1.
Tiefurt House
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Tiefurt House is a small stately home on the Ilm river in the Tiefurt quarter of Weimar, about 4km east of the city centre. It was the residence of duchess Anna Amalia of Brunswick-Wolfenbüttel. The house originated at the end of the 16th century as the house of a ducal estate. It consists of a building, with an upper floor of 7 rooms. Charles Augustus granted it to his brother Constantine for his own court, four years later their mother selected it as her summer seat during a long absence of the prince. She and her two servants occupied the floor, with her courtier, Luise von Göchhausen, in the auxiliary building. For around 25 years the castle was Anna Amalias favourite residence, on the duchesss death in 1807 the building became neglected, though Charles Augustuss son Charles Frederick began renovation work within Goethes lifetime. In 1907 it opened to the public as a museum, and from 1978 to 1981 it was restored to its 1800 decor, on the nearby meadow was a landscape garden in the English style, also open to the public. Schiller is buried in the burial chamber in the grounds. The well-known landscape gardener Eduard Petzold was put in charge of the gardens during the 19th-century renovations
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Weimar
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Weimar is a city in the federal state of Thuringia, Germany. It is located between Erfurt in the west and Jena in the east, approximately 80 kilometres southwest of Leipzig,170 kilometres north of Nuremberg and 170 kilometres west of Dresden. Together with the neighbour-cities Erfurt and Jena it forms the metropolitan area of Thuringia with approximately 500,000 inhabitants. Weimar is well known because of its cultural heritage and its importance in German history. The city was a point of the German Enlightenment and home of the leading characters of the literary genre of Weimar Classicism. Until 1948, Weimar was the capital of Thuringia, today, many places in the city centre have been designated as UNESCO World Heritage sites and tourism is one of the leading economic sectors of Weimar. Relevant institutions in Weimar are the Bauhaus University, the Liszt School of Music, in 1999, Weimar was the European Capital of Culture. Archaeological finds dating back to the Thuringii epoch show that the Weimar part of the Ilm valley was settled early, the oldest records regarding Weimar date to 899. Its name changed over the centuries from Wimares through Wimari to Wimar and finally Weimar, it is derived from Old High German wīh-, another theory derives the first element from OHG win. The place was the seat of the County of Weimar, first mentioned in 949, in 1062 it was united with the County of Orlamünde to the new County of Weimar-Orlamünde, which existed until the Thuringian Counts War in 1346 and fell to the Wettins afterwards. The Weimar settlement emerged around the wooden castle and two small churches dedicated to St Peter, and to St James. In 1240, the count founded the monastery in Oberweimar. Soon after, the counts of Weimar founded the town, which was an independent parish since 1249, from 1262 the citizens used their own seal. Nevertheless, the influence of the Weimar counts was declining as the influence of the Wettins in Thuringia increased. Hence, the new town was relatively marginal in a regional context. The settlement around St James Church developed into a suburb during the 13th century, after becoming part of the Wettins territory in 1346, urban development improved. The Wettins fostered Weimar by abolishing socage and granting privileges to the citizens, now Weimar became equal to other Wettinian cities like Weißensee and grew during the 15th century, with the establishment of a town hall and the current main church. Weimar acquired woad trade privileges in 1438, the castle and the walls were finished in the 16th century, making Weimar into a full city
3.
Humanism
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The term was coined in 1808 by the early nineteenth century German educational reformer and theologian Friedrich Niethammer and gradually adopted into English. Niethammer had wished to introduce into German education the humane values of ancient Greece, the word Humanism is ultimately derived from the Latin concept humanitas, and, like most other words ending in -ism, entered English in the nineteenth century. Those who earnestly desire and seek after these are most highly humanized. For the desire to pursue of that kind of knowledge, and the training given by it, has granted to humanity alone of all the animals. Gellius says that in his day humanitas is commonly used as a synonym for philanthropy – or kindness and he himself was involved in public affairs. By assigning pride of place to Paideia in his comment on the etymology of humanitas, gelliuss writings fell into obscurity during the middle ages, but during the Italian Renaissance, Gellius became a favorite author. Teachers and scholars of Greek and Latin grammar, rhetoric, philosophy, during the French Revolution, and soon after, in Germany, humanism began to refer to an ethical philosophy centered on humankind, without attention to the transcendent or supernatural. The designation Religious Humanism refers to organized groups that sprang up during the late-nineteenth and it is similar to Protestantism, although centered on human needs, interests, and abilities rather than the supernatural. The first Humanist Manifesto was issued by a conference held at the University of Chicago in 1933, signatories included the philosopher John Dewey, but the majority were ministers and theologians. But in the century, during the French Enlightenment, a more ideological use of the term had come into use. In 1765, the author of an article in a French Enlightenment periodical spoke of The general love of humanity. A virtue hitherto quite nameless among us, and which we will venture to call humanism, for the time has come to create a word for such a beautiful and necessary thing. The latter part of the 18th and the early 19th centuries saw the creation of numerous philanthropic and benevolent societies dedicated to human betterment. Humanism began to acquire a negative sense, the Oxford English Dictionary records the use of the word humanism by an English clergyman in 1812 to indicate those who believe in the mere humanity of Christ, i. e. Unitarians and Deists. Human-centered philosophy that rejected the supernatural may also be found circa 1500 BCE in the Lokayata system of Indian philosophy, nasadiya Sukta, a passage in the Rig Veda, contains one of the first recorded assertions of agnosticism. Another instance of ancient humanism as a system of thought is found in the Gathas of Zarathustra. Zarathustras philosophy in the Gathas lays out a conception of humankind as thinking beings, dignified with choice, in China, Yellow Emperor is regarded as the humanistic primogenitor. Sage kings such as Yao and Shun are humanistic figures as recorded, king Wu of Zhou has the famous saying, Humanity is the Ling of the world
4.
