Minoan culture is regarded as the oldest civilization in Europe
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August Macke
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August Macke was one of the leading members of the German Expressionist group Der Blaue Reiter. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him, August Robert Ludwig Macke was born in Germany on 3 January 1887, in Meschede, Westphalia. Shortly after Augusts birth the family settled at Cologne, where Macke was educated at the Kreuzgymnasium and became a friend of Hans Thuar, in 1904 Mackes father died, and in that year Macke enrolled at the Kunstakademie Düsseldorf, under Adolf Maennchen. Thereafter Macke lived most of his life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists and his style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elisabeth Gerhardt, in 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter. Mackes meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him, Delaunays chromatic Cubism, which Apollinaire had called Orphism, influenced Mackes art from that point onwards. His Shops Windows can be considered an interpretation of Delaunays Windows. August Mackes oeuvre can be considered as Expressionism, and also as part of Fauvism, the paintings concentrate primarily on expressing feelings and moods rather than reproducing objective reality, usually distorting colour and form. Mackes career was cut short by his death in the second month of the First World War at the front in Champagne, France. His final painting, Farewell, depicts the mood of gloom that settled after the outbreak of war and this was also the same year that he painted the famous painting, Türkisches Café in München. The August Macke Prize, was given the first time in 1959 by the districts Arnsberg, Brilon, Olpe and Meschede, the August-Macke-Haus is a museum dedicated to August Macke founded in 1991. It is located in Mackes former home in Bonn, where he lived from 1911 to 1914, at a 1997 Christies auction, Mackes The Couple at a Garden Table was sold for £2 million. Market in Tunis sold for £2.86 million in 2000, consigned by the estate of Ernst Beyeler, the artist’s In the Bazar was auctioned for £3.96 million – then four and a half times the high estimate – at Christies in 2011. August Macke und die rheinischen Expressionisten, August Macke und die fruhe Moderne in Europa Ursula Heiderich, August Macke Aquarelle Werkverzeichnis Anna Meseure, August Macke 1887-1914 G