Yoni, sometimes called pindika, is an abstract or aniconic representation of the Hindu goddess Shakti. It is usually shown with linga – its masculine counterpart. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The yoni is conceptualized as nature's gateway of all births, particularly in the esoteric Kaula and Tantra practices, as well as the Shaktism and Shaivism traditions of Hinduism.
Lingam-yoni at the Cát Tiên sanctuary, Lâm Đồng province, Vietnam
A jatalinga with yoni.
6th-century Lajja Gauri icon from Madhya Pradesh. In this and other early icons, her head is symbolically substituted with a large lotus-flower, her yoni visible in the depicted splayed position as if she is giving birth.
8th-century Kamakhya Temple, Guwahati, Assam: its sanctum has no murti, but houses a rock with a yoni-shaped fissure with a natural water spring. It is a major Shaktism-tradition pilgrimage site.
A lingam, sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary murti or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the yoni – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence.
A lingam with tripundra, projected on a yoni base
Badavlinga, Hampi (Vijayanagara Empire)
Stone lingam and yoni pedestal found in Cát Tiên, Vietnam, circa 8th century. At 2.1 meter tall, this is the largest lingam ever found in Southeast Asia
A Buddhist stupa (above) may have influenced the later iconography of the Hindu Shiva-linga, according to Swami Vivekananda.