Romanticism
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Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
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Classicism
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Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. Classicism is a genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources. It was particularly expressed in the Neoclassicism of the Age of Enlightenment, Classicism is a recurrent tendency in the Late Antique period, and had a major revival in Carolingian and Ottonian art. Until that time the identification with antiquity had been seen as a history of Christendom from the conversion of Roman Emperor Constantine I. Renaissance classicism introduced a host of elements into European culture, including the application of mathematics and empiricism into art, humanism, literary and depictive realism, importantly it also introduced Polytheism, or paganism, and the juxtaposition of ancient and modern. The classicism of the Renaissance led to, and gave way to and this period sought the revival of classical art forms, including Greek drama and music. Opera, in its modern European form, had its roots in attempts to recreate the combination of singing and dancing with theatre thought to be the Greek norm, examples of this appeal to classicism included Dante, Petrarch, and Shakespeare in poetry and theatre. Tudor drama, in particular, modeled itself after classical ideals, studying Ancient Greek became regarded as essential for a well-rounded education in the liberal arts. They also began reviving plastic arts such as bronze casting for sculpture, for example, the painting of Jacques-Louis David which was seen as an attempt to return to formal balance, clarity, manliness, and vigor in art. Various movements of the period saw themselves as classical revolts against a prevailing trend of emotionalism and irregularity. The 20th century saw a number of changes in the arts, thus, both pre-20th century disciplines were labelled classical and modern movements in art which saw themselves as aligned with light, space, sparseness of texture, and formal coherence. Examples of classicist playwrights are Pierre Corneille, Jean Racine and Moliere, the influence of these French rules on playwrights in other nations is debatable. In the English theatre, Restoration playwrights such as William Wycherly and those of Shakespeares plays that seem to display the unities, such as The Tempest, probably indicate a familiarity with actual models from classical antiquity. Classicism in architecture developed during the Italian Renaissance, notably in the writings and designs of Leon Battista Alberti and this style quickly spread to other Italian cities and then to France, Germany, England, Russia and elsewhere. In the 16th century, Sebastiano Serlio helped codify the classical orders, building off of these influences, the 17th-century architects Inigo Jones and Christopher Wren firmly established classicism in England. For the development of classicism from the mid-18th-century onwards, see Neoclassical architecture, for Greek art of the 5th century B. C. E. See Classical art in ancient Greece and the Severe style Italian Renaissance painting and sculpture are marked by their renewal of classical forms, motifs and subjects. In the 15th century Leon Battista Alberti was important in theorizing many of the ideas for painting that came to a fully realised product with Raphaels School of Athens during the High Renaissance
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Age of Enlightenment
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The Enlightenment was an intellectual movement which dominated the world of ideas in Europe during the 18th century, The Century of Philosophy. In France, the doctrines of les Lumières were individual liberty and religious tolerance in opposition to an absolute monarchy. French historians traditionally place the Enlightenment between 1715, the year that Louis XIV died, and 1789, the beginning of the French Revolution, some recent historians begin the period in the 1620s, with the start of the scientific revolution. Les philosophes of the widely circulated their ideas through meetings at scientific academies, Masonic lodges, literary salons, coffee houses. The ideas of the Enlightenment undermined the authority of the monarchy and the Church, a variety of 19th-century movements, including liberalism and neo-classicism, trace their intellectual heritage back to the Enlightenment. The Age of Enlightenment was preceded by and closely associated with the scientific revolution, earlier philosophers whose work influenced the Enlightenment included Francis Bacon, René Descartes, John Locke, and Baruch Spinoza. The major figures of the Enlightenment included Cesare Beccaria, Voltaire, Denis Diderot, Jean-Jacques Rousseau, David Hume, Adam Smith, Benjamin Franklin visited Europe repeatedly and contributed actively to the scientific and political debates there and brought the newest ideas back to Philadelphia. Thomas Jefferson closely followed European ideas and later incorporated some of the ideals of the Enlightenment into the Declaration of Independence, others like James Madison incorporated them into the Constitution in 1787. The most influential publication of the Enlightenment was the Encyclopédie, the ideas of the Enlightenment played a major role in inspiring the French Revolution, which began in 1789. After the Revolution, the Enlightenment was followed by an intellectual movement known as Romanticism. René Descartes rationalist philosophy laid the foundation for enlightenment thinking and his attempt to construct the sciences on a secure metaphysical foundation was not as successful as his method of doubt applied in philosophic areas leading to a dualistic doctrine of mind and matter. His skepticism was refined by John Lockes 1690 Essay Concerning Human Understanding and his dualism was challenged by Spinozas uncompromising assertion of the unity of matter in his Tractatus and Ethics. Both lines of thought were opposed by a conservative Counter-Enlightenment. In the mid-18th century, Paris became the center of an explosion of philosophic and scientific activity challenging traditional doctrines, the political philosopher Montesquieu introduced the idea of a separation of powers in a government, a concept which was enthusiastically adopted by the authors of the United States Constitution. Francis Hutcheson, a philosopher, described the utilitarian and consequentialist principle that virtue is that which provides, in his words. Much of what is incorporated in the method and some modern attitudes towards the relationship between science and religion were developed by his protégés David Hume and Adam Smith. Hume became a figure in the skeptical philosophical and empiricist traditions of philosophy. Immanuel Kant tried to reconcile rationalism and religious belief, individual freedom and political authority, as well as map out a view of the sphere through private
7.
Johann Wolfgang von Goethe
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Johann Wolfgang von Goethe was a German writer and statesman. In addition, numerous literary and scientific fragments, more than 10,000 letters and he was an early participant in the Sturm und Drang literary movement. He also contributed to the planning of Weimars botanical park and the rebuilding of its Ducal Palace and his first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy. During this period, Goethe published his novel, Wilhelm Meisters Apprenticeship, the verse epic Hermann and Dorothea, and, in 1808. Goethes comments and observations form the basis of several biographical works, Goethes father, Johann Caspar Goethe, lived with his family in a large house in Frankfurt, then an Imperial Free City of the Holy Roman Empire. Though he had studied law in Leipzig and had been appointed Imperial Councillor, Johann Caspar married Goethes mother, Catharina Elizabeth Textor at Frankfurt on 20 August 1748, when he was 38 and she was 17. All their children, with the exception of Johann Wolfgang and his sister, Cornelia Friederica Christiana and his father and private tutors gave Goethe lessons in all the common subjects of their time, especially languages. Goethe also received lessons in dancing, riding and fencing, Johann Caspar, feeling frustrated in his own ambitions, was determined that his children should have all those advantages that he had not. Although Goethes great passion was drawing, he became interested in literature, Friedrich Gottlieb Klopstock. He also took pleasure in reading works on history and religion. He writes about this period, Goethe became also acquainted with Frankfurt actors, among early literary attempts, he was infatuated with Gretchen, who would later reappear in his Faust and the adventures with whom he would concisely describe in Dichtung und Wahrheit. He adored Caritas Meixner, a wealthy Worms traders daughter and friend of his sister, Goethe studied law at Leipzig University from 1765 to 1768. He detested learning age-old judicial rules by heart, preferring instead to attend the lessons of Christian Fürchtegott Gellert. In Leipzig, Goethe fell in love with Anna Katharina Schönkopf, in 1770, he anonymously released Annette, his first collection of poems. His uncritical admiration for many contemporary poets vanished as he became interested in Gotthold Ephraim Lessing, already at this time, Goethe wrote a good deal, but he threw away nearly all of these works, except for the comedy Die Mitschuldigen. The restaurant Auerbachs Keller and its legend of Fausts 1525 barrel ride impressed him so much that Auerbachs Keller became the real place in his closet drama Faust Part One. As his studies did not progress, Goethe was forced to return to Frankfurt at the close of August 1768, Goethe became severely ill in Frankfurt. During the year and a half that followed, because of several relapses, during convalescence, Goethe was nursed by his mother and sister
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Friedrich Schiller
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Johann Christoph Friedrich von Schiller was a German poet, philosopher, physician, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with the already famous and they frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the son of military doctor Johann Kaspar Schiller. Schiller grew up in a religious family and spent much of his youth studying the Bible. His father was away in the Seven Years War when Friedrich was born and he was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while and his wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schillers father became an officer and was stationed in Schwäbisch Gmünd. Due to the high cost of living—especially the rent—the family moved to nearby Lorch, although the family was happy in Lorch, Schillers father found his work unsatisfying. He sometimes took his son with him, in Lorch, Schiller received his primary education. The quality of the lessons was fairly bad, and Friedrich regularly cut class with his older sister, because his parents wanted Schiller to become a pastor, they had the pastor of the village instruct the boy in Latin and Greek. Pastor Moser was a teacher, and later Schiller named the cleric in his first play Die Räuber after him. As a boy, Schiller was excited by the idea of becoming a cleric and often put on black robes, in 1766, the family left Lorch for the Duke of Württembergs principal residence, Ludwigsburg. Schillers father had not been paid for three years, and the family had been living on their savings but could no longer afford to do so, so Kaspar Schiller took an assignment to the garrison in Ludwigsburg. There the Schiller boy came to the attention of Karl Eugen and he entered the Karlsschule Stuttgart, in 1773, where he eventually studied medicine. During most of his life, he suffered from illnesses that he tried to cure himself. While at the Karlsschule, Schiller read Rousseau and Goethe and discussed Classical ideals with his classmates, the plays critique of social corruption and its affirmation of proto-revolutionary republican ideals astounded its original audience
9.
Christoph Martin Wieland
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Christoph Martin Wieland was a German poet and writer. He is best-remembered for having written the first Bildungsroman, as well as the epic Oberon and he was born in Oberholzheim, which then belonged to the Free Imperial City of Biberach an der Riss in the south-east of the modern-day state of Baden-Württemberg. His father, who was pastor in Oberholzheim and subsequently in Biberach, from the town school of Biberach he passed on at the age of twelve to the Kloster Berge gymnasium, near Magdeburg. During the summer of 1750, he fell in love with a cousin, Sophie Gutermann, and this affair inspired him to plan his first ambitious work, Die Natur der Dinge. In 1750 he went to the University of Tübingen as a student of law, the poems he wrote at the university — Hermann, an epic, Zwölf moralische Briefe in Versen, Anti-Ovid — are pietistic in tone and dominated by the influence of Klopstock. They attracted the attention of the Swiss literary reformer, J. J. Bodmer, here he became intimate with Jean-Jacques Rousseaus friend Julie de Bondeli. In Cyrus, he had been inspired by the deeds of Frederick the Great to write a poem exhibiting the ideal of a hero, araspes und Panthea is based on an episode from the Cyropaedia of Xenophon. Wielands conversion was completed at Biberach, having returned in 1760 as director of the chancery. The monotony of his life here was relieved by the friendship of a Count Stadion, whose library in the castle of Warthausen, not far from Biberach, was stocked with French. Wieland met again his early love Sophie Gutermann, who had become the wife of Hofrat La Roche, then manager of Count Stadions estates. In Don Sylvia von Rosalva, a romance in imitation of Don Quixote, he held up to ridicule his earlier faith, more important is the novel Geschichte des Agathon, in which, under the guise of a Greek fiction, Wieland described his own spiritual and intellectual growth. This work, which Lessing recommended as a novel of classic taste, musarion advocates a rational unity of the sensual and spiritual, Amadis celebrates the triumph of intellectual over physical beauty. Wieland married Anna Dorothea von Hillenbrand on October 21,1765, Wielands daughter Sophia Catharina Susanna Wieland married philosopher Karl Leonhard Reinhold on May 18,1785. Between 1769 and 1772, Wieland was a professor of philosophy at the University of Erfurt, in his Verklagter Amor he defended amatory poetry, and in the Dialogen des Diogenes von Sinope he gave a general vindication of his philosophical views. With the exception of years spent at Ossmannstedt, where in later life he bought an estate. Turning his attention to poetry, he wrote the Wahl des Hercules. In 1773, he founded Der teutsche Merkur, which under his editorship became the most influential literary review in Germany. His views, as exhibited therein, however, showed so much of the narrow conventional spirit of French criticism and this Wieland answered with great good nature, recommending it to all who were fond of wit and sarcasm
10.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
11.
Christian Wolff (philosopher)
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Christian Wolff was a German philosopher. The mountain Mons Wolff on the Moon is named in his honor, Wolff was the most eminent German philosopher between Leibniz and Kant. Wolff was also the creator of German as the language of instruction and research, although he also wrote in Latin, so that an international audience could. Wolff was born in Breslau, Silesia, into a modest family and he studied mathematics and physics at the University of Jena, soon adding philosophy. In 1703, he qualified as Privatdozent at Leipzig University, where he lectured until 1706, by this time he had made the acquaintance of Leibniz, of whose philosophy his own system is a modified version. At Halle, Wolff at first restricted himself to mathematics, but on the departure of a colleague, he added physics, however, the claims Wolff advanced on behalf of philosophical reason appeared impious to his theological colleagues. Halle was the headquarters of Pietism, which, after a struggle against Lutheran dogmatism, had assumed the characteristics of a new orthodoxy. Wolffs professed ideal was to base theological truths on mathematically certain evidence, on 12 July 1723 Wolff held a lecture for students and the magistrates at the end of his term as a rector. Wolff compared, based on books by the Belgian missionaries François Noël and Philippe Couplet, Moses, Christ, according to Voltaire professor August Hermann Francke had been teaching in an empty classroom but Wolff attracted with his lectures around 1,000 students from all over. In the following up Wolff was accused by Francke of fatalism and atheism, as a consequence, Wolff was ousted in 1723 from his first chair at Halle in one of the most celebrated academic dramas of the 18th century. His successors were Joachim Lange, a pietist, and his son and this so enraged the king that he immediately deprived Wolff of his office, and commanded him to leave Prussian territory within 48 hours or be hanged. The same day Wolff passed into Saxony, and presently proceeded to Marburg, Hesse-Kassel, to university he had received a call even before this crisis. The Landgrave of Hesse received him with every mark of distinction, and it was everywhere discussed, and over two hundred books and pamphlets appeared for or against it before 1737, not reckoning the systematic treatises of Wolff and his followers. In 1726 Wolff published his Discours, in which he mentioned the importance of listening to music put on pregnant Chinese women. At the University of Marburg, as one of the most popular and fashionable university teachers in Europe, Frederick proposed to send a copy of Logique ou réflexions sur les forces de lentendement humain to Voltaire in his first letter to the philosopher from 8 August 1736. In 1737 Wolffs Metafysica was translated into French by Ulrich Friedrich von Suhm, Voltaire got the impression Frederick had translated the book himself. In 1738 Frederick William begun the hard labour of trying to read Wolff, in 1740 Frederick William died, and one of the first acts of his son and successor, Frederick the Great, was to acquire him for the Prussian Academy. Wolff refused, but accepted on 10 September 1740 an appointment in Halle and his entry into the town on 6 December 1740 took on the character of a triumphal procession
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Culture of Europe
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The culture of Europe is rooted in the art, architecture, music, literature, and philosophy that originated from the European cultural region. European culture is rooted in what is often referred to as its common cultural heritage. Because of the number of perspectives which can be taken on the subject, it is impossible to form a single. Nonetheless, there are elements which are generally agreed upon as forming the cultural foundation of modern Europe. One list of elements given by K. Berting says that these points fit with Europes most positive realisations. The concept of European culture is linked to the classical definition of the Western world. In this definition, Western culture is the set of literary, scientific, political, artistic, much of this set of traditions and knowledge is collected in the Western canon. If Asia were converted to Christianity tomorrow, it would not thereby become a part of Europe and it is in Christianity that our arts have developed, it is in Christianity that the laws of Europe have--until recently--been rooted. It is against a background of Christianity that all our thought has significance, only a Christian culture could have produced a Voltaire or a Nietzsche. I do not believe that the culture of Europe could survive the complete disappearance of the Christian Faith, the oldest known cave paintings are at the El Castillo cave, older than 40,800 years. The history of Western painting represents a continuous, though disrupted, until the mid 19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor. Developments in Western painting historically parallel those in Eastern painting, in general a few centuries later, the earliest European sculpture to date portrays a female form, and has been estimated at dating from 35,000 years ago. See Classical sculpture, Ancient Greek sculpture, Gothic art, Renaissance, Mannerist, Baroque, Neoclassicism, Modernism, Postminimalism, found art, Postmodern art, Classical music, Important classical composers from Europe include Hildegard von Bingen, J. S. Luciano Pavarotti was a popular opera singer. Folk music, Europe has a wide and diverse range of music, sharing common features in rural. Folk music is embedded in an unwritten, aural tradition, but was transcribed from the nineteenth century onwards. Many classical composers used folk melodies, and folk has influenced popular music in Europe. See the list of European folk musics, popular music, Europe has also imported many different genres of music, mainly from the United States, ranging from Blues, Jazz, Soul, Pop, Rap, Hip-Hop, RnB and Dance
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